FX’s “Shogun” Is A Stunning Accomplishment

MINOR SPOILERS FOR SHŌGUN EPISODES 1 – 2 AHEAD!

Epics. Every streaming service (with the possible exception of Peacock and Paramount+) has one nowadays – a visibly expensive series of breathtaking scale and scope, typically an adaptation of a classic fantasy, sci-fi, or historical fiction novel, boasting inspired cinematography, immersive production design, stunning visual effects, gripping action sequences, an outstanding cast, and in at least a few cases, strong writing to match. Think HBO’s House Of The Dragon, Amazon’s The Rings Of Power, Andor on Disney+, Apple TV’s Foundation, Netflix’s…uh, relentless barrage of live-action anime adaptations and projects set in The Witcher universe? Most of these are good shows. A few are even great. But with high price-tags come even higher expectations, and in this economy it’s not enough to be a good show, or even a great one. You have to be the best, and your first season needs to be an unprecedented success within its weekend of release, or you’re getting canceled. So every one of these shows is inevitably and unfairly measured up to Game Of Thrones, which for one brief shining moment in television history had all of the aforementioned elements in abundance as well as keeping audiences glued to their TVs week-to-week, and most fall short. Heck, even Game Of Thrones itself went from being great to good, to just okay, to downright bad, over the course of its last three seasons, though that didn’t stop the controversial finale from having record-breaking viewership (somewhat justifying the slew of spin-offs and prequels that HBO has greenlit since).

Hiroyuki Sanada as Yoshii Toranaga in Shogun, seated on a white horse on a grassy hillside, with a hawk perched on his hand. He is wearing golden-brown garments, and a tall straw hat with a chinstrap.
Yoshii Toranaga | ca.style.yahoo.com

So when I saw that critics were using the phrase “the next Game Of Thrones” to describe Hulu and FX’s Shōgun – a remake of the 1980 miniseries adapted from James Clavell’s best-selling 1975 novel by the same name – I didn’t think too much of it. I’ve heard the phrase misused so many times before that it’s lost virtually any and all meaning that it ever had. There is no “next” Game Of Thrones because streaming doesn’t accommodate that kind of communal viewing experience the way television did for Thrones, and streaming shows are given too few episodes and seasons to gradually prove their value, as Thrones did. Don’t get me wrong, in a fair and just world, Shōgun would absolutely be a cultural phenomenon, maybe even running for several seasons and accumulating dozens of Emmy awards and other accolades along the way to a satisfying series finale, but it doesn’t have to be. What it is, however, is an extremely high-quality production with a fine-tuned script, so in that regard, I suppose it is comparable to early Game Of Thrones, and probably more deserving of the comparison than most.

Now, I’ll confess, I’ve never seen the original miniseries and only read about a quarter of the book before putting it down, as I recall being unmoved by Clavell’s writing style and suspicious that the protagonist would turn out to be a white savior (though I’ve heard that’s not the case), so this reimagining of Shōgun wasn’t on my radar until fairly recently. But that only makes the pilot episode more of a triumph, in my opinion, because even without much prior knowledge of the story I was hooked in almost instantly – by the artistry, authenticity, and attention to detail on display in every frame, by the magnificent performances from the entire cast, and by the subversive score from Atticus Ross, Leopold Ross, and Nick Chuba.

This adaptation’s smartest and most significant deviation from the source material is in putting the focus squarely on Shōgun‘s Japanese characters, thereby gently nudging English explorer John Blackthorne (Cosmo Jarvis) into a secondary role for which he’s much better suited. He still functions like a window for (white, Western) viewers into the (to white Westerners) unfamiliar world of feudal Japan throughout the first episode, but Shōgun trusts its audience not to need him after a certain point and to come join the party on the other side of that window where all the really interesting stuff is happening, leaving Blackthorne to just keep strutting around confidently – and most amusingly – as if he’s the protagonist, while in reality, he’s unknowingly being used as a pawn in the power struggle between Yoshii Toranaga (Hiroyuki Sanada) and the other warlords on Japan’s ruling Council of Regents, spearheaded by Ishido Kazunari (Takehiro Hira).

