Nick Fury Heads To Disney+ – Are The Agents Of S.W.O.R.D. About To Assemble?

Nicholas Joseph Fury (better known to general audiences as Nick Fury, and to his friends and family simply as “Fury”) has long been the Marvel Cinematic Universe’s most enigmatic mastermind, the figurative man behind the curtain: subtly moving and manipulating the events of the MCU to better suit his own purposes while cloaking his motives in secrecy. It took us over ten years just to find out why he put together the Avengers Initiative in the first place, or how he lost his eye. But now, Marvel is about to spill some of Fury’s darkest secrets in a new Disney+ series, which will find the spotlight turned on Nick Fury for the first time – with Samuel L. Jackson reprising the now-iconic role, of course. Although the only other real information we have about the series is that Kyle Bradstreet is attached to write and executive produce, there’s actually a good deal of speculation already going on…in which I am about to shamelessly partake, because why not? We’ve been so hungry for Marvel content these past couple of months: allow me this opportunity to indulge myself. I encourage you to join me, because we’re about to have a lot of fun wildly theorizing, and I’m also going to gush about Daisy Johnson for the first time in forever (okay, so it’s been, like, a month, but whatever), so there’s that.

Nick Fury
ign.com

There are several big questions everybody seems to have about this series, but the most urgent one by far is: will this be a prequel, or a sequel set after the events of Avengers: Endgame? If it’s the former, my hype will have plummeted – I just can’t imagine getting excited about only having Samuel L. Jackson return so that he can act as a framing device while a younger actor assumes his role for extensive flashback sequences set prior to Captain Marvel. As we saw in that film, Nick Fury’s life wasn’t actually all that eventful until the superheroine crashed into his life and a nearby Blockbuster. But everything happening right now, all the stuff that’s going on behind the scenes in the MCU that Nick Fury is very much a part of?…that’s what has me intrigued, and has me hoping that this series is not entirely new but is, in fact, one of two or three series’ rumored to be in early stages of pre-production some time ago. I am, of course, talking about Secret Invasion, Agents Of S.W.O.R.D. (which might also be the same thing as Secret Invasion), and Secret Warriors.

Nick Fury
Talos | nerdist.com

For the sake of simplicity, I’m going to combine Secret Invasion and Agents Of S.W.O.R.D. into just one category. It was rumored that Disney+ was making a series which would follow the Agents of S.W.O.R.D. post-Endgame as they deal with a variety of intergalactic threats and generally try to prevent anything on the scale of worldwide decimation from ever happening again. Since we’ve already seen a tiny glimpse of the S.W.O.R.D. organization in the post-credits scene of Spider-Man: Far From Home, which clearly indicated that Nick Fury is overseeing the entire operation, it’s not a stretch to assume that a series about this team would necessarily involve Fury, probably in a starring role. My theory has always been that an eventual Agents Of S.W.O.R.D. series on Disney+ will start out with the team (comprised of humans and shape-shifting Skrull aliens) already formed and working overtime from their in-orbit space station, but will inevitably grow, over the course of one or maybe two seasons, into a full-scale, Secret Invasion storyline. For those unfamiliar with the notion, let’s break it down: basically, in the comics, the Skrull aliens are villains, and eventually attempt to overrun Earth by force, disguising themselves as well-known superheroes and wreaking havoc. In the MCU, this will have to happen for a very different reason, because the Skrulls have thus far been depicted as peaceful refugees trying to establish a new homeworld after their entire way of life was obliterated by the militaristic Kree aliens – but that reason has already presented itself. In Far From Home, it was revealed that the Kree already have sleeper agents on Earth – making it extremely likely that the Skrulls will want to eradicate them before they pose a problem. If this causes rifts between them and the humans on the S.W.O.R.D. team, we could see several Skrulls go rogue and use their abilities to sneak off the space-station and down to Earth – a secret invasion in more ways than one. I’ve talked at length about how certain characters could get roped into this, but the one we need to focus on today is Nick Fury, because of course, all of this will be happening under his watch. A Secret Invasion series would find the S.W.O.R.D. Director attempting to stop the invasion with the help of his team – which, in my opinion, would consist of established characters like the Skrull general Talos, American Air-Force pilot Maria Rambeau, Maria’s daughter Monica, the half-Skrull Hulkling, the infamous Flerken cat Goose…and “astro-ambassador” Daisy Johnson, who will finally make the jump from Agents Of S.H.I.E.L.D. to the MCU proper. Daisy’s space-faring partners, Kora and Daniel Sousa, are give-or-take: I don’t mind them sticking around, but Daisy is currently my top priority, and if we have to make sacrifices to ensure she shows up as an Agent of S.W.O.R.D., then I’m prepared to do so.

When Secret Invasion becomes a massive hit for the Disney+ streaming service thanks to Daisy Johnson’s as-yet hypothetical involvement, the spin-offs will start – and that’s where Secret Warriors comes in. We might as well just refer to this one as the Quake Spinoff, because that’s essentially what it has to be. Another rumored project, this series is said to revolve around a storyline in the comics where Nick Fury enlists Daisy Johnson and a small, elite team of superhumans to take care of the Skrulls that have made it to Earth. This, of course, is where I anticipate Daisy reuniting with S.H.I.E.L.D. teammates like Yo-Yo Rodriguez, but it’s also the other potential series that Nick Fury could lead. That being said, it’s far more likely to be an eventual spin-off of Secret Invasion, and Fury himself will probably have a smaller role. So don’t get your hopes up for Secret Warriors just yet.

Nick Fury
Quake | wallpaperflare.com

At the moment, I think what we’re seeing is the first step towards Secret Invasion. For those of us who love Agents Of S.H.I.E.L.D., it’s a first tentative step towards making that show officially canon to the MCU. For those of us who love Nick Fury and just appreciate seeing Black characters in leading roles, it’s about time that this fascinating super-spy moves to the forefront of the action, after more than a decade spent on the sidelines. For those of us who love both, it’s a win-win situation. And for the rest of you…well, I don’t know why you’ve read this far but I hope you’ve gotten something out of this.

So how do you feel about Nick Fury leading a series on Disney+, and which series do you think it will be? Do you think Daisy Johnson will show up in the MCU? Share your own thoughts, theories and opinions in the comments below!

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“WandaVision” 1st Trailer Review!

The Marvel drought is officially over, with the release of the first full trailer for the studio’s first ever Disney+ streaming series, WandaVision. In a perfect alternate reality, The Falcon And The Winter Soldier would likely already be well into its first season or might even have already concluded – but as we can see from the WandaVision trailer, picture-perfect alternate realities aren’t always as perfect as they seem from the inside looking out.

WandaVision
slashfilm.com

The trailer includes everything I was most hoping to see (and was worried I might not) in just under a minute and a half. The classic sitcom elements are all there, from the constantly changing aspect ratio to the laugh track that we hear punctuating two separate scenes. The psychological horror elements are front and center, with cheerful music accompanying scenes of a quaint suburban utopia glitching: time rewinding, scenes repeating themselves in a loop – all we’re missing is some color bars to make it apparent that Wanda Maximoff and The Vision (whose names, conjoined, make up both the title of the series and a clever play on the word television) are in fact living in a classic sitcom-inspired alternate reality as many of us have guessed from the day the series was announced.

The last we saw of these two characters, Wanda was still in a fragile emotional state and recovering from the traumatic events of several previous Marvel films – and as for Vision, well, he had been killed…twice. Once by Wanda herself after it became clear that she was the only person strong enough to kill him and seemingly destroy the dangerous Mind Stone embedded in his head; once by the Mad Titan Thanos, mere moments after dying the first time, when Thanos used the Time Stone to reverse the consequences of Wanda’s tragic sacrifice, resurrecting Vision only to rip the reconstructed Mind Stone out of his head, killing him instantly and far more brutally.

But now, in the WandaVision trailer, we find them happily married and moving into a lovely little townhouse in the suburbs….back in the 1950’s or 60’s, as is made obvious by the fact that everything is black and white, “Twilight Time” is playing, and Wanda and Vision appear to be channeling Dick Van Dyke and his onscreen bride Mary Tyler Moore. As the two get comfortable, they try to bond with the neighbors (including the nosy Agnes: more on her in a moment), which leads to an uncomfortable dinner party with the newlyweds trying to vaguely explain where they came from, how long they’ve been married, and why they’re still childless. As the screen glitches and Wanda begins to panic, the truth becomes clear – with the help of her supernatural powers, Wanda Maximoff has somehow built an entire idyllic dreamscape for herself an a resurrected Vision. Unable to achieve her happy-ever-after in the real world, she’s decided to build one from scratch. It helps when your alter ego is The Scarlet Witch and you can just do this stuff.

