Madame Masque Is Likely To Appear In “Hawkeye” Series!

Two stories (or, rather, one story and one completely unverified rumor from a previously unreliable source) about the upcoming Hawkeye Disney+ series dropped on the internet today, with both quickly becoming the topic of much uproarious discourse. The first, which I will address briefly so as to get it out of the way before we move onto the actual story, was the rumor that Adrianne Palicki – who played Mockingbird in early seasons of Agents Of S.H.I.E.L.D. – would be recast, and her character rebooted in the Hawkeye series. This report is nothing to worry about: the site that covered the “news” is notorious for clickbait, so much so that I will not be linking to their story as a matter of principle. With that in mind, let it be known that if Marvel does decides to ever recast Adrianne Palicki as Mockingbird, I will not stand for it.

The second story, which comes from the folks at The Direct, carries much more weight due to their site having proven fairly reliable in past occasions. Per their exclusive reporting, the Hawkeye series will feature the MCU debut of an iconic comics villain, Madame Masque.

Hawkeye Madame Masque
fullcirclecinema.com

Interestingly, this means that both of these stories today are intertwined with the complicated rise and fall of Marvel TV, the studio’s subdivision which, until recently, produced offshoot TV programs for ABC and Netflix: including Agent Carter, which actually introduced a version of Madame Masque in its second and final season. Agent Carter‘s Masque bore little in resemblance to her comics counterpart – instead of an armored, high-tech villainess, Agent Carter‘s Masque was a 1940’s actress modeled on the real-life Hedy Lamarr, who worked secretly for the Allied Forces developing Isodyne Energy: during the course of her character arc, this version of Madame Masque never actually adopted the title, instead using the stage name “Whitney Frost”, a name which, in the comics, Masque sometimes uses. All of this means that, thanks to the show’s twist on the character, Marvel won’t have to explicitly say that this new Madame Masque appearing on the Hawkeye show is in fact a reboot or recast of Agent Carter‘s Masque, because they can legitimately claim that “Whitney Frost” was never really Masque at all. We all know that Agent Carter is Marvel President Kevin Feige’s favorite out of the entire Marvel TV division (it was the only one he himself worked on, and one of its stars, James D’Arcy, even got a brief but important cameo in Avengers: Endgame), so it makes sense why he wouldn’t want to just thoroughly disregard it even now, years after its cancellation.

Hawkeye Madame Masque
Agent Carter’s Madame Masque | imdb.com

But it begs the question: who is the real Madame Masque, the version of the character from the comics who will presumably be brought to life in Hawkeye? For starters, her real name is actually Giulietta Nefaria, and she is the daughter of an Italian crime lord, Count Nefaria. In the comics, she’s most often entangled with Iron Man (either as his enemy or his lover), so the MCU version could do something with that: Iron Man has already been shown to have had countless previously-unheard-of rivals during his career…one more wouldn’t hurt, right? Personally, I think one more could hurt: fans like Iron Man, but this is an MCU trope that’s getting real old, real fast. No, in my opinion, Madame Masque should be her own character, though if she does have to have connections to anybody else in the MCU it should be Baron Zemo. Zemo, who will appear as the main antagonist of The Falcon And The Winter Soldier Disney+ series, is an associate of Masque’s in some comics: she’s even worked as his right-hand woman from time to time. With the MCU version of Zemo being set up to lead a new group of supervillains called the Thunderbolts, the time is ripe for Madame Masque to show up and secure her place on the team. How better to do this by than by trying to take out one of the last remaining Avengers?

In recent comics, Madame Masque has become a frequent enemy of Hawkeye and his young disciple Kate Bishop. They had a pretty infamous run-in on the island of Madripoor (which, as we know already, is also set to appear in The Falcon And The Winter Soldier), where Bishop was able to capture Masque and assume her identity briefly in order to help Hawkeye destroy some incriminating evidence of past potential wrongdoings, all while the real Masque was tied up in Bishop’s hotel room. In revenge for the humiliating incident, Masque later captured Bishop and took her to her California mansion – a mistake, in retrospect, as Bishop escaped and completely wrecked Masque’s home. Masque, motivated at this point purely by pettiness and spite, burned down Bishop’s house, but was eventually captured and put in S.H.I.E.L.D. custody when her secret base of evil operations was discovered in L.A. This is plenty of material for Hawkeye to dig into: but what’s most exciting is that we’ll finally get to see a truly menacing Madame Masque.

Hawkeye Madame Masque
cbr.com

Oh and, unlike the Agent Carter version of the character, one would hope this new Masque would actually, you know…wear a mask. In the comics, her bulletproof golden headpiece isn’t just decorative armor, but is meant to hide her disfigured face. Over the years, the fact that she wears a mask so often, and that so few have seen her true face, has become a major plotpoint: it allowed Kate Bishop to pass as her undetected on Madripoor, and it also led to her being a key target of the shape-shifting Skrulls during the Secret Invasion storyline. She was even attacked by Skrulls who planned to take her form as a disguise. In the MCU, there’s been plenty of hints and signs that point towards Secret Invasion being a major story arc in the near future, although we don’t know if Masque will survive long enough to be involved with any of that: it’s possible she’s merely meant for a one-time appearance.

So what do you think? How do you feel about her character possibly showing up in Hawkeye, and what do you think her future in the MCU will look like after the show ends? Share your own thoughts, theories and opinions in the comments below!

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Nick Fury Heads To Disney+ – Are The Agents Of S.W.O.R.D. About To Assemble?

Nicholas Joseph Fury (better known to general audiences as Nick Fury, and to his friends and family simply as “Fury”) has long been the Marvel Cinematic Universe’s most enigmatic mastermind, the figurative man behind the curtain: subtly moving and manipulating the events of the MCU to better suit his own purposes while cloaking his motives in secrecy. It took us over ten years just to find out why he put together the Avengers Initiative in the first place, or how he lost his eye. But now, Marvel is about to spill some of Fury’s darkest secrets in a new Disney+ series, which will find the spotlight turned on Nick Fury for the first time – with Samuel L. Jackson reprising the now-iconic role, of course. Although the only other real information we have about the series is that Kyle Bradstreet is attached to write and executive produce, there’s actually a good deal of speculation already going on…in which I am about to shamelessly partake, because why not? We’ve been so hungry for Marvel content these past couple of months: allow me this opportunity to indulge myself. I encourage you to join me, because we’re about to have a lot of fun wildly theorizing, and I’m also going to gush about Daisy Johnson for the first time in forever (okay, so it’s been, like, a month, but whatever), so there’s that.

Nick Fury
ign.com

There are several big questions everybody seems to have about this series, but the most urgent one by far is: will this be a prequel, or a sequel set after the events of Avengers: Endgame? If it’s the former, my hype will have plummeted – I just can’t imagine getting excited about only having Samuel L. Jackson return so that he can act as a framing device while a younger actor assumes his role for extensive flashback sequences set prior to Captain Marvel. As we saw in that film, Nick Fury’s life wasn’t actually all that eventful until the superheroine crashed into his life and a nearby Blockbuster. But everything happening right now, all the stuff that’s going on behind the scenes in the MCU that Nick Fury is very much a part of?…that’s what has me intrigued, and has me hoping that this series is not entirely new but is, in fact, one of two or three series’ rumored to be in early stages of pre-production some time ago. I am, of course, talking about Secret Invasion, Agents Of S.W.O.R.D. (which might also be the same thing as Secret Invasion), and Secret Warriors.

Nick Fury
Talos | nerdist.com

For the sake of simplicity, I’m going to combine Secret Invasion and Agents Of S.W.O.R.D. into just one category. It was rumored that Disney+ was making a series which would follow the Agents of S.W.O.R.D. post-Endgame as they deal with a variety of intergalactic threats and generally try to prevent anything on the scale of worldwide decimation from ever happening again. Since we’ve already seen a tiny glimpse of the S.W.O.R.D. organization in the post-credits scene of Spider-Man: Far From Home, which clearly indicated that Nick Fury is overseeing the entire operation, it’s not a stretch to assume that a series about this team would necessarily involve Fury, probably in a starring role. My theory has always been that an eventual Agents Of S.W.O.R.D. series on Disney+ will start out with the team (comprised of humans and shape-shifting Skrull aliens) already formed and working overtime from their in-orbit space station, but will inevitably grow, over the course of one or maybe two seasons, into a full-scale, Secret Invasion storyline. For those unfamiliar with the notion, let’s break it down: basically, in the comics, the Skrull aliens are villains, and eventually attempt to overrun Earth by force, disguising themselves as well-known superheroes and wreaking havoc. In the MCU, this will have to happen for a very different reason, because the Skrulls have thus far been depicted as peaceful refugees trying to establish a new homeworld after their entire way of life was obliterated by the militaristic Kree aliens – but that reason has already presented itself. In Far From Home, it was revealed that the Kree already have sleeper agents on Earth – making it extremely likely that the Skrulls will want to eradicate them before they pose a problem. If this causes rifts between them and the humans on the S.W.O.R.D. team, we could see several Skrulls go rogue and use their abilities to sneak off the space-station and down to Earth – a secret invasion in more ways than one. I’ve talked at length about how certain characters could get roped into this, but the one we need to focus on today is Nick Fury, because of course, all of this will be happening under his watch. A Secret Invasion series would find the S.W.O.R.D. Director attempting to stop the invasion with the help of his team – which, in my opinion, would consist of established characters like the Skrull general Talos, American Air-Force pilot Maria Rambeau, Maria’s daughter Monica, the half-Skrull Hulkling, the infamous Flerken cat Goose…and “astro-ambassador” Daisy Johnson, who will finally make the jump from Agents Of S.H.I.E.L.D. to the MCU proper. Daisy’s space-faring partners, Kora and Daniel Sousa, are give-or-take: I don’t mind them sticking around, but Daisy is currently my top priority, and if we have to make sacrifices to ensure she shows up as an Agent of S.W.O.R.D., then I’m prepared to do so.

