Sophia Di Martino Archives - Page 2 Of 3 - The Wide Screen

June 16, 2021

It’s Only Been 2 Episodes, “Loki” – How Did You Already Destroy The Timeline?

**SPOILERS FOR LOKI AHEAD!**

Dear everyone who complained (sometimes with legitimate reason, to be fair) that it took forever for things to happen in the Marvel Disney+ shows, and that what did happen had no immediate effect on the movies – are you happy now? Because we’re only two episodes into Loki, and the entire duration of the Sacred Timeline, from its highly classified beginnings in the ancient past to its conclusion in the far-distant future, just got carpet-bombed into oblivion, causing gods only know how many new timelines to emerge at once, probably irrevocably altering the landscape of the Marvel Cinematic Universe. You all kept asking for a Multiverse of Madness; well, I think you just got one.

But I think the biggest testament to the strength of the writing and direction behind Loki (shoutout to Michael Waldron and Kate Herron, respectively) is that, in just two episodes, we already care enough about many of the characters in the Time Variance Authority that we can empathize with them as their entire life’s work, the preservation of the Sacred Timeline, comes crashing down around them. That empathy will never translate into sympathy for the institution itself, which is a mechanism designed with the sole intent and purpose of eradicating free will from the universe, but I feel for the people there: perhaps because I genuinely believe they are people, not beings called into existence by the Time-Keepers.

That said, I don’t doubt that there’s a good and probably sympathetic reason behind why the series’ current villain, a rogue Loki variant who for the purposes of simplification I will be referring to as Lady Loki (Sophia Di Martino), chose to obliterate the Sacred Timeline, rendering it no longer sacred nor singular. I can definitely appreciate the poetic irony in her using the TVA’s own technology to undo all of their work in an instant, dropping hundreds of volatile “reset charges” into an equivalent number of random points on the Timeline. And that’s what leads me to believe she’s doing what she does for a reason, something beyond an innate desire to see the world burn: because she seems to have purposefully singled out the TVA for her vengeance.

Is she really Lady Loki, though? She only reveals herself in the episode’s final minutes, and is never named. When Loki (Tom Hiddleston) addresses her as a Loki, she flinches and says she doesn’t want to be called that – but at the same time, goes along with his assertion that she is him, and even remarks that it’s the other way around; he is her. But given the fact that Di Martino bears almost no discernible resemblance to Hiddleston, and that the hairstyling team chose to accentuate that by giving her short blond hair in contrast to his long black locks, the only visual clue she offers for why we should be calling her Lady Loki is her golden tiara, which sports a single, rather unimpressive, devil’s horn – the other having been rudely hewn off.

I know it sounds bizarre to nitpick what seems so obvious, and it’s very likely that Sophia Di Martino is playing Lady Loki, but this series keeps reminding us not to take anything at face value, so I feel I’d be doing it a disservice if I didn’t…well, question everything. A prime example of this is the matter of the Time-Keepers, the trio of mysterious alien deities who supposedly rule over the TVA. Mobius M. Mobius (Owen Wilson) admits in this episode that he’s never actually met them, and Judge Ravonna Renslayer (Gugu Mbatha-Raw) once again coyly avoids a question about where they actually are and what they’re doing. Renslayer is conveniently the only person allowed to speak with the Time-Keepers, although she’d be a lot more convincing if she ever had anything to report from them except that they’re busy.

Even Mobius is starting to ask questions – although he’s more interested in why Renslayer apparently has another analyst secretly working for her on the side, than in the identities of the space lizards whom he still believes created him. Remember what I said last week? Loki’s mere presence in the TVA, his unpredictable nature, his critical thinking skills, his knowledge of the outside world, all pose a threat to the organization’s ability to demand blind subservience from its workers by telling them they have no purpose outside protecting the Timeline. He’s rubbing off on his co-workers, instilling the flame of rebellion in the very heart of this violent system, and they don’t even realize it yet.

Whoever actually runs the TVA definitely realizes it, however, and that’s why Renslayer is so intent on shutting down Mobius and Loki’s operation. I think that’s even why Miss Minutes (voiced by Tara Strong) herself comes down to Loki’s office cubicle to keep an eye on the God of Mischief, prompting a hilarious scene in which Loki tries to swat the talking timepiece with one of Mobius’ magazines about jet-skiing in the early 1990’s. Someone at the top knows how dangerous Loki is, and wants him gone before he corrodes the foundations and brings the whole structure tumbling down. I know it’s you, Kang.