WandaVision
collider.com

But nothing comes easily. Even though we see Wanda trying to keep her utopia intact, the entire place is clearly coming apart at the seams. Why exactly is still unclear: is this whole world somehow contained within Wanda’s mind, and the mental toll of trying to hold it together is inadvertently causing it to crumble to pieces around her? Or are the events of this show playing out in, as I suspect, a pocket dimension, one which is quickly closing or becoming unstable and potentially deadly? To me this latter option seems the most likely for a number of reasons: note, towards the end of the trailer, what looks to be a gated compound surrounded by armored vehicles, helicopters and teams of heavily armed agents (who, by the way, come from S.W.O.R.D., the sister organization of S.H.I.E.L.D.). Note how, when we see Monica Rambeau get thrown through mid-air in Wanda’s world, she pops out through a rift in the real world before into the earth at the same location where all the S.W.O.R.D. agents are stationed (notice also how she zooms straight by a town sign in the real world that seems like it might say Westview, just like the name of the town in Wanda’s world, according to Vision’s newspaper). I think there’s something beyond all those electric fences, something S.W.O.R.D. is guarding or observing, and I think it’s probably a portal to another dimension into which Wanda has entered and to which she has now lost herself – and I think Monica is the agent who’s been tasked with trying to get in and retrieve the Scarlet Witch before the effects of her tampering with the space-time continuum bleed out into the real world (I’ve speculated previously that this is why I think Darcy Lewis will also be appearing in WandaVision: she was a prominent figure in Thor: The Dark World because of how much she knew about portals opening between worlds and dimensions, and her expertise could be vital to S.W.O.R.D.). But, no matter how much Wanda may privately realize she’s living out a fantasy, she’ll still resist having to leave and she’ll probably become a destructive force of dark magic if anyone tries to separate her from Vision – or the two newest members of her family, her twin boys.

Yes, it looks like Wanda and Vision have been busy making up for lost time in this new life they share. Their twin sons, Wiccan and Speed, are both powerful and important heroes in the Marvel comics, and it’s great to see them onscreen at last, even if they are still babies. Thanks to Wanda’s reality-warping powers and the fact that she keeps changing the decade (we start out in the 50’s and progress through television history all the way to the 90’s or early 2000’s in the sitcom world), I expect both boys to be in their teens by the end of WandaVision, making them perfect candidates to join the ranks of the Young Avengers team being assembled across the MCU. I’ve speculated that we’ll see Wiccan, one of the most notable LGBTQ+ characters in Marvel history, come out as gay to his mother after meeting Hulkling, his eventual boyfriend, when the latter arrives as part of the same S.W.O.R.D. team sent to obtain Wanda.

WandaVision
Hulkling and Wiccan | comicsbeat.com

Whether Wanda will be so fortunate in her love life remains to be seen. We know she’s in Doctor Strange: The Multiverse Of Madness, so she clearly survives WandaVision, but she could be permanently scarred (mentally, emotionally, and perhaps physically) by whatever happens to her and Vision here – I definitely don’t see Vision making it out alive, meaning Wanda will likely once again be left heartbroken (especially if S.W.O.R.D. takes her children into their custody as well). Hiding won’t work: even in the confines of her perfect reality, the couple are still in danger thanks to their nosy neighbor Agnes, who is very likely the evil sorceress Agatha Harkness.

In the comics, Harkness is an agent of chaos who mentors/manipulates Wanda and gets the younger Witch embroiled in a couple of unsavory situations, including some very literal deals with the devil. Her iconic purple and fuchsia outfit is reflected in the character Agnes’ bright purple leg warmers and hot pink tights (circa 1980-something). and the witch hat she wears while sitting paralyzed in her car on Halloween, which is where Vision finds her and gently tries to wake her with his own superpowers. When she jumps, and hurriedly asks if she’s dead, it prompts Vision to ask her in his most innocent tone of voice why she would ever think that. “Because you are,” she responds bluntly, before bursting into maniacal laughter. I’ve got to imagine that being informed in the middle of the night by a teal-haired woman wearing a witch’s hat that you’re actually dead and your wife murdered you (oh, and also you’re definitely living in a simulation and your kids are probably fake) has to be an emotional gut punch of some kind.

Probably explains why Vision looks so glum in the next shot, where we see him trick-or-treating in the neighborhood while wearing his iconic outfit from the comics as a Halloween costume. It looks absolutely ridiculous, but it’s an Easter Egg, and I love it. Wanda also wears a version of her comics-accurate costume for the Halloween episode, which includes her signature crescent moon tiara, red cape and gloves. Here’s hoping she gets a more sophisticated version of the costume (or at least the tiara) to wear into battle when she’s inevitably forced to defend her family from intruders.

WandaVision
nerdist.com

I have a suspicion she’ll take down some S.W.O.R.D. agents before all is said and done, but they may not all be so easy to kill, even though she’s armed with dark magic. The way the trailer ends, with us getting our first good look at Monica Rambeau as she recovers from being thrown through the air, makes me think these two women will quickly become nemeses. It won’t be a one-sided fight, either: in the comics, Monica has some cosmic superpowers of her own, which are similar to Captain Marvel’s, and she goes under the alias Spectrum. If push comes to shove (and it will), I think Monica is more than capable of holding her own. It’s even possible that she’ll obtain her powers due to her close proximity to Wanda’s magical outbursts: since we know only Wanda, whose powers derived from the Mind Stone, was able to destroy the Mind Stone, it stands to reason that the only way to defeat Wanda is to use some of her own power against her.

Before we go, I have to make a bold prediction: based off this trailer and what we already know, I think that WandaVision is about to be the most wildly original and imaginative thing that Marvel has ever done, and I believe that it has the potential to usher in a new era in the studio’s history. Marvel’s tried and true formula is known to work, but many of us have been wanting the studio to branch out, try some new things and take some big risks: this trailer is all of that. The MCU is about to get a whole lot messier, as the complications of the Multiverse ensure that literally anything can happen from now on and creative freedom can go unchecked, and I’m here for it.

Trailer Rating: 10/10

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Tatiana Maslany Cast As Marvel’s “She-Hulk”!

Canadian actress Tatiana Maslany has become the second member of Marvel’s growing Hulk family, as she has – according to Deadline – signed on to play Jennifer Walters (a.k.a. She-Hulk) in a highly-anticipated Disney+ series which will follow the fan favorite character on her journey to becoming the indomitable, bright green superheroine. Maslany, whose career highlights include prominent roles on BBC’s Orphan Black and HBO’s Perry Mason, is an unexpected but refreshing choice to play the character, whose casting has been a topic of debate in the Marvel fandom for months.

She-Hulk
theverge.com

Jennifer Walters, the heroine at the heart of the upcoming She-Hulk series, is a character with a lot of heart and humor, and the fancasts for her have primarily been actresses with a background in comedy, such as Alison Brie (who was rumored to be the type of actress Marvel was looking for), Aubrey Plaza and Stephanie Beatriz. My personal favorite fancast was always Aladdin’s Naomi Scott, but clearly that was just me. Anyway, the casting of Maslany might indicate that Marvel has something a little different in mind: Maslany isn’t a stranger to comedy, but her talents are definitely best showcased in her wide range of dramatic performances, from her role(s) on Orphan Black as Sarah Manning and over a dozen clones, to her recent appearance as Sister Alice McKeegan (based on the real life evangelist Aimee McPherson) on Perry Mason. Taking all that into consideration, I’m willing to make a guess that Marvel’s She-Hulk will be just as much a dramatic character as a comedic one, something that I’m relishing the chance to see. Jennifer Walters’ story lends itself to a dramatic telling.