When Secret Invasion becomes a massive hit for the Disney+ streaming service thanks to Daisy Johnson’s as-yet hypothetical involvement, the spin-offs will start – and that’s where Secret Warriors comes in. We might as well just refer to this one as the Quake Spinoff, because that’s essentially what it has to be. Another rumored project, this series is said to revolve around a storyline in the comics where Nick Fury enlists Daisy Johnson and a small, elite team of superhumans to take care of the Skrulls that have made it to Earth. This, of course, is where I anticipate Daisy reuniting with S.H.I.E.L.D. teammates like Yo-Yo Rodriguez, but it’s also the other potential series that Nick Fury could lead. That being said, it’s far more likely to be an eventual spin-off of Secret Invasion, and Fury himself will probably have a smaller role. So don’t get your hopes up for Secret Warriors just yet.

Nick Fury
Quake | wallpaperflare.com

At the moment, I think what we’re seeing is the first step towards Secret Invasion. For those of us who love Agents Of S.H.I.E.L.D., it’s a first tentative step towards making that show officially canon to the MCU. For those of us who love Nick Fury and just appreciate seeing Black characters in leading roles, it’s about time that this fascinating super-spy moves to the forefront of the action, after more than a decade spent on the sidelines. For those of us who love both, it’s a win-win situation. And for the rest of you…well, I don’t know why you’ve read this far but I hope you’ve gotten something out of this.

So how do you feel about Nick Fury leading a series on Disney+, and which series do you think it will be? Do you think Daisy Johnson will show up in the MCU? Share your own thoughts, theories and opinions in the comments below!

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“WandaVision” 1st Trailer Review!

The Marvel drought is officially over, with the release of the first full trailer for the studio’s first ever Disney+ streaming series, WandaVision. In a perfect alternate reality, The Falcon And The Winter Soldier would likely already be well into its first season or might even have already concluded – but as we can see from the WandaVision trailer, picture-perfect alternate realities aren’t always as perfect as they seem from the inside looking out.

WandaVision
slashfilm.com

The trailer includes everything I was most hoping to see (and was worried I might not) in just under a minute and a half. The classic sitcom elements are all there, from the constantly changing aspect ratio to the laugh track that we hear punctuating two separate scenes. The psychological horror elements are front and center, with cheerful music accompanying scenes of a quaint suburban utopia glitching: time rewinding, scenes repeating themselves in a loop – all we’re missing is some color bars to make it apparent that Wanda Maximoff and The Vision (whose names, conjoined, make up both the title of the series and a clever play on the word television) are in fact living in a classic sitcom-inspired alternate reality as many of us have guessed from the day the series was announced.

The last we saw of these two characters, Wanda was still in a fragile emotional state and recovering from the traumatic events of several previous Marvel films – and as for Vision, well, he had been killed…twice. Once by Wanda herself after it became clear that she was the only person strong enough to kill him and seemingly destroy the dangerous Mind Stone embedded in his head; once by the Mad Titan Thanos, mere moments after dying the first time, when Thanos used the Time Stone to reverse the consequences of Wanda’s tragic sacrifice, resurrecting Vision only to rip the reconstructed Mind Stone out of his head, killing him instantly and far more brutally.

But now, in the WandaVision trailer, we find them happily married and moving into a lovely little townhouse in the suburbs….back in the 1950’s or 60’s, as is made obvious by the fact that everything is black and white, “Twilight Time” is playing, and Wanda and Vision appear to be channeling Dick Van Dyke and his onscreen bride Mary Tyler Moore. As the two get comfortable, they try to bond with the neighbors (including the nosy Agnes: more on her in a moment), which leads to an uncomfortable dinner party with the newlyweds trying to vaguely explain where they came from, how long they’ve been married, and why they’re still childless. As the screen glitches and Wanda begins to panic, the truth becomes clear – with the help of her supernatural powers, Wanda Maximoff has somehow built an entire idyllic dreamscape for herself an a resurrected Vision. Unable to achieve her happy-ever-after in the real world, she’s decided to build one from scratch. It helps when your alter ego is The Scarlet Witch and you can just do this stuff.

WandaVision
collider.com

But nothing comes easily. Even though we see Wanda trying to keep her utopia intact, the entire place is clearly coming apart at the seams. Why exactly is still unclear: is this whole world somehow contained within Wanda’s mind, and the mental toll of trying to hold it together is inadvertently causing it to crumble to pieces around her? Or are the events of this show playing out in, as I suspect, a pocket dimension, one which is quickly closing or becoming unstable and potentially deadly? To me this latter option seems the most likely for a number of reasons: note, towards the end of the trailer, what looks to be a gated compound surrounded by armored vehicles, helicopters and teams of heavily armed agents (who, by the way, come from S.W.O.R.D., the sister organization of S.H.I.E.L.D.). Note how, when we see Monica Rambeau get thrown through mid-air in Wanda’s world, she pops out through a rift in the real world before into the earth at the same location where all the S.W.O.R.D. agents are stationed (notice also how she zooms straight by a town sign in the real world that seems like it might say Westview, just like the name of the town in Wanda’s world, according to Vision’s newspaper). I think there’s something beyond all those electric fences, something S.W.O.R.D. is guarding or observing, and I think it’s probably a portal to another dimension into which Wanda has entered and to which she has now lost herself – and I think Monica is the agent who’s been tasked with trying to get in and retrieve the Scarlet Witch before the effects of her tampering with the space-time continuum bleed out into the real world (I’ve speculated previously that this is why I think Darcy Lewis will also be appearing in WandaVision: she was a prominent figure in Thor: The Dark World because of how much she knew about portals opening between worlds and dimensions, and her expertise could be vital to S.W.O.R.D.). But, no matter how much Wanda may privately realize she’s living out a fantasy, she’ll still resist having to leave and she’ll probably become a destructive force of dark magic if anyone tries to separate her from Vision – or the two newest members of her family, her twin boys.

Yes, it looks like Wanda and Vision have been busy making up for lost time in this new life they share. Their twin sons, Wiccan and Speed, are both powerful and important heroes in the Marvel comics, and it’s great to see them onscreen at last, even if they are still babies. Thanks to Wanda’s reality-warping powers and the fact that she keeps changing the decade (we start out in the 50’s and progress through television history all the way to the 90’s or early 2000’s in the sitcom world), I expect both boys to be in their teens by the end of WandaVision, making them perfect candidates to join the ranks of the Young Avengers team being assembled across the MCU. I’ve speculated that we’ll see Wiccan, one of the most notable LGBTQ+ characters in Marvel history, come out as gay to his mother after meeting Hulkling, his eventual boyfriend, when the latter arrives as part of the same S.W.O.R.D. team sent to obtain Wanda.

WandaVision
Hulkling and Wiccan | comicsbeat.com

Whether Wanda will be so fortunate in her love life remains to be seen. We know she’s in Doctor Strange: The Multiverse Of Madness, so she clearly survives WandaVision, but she could be permanently scarred (mentally, emotionally, and perhaps physically) by whatever happens to her and Vision here – I definitely don’t see Vision making it out alive, meaning Wanda will likely once again be left heartbroken (especially if S.W.O.R.D. takes her children into their custody as well). Hiding won’t work: even in the confines of her perfect reality, the couple are still in danger thanks to their nosy neighbor Agnes, who is very likely the evil sorceress Agatha Harkness.

In the comics, Harkness is an agent of chaos who mentors/manipulates Wanda and gets the younger Witch embroiled in a couple of unsavory situations, including some very literal deals with the devil. Her iconic purple and fuchsia outfit is reflected in the character Agnes’ bright purple leg warmers and hot pink tights (circa 1980-something). and the witch hat she wears while sitting paralyzed in her car on Halloween, which is where Vision finds her and gently tries to wake her with his own superpowers. When she jumps, and hurriedly asks if she’s dead, it prompts Vision to ask her in his most innocent tone of voice why she would ever think that. “Because you are,” she responds bluntly, before bursting into maniacal laughter. I’ve got to imagine that being informed in the middle of the night by a teal-haired woman wearing a witch’s hat that you’re actually dead and your wife murdered you (oh, and also you’re definitely living in a simulation and your kids are probably fake) has to be an emotional gut punch of some kind.