Sanada, who also serves as a producer on Shōgun and was instrumental in getting this series made in the first place and, furthermore, made with historical accuracy front-of-mind, needs virtually no introduction after more than fifty years spent working across every medium and genre, but outside Japan, audiences far too rarely get a chance to see him in starring roles (in Hollywood blockbusters, most egregiously in Avengers: Endgame, he’s often cast as expendable sword-wielding villains). Shōgun rectifies that. Sanada lifts a sword only once in the first two episodes, and his most memorable scenes have him employing carefully-selected words and precipitous silences as his weapons of choice in negotiations with his enemies and prospective allies. With any stoic and seemingly unshakeable character, there is a balance that must be skillfully maintained to convince the audience of both their humanity and their almost inhuman composure in equal parts, and Sanada walks that invisible line with such ease that you simply have to marvel. It is especially evident through his profoundly intimate conversations with Toda Mariko (Anna Sawai), a noblewoman of his house whom he appoints to be Blackthorne’s translator, that Toranaga’s sincerity and his solemnity are not in conflict nor in danger of canceling each other out, but in fact conspire to keep him on the path to victory.

Anna Sawai as Toda Mariko in Shogun, kneeling on straw-mats covering the floor of a large room. She is wearing a white robe over a black and blood-red kimono and has a crucifix on a necklace. She has long black hair, parted in the middle. There are people seated behind her and to either side.
Toda Mariko | dish.com

Mariko, on the other hand, finds herself torn in different directions by her loyalty to Toranaga and her commitment to her Catholic faith, after Blackthorne’s arrival brings with it the chilling revelation that the Portuguese missionaries embedded in Japan are but the forerunners of a brutal empire that would absorb the country and eradicate its culture. In the middle-ground, that limitless sandbox, Anna Sawai sculpts the series’ most complex and formidable character, who must overcome obstacles that do not exist for the men around her if she intends not only to survive the dark days ahead but carve out a path for herself across blood-soaked battlefields. Her performance is made up of subtle, immensely purposeful movements – the merest flicker of the eyes conveys a hundred emotions.

The cast are backed up by a clean, concise script from Rachel Kondo and Justin Marks (among others) that moves between Japanese, English, and English-representing-Portuguese (one of the few immersion-breaking choices in the series, but ultimately a small grievance to hold against it). The original miniseries notoriously shunned the use of subtitles, a decision one could conceivably praise as subversive if it weren’t made with the explicit intention of shackling the series’ majority non-Japanese speaking audience to the viewpoint of the white Western protagonist, Blackthorne. All this while also aggressively whittling down the book to focus exclusively on Blackthorne, discarding many of the Japanese characters, their subplots, and with them, just about everything I can think of that makes Shōgun worth adapting in the first place. As I’ve mentioned, this new iteration of the story distributes the focus more evenly amongst its cast, denying us access to no crucial scene because Blackthorne isn’t there to witness it.

While I am by no means qualified to speak over actual historians, Japanese historians in particular, as to everything that Shōgun gets right (or wrong; in a production of this scale, it would be shocking if a few small inaccuracies didn’t slip past even the most hands-on cultural consultant, but I have not yet come across any), it has been heartening to hear the whole cast and crew emphasize the importance of telling this story as truthfully as possible, with Japanese creatives in key positions behind the camera as well as in front of it, and to have this further accentuated by the series’ clear, crisp lighting that ensures no aspect of the set design, costume design, or visual effects used to reconstruct entire early 17th Century Japanese cities and castles on Vancouver backlots is lost in the literal darkness that has subsumed so much of modern television as a quick fix for dodgy CGI and cheap wigs. There is a tangible sense of age and wear and depth to every set, every costume, every prop and piece of furniture, on this show.

Now, to be clear, lavish production design is only half the battle in making a visually outstanding piece of television. Good lighting also helps, but cinematography is crucial. I can think of several shows with genuinely beautiful set decoration and costumes and whatnot, that are burdened down by conventional cinematographers who prioritize blunt efficacy over artistry. Shōgun does not suffer from that problem, at least not under Christopher Ross (Ross, whose credits most shockingly include the film adaptation of Cats, only worked on the first two episodes). Intentionally or not, the elegant composition of each shot heavily evokes the artform of Japanese garden design, and many of the same design elements that go into creating these three-dimensional structures, concepts such as empty space, enclosure, and borrowed scenery, can be found in the texture of Shōgun‘s cinematography, albeit adapted for the stark rectangular confines of a television or phone screen.