For those unaware of She-Hulk’s origins (and those who mistakenly still think she’s just a Hulk rip-off without her own personality or backstory), here’s a little refresher on where she comes from: in the comics, she starts out as ordinary Jennifer Walters, the cousin of Bruce Banner (who, by then, is already the Hulk). After her father angers a homicidal crime lord, she gets caught in the crossfire and has to be rushed to the hospital, where Bruce Banner gives her an emergency blood transfusion to save her life. The gamma radiation in his blood transmits to her and gives her nearly identical powers, but with a few interesting differences: firstly, when she transforms into her She-Hulk persona, she retains her human intellect and emotions, allowing her greater control over her actions and ensuring she never turns quite as destructive as her cousin; secondly, she doesn’t become a monster…instead, she just turns big, muscular and green, with (typically) an iconic purple and white costume and a mane of 80’s curls that has her at the top of my list of best superhero hairdos. When she’s not fighting crime with her fists, she’s fighting it in the courtroom as a lawyer who represents both civilians (particularly minorities and members of marginalized communities) and superheroes. I have a feeling her backstory will be slightly updated to have her first take legal action against the crime lords, who will then later retaliate and intentionally try to kill her, prompting her into a bit of a crisis as she has to try and figure out whether to go after them as a superpowered vigilante or as a prosecutor backed by the justice system. There’s a lot of potential for drama there.

She-Hulk
usatoday.com

But, as in the comics, there’s also plenty of room for humor. I kind of doubt that the Marvel Cinematic Universe version of She-Hulk will ever directly break the fourth wall as she does in the comics, but that doesn’t mean she still can’t be every bit as funny and sassy as her comics counterpart. A lot of it will depend on surrounding her with a great supporting cast who can act as foils to her: there’s plenty of evidence to suggest that Mark Ruffalo’s Bruce Banner will appear (I mean, he probably has to for her origin story to work), most likely in his newest form as the cool, self-confident Professor Hulk, unless the series takes place prior to the events of Avengers: Endgame. There’s also rumors that a number of other Hulk and Hulk-related characters could show up, including Red Hulk, and maybe even Hulk’s former love interest, Betty Ross (hopefully, as rumored, with Liv Tyler reprising the role).

Kat Coiro, who will direct the She-Hulk pilot and several more episodes in the show, and Jessica Gao, who is the head writer of the series, both also come from the comedy genre and will likely keep things light-hearted (I mean, as much as possible when you’re dealing with a character whose powers literally derive from a nearly fatal shooting).

She-Hulk
nerdist.com

Since the question will eventually come up…no, I really don’t expect the 5′ 4″ Maslany to play She-Hulk in her actual Hulk form: in other words, while she’ll still do the voice and presumably motion-capture, I presume the She-Hulk persona will be realized through CGI. This is a little bit disappointing, especially since no one wants to see special-effects budget limitations possibly hinder how often She-Hulk will be onscreen, but it can’t be helped: Hulk was a fully CGI character too, and no one complained (up until Avengers: Endgame, and then everyone complained). And the Disney+ shows have big enough budgets that She-Hulk’s design should look pretty good, no matter what.

On the other hand, if Tatiana Maslany wants to try and convince me that she’s a towering green woman with the physique of a professional bodybuilder through sheer force of acting, I think I’d buy it. She’s that good an actress.

What do you think of the casting? Are you excited to see She-Hulk make her MCU debut on Disney+? Share your own thoughts, theories and opinions in the comments below!

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“The Mandalorian” Season 2 Teaser Trailer! Baby Yoda Is Back!

This is the way.

In the absence of any of the original Marvel content that was supposed to debut this year, Disney+ is relying on a second season of its mega-hit The Mandalorian to keep subscribers satisfied with the streaming service: and yes, while it’s disheartening that we’re now probably getting two seasons of this one show before a proper trailer for either Marvel’s WandaVision or Falcon And The Winter Soldier, I’d be lying if I said that the irresistible duo of Pedro Pascal and his puppet sidekick Baby Yoda isn’t enough to tide me over for a while yet. And the first trailer for The Mandalorian‘s upcoming second season gives us plenty of the adorable single father/social media celebrity pairing that we can’t get enough of, no matter what other problems we (or is it only I?) might have with the series overall.

The Mandalorian
radiotimes.com

During the first season, I mostly took issue with the slow pacing and general sense of meandering that had me wondering, more and more with every episode, whether there was supposed to be a plot throughline or not. Everything worked out by the end, when the Mandalorian (whose real name is Din Djarin) had his epic confrontation with ex-Imperial Stormtroopers under the command of Moff Gideon, who was revealed in the finale to be in possession of an ancient, powerful weapon: the Darksaber of Mandalorian legend, once wielded by generations of Mandalorian leaders and even the tyrannical Sith Lord Darth Maul. But this time around, new problems have emerged: specifically the castings of Rosario Dawson as the Jedi Ahsoka and Gina Carano as Cara Dune. The former, who is joining the show for the first time this season, has allegations of transphobic abuse leveled against her by a former employee; the latter, a holdover from season one, has recently been embroiled in a number of online controversies, including urging people not to wear masks or stay in quarantine during coronavirus and appearing to mock the trans community with her new set of joke pronouns.

The Mandalorian
Ahsoka Tano | thedisinsider.com

Will they detract from my enjoyment of the new season? I hope not, because the teaser trailer has me deeply invested already in the Mandalorian’s next adventure across the galaxy, but you can be sure I will continue to address it throughout my coverage of the season. We briefly catch a glimpse of Cara Dune in the teaser, and I have to admit feeling a bit of disappointment that I can’t get as excited about her appearance as I should be. It’s doubly unfortunate because, for the moment at least, Cara Dune is the show’s female lead and Ahsoka is supposed to be a major character too. Thankfully, other female characters are leveling up in the show, including Sabine Wren: who is possibly the hooded woman we see watching the Mandalorian and Baby Yoda in the teaser.

The teaser, thankfully, highlights a number of other things to get hyped about, including what looks like a more structured storyline revolving around the Mandalorian trying to reunite Baby Yoda with the infant’s kin; a bunch of new and old locations, including Tattooine and an ice-planet (Hoth? I don’t remember many other ice-planets in Star Wars); and an increase in violence. No sign of Moff Gideon or his legendary Darksaber just yet, but I’m sure he’ll pop up in future trailers. As for the Jedi, they seem to be remaining in the shadows for right now, but I have a feeling more are out there then we think (my theory is still that Jedi Master Yaddle survived the Great Purge and is Baby Yoda’s mother).

The Mandalorian
Baby Yoda | syfy.com

Speaking of Baby Yoda, the adorable little baby is still pint-sized and easily portable, something that comes in handy during action scenes I’m sure. Just so long as no one smacks the baby on his itty-bitty fragile little head this time around (looking at you, random Stormtrooper from season one), he should be doing pretty good: he’s learned how to quickly evade danger by disappearing into the safety of his floating cradle. He has the power to use the Force, but he’s just not in the mood to do so, and you know what?…I respect that.

So what do you think? How excited are you for The Mandalorian season two? Are you here for the plot, or for Baby Yoda? Share your own thoughts, theories and opinions in the comments below!

Trailer Rating: 8/10

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“The Kane Chronicles” Are Coming To Netflix!

Author Rick Riordan has quickly become a hot commodity in Hollywood, a status I’m sure he never thought he’d achieve after the complete and utter embarrassment that was the feature film adaptation of his Percy Jackson And The Olympians series in 2010. Following the recent announcement that Percy Jackson will find a better home on the Disney+ streaming service (where it will be adapted as a series with the potential for multiple seasons if when the first one does well), Riordan has managed to complete a deal with Netflix that will allow the streaming giant to develop feature films out of all three books in his fabulous – but criminally underrated – Kane Chronicles series.

Kane Chronicles
riordan.fandom.com

The Kane Chronicles were Riordan’s second foray into the world of urban fantasy, as he deftly wove Ancient Egyptian mythology into a modern setting, pitting a team of diverse protagonists led by Carter and Sadie Kane against the Egyptian serpent Apophis, a seemingly indestructible force of pure evil capable of swallowing the sun and ending life as we know it. The series has received less attention than Percy Jackson’s exploits in the universe of Greek and Roman mythology, but is no less well-written, funny, or surprisingly educational. Carter and Sadie, biracial twins descended from a long lineage of Egyptian magicians, travel across the world battling gods and monsters from the mythos, learning spells, and uncovering secrets about their powers. The Kane Chronicles are perfectly suited to a film adaptation: and Netflix definitely has the money to make the Egyptian setting come to life with appropriate grandeur and spectacle.