Probably explains why Vision looks so glum in the next shot, where we see him trick-or-treating in the neighborhood while wearing his iconic outfit from the comics as a Halloween costume. It looks absolutely ridiculous, but it’s an Easter Egg, and I love it. Wanda also wears a version of her comics-accurate costume for the Halloween episode, which includes her signature crescent moon tiara, red cape and gloves. Here’s hoping she gets a more sophisticated version of the costume (or at least the tiara) to wear into battle when she’s inevitably forced to defend her family from intruders.

WandaVision
nerdist.com

I have a suspicion she’ll take down some S.W.O.R.D. agents before all is said and done, but they may not all be so easy to kill, even though she’s armed with dark magic. The way the trailer ends, with us getting our first good look at Monica Rambeau as she recovers from being thrown through the air, makes me think these two women will quickly become nemeses. It won’t be a one-sided fight, either: in the comics, Monica has some cosmic superpowers of her own, which are similar to Captain Marvel’s, and she goes under the alias Spectrum. If push comes to shove (and it will), I think Monica is more than capable of holding her own. It’s even possible that she’ll obtain her powers due to her close proximity to Wanda’s magical outbursts: since we know only Wanda, whose powers derived from the Mind Stone, was able to destroy the Mind Stone, it stands to reason that the only way to defeat Wanda is to use some of her own power against her.

Before we go, I have to make a bold prediction: based off this trailer and what we already know, I think that WandaVision is about to be the most wildly original and imaginative thing that Marvel has ever done, and I believe that it has the potential to usher in a new era in the studio’s history. Marvel’s tried and true formula is known to work, but many of us have been wanting the studio to branch out, try some new things and take some big risks: this trailer is all of that. The MCU is about to get a whole lot messier, as the complications of the Multiverse ensure that literally anything can happen from now on and creative freedom can go unchecked, and I’m here for it.

Trailer Rating: 10/10

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Tatiana Maslany Cast As Marvel’s “She-Hulk”!

Canadian actress Tatiana Maslany has become the second member of Marvel’s growing Hulk family, as she has – according to Deadline – signed on to play Jennifer Walters (a.k.a. She-Hulk) in a highly-anticipated Disney+ series which will follow the fan favorite character on her journey to becoming the indomitable, bright green superheroine. Maslany, whose career highlights include prominent roles on BBC’s Orphan Black and HBO’s Perry Mason, is an unexpected but refreshing choice to play the character, whose casting has been a topic of debate in the Marvel fandom for months.

She-Hulk
theverge.com

Jennifer Walters, the heroine at the heart of the upcoming She-Hulk series, is a character with a lot of heart and humor, and the fancasts for her have primarily been actresses with a background in comedy, such as Alison Brie (who was rumored to be the type of actress Marvel was looking for), Aubrey Plaza and Stephanie Beatriz. My personal favorite fancast was always Aladdin’s Naomi Scott, but clearly that was just me. Anyway, the casting of Maslany might indicate that Marvel has something a little different in mind: Maslany isn’t a stranger to comedy, but her talents are definitely best showcased in her wide range of dramatic performances, from her role(s) on Orphan Black as Sarah Manning and over a dozen clones, to her recent appearance as Sister Alice McKeegan (based on the real life evangelist Aimee McPherson) on Perry Mason. Taking all that into consideration, I’m willing to make a guess that Marvel’s She-Hulk will be just as much a dramatic character as a comedic one, something that I’m relishing the chance to see. Jennifer Walters’ story lends itself to a dramatic telling.

For those unaware of She-Hulk’s origins (and those who mistakenly still think she’s just a Hulk rip-off without her own personality or backstory), here’s a little refresher on where she comes from: in the comics, she starts out as ordinary Jennifer Walters, the cousin of Bruce Banner (who, by then, is already the Hulk). After her father angers a homicidal crime lord, she gets caught in the crossfire and has to be rushed to the hospital, where Bruce Banner gives her an emergency blood transfusion to save her life. The gamma radiation in his blood transmits to her and gives her nearly identical powers, but with a few interesting differences: firstly, when she transforms into her She-Hulk persona, she retains her human intellect and emotions, allowing her greater control over her actions and ensuring she never turns quite as destructive as her cousin; secondly, she doesn’t become a monster…instead, she just turns big, muscular and green, with (typically) an iconic purple and white costume and a mane of 80’s curls that has her at the top of my list of best superhero hairdos. When she’s not fighting crime with her fists, she’s fighting it in the courtroom as a lawyer who represents both civilians (particularly minorities and members of marginalized communities) and superheroes. I have a feeling her backstory will be slightly updated to have her first take legal action against the crime lords, who will then later retaliate and intentionally try to kill her, prompting her into a bit of a crisis as she has to try and figure out whether to go after them as a superpowered vigilante or as a prosecutor backed by the justice system. There’s a lot of potential for drama there.

She-Hulk
usatoday.com

But, as in the comics, there’s also plenty of room for humor. I kind of doubt that the Marvel Cinematic Universe version of She-Hulk will ever directly break the fourth wall as she does in the comics, but that doesn’t mean she still can’t be every bit as funny and sassy as her comics counterpart. A lot of it will depend on surrounding her with a great supporting cast who can act as foils to her: there’s plenty of evidence to suggest that Mark Ruffalo’s Bruce Banner will appear (I mean, he probably has to for her origin story to work), most likely in his newest form as the cool, self-confident Professor Hulk, unless the series takes place prior to the events of Avengers: Endgame. There’s also rumors that a number of other Hulk and Hulk-related characters could show up, including Red Hulk, and maybe even Hulk’s former love interest, Betty Ross (hopefully, as rumored, with Liv Tyler reprising the role).

Kat Coiro, who will direct the She-Hulk pilot and several more episodes in the show, and Jessica Gao, who is the head writer of the series, both also come from the comedy genre and will likely keep things light-hearted (I mean, as much as possible when you’re dealing with a character whose powers literally derive from a nearly fatal shooting).

She-Hulk
nerdist.com

Since the question will eventually come up…no, I really don’t expect the 5′ 4″ Maslany to play She-Hulk in her actual Hulk form: in other words, while she’ll still do the voice and presumably motion-capture, I presume the She-Hulk persona will be realized through CGI. This is a little bit disappointing, especially since no one wants to see special-effects budget limitations possibly hinder how often She-Hulk will be onscreen, but it can’t be helped: Hulk was a fully CGI character too, and no one complained (up until Avengers: Endgame, and then everyone complained). And the Disney+ shows have big enough budgets that She-Hulk’s design should look pretty good, no matter what.

On the other hand, if Tatiana Maslany wants to try and convince me that she’s a towering green woman with the physique of a professional bodybuilder through sheer force of acting, I think I’d buy it. She’s that good an actress.

What do you think of the casting? Are you excited to see She-Hulk make her MCU debut on Disney+? Share your own thoughts, theories and opinions in the comments below!

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Jonathan Majors Cast As Kang The Conqueror In Ant-Man 3!

I did not expect to suddenly have Ant-Man 3 on my radar as one of my most anticipated upcoming Marvel films, but that’s what casting Jonathan Majors in a lead role will do: especially when that lead role is – probably – none other than Kang the Conqueror, one of Marvel Comics’ most notable villains. The Da 5 Bloods and Lovecraft Country star is on his way to becoming a prominent and perhaps even permanent fixture of the Marvel Cinematic Universe’s next couple of phases.

Kang
latimes.com

Ant-Man and its sequel Ant-Man And The Wasp are both perfectly decent, fun films, the former slightly more so than the latter, but Ant-Man 3 is apparently going to cap off the trilogy with an epic finale that raises the stakes dramatically: something I would not have suspected was possible, until now. But now, couple the rumors of a Young Avengers subplot with director Peyton Reed’s comments about making the third film “bigger” and “more sprawling” with “a very different visual template”, and then throw in this extra bombshell of a news story, and you have officially piqued my interest. Kang is a villain that many of us have been hoping would make his MCU debut sooner rather than later, and Jonathan Majors is about to get the breakout role of his career: he’s already made a mark on audiences in the first few audiences of HBO’s horror-fantasy anthology Lovecraft Story, and he made an impression on me in Spike Lee’s Da 5 Bloods, where he plays the troubled son of a Vietnam War veteran who is funny, endearing, and surprisingly resilient when put to the test.

The character of Kang, luckily, comes equipped with a complex and fascinating story (all of which is, of course, subject to change depending on how Marvel decides to utilize him) that will give Majors a lot more to do than some other MCU villain actors. In the comics, Kang starts out as a 31st-Century history buff named Nathaniel Richards who discovers time travel technology and uses it to begin manipulating time and conquering entire planets and alternate universes. Wearing his iconic green and purple armor (which, in my humble opinion, is actually one of the most ridiculous comics outfits of all time, but that can easily be fixed for the movies), Kang battles the Avengers and a number of other heroes, and has interactions with several more: including Thor, the Grandmaster, Black Knight, Mantis, etc. He later messes up the timeline so drastically that a younger version of himself (who goes by the name of Iron Lad) ends up turning on him and forming the Young Avengers team to try and put an end to his evil. It’s a lot to try and explain in a single movie that is already going to be balancing a number of other subplots, so expect to see some of the backstory simplified: one thing I believe will remain, however, is Kang’s origins in another timeline. He doesn’t even necessarily need to be from the future – in Avengers: Endgame, the team’s time-heist created a number of alternate universes, from almost any one of which Nathaniel Richards could emerge. With the upcoming Loki Disney+ series set to explore these new universes in depth, I imagine Marvel could start laying the groundwork for Kang’s dramatic entrance early. It’s possible he’ll even cameo in Loki before showing up on the big screen, though I feel like this news would have broken earlier, if that were the case, considering Loki has been in production for a while now (albeit halted due to coronavirus). But it’s definitely not too late to sneak him in for a cameo or small supporting role now.