Cosmo Jarvis as John Blackthorne in Shogun, from the chest up, wearing a dark brown robe. He has close-cropped brown hair and a beard.
John Blackthorne | msn.com

Debuting with a perfect score of 100% on Rotten Tomatoes, which it was able to hold for a couple of days before dipping by a single point based on a single review, Shogun is poised to remain one of the highest-reviewed series’ of the year, and there is no doubt in my mind it will be a strong contender at next year’s Emmys in practically every category (it’s being called a limited series, but that term is used somewhat…liberally, these days). On every front, it is a mighty force. If that holds true throughout the remainder of this season, it may well be that future epics of this staggering scale and exceptional quality will no longer be measured up next to Game Of Thrones, but to Shōgun. Ideally, we would do away with the comparisons altogether, as they help pretty much nobody, but I for one would probably consider it the greatest honor of my life to someday have my work mentioned in the same breath as this masterpiece.

Review: 10/10

iwot Producing Yet Another “Wheel Of Time” Adaptation…Using AI

Remember iwot? Last time they came up, the possibly imaginary two-person production company that’s been clinging for dear life to the film and television rights for Robert Jordan’s The Wheel Of Time since 2004 had just announced that Kari Skogland would be directing their (still entirely hypothetical) live-action film trilogy set three-thousand prior to the events of Jordan’s books. There’s been no movement on that front, nor is there likely to be, since iwot has a long and well-documented track-record of announcing projects and abandoning them just as quickly (to date, their entire output consists of one low-quality, half-hour long fan-film scraped together just in time to retain the rights when they were in danger of reverting back to Jordan’s estate), but they’ve previously taken the estate to court over their right to continue racking up failed business ventures to add to their resume, so there’s not much that anybody can do to stop them at this point.

The Wheel Of Time symbol comprising a golden ouroboros serpent interwined with a seven-spoked wheel against a black background.
The Wheel Of Time | rare-gallery.com

Now, however, cofounders Rick Selvage and Larry Mondragon are back with a new announcement; and I’m covering this, even though I strongly suspect it will never get off the ground, because it’s not just another silly, eyeroll-inducing, ultimately harmless empty promise from these guys. Selvage and Mondragon are claiming to have partnered with an AI software company called D1srupt1ve (okay, that name is eyeroll-inducing) to turn The Wheel Of Time into the “first-ever AI-enabled entertainment franchise”. Their press release contains all the usual vague, hyperbolic, self-aggrandizing language we’ve come to expect from these two; lots of stuff about how the experience will “energize an array of products and services that will extend, expand, and enhance the franchise’s current and future media formats, including books, television, movies, video games, and location-based entertainment”, and “intensify the emotional ties that bind fans to the franchise, bringing stories and characters to life in a way that is both dynamically interactive and deeply personal” and so on and so forth.

I don’t believe I’ve ever talked about AI on here, so let me state for the record that I am firmly and unequivocally against this usage of the technology. Selvage and Mondragon intend to train their AI (called The One Power, by the way) on Jordan’s books without his consent or the consent of his estate, scraping his source material for their glorified wiki-page which they claim will be able to answer all your Wheel Of Time-related questions in-character as Padan Fain or whomever. And of course, The One Power will have a visual component as well, “bringing to life the vivid imagery of the story” i.e. combing through Darrell K. Sweet’s iconic book covers and countless pieces of beautiful fan-art on the internet until it can regurgitate some atrocious picture of a person with three-hundred fingers and toes that it will swear is actually your favorite character. AI “art” is theft, plain and simple. There are methods to implement the technology into the creation of art by humans, but that is not what Selvage and Mondragon have in mind.