But in an awkward turn of events, it’s Loki who ultimately figures out that the Variant has been hiding in apocalyptic events and natural disasters throughout history as a way of masking their trace on the timeline (an absurdly clever reveal that gave me shades of Connie Willis’ Passage: brilliant novel, highly recommend), and it’s Loki who warns the TVA agents about duplication-casting, a power which Lady Loki later uses against the agents (not to be too much of an Agents Of S.H.I.E.L.D. nerd, but Lady Loki’s ability to transfer her consciousness from one person to another, using human bodies like stepping-stones, reminded me of the S.H.I.E.L.D. villain, Izel). My point is that Loki is actually a huge asset to the TVA.

And Loki knows it. So at the end of the episode, when he’s given the opportunity to stick around with the TVA or follow his own Variant into a time-portal, he chooses the latter – essentially removing himself from the board, rejecting the TVA’s attempts to turn him into a pawn. What he’ll do next depends on where and when he emerges from the portal, but that’s the beauty of it: even he doesn’t know that information! He’s just causing chaos because it’s what he does, because he’s a trickster god.

There’s a scene in this week’s episode where Loki is reading through a case file on Ragnarok, which he helped bring about. As Natalie Holt’s excellent score shifts to a somber tone and brings in the sounds of Scandinavian instruments, the camera closes in on Loki’s intense blue eyes. What’s he thinking, as he reads about the thousands of Asgardian lives lost that day? Is there grief there? Vindication? A little bit of both? What makes it so chilling is that we don’t – and may never – really know.

Episode Rating: 9.5/10

April 5, 2021

“Loki” 2nd Trailer Leans Into The Absurd Side Of Marvel

WandaVision was the gust of fresh air that blew open the doors to the Marvel Cinematic Universe’s untapped reserves of sheer absurdity, and for that I think we will always be thankful. But WandaVision‘s weirdness was very specifically engineered to produce a sense of dread in the viewer, an understanding that something had to be terribly wrong – because worlds like the one Wanda had created for herself couldn’t possibly exist in the (mostly) grounded MCU. Loki, on the other hand, reassures those of us who loved WandaVision that the MCU actually is just…weird. Permanently.

I’ve compared the upcoming Loki series’ concept and styling to the works of British fantasy author Terry Pratchett before, and the second trailer (released today quite out of the blue: classic God of Mischief move) only makes that comparison more apt – as well as making a convincing argument for everyone involved in the production of this series going on to develop an adaptation of any one of Pratchett’s novels after this is done. There’s also shades of Dr. Who, Dirk Gently’s Holistic Detective Agency, and Hitchhiker’s Guide To The Galaxy – basically, every zany, high-concept, British sci-fi/fantasy ever made rolled up into one.

The new trailer for Loki treats us to one deliciously abstract visual after another, beginning with a charming elevator noise as a magical glowing door appears in the wall of what looks like a horrendously ugly 1980’s subway-station with brown, orange, and mustard-yellow tiling; soon revealing a man in a German stahlhelm, holding the Tesseract in one hand, and gripping the Norse deity’s arm with the other. I mean, seriously, just read that sentence and tell me it doesn’t sound like the opening to a Dirk Gently mystery.

The atrocious color palette is echoed throughout all the lobbies, waiting rooms, offices, and elevators of the Time Variance Authority, or TVA for short, in whose headquarters Loki has unwillingly ended up. As in the Marvel Comics, it appears the TVA work from behind-the-scenes to monitor the flow of time, making sure everything runs like clockwork and working to ensure that alternate timelines are cut off before they in turn sprout innumerable other timelines – each an entire universe of possibilities. Like Wanda walking out onto the empty soundstage of her life and finding stage-lights and auditorium seating, we’re seeing for the first time the nuts and bolts of the MCU.

From their seemingly infinite office space (which I’m fairly certain is tucked away in its own dimension, not limited by the confines of our earth), the TVA dispatches heavily-armed soldiers (including one prominently played by Lovecraft Country‘s Wunmi Mosaku) across the Multiverse to locate anyone caught moving across timelines, and drag them back for trial…where they will presumably face Gugu Mbatha-Raw as Judge Renslayer. This character’s first name hasn’t been revealed, but don’t be surprised if it turns out to be Ravonna, since Princess Ravonna Renslayer is a notable comics character who shares a long romantic history with Kang the Conqueror, a time-traveling Marvel villain who’s already been confirmed to appear in Ant-Man And The Wasp: Quantumania, played by Jonathan Majors of Da 5 Bloods and Lovecraft Country.