Kang
ign.com

Kang showing up in Ant-Man 3 means the rumors of the Young Avengers showing up now feel a lot more plausible, not that they weren’t already: the team is quickly being assembled across the Marvel universe, with characters like Stature (Ant-Man’s daughter) having already been introduced, and Wiccan, Hulkling, Speed, Kate Bishop and America Chavez on their way. There’s a good chance now that Iron Lad will show up too.

Kang also has a bunch of other aliases that he picks up during his adventures through time, including that of an Egyptian pharaoh named Rama-Tut. While this is a wild guess on my part, I wouldn’t rule out the possibility of seeing a hint of this character in Eternals, which will also deal with the Marvel universe’s ancient history. As for where Kang will end up in the future of the MCU, there’s plenty of options: he could become the next big bad; he might set the stage for the Fantastic Four to appear, as they too travel through time and space quite often; it’s theoretically possible he’s a one-and-done villain, but that’s just laughable. You don’t just use Kang once, and you certainly don’t just use Jonathan Majors once, especially not right now as he’s enjoying a swift rise to stardom and mainstream appeal.

One last thing: remember that it’s still not technically confirmed that Majors is playing Kang. Deadline, however, is reporting it as being extremely likely, which is a good sign for all of us who have been waiting to see this villain on the big screen. The only downside to all of this is that it means M.O.D.O.K. and A.I.M. might not be the main villains of Ant-Man 3, as was rumored, although I’m ready to move past that small loss if it means we’re getting Jonathan Majors as a supervillain instead. Who knows? Perhaps M.O.D.O.K. will also appear, and this film is about to become a lot more sprawling than we would have ever guessed.

Ant-Man 3
mcuexchange.com

What do you think of the news that Jonathan Majors is joining the MCU, and how do you feel about Kang? Share your own thoughts, theories and opinions in the comments below!

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Happy Quake Week! What Will It Take To See Quake In The MCU?

Yesterday we discussed a fan-driven campaign very dear to my heart – the #SheRaMovie movement – but today we need to talk about another one: #QuakeSpinoff…and also #ChloeIsMyQuake…and just #QuakeWeek in general. There’s a lot of Quake related hashtags going around on Twitter today, and they’re all created by fans of the Agents Of S.H.I.E.L.D. TV series who fell in love with the character of Daisy Johnson, better known by her superhero nickname Quake, and who want to see her return in a big way in the Marvel Cinematic Universe. Why? Because she’s amazing, that’s why.

Quake
latimes.com

Agents Of S.H.I.E.L.D. was created as a Marvel Cinematic Universe spin-off, but since then it has diverged radically from the main timeline of the MCU – until the finale earlier this month, that is, which showed the team of S.H.I.E.L.D. agents apparently returning to the main timeline (or something like it, at any rate) and moving on with their lives, going their separate ways. Daisy Johnson’s storyline, which began with her as a roguish hacker trying to decipher S.H.I.E.L.D.’s secrets, ended with her furthering the organization’s mission of peace and goodwill in the depths of outer space, onboard the Zephyr Three with her sister Kora and boyfriend Daniel Sousa. Instantly, fans caught onto clues left in this very open ending: specifically, the way it seemed to link her to the S.W.O.R.D. organization, a team of space-faring agents who operate as ambassadors to alien nations while dealing with cosmic threats. S.W.O.R.D. is currently being introduced in the MCU, with former S.H.I.E.L.D. director Nick Fury organizing an entire army of new agents on a top secret space station: other members of this team are expected to appear in the WandaVision series on Disney+. For years, fans have been hoping to see the Agents of S.H.I.E.L.D. cross over into S.W.O.R.D. after the end of their own series, and the conclusion to Daisy’s story seemed to leave the door wide open for such a continuation.

Couple that with actress Chloe Bennet’s recent statements about how she doesn’t think she’s done playing Daisy, and you have yourself a fan-driven campaign. #QuakeWeek was started as an attempt to celebrate the superhero’s long and frankly fantastic character arc on Agents Of S.H.I.E.L.D., highlighting her epic seismic powers. #QuakeSpinoff demands that Daisy not just debut in the MCU, but, obviously, get her own film or Disney+ series – personally, I’d settle for a major role in a Secret Invasion or Secret Warriors series. And #ChloeIsMyQuake insists that Marvel doesn’t simply take the character of Quake and recast her; Chloe Bennet is responsible for the popularity this character has across all mediums. For instance, I highly doubt you’d see Quake showing up in the new Avengers video game if Bennet hadn’t made her a fan-favorite with her nuanced performance.

Quake
cinemablend.com

Now, there are issues involved with transitioning Quake to the MCU – obviously, otherwise this probably would have been a done deal ages ago. Marvel Studios and Marvel TV started out with the intention of having a mostly symbiotic relationship, with the events in the movies impacting the TV shows and vice versa: but that hopeful dream was crushed fairly quickly, even though the few crossovers between the two led to some extremely memorable events on Agents Of S.H.I.E.L.D. and also the opening sequence of Avengers: Age Of Ultron. Since the latter event, there’s been a huge rift between the two divisions, which has only finally been healed now that the TV division has been folded under Kevin Feige’s management. The concern is that Feige has no interest in the entire TV division and wants to throw it all out: he hasn’t ever specifically said that, but he has his own clear vision of the future and it’s unclear what he wants to do with this remnant of Marvel’s past. Reassuringly, it was stated earlier this year that Feige has had talks with ABC, the network on which S.H.I.E.L.D. aired, about future collaborations: there’s no hint of what that might entail, but it’s comforting to know that he cares enough about the work that was done on ABC with S.H.I.E.L.D. to want to expand on that.

At the very least, it’s not implausible that Daisy Johnson could transfer over to the MCU. She’s an extremely popular character, and she has ties to several other major characters and plotpoints soon to be introduced in the MCU, such as the Inhumans, Kamala Khan, and S.W.O.R.D. Most importantly, she and the rest of the S.H.I.E.L.D. team are about as close to the MCU as they can be after the events of the series finale. It’s been confirmed that, at the very least, they now exist somewhere in the same multiverse – a multiverse that, need I remind you, will be explored in depth in the upcoming Doctor Strange sequel. And while it’s hard to say what’s canon to the movies anymore, the movies have subtly hinted that there’s still a connection: Captain Marvel was the most recent Marvel film to reference a S.H.I.E.L.D. character.

Quake
medium.com

And as for why Quake should cross over, well, here’s the thing: she’s not quite the first superheroine in the MCU (and environs), but she’s one of the most consistently well-written ones they’ve ever had. In fact, all the women of S.H.I.E.L.D. are. Daisy Johnson, Yo-Yo Rodriguez, Melinda May, Jemma Simmons…these women have been given the blessing of having hours upon hours of screentime in which to develop their strengths, their flaws, and their messy, complex personalities: this isn’t at all meant to diminish the onscreen achievements of heroines like Peggy Carter, Natasha Romanoff, Gamora, Hope Van Dyne, Okoye, Shuri, or Carol Danvers, but it is noteworthy that Agents Of S.H.I.E.L.D. has had not one but two heroines of Asian descent throughout its entire run (one of them being Daisy herself), and since season three has featured a prominent Latina heroine – something the show never gets enough credit for, in my opinion. These are groundbreaking advances that can’t be undermined or ignored: representation matters. Daisy Johnson matters.

And that’s why I’m lending my voice to the growing movement of passionate Quake fans, and calling on Kevin Feige and the folks at Marvel to make Quake canon. Bring her into the MCU. Have her enlist at S.W.O.R.D. Even if it’s just for a glorified cameo, make sure this character continues to matter for future audiences.

How would you feel if Quake entered the MCU? Delighted, right? Right? Share your own thoughts, theories and opinions in the comments below!

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“Agents Of S.H.I.E.L.D.” Season 7, Episode 11 Review!

SPOILERS FOR AGENTS OF S.H.I.E.L.D. AHEAD!

Thanks to Hurricane Isaias and a poorly-timed power outage, this review is several days late – but still just in time to get out before the Agents Of S.H.I.E.L.D. finale this Wednesday: a hotly-anticipated two-hour long farewell event that will bring seven seasons worth of intricate storytelling to a close…and hopefully tease further adventures with certain characters in the Marvel Cinematic Universe down the line. Fingers crossed.