It will be important to make sure that Netflix doesn’t attempt to whitewash either Carter or Sadie Kane, or any of their extended family. Rick Riordan himself got into a quarrel with several of his publishers in European countries after cover art for the books featured both protagonists as white, prompting the author to clarify that Carter is canonically a “dark brown” African-American young man, while Sadie is lighter skinned. Netflix has similarly faced accusations of whitewashing over the years, as have most film and television studios, but Rick Riordan’s involvement in the project gives me hope that he’ll keep a close eye on these and other important issues. That being said, the extent to which he is directly involved is still unclear: Riordan’s official announcement on his social media was only a few seconds long, too brief to provide many crucial details, and his website provides only a little more, noting that he started corresponding to Netflix in October.

One thing is clear, however. While in the books it’s at first implied and then later confirmed beyond a shadow of a doubt that The Kane Chronicles and the Percy Jackson series exist in the same universe, that won’t be possible here because…well, Netflix and Disney+ are separate, competing streaming services. This definitely won’t impact either series (in the Percy Jackson series, Egyptian gods are never referenced as far as I can remember, and in The Kane Chronicles there are a few scattered hints about something happening in Manhattan, but nothing actually substantial in the main books themselves: Carter Kane and Percy Jackson would only first meet up in a short story written by Riordan, which was followed by two more crossovers), but it does mean that any hopes of one vast, Percy Jackson Cinematic Universe under the Disney+ banner are impossible. Goodbye, PJCU…we hardly knew ya. This may not seem like a big deal, but it is sure to disappoint a bunch of fans.

Kane Chronicles
tumblr.com

Assuming both series’ are handled respectfully and Riordan is able to work closely with the producers and creative teams, we should see two separate adaptations of his work that both offer a much better vision of his extensive world and worldbuilding than the 2010 Percy Jackson movie could ever have accomplished. I have high hopes. While I’m nervous about how Netflix will adapt The Kane Chronicles, I can’t deny I’m wildly excited to see characters like the Egyptian gods and goddesses (Bast, the cat goddess and Kane family guardian, was always my favorite) finally brought to life with all the heart and humor that Riordan always intended. It’s a good time to be alive, if you’re at all a fan of Riordan’s mythos.

So what do you think? Did you read The Kane Chronicles, and if so, who are you most excited to see make the jump from page to screen? Share your own thoughts, theories and opinions in the comments below!

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Happy Quake Week! What Will It Take To See Quake In The MCU?

Yesterday we discussed a fan-driven campaign very dear to my heart – the #SheRaMovie movement – but today we need to talk about another one: #QuakeSpinoff…and also #ChloeIsMyQuake…and just #QuakeWeek in general. There’s a lot of Quake related hashtags going around on Twitter today, and they’re all created by fans of the Agents Of S.H.I.E.L.D. TV series who fell in love with the character of Daisy Johnson, better known by her superhero nickname Quake, and who want to see her return in a big way in the Marvel Cinematic Universe. Why? Because she’s amazing, that’s why.

Quake
latimes.com

Agents Of S.H.I.E.L.D. was created as a Marvel Cinematic Universe spin-off, but since then it has diverged radically from the main timeline of the MCU – until the finale earlier this month, that is, which showed the team of S.H.I.E.L.D. agents apparently returning to the main timeline (or something like it, at any rate) and moving on with their lives, going their separate ways. Daisy Johnson’s storyline, which began with her as a roguish hacker trying to decipher S.H.I.E.L.D.’s secrets, ended with her furthering the organization’s mission of peace and goodwill in the depths of outer space, onboard the Zephyr Three with her sister Kora and boyfriend Daniel Sousa. Instantly, fans caught onto clues left in this very open ending: specifically, the way it seemed to link her to the S.W.O.R.D. organization, a team of space-faring agents who operate as ambassadors to alien nations while dealing with cosmic threats. S.W.O.R.D. is currently being introduced in the MCU, with former S.H.I.E.L.D. director Nick Fury organizing an entire army of new agents on a top secret space station: other members of this team are expected to appear in the WandaVision series on Disney+. For years, fans have been hoping to see the Agents of S.H.I.E.L.D. cross over into S.W.O.R.D. after the end of their own series, and the conclusion to Daisy’s story seemed to leave the door wide open for such a continuation.

Couple that with actress Chloe Bennet’s recent statements about how she doesn’t think she’s done playing Daisy, and you have yourself a fan-driven campaign. #QuakeWeek was started as an attempt to celebrate the superhero’s long and frankly fantastic character arc on Agents Of S.H.I.E.L.D., highlighting her epic seismic powers. #QuakeSpinoff demands that Daisy not just debut in the MCU, but, obviously, get her own film or Disney+ series – personally, I’d settle for a major role in a Secret Invasion or Secret Warriors series. And #ChloeIsMyQuake insists that Marvel doesn’t simply take the character of Quake and recast her; Chloe Bennet is responsible for the popularity this character has across all mediums. For instance, I highly doubt you’d see Quake showing up in the new Avengers video game if Bennet hadn’t made her a fan-favorite with her nuanced performance.

Quake
cinemablend.com

Now, there are issues involved with transitioning Quake to the MCU – obviously, otherwise this probably would have been a done deal ages ago. Marvel Studios and Marvel TV started out with the intention of having a mostly symbiotic relationship, with the events in the movies impacting the TV shows and vice versa: but that hopeful dream was crushed fairly quickly, even though the few crossovers between the two led to some extremely memorable events on Agents Of S.H.I.E.L.D. and also the opening sequence of Avengers: Age Of Ultron. Since the latter event, there’s been a huge rift between the two divisions, which has only finally been healed now that the TV division has been folded under Kevin Feige’s management. The concern is that Feige has no interest in the entire TV division and wants to throw it all out: he hasn’t ever specifically said that, but he has his own clear vision of the future and it’s unclear what he wants to do with this remnant of Marvel’s past. Reassuringly, it was stated earlier this year that Feige has had talks with ABC, the network on which S.H.I.E.L.D. aired, about future collaborations: there’s no hint of what that might entail, but it’s comforting to know that he cares enough about the work that was done on ABC with S.H.I.E.L.D. to want to expand on that.

At the very least, it’s not implausible that Daisy Johnson could transfer over to the MCU. She’s an extremely popular character, and she has ties to several other major characters and plotpoints soon to be introduced in the MCU, such as the Inhumans, Kamala Khan, and S.W.O.R.D. Most importantly, she and the rest of the S.H.I.E.L.D. team are about as close to the MCU as they can be after the events of the series finale. It’s been confirmed that, at the very least, they now exist somewhere in the same multiverse – a multiverse that, need I remind you, will be explored in depth in the upcoming Doctor Strange sequel. And while it’s hard to say what’s canon to the movies anymore, the movies have subtly hinted that there’s still a connection: Captain Marvel was the most recent Marvel film to reference a S.H.I.E.L.D. character.

Quake
medium.com

And as for why Quake should cross over, well, here’s the thing: she’s not quite the first superheroine in the MCU (and environs), but she’s one of the most consistently well-written ones they’ve ever had. In fact, all the women of S.H.I.E.L.D. are. Daisy Johnson, Yo-Yo Rodriguez, Melinda May, Jemma Simmons…these women have been given the blessing of having hours upon hours of screentime in which to develop their strengths, their flaws, and their messy, complex personalities: this isn’t at all meant to diminish the onscreen achievements of heroines like Peggy Carter, Natasha Romanoff, Gamora, Hope Van Dyne, Okoye, Shuri, or Carol Danvers, but it is noteworthy that Agents Of S.H.I.E.L.D. has had not one but two heroines of Asian descent throughout its entire run (one of them being Daisy herself), and since season three has featured a prominent Latina heroine – something the show never gets enough credit for, in my opinion. These are groundbreaking advances that can’t be undermined or ignored: representation matters. Daisy Johnson matters.

And that’s why I’m lending my voice to the growing movement of passionate Quake fans, and calling on Kevin Feige and the folks at Marvel to make Quake canon. Bring her into the MCU. Have her enlist at S.W.O.R.D. Even if it’s just for a glorified cameo, make sure this character continues to matter for future audiences.

How would you feel if Quake entered the MCU? Delighted, right? Right? Share your own thoughts, theories and opinions in the comments below!

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For Pride Month 2020, Let’s Discuss The Year’s Biggest LGBTQ+ Moments In TV And Film!