That’s the really important takeaway from this story, but while we’re here, I do want to address one of the claims I saw being repeated on social media yesterday, that because Selvage and Mondragon are credited as executive producers on Sony and Amazon’s television adaptation of The Wheel Of Time, that this AI must somehow be connected to the ongoing series, or is being implemented into upcoming seasons. Currently, there is nothing to suggest that is the case. Firstly, Selvage and Mondragon have those credits because they still own the rights, and because of the aforementioned legal battle they waged against Jordan’s estate in 2015, at least in part to prevent the estate from courting Sony without their involvement. There is no evidence of them actually having been involved in the series’ production beyond that (on the contrary, Jordan’s widow Harriet McDougal and Brandon Sanderson, the author she selected to finish the Wheel Of Time books after her husband’s death, were both involved in the writing and making of the first season). Selvage and Mondragon love to flaunt their EP credits because it’s really all they’ve got, but their press release makes no mention of any collaboration with Sony/Amazon, and Sony/Amazon have not made any comment on this or any of their other projects in the Wheel Of Time universe. I sincerely doubt that they even want to be involved.

Hopefully, that’s all I have to say about this, and it will either go the way of all the other projects that iwot has announced, or else be so totally unremarkable and inconsequential that no one will pay any attention to them ever again. At this point, I’m not planning to cover any of their future endeavors, even if, by some miracle, their live-action film trilogy or their animated film ever gets made. Anyway, share your own thoughts, theories, and opinions, in the comments below!

Everything We Learned From The Genshin Impact Version 4.4 Special Program

Of all the reoccurring events in Genshin Impact (and there are many), none is more hotly-anticipated by players than the annual Lantern Rite Festival that coincides with and reflects the celebration of the Chinese New Year. Set in the nation of Liyue, itself a patchwork of references taken from various different periods in ancient Chinese history and several distinct Chinese subcultures, the event nonetheless typically features characters from all across the world of Teyvat, and allows for some truly unexpected but delightful interactions. In the case of this year’s Lantern Rite, set to be the crowning event of Version 4.4, the former Hydro Archon Furina will make an appearance, her first in an event held outside Fontaine, which is a pretty big deal given that she’ll be in close proximity to the Geo Archon Zhongli and the two might drop some juicy tidbits of lore in their conversations – but for all that Furina usually commands the spotlight, one must first turn one’s attention to the long-awaited debut of the aloof adeptus Cloud Retainer as a playable character.

Xianyun, a tall woman with long black hair pulled into a ponytail with a hairpin shaped like a feather holding it in places, standing on a mountaintop with her arms crossed. She is wearing a black bodysuit with gauzy turquoise and pale blue ribbons forming a cape around her, and red spectacles.
Xianyun | destructoid.com

Genshin Impact‘s first five-star female Anemo character since Jean in Version 1.0, Cloud Retainer – or “Xianyun” – was described during the Special Program for Version 4.4 as a dedicated support for Plunge Attacks, the relatively little-used Normal Attacks that all characters in the game can perform when jumping or falling from a height. For most characters, gaining the height needed to perform a Plunge Attack in the first place is more of a hassle than it’s worth, because many battlefields – including almost all Domains, Boss Battle arenas, and the Spiral Abyss – are completely flat surfaces. A number of Anemo characters like Xiao, Venti, Wanderer, and Kazuha can propel themselves into the air, and Keqing and Alhaitham have similar abilities, but in all these cases the effect is limited to the character responsible for triggering it. Xianyun removes that obstacle: casting her Elemental Burst imbues every character in your party with a temporary jumping boost, meaning that anyone can perform Plunge Attacks, no matter the terrain. Of course, the characters who currently make the most of Plunge Attacks are the ones already most likely to be capable of performing them on their own, like Xiao, but Xianyun is only an asset to him. Additionally, every Plunge Attack performed while Xianyun’s Burst is active deals AoE Anemo DMG on top of the character’s own DMG, meaning that Catalyst characters (whose Plunge Attacks deal Elemental DMG by default) and characters with Elemental infusions on their weapons will be able to trigger the Swirl reaction more consistently. And as if that’s not enough, her Burst also heals your active character.