Agents Of S.H.I.E.L.D.
mcuexchange.com

But before we start looking ahead, let’s break down everything that went on last Wednesday, in the penultimate episode of Agents Of S.H.I.E.L.D. – the episode serves mostly as finale set-up, moving characters into place like chess-pieces ready for battle, but it still manages to get a lot done: particularly when it comes to strengthening the relationship dynamics between our main cast. Daisy Johnson (Chloe Bennet) and Daniel Sousa (Enver Gjokaj) have a chance to clumsily – but adorably – rekindle the romance they started during the turbulent time-loops a week or two ago, while Daisy’s long-lost evil sister Kora (Dianne Loan) establishes a fragile bond with both Daisy and Melinda May (Ming-Na Wen), which quickly breaks down after she learns of the death of her mother, Jiaying – an atrocious act committed by Kora’s partner-in-crime, Nathaniel Malick (Thomas E. Sullivan), which she nonetheless blames on S.H.I.E.L.D. because Malick is apparently so precious to her that by the end of the episode they’re locked in a passionate embrace, kissing while Chronicom warships blow S.H.I.E.L.D. bases to smithereens from space. There’s a lot to unpack here.

Obviously the most urgent issue at hand is the captive state of Jemma Simmons (Elizabeth Henstridge), whom Nathaniel Malick and his crew of mercenaries snatched away from S.H.I.E.L.D. headquarters week before last, with the intention of probing her memories and discovering the location of Malick and the Chronicoms’ arch-nemesis, Leopold Fitz (Iain De Caestecker, appearing only in flashback sequences). By the end of the episode, despite Malick doing everything in his power to ransack Simmons’ mind and emotionally torture her, Fitz’s locations remains a mystery. Add onto that the fact that Simmons apparently doesn’t even remember who Fitz is anymore, and we have ourselves a big problem: the Fitzsimmons ship, which I listed as the most romantic coupling in the Marvel universe, is in real danger of not becoming endgame. Fitzsimmons is known for the emotional trauma it inflicts on all of us, but this episode really outdid itself – through flashbacks, we bore witness to the moment Simmons had to say goodbye to Fitz, screaming through her tears that she didn’t want to forget him or the life they had together. Would it be possible for her to share her memory-suppression technology with the rest of us, so we too can forget that painful scene ever happened?

Then there’s the question of how to rescue Simmons from the Zephyr One, which Malick hijacked and flew straight into the cold void of outer space. Deke Shaw (Jeff Ward) makes a half-hearted attempt that goes wrong very quickly, and gets tortured by Malick alongside Simmons. The last we saw of him, he was alive, but bruised, bloodied, and very confused. Thankfully, Daisy, Daniel Sousa and S.H.I.E.L.D. director Al “Mack” Mackenzie (Henry Simmons) are on their way to the Zephyr One‘s coordinates in their own spacecraft, and they share the most memorable scenes in the episode: Mack tries to play matchmaker for the awkward couple (I wasn’t too fond of them before, but Mack’s teasing – paired with his very serious warning that if Sousa does anything to hurt Daisy, he will face the wrath of the entire S.H.I.E.L.D. team – did a lot to warm me up to the unconventional pairing), and Daniel just can’t get over the fact that Daisy’s superhero nickname is “Quake”, a moniker he finds laughably ridiculous. Personally, I’ve always found “Quake” to be a very cool and fitting name, and I wish Daisy used it more often, but I will admit that Daniel’s suggestion to Daisy that she get a giant “Q” stamped on her utility belt (poor Daniel, with his outdated notions of superhero costuming!) was extremely funny.

Agents Of S.H.I.E.L.D.
appocalypse.co

On the ground, Kora spends most of the time locked away in a S.H.I.E.L.D. holding cell at the Lighthouse, until a confrontation with Melinda May leads to her unleashing her…weird golden glowing fist-punch thing…instantly knocking out all the electricity at the base (too soon, Marvel, too soon), including the computer system’s firewalls – in turn allowing the disembodied Chronicom Sibyl to creep into the Lighthouse’s computer systems, where she starts wreaking havoc immediately. Luckily, Phil Coulson (Clark Gregg) is himself mostly robotic at this point, and spent a good deal of time trapped inside a computer in the 1980’s, giving him an acute knowledge of coding that keeps him…well, not exactly one step ahead of Sibyl, but maybe, like, just one or two steps behind her? He doesn’t manage to stop her from turning every other S.H.I.E.L.D. base around the globe into a heap of burning rubble, but at least he was able to figure out her evil plan a few seconds before she actually went through with it. That’s got to count for something…right?

With the power out, Kora also obtains her freedom. Despite Melinda May’s best efforts to turn the homicidal Inhuman into a force for good, Kora simply doesn’t want to change. She does genuinely offer her services to the S.H.I.E.L.D. team, but her offer involves murdering a baby (though, that baby is the future Grant Ward, which doesn’t make it right but also doesn’t make it entirely bad), so Coulson turns it down. Enraged, Kora escapes back to Malick, and that’s where we get the whole kissing-while-the-world-burns nonsense. Honestly, it’s hard to visualize an outcome where Kora is redeemed by the end of this: her treachery hasn’t earned her any love from the Agents Of S.H.I.E.L.D., and Daisy is already hell-bent on erasing her from history. But, according to Kora, the Agents Of S.H.I.E.L.D. are already living in an alternate timeline and the only way to make things right is to start killing off the people who shouldn’t be alive in the present day – cut to the time-displaced Daniel Sousa, who is definitely treading on very thin ice heading into the finale. Will he, like most of Daisy’s previous love interests, meet a horrible fate, or could he be the lucky one that gets away?

Agents Of S.H.I.E.L.D.
denofgeek.com

Heading into the finale, the world is currently under attack from the Chronicoms, who have an entire fleet of warships that are just occupying the earth’s atmosphere; Daisy, Mack and Daniel are about to collide violently with said fleet; Nathaniel Malick is no longer interested in finding Fitz, and has instead generously offered Simmons and Deke first-row seats to the end of the world; Kora is on her own, having alienated everyone who tried to care about her; Coulson, May and “Yo-Yo” Rodriguez (Natalia Cordova-Buckley) are stuck at the Lighthouse, which is probably going to be the Chronicoms’ next target; and Jiaying is still dead, which is a disappointment.

I have no idea what’s coming next. There are hints and rumors going around that some kind of MCU crossover will happen in the finale, with the Agents Of S.H.I.E.L.D. possibly setting the timeline right only to get snapped out of existence by Thanos, and it’s entirely possible there are still some major cameos planned for this last episode. Fitz is going to turn up somewhere, somehow – I’m hoping and praying he’s actually on Nick Fury’s secret S.W.O.R.D. base from the Spider-Man: Far From Home post-credits scene, but I’m not betting on it.

It’s been a wild ride, and I can’t wait to reach the end of the road. I’m also extremely grateful that my power was restored so I’ll be able to watch the finale and not wait almost a week to review it. Sorry about the delay, dear readers.

Episode Rating: 8.9/10

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Hercules Could Bring Bisexual Representation To The MCU!

It’s pleasantly coincidental that this bit of news has arrived during Pride Month, just when it’s most relevant. Though the character of Hercules has long been rumored to join the ranks of the Marvel Cinematic Universe’s heroes (we discussed theories that he would be the lead character of The Eternals over a year ago), this time seems like it could be for real: the Olympian demigod is apparently set to enter the MCU in one of the studio’s upcoming film or TV projects, and could bring some much-needed male bisexual representation to the superhero franchise.

Marvel Hercules
pinknews.co.uk

As of yet, these new rumors give us very little to go on: we still don’t even know when Hercules will appear, though there are almost limitless opportunities. The Eternals is an epic which will span thousands of years of human history, and blend reality (well, the MCU version of it) with mythology, so that seems like the earliest point at which the Olympian could make his debut. The Loki series on Disney+ will also explore different timelines, and quite possibly different worlds across the universe. Thor: Love And Thunder is perhaps the likeliest option, as Thor and Hercules are best buddies in the comics and fans have been rooting to see them onscreen together for quite some time. And the She-Hulk Disney+ series could feature Hercules’ companion Amadeus Cho (a.k.a. Smart Hulk), allowing for Hercules himself to show up as a supporting character alongside Cho before upgrading to leading man status later on – though it’s not clear whether Herc will actually headline his own series of solo films, or if he will only be a supporting character. His backstory is rich with detail, so there’s plenty there that could be used to design an entire trilogy, but there’s also an argument to be made that he’s too similar to the MCU’s Thor for that to ever happen.

But the most interesting bit of information about this new report is something that actually leaked on the internet even before the rumors of Hercules’ imminent arrival. Yesterday, several insiders hinted through social media posts that the character of Hercules would be openly bisexual whenever he finally appeared in the MCU, and could very well be in a relationship with the X-Men’s Wolverine.

Both characters have a history of being bisexual, though only in alternate universes in the comics – well, technically, in Hercules’ case, he’s been bisexual since his origins in ancient Greek mythology, but that’s something people have tried to ignore for quite some time. More recently, Marvel faced backlash after definitively stating that the version of Hercules in the comics’ main timeline was, in fact, still straight, something which fans contested. But if Marvel does choose to adapt the character now, there’s a good opportunity for them to fix their publishing division’s mistakes, and add bisexual male representation to the MCU.