SPOILERS FOR HARLEY QUINN SEASON 2 AND SHE-RA SEASON 5!

Happy Pride Month! As we begin to celebrate the history and culture of the LGBTQ+ community, I thought it would be interesting to look at what the community has accomplished already in 2020, through the mediums of TV and film. Though coronavirus has prevented many inclusive films from making it to theaters this year, there are still plenty that did get there before the world went on lockdown, and many more that have released on streaming. For this breakdown, we’ll be looking at the setbacks the LGBTQ+ community suffered early in the year, and three outstanding breakthroughs in representation that both occurred just last month which could signal big changes in the industry.

Of course, I should note that this is not, by any means, a comprehensive list of every film or TV series released this year that touches on any of these issues – this is merely a discussion of some especially significant incidents spanning the course of the past several months, which I feel present a fairly accurate depiction of the year’s many ups and downs as a whole.

She-Ra LGBTQ
She-Ra rescues Catra | tor.com

2020 opened on a promising note with Marvel President and head producer Kevin Feige boldly announcing that the Marvel Cinematic Universe would welcome its first ever transgender superhero in the very near future, at a Q&A where he used the words: “Yes, absolutely. Yes.” Unfortunately, the moment was irreparably tarnished when it was revealed that Feige hadn’t realized the question was specifically about transgender superheroes, and only meant an LGBTQ+ superhero was coming very soon. That doesn’t necessarily mean that transgender heroes aren’t going to appear in the MCU at some point (there are rumors that a transwoman superheroine, Sera, could appear in either the Loki Disney+ series or Thor: Love And Thunder), but it does cast doubt on when that will ever happen. It was a bad omen, heading into the new year.

Marvel LGBTQ
Marvel Comics’ transgender heroine Sera | mcuexchange.com

In February, Marvel’s rival DC had a golden opportunity to explicitly confirm that one of their most major characters was canonically LGBTQ+ – but instead, their hyped-up zany comedy Birds Of Prey danced around the issue of sexuality, giving only eagle-eyed viewers a blink-and-you’ll-miss-it nod to lead character Harley Quinn’s bisexuality in an animated sequence, while simultaneously hinting through stereotypical mannerisms that flamboyant, misogynistic villain Roman Sionis and his partner-in-crime were a gay couple. A lesbian character in the film, Renee Montoya, did play a large role and had an ex-girlfriend who also showed up, which makes Birds Of Prey something of a “one step forward, two steps backward” sort of situation.

Around the same time, the Disney+ streaming platform came under fire for a slew of reasons, most of which involved the service’s attempts to whittle down their roster of upcoming original content in a manner which many saw as discriminatory towards series’ with a focus on LGBTQ+ issues. While Disney+ didn’t do this with all of their shows (High School Musical: The Musical: The Series and Diary Of A Future President both featured openly LGBTQ+ characters), they did make the decision to move their hotly-anticipated Love, Victor (a spinoff of 20th Century Fox’s successful gay romance Love, Simon, obtained during the Disney/Fox merger) to Hulu, deeming it too mature for their own platform. One of the service’s most high-profile original series’, a sequel to the Lizzie McGuire Disney Channel series, was shut down entirely – with some sources saying that it was due to the way in which the story tackled matters of sexuality. It didn’t take long before the whole situation had raised a very interesting discussion about what is “family-friendly”, but that hasn’t saved Love, Victor from heading to Hulu, nor has it resurrected Lizzie McGuire.

Love, Victor LGBTQ
Love, Victor | deadline.com

In March, as the world started falling apart thanks to coronavirus, the Pixar film Onward was lost in the catastrophe, and moviegoers barely had any time to acknowledge the fantastic animated feature or its moment of LGBTQ+ representation – a moment that would have been great, had it not been leaked to the press by eager journalists prior to the film’s release and subsequently massively overhyped. In the film, a cop played by openly lesbian actress Lena Waithe briefly mentions her girlfriend in a single line of dialogue. Despite how brief the moment was, the film was still boycotted by conservative groups like One Million Moms and banned by several Middle Eastern nations.

Within a few weeks, the coronavirus had already caused major shifts in the film industry: films were being reshuffled across the board, movie theaters around the globe were shutting down and studios were hurrying to push all their upcoming or recently released content onto streaming. Unfortunately, one notable victim of all the release date rearrangements was Marvel’s The Eternals, a film already remarkable for its diverse cast. The superhero epic directed by Asian-American indie icon Chloe Zhao is set to feature the Marvel Cinematic Universe’s first gay couple, and was supposed to release in November of this year. Sadly, the film has now been pushed back to February of 2021, meaning we will have to wait even longer before we can find out what Lebanese actor Haaz Sleiman was talking about when he said that there’s a gay kiss in the film that’s so emotional it made people on-set begin crying. Another Disney film, Jungle Cruise, was delayed an entire year, and will now be opening in summer, 2021: though it’s been invisible in the film’s marketing so far, Jungle Cruise is supposed to introduce Disney Studios’ first openly gay character – which is already somewhat controversial, as Disney couldn’t even be bothered to find an openly gay actor to play the role, rumors say that the character’s depiction is “hugely effete”, and test screenings apparently revealed that the character has a coming out scene in which he never actually states that he is LGBTQ+. Perhaps a delay for that movie wouldn’t be a bad thing, as it could allow them to do some much-needed reshoots.

But not everything has been all gloom and doom. The past month has introduced a wave of new representation: some of it from DC Universe, some from Netflix, some, most shockingly, from Disney+ – all of it through the form of animation.

In the first instance, DC Universe’s Harley Quinn animated series rectified Birds Of Prey‘s glaring omission by adhering to comics canon and having Harley Quinn and fellow Gotham City supervillain Poison Ivy begin a tentative relationship, which has even resulted in the two sharing a kiss. The duo now have to sort out their messy, complicated feelings for each other, and that’s great. It’s the first time the relationship, which was wildly popular in the comics, has been represented onscreen – and fans are already enjoying the canonization of the pairing, which they have labeled “Harlivy”.

She-Ra LGBTQ
Adora and Catra | polygon.com

However, something that sets Harley Quinn apart is that the series is exclusively for adults, meaning that its audience is necessarily limited. That’s not a problem that faces Netflix and DreamWorks, whose collaboration on the animated reboot of She-Ra And The Princesses Of Power is something that can be enjoyed by all ages – the fifth and final season premiered on the streaming service just recently, and made the hopes and dreams of the series’ many LGBTQ+ fans finally come true when lead characters Adora (a.k.a. She-Ra, Princess of Power) and Catra rekindled their friendship: which turned into a slow-burn romance, which culminated in the two confessing their love for each other in the series finale, kissing, and saving the world with the power of love. That, my friends, is representation done right – because as much as I enjoy seeing “casual” representation (such as the cop from Onward, who simply mentions her girlfriend without making it a big deal), I infinitely prefer seeing characters whose sexuality or gender identity is something that actually helps to define who they are. And with Adora and Catra, whose relationship has been at the heart of She-Ra for all five seasons, it made complete sense that their love would play a huge part in the conclusion to the story – and it did, because showrunner Noelle Stevenson is a brave, brilliant genius, who fought to make sure that she wouldn’t have to pull a Legend Of Korra on her fans and just have Adora and Catra hold hands and/or gaze platonically at each other.

Out LGBTQ
Pixar’s “Out” | nytimes.com

Finally, we have to talk about Out. Though Disney+ is still new and working out many of its flaws, they did just recently make a big step forward – or rather, Pixar did it for them and Disney+ gets to take the credit: Out, the newest of Pixar’s animated Sparkshorts which debuted exclusively on the streaming platform, follows a gay man in an interracial relationship as he struggles to come out to his parents. Even though the story involves an unpredictable magical mishap and a lot of dog humor, it never loses sight of its true focus, which is a heartwarming message of acceptance. The short, which clocks in at around nine minutes long, is an understated milestone, becoming the first Pixar story to star a gay lead – and much to its credit, enjoyed a spot on Disney+’s top trending section, which shows that audiences are curious and eager for more content like this.

And so, as we head into Pride Month coming off of small successes like Harley Quinn, She-Ra and Out, I must ask of all my readers that you keep fighting for change in any way you can: whether that means demanding more LGBTQ+ representation from Hollywood, or protesting police brutality because black lives matter – or, preferably, by doing both. One day, we will see that change, and it will come from people like you. 2020 is a wake-up call for all of us: to fight harder. To do better.