Her Elemental Skill allows Xianyun herself to perform three consecutive jumps high into the air, with the option to perform a Plunge Attack that will target nearby opponents and deal AoE Anemo DMG upon impact. From my (admittedly only partial) understanding, Xianyun’s Skill isn’t a necessary investment unless you’re building her to be an on-field DMG dealer. However, for players who enjoy climbing to the highest spots in Teyvat to take in the game’s breathtaking scenery or who struggle to harvest hard-to-reach local resources and always seem to find themselves running out of stamina while trying to maneuver around some slight overhang in a cliffside, Xianyun can be added to the list of (almost exclusively Anemo) characters who make world exploration effortless. Finally, and perhaps most importantly, she has a beautiful design, with her Signature Weapon, a Catalyst shaped like a fan, being one of the game’s most exquisitely detailed, coupled with an endearing curmudgeonly personality.

Xianyun will be available during the first half of Version 4.4 alongside Nahida (and followed in the second half by Xiao, her best teammate, and Yae Miko), with the new four-star Pyro Claymore user Gaming featured on both their banners, and as a free reward of choice during the Lantern Rite Festival. Before we go any further, because Gaming’s name has unfortunately been turned into a joke, mostly amongst English-speakers, because “haha, video game character is named Gaming”, let’s get this out of the way right upfront – Gaming is an actual Cantonese name, and in Cantonese it is pronounced as “Gaa-Ming”, not “Gay-Ming”, and we can debate over whether Genshin Impact‘s English localization team could or should have added a hyphen or a space or a second “a” to his name to make it easier, but I’m just gonna point out that there’s a character in this game named Wriothesley. If you can manage that, Gaming should be no problem.

Anyway, Gaming has a very unique playstyle based around the energetic dance-moves of Chinese Southern or Cantonese Lion Dance, one of the two main forms of Chinese Lion Dance, whose performers wear large, brightly-colored lion masks and costumes. Because lions are not native to China, the dance is believed to have possibly originated in Southern or Central Asia, and that is reflected in Genshin Impact, where the dance is said to come from Chenyu Vale between Liyue and the South Asian-inspired region of Sumeru, furthermore being inspired by legends of lion-dragon hybrids living in the mountains, called “suanni” (an obsolete Chinese word for creatures of a similar nature, with roots in Central Asia). The largest of these beasts, the Solitary Suanni, will be a new Daily Boss in Version 4.4, and will likely drop Ascension Materials for both Xianyun and Gaming.

Gaming from Genshin Impact, crouching on top of a spectral golden cylinder on the wharf, holding a glowing neon-gold grinning lion mask over his head. He has short dark brown hair, and is wearing a long-sleeved dark green and black jacket over a red shirt with black trousers.
Gaming | oficinadanet.com.br

Back to Gaming, his kit is Plunge Attack-dependent, and he synergizes well with Xianyun. His Elemental Skill launches him into the air, allowing him to deal a powerful Pyro-infused Plunge Attack at the cost of a portion of his HP, while his Burst summons an adorable suanni sidekick named Man Chai to provide healing and accelerate his Skill’s cooldown. I don’t know how strong he is, but he’s cute, and he’s a Pyro Claymore, so I feel like I have to get him. I own all three Pyro Claymore-users released thus far, and use two of them for nearly every scenario in the game, hence why they’re both currently at Lvl. 90, outfitted with some of the best weapons and Artifacts I’ve got, and with Talents nearly maxed out (hint: Diluc isn’t one of them). Gaming could be my next obsession. And I have a feeling that I’m gonna be throwing all of my Primogems at Xianyun’s banner (as if I have any chance of getting her this soon after Navia), so there’s a good chance I’ll obtain at least one or two copies of him in the process.

I’ve already mentioned Chenyu Vale in passing, but there’s much more to be said about this next major expansion to the map of Teyvat, a subsection of Liyue best known in the present day for its high quality tea and optimal location at the intersection of three nations, and in the past for being the abode of many powerful and revered adepti who rivaled even Rex Lapis himself, including the Golden Carp, Fujin, who is still worshipped by the people of Chenyu Vale (and, rather curiously, goes by the name of a Japanese, rather than Chinese, deity), and the White Snake (whom we don’t know much about, but I’ll eat my metaphorical hat if they aren’t either related to, or one and the same as the other magical white snake from Chenyu Vale, Changsheng). The region is said to be rich with history and lore, its mountains dotted by the ancient ruins of adeptal mansions and structures dating back to before the Archon War, and I for one can’t wait to explore all of it. It’s also stunning. Like, genuinely some of the best environment design I’ve seen from Genshin Impact to date.