The TVA’s agenda is still not entirely clear, so it’s possible – I’d say probable – that they have an ulterior motive for keeping Loki alive and enlisting him into their army of timeline-hunters, beyond just needing his “unique Loki perspective”, as Owen Wilson’s Mobius puts it. They, or at least some of their top agents like Renslayer, might be working with Kang to conquer all the timelines simultaneously, and Loki’s knack for causing mischief might work in their favor. Kang could even be the hooded figure we see battling TVA hunters in the agency’s hallways and utilizing their glowing portal technology – though, with alternate universes in play here, that could just as well be Lady Loki, or Old Loki, or another of the God’s many variants.

But while that mystery is sure to be compelling, the thing that has me most excited for the series is the thought of traveling back in time through the history of our earth, and of all the Nine Realms yet to be explored – and all the versions of them that exist throughout the Multiverse. Loki has already been seen playing the part of notorious real-life hijacker D.B. Cooper in the 1970’s, but now we get a clearer glimpse of other locations he’ll travel to, including a Medieval festival (where we later see a TVA hunter wielding a jousting lance); a Roman street that’s probably in Pompeii based on the wall of ash and smoke bearing down on the grinning God; a Roxxcart supermarket; a ruined New York City; an otherworldly mining facility; and two diametrically-opposed castles, one bathed in golden light and the other dark, laced with cracks as if made of glass.

Another awesome reveal is the return of Loki’s magic powers, an aspect of his character that’s been sidelined in his last few movie appearances in favor of his twin daggers. Those beautiful weapons still show up in the trailer, but it’s nice to see him wielding magical green energy-blasts as well, particularly given how badly the Russo Brothers used him in Infinity War; not even allowing him to pull a signature magic-trick on Thanos before having his neck broken. It’s still one of the most embarrassing character betrayals in the MCU, if you ask me.

But the crucial difference is that this Loki is Avengers-era Loki, at the height of his game, riding a massive confidence boost from escaping the Avengers on Earth, and still significantly more villainous than heroic. And the writers have clearly gotten into the character’s headspace from that period, because the chaotic mess of Shakespearean angst that we all fell in love with is finally back, and I can’t wait to see where (and when) his story goes from here.

Trailer Rating: 8.5/10

December 11, 2020

“Loki” Is Lost In Space And Time In 1st Trailer!

I’ve had a great many ideas about how I would love for each of the upcoming Marvel Disney+ shows to look and feel since long before we saw anything official from any of them: and Loki has become my second most hotly-anticipated of the entire batch (just behind WandaVision, which seems like a technical masterpiece as well as a wildly entertaining story) thanks to the elaborate image I had concocted in my head of how it should look, ideally: like a mix of gritty science-fiction, Terry Pratchett absurdity, and fantasy horror. So you can imagine my shock and awe when the first full trailer for Loki revealed that this show is everything I was hoping it would be, and much, much more.

The last time Loki graced our screens was…well, that’s a complex question. Technically that would be in 2018 when, both in our reality and in the main MCU timeline, he died pitifully attacking Thanos with a knife. But when the Avengers later staged their time heist and returned to the year 2012 to recover several Infinity Stones, they encountered the older, more feral and dangerous Loki that they had just battled and defeated in that year: and that Loki was able to escape with the Tesseract, opening a new rift in the Multiverse and ensuring that Captain America’s best efforts to preserve the sanctity of each timeline wouldn’t be entirely successful. The new series follows that Loki as he wanders throughout the Nine Realms, wreaking havoc and upsetting the natural order of things, while fighting characters and beings from the surreal side of Marvel comics.

That surrealism – already evident in the series – is precisely why I draw a comparison to Terry Pratchett: one of my favorite fantasy authors. By a complete coincidence, a trailer for the new BBC adaptation of Pratchett’s The Watch dropped yesterday before the Loki trailer reveal, and in my opinion did a horrible job of conveying the author’s characteristic brand of quirky, grammatical humor, or of capturing the colorful tone and style of his characters. This trailer (which has absolutely nothing to do with Pratchett) effortlessly achieves what any Pratchett adaptation should be aiming for – and if you don’t believe me, just check out the trailer thumbnail above: Loki, dressed in a ratty old coat and splendid emerald green waistcoat, a self-congratulatory campaign button pinned to his breast, grinning from ear to ear, donning his horned helmet, and gleefully teasing us with the line “Come on? What did you expect?”, all while standing in an abandoned arcade, surrounded by a group of absurdly-dressed misfits pointing spears and knives at him. It’s not just a brilliant adaptation of the Loki comics and a striking visual that will entice audiences: it’s a masterclass in absurd humor.