Hercules
thegww.com

Hercules will likely not be the first LGBTQ+ superhero to show up in the franchise: Phastos, a major player in The Eternals, will be an openly gay character and be in a same-sex marriage; WandaVision on Disney+ is almost definitely going to introduce Wanda Maximoff’s gay son Billy Kaplan, and his boyfriend Hulkling; and one of the subplots of Thor: Love And Thunder will follow bisexual heroine Valkyrie, newly crowned King of Asgard, as she goes looking for her queen. But Hercules could be the MCU’s first male bisexual hero – and male bisexual representation (or bi representation in general) is exceedingly rare anywhere, thanks to persistent bi erasure.

So what do you think? Where do you hope the Olympian appears first? Will he be bi, or are we just getting our hopes up? Share your thoughts, theories and opinions in the comments below!

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“Agents Of S.H.I.E.L.D.” Season 7, Episode 2 Review!

SPOILERS FOR AGENTS OF S.H.I.E.L.D. SEASON 7, EPISODE 2

Coming off a solid premiere to the series’ seventh and final season, Agents Of S.H.I.E.L.D. finds new ways to tie back into the canon of the mainstream Marvel Cinematic Universe, subtly hinting that more connections between the two are on the way as the team continues their journey through the Marvel timeline. Much as they might have liked to not interfere with the course of history, the truth is that was never going to work – and episode 2 is where it all starts falling apart.

We pick up right where we left off last week, with the Agents coming to the realization that, to save S.H.I.E.L.D. from an invasion of Chronicom aliens, they must save Wilfred Malick (Darren Barnet), the man behind the creation of the shadowy organization known as HYDRA, S.H.I.E.L.D.’s arch-enemy in later years. While Director Mack (Henry Simmons) and Deke Shaw (Jeff Ward) unknowingly escort Malick on one of his missions, the rest of the team works against the clock to try and figure out what he’s planning, why the Chronicoms want him dead, and whether his life is really worth saving.

Agents Of S.H.I.E.L.D.
Jemma Simmons | tvline.com

The answer to the first question is revealed fairly early in the episode, and is what brings this episode of Agents Of S.H.I.E.L.D into conjunction with the events of the MCU – Wilfred Malick’s secret mission, disguised as a job bootlegging illegal alcohol, is to deliver vials containing the ingredients which will later make their way into the Super Soldier Serum: the very same which will one day course through the veins of both Johann Schmidt (HYDRA’s Red Skull) and Steve Rogers (S.H.I.E.L.D.’s Captain America). Through this chance encounter, yet another link is forged between the two enemies.

But as for that last question – is Wilfred Malick worth saving? – well, that’s a question that haunts everyone on the team, but especially Daisy Johnson (Chloe Bennet). Not only does she argue bitterly with her teammates about how they can feel comfortable allowing the future head of HYDRA to survive, but she even takes the initiative in one critical moment and tries to have him killed. Her assassination attempt fails – mostly because Deke isn’t really the best person to carry out any sort of plan, much less one that involves killing someone. But in the long run, that’s probably fortunate: since without HYDRA, S.H.I.E.L.D. would never be formed and Captain America would never be created.

Not everyone, however, makes it out of this timeline unscathed – or even makes it out of this timeline, period. The quiet, contemplative Chronicom Enoch (Joel Stoffer) accidentally gets left behind in 1931 at the end of the episode while the rest of the team escapes through an unexpected time window. Thankfully, he uses his wits to get a job at the speakeasy owned by Ernest Koenig (Patton Oswalt), who forged a somewhat uneasy relationship with the Agents during their stay in his timeline, and even gets to take a ride on the Zephyr One during this episode, marveling at modern technology behind his wildest imagination and demanding to know whether S.H.I.E.L.D. is really a group of Martian space invaders. The stinger at the end of the episode sees Koenig probing Enoch for information about how to make robots – seemingly hinting at an explanation for why he has so many descendants in the future, and all of them are identical.

Agents Of S.H.I.E.L.D.
Yo-Yo Rodriguez | telltaletv.com

Agents “Yo-Yo” Rodriguez (Natalia Cordova-Buckley) and Melinda May (Ming-Na Wen) come out of their escapade in 1931 having sustained several more traumas. Though it was teased in the premiere that Yo-Yo hadn’t completely recovered from the incident in season 6 when she swallowed an alien bat and was almost killed by the resulting parasite, it is made explicit here when she fails to use her powers during a tense moment, prompting interrogation from Daisy. May, on the other hand, is still suffering from gaps in her memory and terrifying hallucinations sustained during the season 6 finale when she battled the death goddess Izel: she doesn’t know where or when she is, and she’s angry when she sees the LMD version of Phil Coulson (Clark Gregg), knowing full well that the Coulson she knew and loved is dead, and unwilling to let herself be tricked into trusting another duplicate of him.

Overall, I feel this episode is actually stronger than the premiere for a number of reasons. Yo-Yo, May and Jemma Simmons (Elizabeth Henstridge) each get to play a part in the action, whereas the premiere left them waiting on the ship, essentially just twiddling their thumbs. The character work is a little bit stronger, as is the dialogue. And while I appreciated last week’s storyline focused on saving Franklin D. Roosevelt, this week’s episode benefited from being able to plunge us into the action and the drama without needing any red herring diversions to deliver exposition.

Speaking of action, there’s one standout fight scene when May and Enoch clash in the hangar of the Zephyr One: Enoch, re-outfitted with upgraded Chronicom tech, is almost winning until May (who, I might add, is still just recently awake from a coma) traps him and goes to town on his synthetic skull with a fire-extinguisher. I’m very excited to see where May goes in this season – it’s not at all unusual for her to use brute force, but her behavior in this episode is sending up red flags all over the place: she’s responding to her near-death encounter in season 6 much like how Coulson reacted when he found out he had been resurrected early in the series. If that’s a parallel that Agents Of S.H.I.E.L.D. is interested in exploring, I’m here for it.

Agents Of S.H.I.E.L.D.
Enoch | meaww.com

Once again, the Chronicoms are the weakest part of the story, and their villainy is tame and uninteresting. I was more intrigued by the possibility of HYDRA agents showing up to try and protect the Super Soldier Serum, but only one – a woman named Viola (Nora Zehetner) – actually appeared in person, and even she was either unconscious or unwillingly spitting out information in a German accent most of the time.

Now, all we can do is wait and see in which era of Marvel history the Agents will be dropped next – and whether or not they’ll get involved in any more MCU events on the long, uncertain road to the finale.

Episode Rating: 7.9/10

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Evan Peters Joins The Cast Of “WandaVision”!

First thing’s first, it’s important that we look at this news calmly and rationally, and not jump to conclusions because – OH MY GOD IT’S AN X-MEN CROSSOVER ISN’T IT??? X-MEN CROSSOVER, X-MEN CROSSOVER!!!

Forgive me. I’m calm now (*screams internally*). And I’m ready to very calmly discuss the news that just broke about actor Evan Peters joining the cast of Marvel Studios’ upcoming Disney+ series, WandaVision. Now, to those unfamiliar with the name, Peters’ casting is probably insignificant – but it shouldn’t be, because this is actually quite extraordinary and opens the door for…so many things (*cough, cough, Agents Of S.H.I.E.L.D. crossover*) that could drastically alter what we think we know of the Marvel Cinematic Universe’s future.

Quicksilver WandaVision
comicbook.com

Evan Peters, you see, is probably best known for his portrayal of the mutant speedster Quicksilver in Fox’s most recent round of X-Men movies. These films didn’t quite match the cult classic status of Fox’s original X-Men trilogy, but a couple of individual castings were spot-on: and many fans agree that Evan Peters as Quicksilver was one of them. But unfortunately for Peters, his version of the character has always been overshadowed by the version of Quicksilver who appeared in the Marvel Cinematic Universe, played by Aaron Taylor-Johnson. Taylor-Johnson’s version had far more exposure than Peters’ thanks to appearing in one (almost universally condemned) Avengers movie before being unceremoniously killed off – thus, many Marvel fans are still rooting for him to reprise his role, without even considering the alternative.

But now, Disney owns Fox, and with Evan Peters being cast in WandaVision, it looks far more likely that Marvel is looking to bring his take on Quicksilver into the MCU. It’s plausible, I suppose, that Peters is playing a completely different character. But the WandaVision series literally focuses on Quicksilver’s twin sister Wanda Maximoff as she tries to warp reality to bring back deceased loved ones, so that seems like a truly bizarre coincidence, if it is the case. It’s also possible that both Peters and Taylor-Johnson will play the role – after all, Wanda is going to be toying with some pretty dangerous magic, so it’s easy to imagine her accidentally summoning two versions of her brother out of the Multiverse. Such a mishap would also feel right at home in a sit-com like the ones by which WandaVision is inspired.