As for Events, well, obviously, there’s Lantern Rite, and all that that entails – various creative and charming minigames, mostly. In one, players can team up in Co-Op Mode to perform a lion dance, one in which you can dress up as a giant lion and fling your teammates into the air as you barrel around the arena picking up coins, though the developers stressed that the aim here is not to cause chaos, and that working together is essential to complete various stages of the game. In another challenge, similar to something I remember from last year’s Lantern Rite, players will have to navigate through a vibrant fireworks display, though the catch here is that you’re playing as a flying golden carp. And there’s a really cute, straightforward enough boardgame involving Xiangling and Yao Yao’s animal familiars, Guoba and Yuegui, where you have to guide them through the forest on a search for ingredients. Players will be rewarded for their participation with a new skin for the four-star Hydro sword-user Xingqiu that appears to be heavily inspired by Furina’s outfit – like, it’s literally just genderbent Furina cosplay, minus the hat and a few other details? I mean, I’m still gonna add it to my collection, because it’s free, but it’s not at all on the same level as free skins that have been released for Kaeya and Lisa, among others, and of course it doesn’t hold a candle to the new skins for five-star Cryo characters Ganyu and Shenhe.

Yilong Wharf in Genshin Impact, a village of white-walled buildings with black-tiled roofs at  the base of a waterfall in the mountains, with a massive white tower built into the falls, connecting the settlements above and below. There are ships in both harbors.
Yilong Wharf | multiplayer.it

A lot of players have been begging for the return of the addictive Of Drink A-Dreaming Event from Version 2.5 (one of the first Events in which I participated, soon after I started playing Genshin Impact), and at long last it is returning, though with a slight makeover. Rather than brewing cocktails at the Angel’s Share in Mondstadt, players will instead find themselves temporarily taking over the duties of the head chef at Wangshu Inn in Liyue and plating delectable dishes for playable characters in Receiver Of Friends From Afar. Timing and precision are of the essence in this game. In Journey Through Hilinigmatic Terrain, players will have to possess the bodies of hilichurls to investigate strange occurrences in Dadaupa Gorge, before unlocking a Domain where they can fight a giant Samachurl with a bunch of different Elemental abilities. And finally, in Triumphant Frenzy, a standard combat Domain gets a bit more challenging with the player being limited to using random trial characters in each round (I’m hoping that some of the bizarre team-comps to come out of this turn out to be weirdly good).

And that’s Genshin Impact Version 4.4 in a nutshell! What are you excited for? Who do you plan on pulling for? Share your own thoughts, theories, and opinions, in the comments below!

10 Things To Get You Excited For The Rings Of Power Season 2

It’s not official just yet, but I think it’s pretty safe to assume that 2024 will be the year that Amazon’s The Lord Of The Rings: The Rings Of Power returns for its second season – filming had already wrapped prior to the SAG-AFTRA strikes that shut down much of Hollywood, post-production is now well underway, and there probably won’t be anywhere near as lengthy a marketing campaign as there was for the first season of the epic fantasy series, which kicked off with a Super Bowl teaser trailer months ahead of its September release to drum up anticipation for Amazon’s expensive venture into Middle-earth. Reception to the first season was mixed, with many critics and viewers praising the grand scale, breathtaking visual effects, and brilliant score, but criticizing the series’ large number of underdeveloped characters and disparate subplots, while hardcore fans of the source material, J.R.R. Tolkien’s Appendices to The Lord Of The Rings, complained of just about any divergence from the text, but in some cases understandably: certain changes came across as both needless and potentially damaging.