A large part of that has to do with Tom Hiddleston’s deliciously entertaining performance, which is just the right amount of camp; just the right amount of Shakespearean villain; and more quintessentially British than ever before. Hiddleston is, in fact, channeling a number of iconic characters from around the globe, including James Bond and Good Omens‘ Crowley (a creation of Terry Pratchett and Neil Gaiman, by the way). He’s also stepping into the shoes of real-life historical figures – most notably the legendary “D.B. Cooper”.

Those who love the thrill of trying to solve decades-old mysteries will enjoy this reference. D.B. Cooper, the unidentified man who somehow pulled off a mid-air robbery in 1971 before parachuting into a storm and disappearing from history makes an appearance in the Loki trailer: and the series finds a delightfully clever way of answering the questions surrounding Cooper’s true identity, by suggesting that Cooper was none other than the God of Mischief. As for how he escaped an FBI manhunt, well, that’s quite simple: he was snatched out of the sky by the Bifrost bridge of Asgard, of course! A few dollars drift out of Loki’s attaché case as he disappears, and are scorched by the heat of the Bifrost – the same dollars, it would seem, that an eight-year old boy would find by a riverbank years after the event, mysteriously burned. The attention to detail here is simply staggering…and honestly, it’s as good an explanation as any. Cooper’s identity is still unknown, and the FBI officially gave up the search in 2016.

It’s not the only unsolved mystery teased in the trailer. Near the end, a Polybius arcade game is also briefly visible in the background: a reference to the arcade game of the same name that sparked an urban legend in the early 2000’s when it supposedly appeared out of the blue, hypnotizing or even brainwashing players, and attracting the attention of men in black. A crucial part of the legend was that the game would sometimes teleport players to other dimensions, and I expect that it will be used in the same way in Loki.

But why all this talk of historical mysteries? Well, the trailer confirms what we’ve long known: which is that the Time Variance Authority (or TVA) will employ Loki as one of their agents during the course of the show, and assign him various missions fixing the timeline and making sure human history proceeds as it’s supposed to do. The TVA serves much the same function as the Commission in The Umbrella Academy, but with a much larger team of characters: including Mobius. M. Mobius, played by comedic actor Owen Wilson, and a severe-looking councilwoman with martial arts skills, played by Gugu Mbatha-Raw. In the case of Loki, it’s unclear whether the TVA actually wanted him on their team, or were forced to recruit him because of the danger he poses as a rogue operative, wielding the Tesseract. The TVA may also need his help against a shadowy enemy we see in the trailer slaughtering their agents: a hooded figure who could be the time-traveler Kang, or an alternate, even more horrible, version of Loki.

On the sidelines for now but sure to feature more prominently in time, there are hints of the Roxxon Energy Corporation – which, in the comics, tries to colonize space and harvest minerals on Mars. Interestingly, many theorists speculated that Roxxon would be the primary antagonist of Thor: Love And Thunder, with Christian Bale rumored to be playing the corporation’s tyrannical minotaur leader, Dario Agger. Bale has now been confirmed to be playing a different villain, Gorr the God-Butcher, but it seems Roxxon will still play a part in the Loki series at least. We see both its inconspicuous façade on earth, as a grocery store, and its more secretive side in the form of a deep quarry on an alien planet. A red-haired woman is clearly visible in one shot, and Twitter immediately started asking if it might be Natasha Romanoff: but although I initially thought the same thing, the different hairstyle and sword at her hip makes me think this is someone else entirely.

If any major MCU characters are going to show up, I would bet on Chris Hemsworth’s Thor and/or Idris Elba as Heimdall, since Loki’s disguise as D.B. Cooper appears to be part of an ingenious plan to get in contact with both of his fellow Asgardians, and the Bifrost bridge that sucked him up has to have been summoned by somebody. Hopefully something happens by the end of the series that will allow this version of Loki to interact with the current version of Thor.

Trailer Rating: 10/10

March 4, 2020

“Loki” Photos Could Reveal TVA, Lady Loki And More!