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Michelle MacLaren May Direct “Captain Marvel 2”!

Let me just tell you that, in my personal opinion, there was no reason for Anna Boden and Ryan Fleck to vacate their positions as the directors of the Captain Marvel franchise. Was Carol Danvers’ origin story the best-directed film in the Marvel Cinematic Universe, and did the directing duo do the best job bringing the character to life? No, probably not from a technical standpoint. But Captain Marvel is still one of my favorite films in the entire Infinity Saga, and Boden and Fleck are good directors: their recent work on Hulu/FX’s drama Mrs. America should prove that. But they’re out, and they will not be working on the Captain Marvel sequel (though, intriguingly, it was also reported that they may not be out of the MCU entirely, and could be working on other projects for the studio).

Captain Marvel
imdb.com

In their place, Marvel is supposedly looking for a woman to direct the sequel, which will probably pick up after the events of Avengers: Endgame, where Carol Danvers proved herself vital to the fight against the Mad Titan Thanos. Though she was underestimated, belittled and demeaned for a large part of her own solo film by an assortment of sexist villains – and by the angry, equally sexist internet trolls who put together an inconsequential boycott that didn’t stop the film from easily crossing the billion-dollar mark and becoming one of the most profitable films of 2019 – the heroine, played by Brie Larson, has proven to be fairly popular with fans, though many claim that the character still needs to find her footing in the MCU, with the help of a great director who truly “gets” her: much like how the Russo Brothers elevated Captain America to the same level as Iron Man, or how Taika Waititi reshaped the character of Thor with his zany, comedic touch. I would still argue that Anna Boden and Ryan Fleck could probably do it, but it definitely doesn’t hurt to occasionally bring in a new vision, shake up the status quo, and give something else a try. If people are honestly still on the fence about Captain Marvel (I don’t get it, but whatever), then maybe she just needs a new director.

And I’ve got to say, Michelle MacLaren is not a bad choice. If it’s indeed true that she is one of several women being eyed for the job, then I would love to see this happen: MacLaren has never tackled a major film before (well, actually, she did try twice, but we’ll get to that), but her resume on TV speaks for itself – Emmy-award winning executive producer and director of some of Breaking Bad‘s most iconic episodes, and director of four fantastic episodes of Game Of Thrones (including The Bear And The Maiden Fair), three episodes of The Walking Dead, two episodes of Better Call Saulone of Westworld, and The Morning Show‘s pilot. In fact, she’s so ingrained in the TV scene that I have to wonder whether she might be directing a Disney+ series instead – perhaps even one that includes Captain Marvel in some capacity, such as Secret Invasion or Ms. Marvel. Then again, even though it might seem risky to hire a TV director for a blockbuster film, it’s worth pointing out that the Russo’s and Taika Waititi both had backgrounds in TV before moving to Marvel and directing some of the studio’s best entries. It’s just not indicative of anything.

Captain Marvel Michelle MacLaren
watchersonthewall.com

This wouldn’t be MacLaren’s first experience with superheroes either, though it might prove to be a more pleasant one for her than her last encounter with the genre. MacLaren was originally attached to DC’s Wonder Woman before abruptly leaving the project over creative differences and being replaced by Patty Jenkins (who did an absolutely incredible job, of course). The reason for MacLaren’s exit was supposedly that she wanted to make a more epic, action-heavy origin film for the heroine, but her TV background gave studio executives worries that she might be biting off more than she could chew. After a long and arduous pre-production stage, MacLaren left the project. Something similar may have happened with another comic book adaptation she was supposed to direct: Cowboy Ninja Viking, an action film starring Chris Pratt and Priyanka Chopra, shut down production in August 2018 and has been indefinitely stalled ever since. It was rumored that script issues were the problem in that case, but no details have ever emerged that would confirm or deny those suspicions. At least in the first instance, it sounds like MacLaren’s ambitions were simply too big for what Warner Brothers had planned – which doesn’t sound too bad, if audiences are looking for Captain Marvel to get a serious overhaul (again I ask, why does she even need one?), but Disney might not agree with that assessment, and the last thing Marvel probably wants is another director suddenly walking out on them.

Captain Marvel
syfy.com

But we’ll see. There are many talented women who could direct Captain Marvel 2. Marvel President Kevin Feige has said that the MCU will try to be more committed to allowing individual directors the chance to break free from formula and run with their creativity, something that bodes well for the studio’s future – in the past, it was often said that Marvel films didn’t rely on the input of their respective directors so much as Kevin Feige’s overarching vision: which wasn’t a bad thing, since Feige’s vision allowed the studio to get to the place in which it finds itself today – a place where they can now feel free to hire more clever, unique directors: like Chloe Zhao, Cate Shortland, Sam Raimi, and Destin Daniel Cretton. MacLaren would be more than capable of holding her own even among their company.

How would you feel if MacLaren came onboard Captain Marvel 2? Do you think she could give the character the boost she (supposedly) needs? Share your own thoughts, theories and opinions in the comments below!

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Katee Sackhoff Will Join “The Mandalorian” As Bo-Katan!

SPOILERS FOR THE CLONE WARS, STAR WARS: REBELS AND THE MANDALORIAN AHEAD

When a franchise is as divided and fragmented as Star Wars is, it can be a welcome relief to find evidence of continuity between that franchise’s various offshoots. Katee Sackhoff, the voice-actress behind the role of Bo-Katan on The Clone Wars, joining the cast of the second season of Disney+’s live-action phenomenon The Mandalorian might not seem like too much of a big deal: in fact, to some it might seem obvious, even predictable. But for someone still terrified that Marvel’s Agents Of S.H.I.E.L.D. will be officially decanonized and all its cast of characters recast as soon as the series ends, it’s like a glimmer of hope for the future.

The Mandalorian Bo-Katan
nerdist.com

Sackhoff is, however, an obvious choice to portray Bo-Katan, whom she has voiced in several seasons of the animated series, The Clone Wars – the fan-favorite character is a Mandalorian rebel aligned with the violent Deathwatch terrorists when we first meet her, but she quickly develops into a fascinating, nuanced woman, who hatches an elaborate plan to win her home planet back from the clutches of Sith Lord Darth Maul and his loyalists. After the death of her sister, the Duchess Satine, Bo-Katan becomes steely and frigid, but more devoted than ever to the Mandalorian way of life. By the end of The Clone Wars, she’s become the leader of Mandalore, and in Star Wars: Rebels, we see her accept the Darksaber, a symbol of Mandalorian patriotism, and embrace her destiny as the heroine who will unite the various Mandalorian clans. Sounds like she should be a pivotal figure in a story about the Mandalorians, right?

The Mandalorian Darksaber
slashfilm.com

Unfortunately for Bo-Katan, we also learned in The Mandalorian that her destiny was unfulfilled – as the villain Moff Gideon was seen wielding the very same Darksaber in the season finale, with no explanation of how or when he obtained it. It’s very likely that Bo-Katan was killed prior to the events of the series and the Darksaber taken from her, meaning that any role she may have in these upcoming seasons of The Mandalorian could be limited to appearances in flashbacks. But the Bo-Katan fan in me desperately hopes she somehow survived the brutality of the rebellion and the war against the Galactic Empire, not only because she’s a fun character who deserves a prominent role, but because Katee Sackhoff is a very underrated actress who could benefit from the exposure in what has proven to be Disney+’s most successful original series.

Bo-Katan is only the latest in a steadily growing line of animated characters making the jump to live-action: others, however, like former Jedi Ahsoka Tano and Mandalorian Sabine Wren, have been or likely will be recast for their appearances in The Mandalorian‘s highly anticipated second season (Tano and Wren are also rumored to appear in just one episode of the season, which will serve as a backdoor pilot for their own spinoff series: if that is true, it makes sense why Disney and Lucasfilm would want to cast bigger, more recognizable talent for the roles). Boba Fett will also make his return to Star Wars in the upcoming season, though it is believed he will only have a small role.

The Mandalorian
thewookieegunner.com

Assuming that Bo-Katan did, in fact, survive her fateful encounter with Moff Gideon or his forces, she could conceivably run into Din Djarin and Baby Yoda while on the hunt for Gideon and her stolen Darksaber. The character lends herself nicely to cool action sequences – thanks to her jetpack, secret weapons and martial arts prowess – and I’d be eager to see her take on Gideon in a fight. If it’s only through flashbacks, and the outcome of the fight is predetermined, then so be it…but I really do think there are many more things that could be done with her character, and I hope that’s taken into consideration before a decision is made to kill her off.