WandaVision
themarysue.com

But even if Peters’ role is only for a cameo, it’s still a major step forward for the MCU. Up until now, we’ve cautiously hoped for crossovers like these: but this would be the biggest one yet. And if it goes well, it’s possible it could be followed by other, similar crossovers. Other X-Men stars could potentially show up for Multiverse cameos, or small supporting roles: for instance, fans are already reacting well to the footage we’ve seen of Anya Taylor-Joy and Maisie Williams as Magik and Wolfsbane in The New Mutants, which will be the last of Fox’s X-Men films whenever it finally gets released. Agents Of S.H.I.E.L.D. star Chloe Bennet is still waiting for her chance to appear in the mainstream Marvel universe. There are a bunch of talented actors and actresses who have become fan-favorites without ever once showing up in MCU canon, and they don’t deserve to be tossed aside. Peters’ casting bodes well for all of them.

On the other hand, the MCU does have a responsibility to differentiate itself from what came from – and let’s not fool ourselves: the reaction to most of the Fox X-Men films was mixed, to say the least. Therefore, even if Peters is playing Quicksilver in WandaVision, I expect him to only have a small role, and I doubt he’d ever show up again. But who knows? I never even imagined we would be here, discussing this.

What do you think of Evan Peters being cast? Who do you think he’s playing? Would you like to see any more crossovers from the various other franchises existing on the fringe of MCU canon? Share your own thoughts, theories and opinions in the comments below!

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For Pride Month 2020, Let’s Discuss The Year’s Biggest LGBTQ+ Moments In TV And Film!

SPOILERS FOR HARLEY QUINN SEASON 2 AND SHE-RA SEASON 5!

Happy Pride Month! As we begin to celebrate the history and culture of the LGBTQ+ community, I thought it would be interesting to look at what the community has accomplished already in 2020, through the mediums of TV and film. Though coronavirus has prevented many inclusive films from making it to theaters this year, there are still plenty that did get there before the world went on lockdown, and many more that have released on streaming. For this breakdown, we’ll be looking at the setbacks the LGBTQ+ community suffered early in the year, and three outstanding breakthroughs in representation that both occurred just last month which could signal big changes in the industry.

Of course, I should note that this is not, by any means, a comprehensive list of every film or TV series released this year that touches on any of these issues – this is merely a discussion of some especially significant incidents spanning the course of the past several months, which I feel present a fairly accurate depiction of the year’s many ups and downs as a whole.

She-Ra LGBTQ
She-Ra rescues Catra | tor.com

2020 opened on a promising note with Marvel President and head producer Kevin Feige boldly announcing that the Marvel Cinematic Universe would welcome its first ever transgender superhero in the very near future, at a Q&A where he used the words: “Yes, absolutely. Yes.” Unfortunately, the moment was irreparably tarnished when it was revealed that Feige hadn’t realized the question was specifically about transgender superheroes, and only meant an LGBTQ+ superhero was coming very soon. That doesn’t necessarily mean that transgender heroes aren’t going to appear in the MCU at some point (there are rumors that a transwoman superheroine, Sera, could appear in either the Loki Disney+ series or Thor: Love And Thunder), but it does cast doubt on when that will ever happen. It was a bad omen, heading into the new year.

Marvel LGBTQ
Marvel Comics’ transgender heroine Sera | mcuexchange.com

In February, Marvel’s rival DC had a golden opportunity to explicitly confirm that one of their most major characters was canonically LGBTQ+ – but instead, their hyped-up zany comedy Birds Of Prey danced around the issue of sexuality, giving only eagle-eyed viewers a blink-and-you’ll-miss-it nod to lead character Harley Quinn’s bisexuality in an animated sequence, while simultaneously hinting through stereotypical mannerisms that flamboyant, misogynistic villain Roman Sionis and his partner-in-crime were a gay couple. A lesbian character in the film, Renee Montoya, did play a large role and had an ex-girlfriend who also showed up, which makes Birds Of Prey something of a “one step forward, two steps backward” sort of situation.

Around the same time, the Disney+ streaming platform came under fire for a slew of reasons, most of which involved the service’s attempts to whittle down their roster of upcoming original content in a manner which many saw as discriminatory towards series’ with a focus on LGBTQ+ issues. While Disney+ didn’t do this with all of their shows (High School Musical: The Musical: The Series and Diary Of A Future President both featured openly LGBTQ+ characters), they did make the decision to move their hotly-anticipated Love, Victor (a spinoff of 20th Century Fox’s successful gay romance Love, Simon, obtained during the Disney/Fox merger) to Hulu, deeming it too mature for their own platform. One of the service’s most high-profile original series’, a sequel to the Lizzie McGuire Disney Channel series, was shut down entirely – with some sources saying that it was due to the way in which the story tackled matters of sexuality. It didn’t take long before the whole situation had raised a very interesting discussion about what is “family-friendly”, but that hasn’t saved Love, Victor from heading to Hulu, nor has it resurrected Lizzie McGuire.

Love, Victor LGBTQ
Love, Victor | deadline.com

In March, as the world started falling apart thanks to coronavirus, the Pixar film Onward was lost in the catastrophe, and moviegoers barely had any time to acknowledge the fantastic animated feature or its moment of LGBTQ+ representation – a moment that would have been great, had it not been leaked to the press by eager journalists prior to the film’s release and subsequently massively overhyped. In the film, a cop played by openly lesbian actress Lena Waithe briefly mentions her girlfriend in a single line of dialogue. Despite how brief the moment was, the film was still boycotted by conservative groups like One Million Moms and banned by several Middle Eastern nations.

Within a few weeks, the coronavirus had already caused major shifts in the film industry: films were being reshuffled across the board, movie theaters around the globe were shutting down and studios were hurrying to push all their upcoming or recently released content onto streaming. Unfortunately, one notable victim of all the release date rearrangements was Marvel’s The Eternals, a film already remarkable for its diverse cast. The superhero epic directed by Asian-American indie icon Chloe Zhao is set to feature the Marvel Cinematic Universe’s first gay couple, and was supposed to release in November of this year. Sadly, the film has now been pushed back to February of 2021, meaning we will have to wait even longer before we can find out what Lebanese actor Haaz Sleiman was talking about when he said that there’s a gay kiss in the film that’s so emotional it made people on-set begin crying. Another Disney film, Jungle Cruise, was delayed an entire year, and will now be opening in summer, 2021: though it’s been invisible in the film’s marketing so far, Jungle Cruise is supposed to introduce Disney Studios’ first openly gay character – which is already somewhat controversial, as Disney couldn’t even be bothered to find an openly gay actor to play the role, rumors say that the character’s depiction is “hugely effete”, and test screenings apparently revealed that the character has a coming out scene in which he never actually states that he is LGBTQ+. Perhaps a delay for that movie wouldn’t be a bad thing, as it could allow them to do some much-needed reshoots.

But not everything has been all gloom and doom. The past month has introduced a wave of new representation: some of it from DC Universe, some from Netflix, some, most shockingly, from Disney+ – all of it through the form of animation.

In the first instance, DC Universe’s Harley Quinn animated series rectified Birds Of Prey‘s glaring omission by adhering to comics canon and having Harley Quinn and fellow Gotham City supervillain Poison Ivy begin a tentative relationship, which has even resulted in the two sharing a kiss. The duo now have to sort out their messy, complicated feelings for each other, and that’s great. It’s the first time the relationship, which was wildly popular in the comics, has been represented onscreen – and fans are already enjoying the canonization of the pairing, which they have labeled “Harlivy”.

She-Ra LGBTQ
Adora and Catra | polygon.com

However, something that sets Harley Quinn apart is that the series is exclusively for adults, meaning that its audience is necessarily limited. That’s not a problem that faces Netflix and DreamWorks, whose collaboration on the animated reboot of She-Ra And The Princesses Of Power is something that can be enjoyed by all ages – the fifth and final season premiered on the streaming service just recently, and made the hopes and dreams of the series’ many LGBTQ+ fans finally come true when lead characters Adora (a.k.a. She-Ra, Princess of Power) and Catra rekindled their friendship: which turned into a slow-burn romance, which culminated in the two confessing their love for each other in the series finale, kissing, and saving the world with the power of love. That, my friends, is representation done right – because as much as I enjoy seeing “casual” representation (such as the cop from Onward, who simply mentions her girlfriend without making it a big deal), I infinitely prefer seeing characters whose sexuality or gender identity is something that actually helps to define who they are. And with Adora and Catra, whose relationship has been at the heart of She-Ra for all five seasons, it made complete sense that their love would play a huge part in the conclusion to the story – and it did, because showrunner Noelle Stevenson is a brave, brilliant genius, who fought to make sure that she wouldn’t have to pull a Legend Of Korra on her fans and just have Adora and Catra hold hands and/or gaze platonically at each other.

Out LGBTQ
Pixar’s “Out” | nytimes.com

Finally, we have to talk about Out. Though Disney+ is still new and working out many of its flaws, they did just recently make a big step forward – or rather, Pixar did it for them and Disney+ gets to take the credit: Out, the newest of Pixar’s animated Sparkshorts which debuted exclusively on the streaming platform, follows a gay man in an interracial relationship as he struggles to come out to his parents. Even though the story involves an unpredictable magical mishap and a lot of dog humor, it never loses sight of its true focus, which is a heartwarming message of acceptance. The short, which clocks in at around nine minutes long, is an understated milestone, becoming the first Pixar story to star a gay lead – and much to its credit, enjoyed a spot on Disney+’s top trending section, which shows that audiences are curious and eager for more content like this.