The Loki series on Disney+, which will follow the trickster god on a journey through space and time, recently revealed an exceedingly brief snippet of teaser-trailer footage that got the entire Loki fan community talking about the Asgardian sorcerer’s connections to an obscure group of Marvel Comics characters known as the Time Variance Authority, or TVA – now, newly-released behind-the-scenes photos show Loki and the TVA teaming up, as well as the possible introduction of one of two (technically three, but we’ll get to that) Marvel characters that fans have been longing to see onscreen for a while now.

The photos, which surfaced on Twitter, reveal Loki and a number of Time Variance Authority special agents walking through the rain in what could be a park or a field. Loki himself wears a police detective uniform, and a badge of some sort: though this one is gold rather than red, it is likely similar to the symbol of the TVA that was emblazoned upon his prison garb, which we saw in the teaser trailer. It’s impossible to say for certain whether this means that Loki will be imprisoned by the TVA first and then weasel his way into their good graces and start working for them (which sounds very Loki), or if it means he’ll work for the TVA first and then betray them and get landed in prison when a better deal comes along (which also sounds very Loki).

https://twitter.com/hiddlesgold/status/1235219098981801984

Walking alongside Loki and his band of soldiers (who appear to be wearing various articles of armored clothing from different time periods, including what could possibly be modified German Second World War uniforms), is a man dressed in a long blue raincoat with his hood pulled up over his face. Despite that, it’s not implausible to guess that this man could be Owen Wilson, who was cast in a top-secret role for the series. Fans have been wondering whether Wilson could be playing a major Marvel villain like Kang the Conqueror, but if this is him in these photos, I feel pretty confident saying that he’s playing Justice Peace, the head of the TVA and one of its greatest agents. Kang the Conqueror isn’t the type of character to sport a pencil mustache, trousers and brown loafers: Justice Peace is, and seems more like the type of comedic, zany character that Wilson would be asked to play, anyway.

If that is the case, however, it raises the question of why Marvel would go to such lengths to keep Peace a secret. Perhaps they have larger plans in store for him, or perhaps Peace will be revealed to be someone else entirely? Keep an eye on him, is all I’m saying.

Finally, we have a photo of a woman standing alone, who is almost certainly Sophia Di Martino, one of the first actresses to join the cast alongside Tom Hiddleston as Loki. She has short blond hair, and, though her pose and winter-jacket make it hard to see much of her costume, it’s undeniable that she’s wearing some sort of golden pendant or collar, and the rest of her outfit (what’s visible, anyway) appears to be dark green in color. We have no idea who Di Martino is playing yet, but this photo might have a bunch of clues.

Lady Loki/Enchantress — Twitter | @hiddlesgold

The green and gold color-scheme is shared by at least two characters in Marvel’s Asgard mythos: Loki, who wore his classic green-and-gold armor in The Avengers, and Enchantress, a powerful and usually villainous sorceress.

Enchantress is one of those characters who has multiple versions in the comics, with the two most notable being Amora, the original, and significantly more popular, iteration; and Sylvie Lushton, a human Oklahoman girl who gained magical powers through an encounter with Loki. While most fans would probably rather see the Amora version, an unconfirmed addition made to IMDb today could point towards Sylvie being the Enchantress we see in the Loki series: Cailey Fleming, a child actress, has supposedly been added to the series cast in the role of “Young Sylvie”.

Enchantress, no matter which other name she goes by, is almost always depicted as a blond woman wearing green and gold, and almost always has a connection to Loki in some way or another, whether as an ally or enemy. However, the possibility remains that Di Martino is playing neither Amora nor Sylvie Lushton, but could instead be portraying Lady Loki.

Loki, in the comics, is gender-fluid, something I’ve written about previously, and something which is rumored to be a factor in this new series. And even though Di Martino doesn’t strongly resemble Hiddleston, it’s been reported that she could be playing the female version of Loki. She’s blond in this new image, but she might just be waiting for a long black wig. And what we can see of her outfit looks very much like how Lady Loki dresses in the comics: the green is darker than Enchantress’ hallmark green, and gold jewelry is beloved by both Loki and Lady Loki. If that’s the case, then this could be our first look at gender-fluid representation in the Marvel Cinematic Universe.

What do you think? Are these images indicative of anything, or should we wait for context before we jump to conclusions? Share your own thoughts, theories and opinions in the comments below!