So what do you think? How do you feel about seeing Bo-Katan in live-action for the first time ever, in The Mandalorian? Share your own thoughts, theories and opinions in the comments below!

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“Ghost Rider” Coming To Disney+! Will The “Midnight Sons” Follow?

Though he’s probably among the most popular characters in the Marvel comics roster, Ghost Rider has had a hard time on screens both big and small. His first film adaptation came at a time when neither DC nor Marvel had yet figured out the magic formula for how to craft a comic book movie, and his appearance on TV, while still the best take on the character, had only limited appeal due to being on a TV show that far too few people actually watch – but now, it looks like Ghost Rider is heading to an even smaller type of screen (though, at the moment, a far more profitable one), and there, with the help of the established Marvel brand name and the tried-and-true Disney+ marketing strategy, he may finally get the success he deserves.

Ghost Rider
tvline.com

Ghost Rider is one of several dark, edgy characters who operate on the fringes of the Marvel Comics universe: the Rider in particular has always been one of the most unabashedly violent – he literally sells his soul to Satan himself (technically Mephisto, but whatever), so how could he not be? Whether the name belongs to stunt motorcyclist Johnny Blaze or car mechanic Robbie Reyes, a few key details always remain the same: he rides around at night with hellfire burning in his skeletal face, wielding whips, chains and a variety of other spiky weapons which he uses to harvest the souls of the damned, while fighting some of Marvel’s most powerful mystic villains – and occasionally, heroes, as he is rarely ever solely good or evil. It’s hard to imagine this character peacefully co-existing on the same family-friendly platform as other Disney brands.

That’s exactly why he was supposed to be heading to Hulu, with Gabriel Luna reprising the role of the Robbie Reyes version of the character – which he had already played, phenomenally, on the fourth season of ABC’s Agents Of S.H.I.E.L.D., often said to be the series’ best. An idea for a spin-off following his character on more brutal, bloody exploits had already been written, but, sadly, the entire series was scrapped by Marvel president and producer Kevin Feige – at the time, it was believed that Feige had his own plans in store for the character, and now that has seemingly been confirmed. It looks like a version of Ghost Rider (probably Johnny Blaze, since it’s been strongly suggested that it’s not Reyes) will be going straight to Disney+, instead.

But whether Ghost Rider arrives on a motorcycle or in a muscle car, he won’t be alone. In fact, he could easily herald the creation of a new kind of superhero team in the MCU, one that is grittier and riskier than anything we’ve seen before. A couple potential members of this team are already popping up, though they will likely have to wait until the Rider arrives before they can actually form. I am, of course, referring to the infamous Midnight Sons.

Ghost Rider Midnight Sons
comicbook.com

In the comics, this team consists of a small, close-knit group of supernaturally gifted antiheroes, who usually work alone but come together in dire circumstances to protect the world from threats like demons, vampires and magic-users. Unsurprisingly, they’re closely affiliated with Doctor Strange, and his associate Doctor Voodoo. Membership changes on a regular basis, but characters like Ghost Rider, the Moon Knight, Blade and Elsa Bloodstone are all regulars at this point. And thankfully, almost every character on the team has a pretty good chance of showing up in the MCU in the near future, meaning that we could see them come together just in time for a third Doctor Strange film.

Ghost Rider Moon Knight
looper.com

Ghost Rider, obviously, is the very reason why this team would and should be assembled, so he’s a lock for a spot in the team’s line-up. Moon Knight, a mentally unstable CIA mercenary possessed by the spirit of an ancient Egyptian moon god, has his own Disney+ series on the way – some of his supporting cast, such as Werewolf By Night or even Stained Glass Scarlet, could make good Midnight Sons candidates. Mahershala Ali is set to play rogue vampire assassin Blade in an as yet undated solo film, which will probably also introduce the world to feisty British monster hunter Elsa Bloodstone. And Doctor Strange In The Multiverse Of Madness, the Sorcerer Supreme’s long-awaited sequel, is heavily rumored to feature Doctor Voodoo, as well as Strange’s love interest Clea – the niece of primordial demon Dormammu – whose horrific heritage should be enough to land her a spot on the team. With those specifics out of the way, all that remains to be done is to find them a proper villain to fight – and there are quite a few already lurking in the depths of the Fear Dimension, and elsewhere.

One of the most obvious and natural choices to take on the team during their first outing would be Karl Mordo, who was set up as a villain in Doctor Strange but hasn’t appeared since. His whole mission is to wipe out all the sorcerers in the MCU, meaning he’d have good reason to want to take down an entire team of powerful magic-users. The only problem I see with this idea is that Mordo doesn’t seem to have the strength to take on all the Midnight Sons at once, so he’d probably need to recruit several other…well, sorcerers, to his own cause. And that could work, if Mordo had been shown to be a hypocrite – but from what little we know of him, we can see that he truly believes everything he espouses. That means if Mordo does become a Midnight Sons antagonist, he should either be a third party trying to take out both the Sons and whoever their real enemies are, or he should get a serious power upgrade that could put him on the level of a Ghost Rider or Doctor Strange.

Ghost Rider Dracula
fullcirclecinema.com

But while we wait for that to happen, the Midnight Sons still need a villain – and in my opinion, it should either be Lilith, Mother of All Darkness and a frequent opponent of the team in the comics; or Dracula himself, who is rumored to make an appearance in the Moon Knight series and would probably also show up in Blade, whenever that movies comes out. Both of these villains are powerful and experienced: Lilith is an immortal survivor of the sinking of Atlantis (which means she could show up as early as next year’s The Eternals, which is said to feature that cataclysmic event), and comes with her own army of similarly demonic children, scattered around the world and waiting for her command to stir them into action; while Dracula, of course, is a 15th Century Transylvanian warlord and king of vampires. And while Dracula is actually the father of another character coincidentally named Lilith in the comics, the MCU version of the character could be the…wait for it….midnight son of Lilith, Mother of All Darkness. Writes itself, doesn’t it?

I’m partially kidding about that last bit, though I actually do think it would be a good idea to tie the two characters together somehow and have them both face the Midnight Sons in battle. In the Marvel comics, vampirism is often a hereditary trait, so it makes sense for vampires like Dracula to involve their whole families or clans in their own wars. And if we could see that war spread out across several MCU franchises, it could be a huge event with the potential for plenty of crossovers.

But what about you? Do you think Ghost Rider will bring the Midnight Sons into being, or will we have to wait even longer? Are all these characters possibly too dark for Disney+? Share your own thoughts, theories and opinions in the comments below!

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If Marvel Is Making “Secret Warriors”, They Need The Agents Of SHIELD

You know the feeling when you finish work on a long post about the upcoming Ironheart series and say to yourself, “well, now I just have to write one about Ghost Rider and I’ll be done for the day”, only to find out that a Secret Warriors project has apparently been announced for Disney+ while you were writing? No? Is this not something I can vent about to anyone? Does no one feel my pain???

Well, I can assure you of this: Marvel Studios is going to feel my pain if they dare to do the unthinkable and try to create their own Secret Warriors team, when they already have a perfectly good one on Agents Of S.H.I.E.L.D. And if they even think about recasting characters like Daisy Johnson or Yo Yo Rodriguez…let me just tell you, I respect Marvel, and I love most everything they do, but that – that would be unforgivable.

Secret Warriors Quake and Yo Yo
comicvine.gamespot.com

Now, it’s not being reported that they will definitely recast, or that this take on Secret Warriors will break Agents Of S.H.I.E.L.D. canon – but there’s only two versions of the Secret Warriors team that they could be adapting, and one of them has Squirrel Girl. No offense to Squirrel Girl, but I really don’t see her joining the Marvel Cinematic Universe anytime soon – or ever. And if I’m right, and Marvel wants to use the more classic iteration of the team, the one which includes characters popularized on Agents Of S.H.I.E.L.D., well, that means that those of us who are fans of both the MCU and the MCU-adjacent TV programs could soon find our loyalties to both tested.