And so, as we head into Pride Month coming off of small successes like Harley Quinn, She-Ra and Out, I must ask of all my readers that you keep fighting for change in any way you can: whether that means demanding more LGBTQ+ representation from Hollywood, or protesting police brutality because black lives matter – or, preferably, by doing both. One day, we will see that change, and it will come from people like you. 2020 is a wake-up call for all of us: to fight harder. To do better.

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“Agents Of S.H.I.E.L.D.” Season 7, Episode 1 Review!

Returning to the beautifully messy, Marvel Cinematic Universe-adjacent world of the Agents of S.H.I.E.L.D. for a seventh and final season is already proving to be a wild and unpredictable ride, filled with plenty of fun character beats, clever jokes and even a couple of callbacks. Already, the story is moving along at a better pace than season 6, though it also appears to be suffering from a couple of that season’s same problems. As the Agents move backwards through time and space to try and prevent a hostile alien takeover of S.H.I.E.L.D., they encounter a wide variety of characters – some taken straight from the pages of Marvel comics, others borrowed from history books – along with a number of uniquely dangerous scenarios that require them to be on top of their game.

Agents of S.H.I.E.L.D.
medium.com

Unfortunately for the team, their leader and only guide through the past is currently having something of an identity crisis. As you may remember from the season 6 finale, the team made a decision to resurrect the recently deceased Agent Phil Coulson (Clark Gregg) by planting his preserved consciousness into the synthetic body of an LMD robot. And though our first glimpse of LMD Coulson was as his smiling, chipper old self, it quickly becomes apparent that all is not well with him – Coulson, despite agreeing to help the Agents of S.H.I.E.L.D. one last time, is clearly angry at them for bringing him back from the dead: it’s been a recurring problem for his character, as the other S.H.I.E.L.D. members (and, ahem, the showrunners) can’t seem to let him rest in peace. LMD Coulson is seen struggling through panic attacks as his old memories flood his systems with past pain, trauma and guilt. He also ominously tells Director “Mack” (Henry Simmons) that when all is said and done, he will “reevaluate” the situation – dialogue that seems to forewarn more trouble for his character in the near future. It’s easy to imagine that everything will come down to his choice whether or not to die and stay dead – already, the premiere is hinting at possible conflict as LMD Coulson remarks during fight scenes that being a nearly indestructible robot has its perks after all, and he seems very happy being back in his element, leading the Agents of S.H.I.E.L.D. on a romp around 1930’s New York City, fanboying over historical figures and relishing the opportunity to dabble in the origins of S.H.I.E.L.D.

Apparently, not too much dabbling is strictly allowed by the rules of the series’ time travel mechanism, which appears to be rather different than the one presented in Avengers: Endgame. Though it hasn’t been explicitly stated what will happen if the Agents mess with historical events, everyone – and particularly super-genius Jemma Simmons (Elizabeth Henstridge) – strongly advises against it. In Endgame, tampering with history didn’t really matter too much, since the Avengers were simply creating alternate realities with every Infinity Stone they stole and every character they accidentally almost killed.

Agents of S.H.I.E.L.D.
digitalspy.com

As one would expect, however, the Agents of S.H.I.E.L.D. don’t really have much of a choice when it comes to changing history, as they find themselves in a number of predicaments that require drastic measures. Surprisingly however, it’s not the team’s newest recruit, time-traveling business entrepreneur Deke Shaw (Jeff Ward) who causes these predicaments (despite Mack specifically singling him out and ordering him not to try and file any patents in the past), but rather one of the team’s most senior members, Daisy Johnson (Chloe Bennet). Johnson was somewhat sidelined in the sixth season, but here she is already back in form – even encumbered by an impractical dress, she still has excellent fight scenes, making ample use of her Inhuman powers, and her confident wittiness provides a nice foil to Coulson’s steady flow of awkwardly timed “dad jokes”.

The members of the team who actually get to wander through the streets of Great Depression-era New York – Coulson, Daisy, Mack and Deke – also get a much-needed makeover, trading in their sleek black S.H.I.E.L.D. uniforms for historically-accurate outfits, haircuts and accessories. Daisy complains about having to get rid of her purple highlights, but her resulting 30’s look, complete with delicate white gloves and a fancy fur stole is far and away the premiere’s best. Mack comes closest to matching her retro vibes, though he himself notes that the sight of “a black man in a fine suit” attracts more attention from passerby than he had hoped.

Agents of S.H.I.E.L.D.
showbizjunkies.com

The action back on the team’s ship is significantly less interesting and much less stylish, but Agent “Yo Yo” Rodriguez (Natalia Cordova-Buckley) has a number of touching, heartfelt moments while debating whether she wants to even try and fit in with the times if it means having to hide her mechanical arms, which she had grown to accept and be proud of, behind new, eerily life-like prosthetics. But for the most part, she and Simmons are forced to stand around and watch while the helpful Chronicom Enoch (Joel Stoffer) patches up Melinda May‘s (Ming-Na Wen) wounds from the season 6 finale.

A few other characters show up and either help or hinder the heroes’ journey. In particular, I have to give a shoutout to Patton Oswalt, who returns to the series to reprise his role as Koenig, the mysterious man with a seemingly endless number of identical siblings. Here going by the very appropriate codename “Gemini” and working as the proprietor of a speakeasy, this Koenig bears little resemblance to his descendants (apart from, you know, being identical to them): he’s rude, demanding, and a bit sexist. But he also hires a young man named Freddy (Darren Barnet), who proves to be of much greater significance to the story than one would guess.

And that’s my cue to start talking SPOILERS!, so if you haven’t seen the episode, turn back now.

Agents of S.H.I.E.L.D.
“Freddy” from Agents Of S.H.I.E.L.D. | newsweek.com

Yes, as it turns out, the Freddy who is working as a waiter at Koenig’s bar is in fact Wilfred Malick, a.k.a. one of the key members of HYDRA, the organization that would go on to infiltrate S.H.I.E.L.D. soon after its foundation and, eventually, rip it apart from the inside – and it’s Freddy who is the reason why the Chronicoms have invaded 1931. But as Coulson and Daisy realize at the very end of the episode (in an exchange which, unfortunately, was already revealed in the trailers), the Agents of S.H.I.E.L.D. now have to save HYDRA in order to save S.H.I.E.L.D., because without the one, the other cannot exist. The symbiotic relationship between the two covert groups has never been more fascinating.

But watching S.H.I.E.L.D. history unfold in front of our eyes is twice as much fun when its intertwined with real history – and Agents Of S.H.I.E.L.D. perfectly mingles the two by leading Coulson and his team on a red herring mission to rescue then-Governor of New York Franklin Delano Roosevelt (Joseph Culp) from what they mistakenly believe to be an assassination attempt by the Chronicom aliens. Though they quickly realize they’ve made a mistake, they fortunately get to have a delightful little conversation with Roosevelt (who, in Marvel canon, founded the organization that would later become S.H.I.E.L.D.). It’s heartwarming to see how much the team idolizes him – in particular Coulson, who ends up helping the Governor into a wheelchair and is subsequently sworn to secrecy.

Agents of S.H.I.E.L.D.
twitter.com | @bestofbennet

The episode’s biggest weakness is the Chronicoms themselves: the emotionless alien lifeforms whose mission to root their opponents out of history still feels pretty vague – tying everything back to the irreversible connection between S.H.I.E.L.D. and HYDRA is the right call, as the series began with that and ultimately should end with it as well: I just wish we didn’t have the Chronicoms right in the middle of the conflict, as I don’t know whether this thirteen-episode season will be able to balance so many storylines. Now, substitute the Chronicoms for the Kree and then I might reconsider, because at least the Kree have had connections to S.H.I.E.L.D. for a very long time – but these aliens, with their face-stealing technology and imperfect attempts at replicating humanity, feel very random. All except Enoch, who doesn’t really seem to have much stake (if any) in the fight between his civilization and the human race.

The episode’s last-minute stinger, however, brings the focus back to Enoch – though only as a way of showing us that Melinda May, who had been unconscious for the entire episode, is awake, and has escaped from her hyperbaric chamber. Judging by the glimpse of her face that we get as she watches Enoch from where she’s hiding in the ceiling fixtures, it looks like she’s having some issues of her own – she probably hasn’t quite gotten over the experience of being tossed through a portal into a demon dimension just yet. But as much as I’d love to see her deal with that pain as slowly as she needs to, I also don’t want the series to spend any more time addressing things from season 6 than it absolutely has to, if that’s at all possible. Even the mere mention of the Shrikes from last season made me want to cringe.

Overall, I hope the final season can improve. I had fun with this episode – the writing was good, and characteristically clever, but the heart wasn’t fully there. I want episodes that focus heavily on character development, rather than on time-travel mechanics and Chronicom politics. Namely, what I don’t want is another season 6: a season that gets so wrapped up in trying to outdo everything that’s come before, that it forgets to be fun and exciting. At the moment, season 7 could still go either way.

Episode Rating: 6/10

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