Honestly, it makes sense to bring the Secret Warriors into the fold of the MCU right now, as they play a crucial role in the Secret Invasion storyline, which is also supposedly being adapted for the small screen. In the comics, this small but effective task-force is assembled by Nick Fury to handle Skrull sleeper-agents who have infiltrated earth by using their shape-shifting abilities to impersonate government officials and superheroes. I didn’t know about the existence of this upcoming Marvel project when I wrote out my ideas for an entire Secret Invasion story arc just last night, but I think it would be easy to retroactively add them into my grand plan: since the main thrust of the Secret Invasion story seems like it might happen in space, simply have the Secret Warriors series (or movie; it’s unclear which it might be, though Marvel has yet to announce any Disney+ movies of their own) deal with the Skrulls who manage to slip in through the cracks and get past Nick Fury’s Agents of S.W.O.R.D. While team members Quake and Yo Yo have been to space before on Agents Of S.H.I.E.L.D., the team as a whole is better suited to a small-scale, earth-based conflict.

Secret Warriors
outerplaces.com

In the comics, the Secret Warriors are made up of characters who, at least at the time of their introduction, were fairly new and unquestionably niche – characters like the Inhumans Quake and Yo Yo (the one a former hacker and political activist, the other a reformed weapons-dealer); Phobos, son of the Greek god Ares; Hellfire, a demolitions expert who wields a flaming whip; sorcerer Sebastian Druid; and superhuman strongman Stonewall (who, as his name implies, is a member of the LGBTQ+ community). But Marvel doesn’t have to go into this without any brand recognition: in fact, if they play their cards right, they could attract a pretty devoted group of fans – if they maintain continuity with the version of the Secret Warriors team that has already appeared on Agents Of S.H.I.E.L.D., where both Quake and Yo Yo are prominent members, and Hellfire also made occasional appearances.

I’m not saying I wouldn’t watch a new Secret Warriors series or movie that didn’t feature Chloe Bennet’s Quake and Natalia Cordova-Buckley’s Yo Yo, but I am saying that I would be much happier if I were (Hellfire, in my opinion, was a small enough part that it could easily be recast). Seeing anyone else in those roles would feel wrong, because Bennet and Cordova-Buckley have done an incredible job bringing those two very obscure characters to life, and because Agents Of S.H.I.E.L.D. is already ending with its seventh season this very month: there’s no reason for Marvel not to scoop them up and bring them over into their own universe – especially since the Agents Of S.H.I.E.L.D. versions of the characters have already had plenty of experience fighting the Kree, who are very likely to be involved in the Secret Invasion storyline, as the chief nemeses of the Skrulls in the MCU. Why not take advantage of that connection? Why not build on it?

Secret Warriors
superherohype.com

The thing is, I’m not trying to be greedy or unreasonable. I’m not calling on Marvel to include the entire S.H.I.E.L.D. team in a Secret Warriors project, or anything like that (though, honestly, who wouldn’t want a Melinda May cameo?) – but I’m big on continuity, and I think Marvel is at its best when they find clever ways to tie all their various franchises together: in this case, it makes even more sense to do that because of how obscure the team is, even in the comics. More people might tune in to watch if they knew they could see some of their favorite characters again. At the very least, I would. But of course, this is all just my opinion – and it’s possible Marvel doesn’t even plan on using any established version of the team. Maybe they want the version with Squirrel Girl, I don’t know.

What do you think? Is this the perfect place for a crossover event with Agents Of S.H.I.E.L.D., and if so, how would you like to see characters like Quake and Yo Yo join the MCU? Would you also borrow S.H.I.E.L.D.‘s version of Hellfire, or recast that role? Share your own thoughts, theories and opinions in the comments below!

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Marvel Developing “Ironheart” For Disney+!

Avengers: Endgame brought about an end to the storyline of the Marvel Cinematic Universe’s founding father Tony Stark, but new rumors suggest that the super-genius inventor’s legacy will carry on in the new character of Ironheart, soon to make her MCU debut on the Disney+ streaming service. While the move is almost certain to anger many people, there are also a number of reasons to be very excited for Ironheart taking on the mantle of her predecessor Iron Man.

Ironheart
tvovermind.com

If true, the Ironheart series will join seven other Marvel series’ currently in development for Disney+ – and two others rumored to be in pre-production, a Secret Invasion series and a Ghost Rider project which I will also cover. An argument could be made that Marvel is over-expanding themselves, but so far we have yet to see the studio make a mistake: and many of their upcoming series’ are already attracting very positive buzz, as fans clamor to see the stories of characters like Falcon, Bucky Barnes, Wanda Maximoff, Loki and Hawkeye (is anyone actually clamoring for that last one?) continued on the small screen and with more screentime than they would receive in the movies. But the streaming service is also a place where Marvel is looking to introduce several new heroes, including Ironheart, also known as Riri Williams.

Williams is a recent addition to the roster of Marvel heroes in the comics, having made her solo debut in 2018. She’s an intelligent and capable young black woman who builds her own iron suit while still an M.I.T. student, and later receives Tony Stark’s own blessing. Her story is largely wound up with that of Stark and his wife Pepper Potts, who give the young heroine advice, refuge and assistance during her Ironheart missions. That obviously poses a little bit of a problem for the MCU version of the character, since Tony Stark is already dead and Pepper seems to have been retired.

Ironheart Tony Stark
inverse.com

The comics do provide a solution for this problem, as Riri Williams’ Ironheart is often accompanied by the Tony Stark A.I., a sentient hologram of the hero. In the MCU, it wouldn’t be hard to explain the existence of something like that – Tony Stark was constantly inventing things, and he prepared for his death far in advance: in Endgame, it was revealed that he had even prepared one last holographic message for his daughter to comfort her during his funeral. It wouldn’t be much of a stretch to have Riri discover that he had also built himself a second body and brain with a fully-functioning consciousness – again, there’s precedent in the way Stark (albeit unintentionally) designed and created his own sentient A.I. personal assistants, most notably Jarvis.

There’s just one more obstacle. Robert Downey Jr. would have to return – he would likely only be willing to do that if his role was substantial enough to warrant it, but to do justice to Ironheart, any role Tony Stark plays would have to be small enough that he doesn’t overshadow her character. It definitely wouldn’t benefit either character, or the show in general, if Tony Stark’s return to the MCU drew criticisms for a white savior narrative. If the screenwriters for the series could find a delicate balance, they might just be able to convince Downey Jr. to make a return to the MCU – but in my opinion, it would have to be a one-off: the A.I. tech might be broken or only half-finished, meaning that Stark only gets to stick around for the duration of the series.

Without Downey Jr.’s involvement, there’s still ways for Riri to be a compelling character. If having her encounter Tony Stark himself is impossible, she could still be inspired by his enduring legacy in the MCU – a fun alternative might be to have one of her role models be someone like Tony Stark’s best friend and sidekick War Machine, who is one of the saga’s most underrated characters, or Princess Shuri of Wakanda, another young, black super-genius. Riri’s main villain in the comics has an origin story that could be tinkered with to tie into either the Ms. Marvel Disney+ series or Shang-Chi, or both: Tomoe, or “Techno Golem” as she is more commonly referred to, is an Inhuman who uses her power as the head of the Southeast Asia Crime Syndicate to control an army of ninjas from her hideout in the criminal underworld of Osaka, Japan. And Riri herself, apart from all outside influences, isn’t just a tokenized legacy character, as some are quick to claim – quiet and introverted, but driven by her ingenuity, resourcefulness and passion for science to pursue her dreams, she also suffers from the trauma of witnessing the death of her best friend and her step-father in a shooting. With a talented actress in the role, she could easily be on par with Tony Stark, or his own hand-picked successor, Peter Parker.

Ironheart Marsai Martin
latimes.com

And who better to play this pioneering character than an actress like Marsai Martin? Martin is currently fifteen –  the exact same age as Riri Williams in the comics – and has the distinction of being Hollywood’s youngest producer, as well as a winner of several NAACP Image Awards. She is best known for her roles in ABC comedy Black-ish, and as the star of Universal’s Little, but she should have no problems transitioning over to Disney+.

So what do you think of the idea of an Ironheart series? Have I helped to convince you that it’s actually a pretty good idea, or are you still on the fence about it? Share your own thoughts, theories and opinions in the comments below!

Looking for a terrific self-storage facility?

Check out the Self Storage Barn of Morris which is where I have been keeping my BobbleHead collection of late!