Benjamin Walker as Gil-galad and Robert Aramayo as Elrond in The Rings Of Power, standing side-by-side in an autumnal forest glade. Gil-galad has long brown hair worn loose, and wears a shimmering gold mantle and gold fabric bandolier. Elrond has short brown hair, and wears a dusty-green cloak and long-sleeved tunic.
Gil-galad and Elrond | looper.com

With all that said, I remain optimistic about the second season for a few reasons. Firstly, because I’m a huge fan of The Lord Of The Rings, so I will go into nearly any adaptation of the work wanting it to be good, and hoping for the best. Secondly, because the showrunners have had time and opportunity to take all of our feedback into account, and there are indications that the second season is focused on the characters and stories that fans wanted more of, including Celebrimbor, Sauron, and the Rings of Power themselves. Thirdly, and perhaps naively, because I had similar feelings about The Wheel Of Time‘s first season, and then season two came along and was just phenomenal. Thus, I present you with the ten things I’m most hyped to see from The Rings Of Power season two.

10: Celeborn

Look, I have no doubt that Bridgerton‘s Calam Lynch will be a truly endearing Celeborn, or that his romantic chemistry with Morfydd Clark’s Galadriel will be absolutely magical. But he is still playing Celeborn, who I know as the vaguely xenophobic, almost curmudgeonly character he had become by the time the Fellowship of the Ring rolled up to Caras Galadhon and met him and Galadriel at the end of the Third Age. Granted, that’s roughly three-thousand years after the events of The Rings Of Power, which is set during the Second Age, but even then, in Unfinished Tales, Celeborn is recorded as having traveled over the Misty Mountains to and from Lórien while Galadriel took the much shorter route through the underground Dwarven kingdom of Khazad-dûm, because he couldn’t stand Dwarves. Sure, his resentment towards them goes back to the Sack of Menegroth and the murder of his cousin Elu Thingol, but Thingol was denying payment to his Dwarven workers who were being commissioned to turn one of their own ancestral heirlooms, the Nauglamir, into a piece of pretty jewelry for the Elven-king. Anyway, I’m just saying that The Rings Of Power will have to actively work to make Celeborn less of a jerk, because it’s one of the few personality-traits Tolkien ever gave him (he is, essentially, what Peter Jackson’s films made Elrond out to be).

9: Politics In Khazad-Dûm

Speaking of the Dwarves, the last time we checked in on their subplot in the first season, Crown Prince Durin IV and his wife Disa were plotting to transform the isolated kingdom of Khazad-dûm into the flourishing hub of trade and commerce we know it will become, if only briefly. As long as Durin’s stalwart father Durin III is seated on the throne, they can’t do much, but that’s where I think the legendary Dwarven craftsman Narvi (to be played by Shadow And Bone‘s Kevin Eldon) will enter the picture in season two, as an influential ally to the Prince and Princess. Tolkien tells us that Narvi became a close friend of Celebrimbor and with his help designed the password-sealed doors that would protect Khazad-dûm’s secrets for many centuries after their deaths and the kingdom’s destruction from within. I think it’s highly likely that in the show, Narvi will also assist Celebrimbor in the forging of seven Rings of Power for the Dwarves, and in their distribution to the great lords representing each of the seven Dwarven clans. But it will be the ambitious and forward-thinking Durin IV on whose finger he places a Ring, the very Ring that would later be passed down to Thrór, the father of Thorin Oakenshield, and ripped away from him after much torment in the pits of Dol Guldur, to join the bouquet of stolen rings on Sauron’s hand.

8: Mithril

Mithril is a bit of a controversial topic in the Tolkien fandom nowadays, thanks to The Rings Of Power‘s bizarre invention of an admittedly apocryphal, plothole-ridden origin story for the precious metal, involving a Silmaril, a Balrog, an unnamed Elven warrior, and a tree growing in the Misty Mountains. Don’t even ask. It’s a hard sell, but I’m ready to accept that mithril (in the show; this is nowhere implied in the books) contains a reflection of the purifying light of a Silmaril, and could therefore slow or halt the erosion of Elvendom for a time. Obviously not forever, because, well…we know it doesn’t, but maybe the Elves could scrape by for a few extra years by adorning themselves and their abodes in mithril. So that’s what I want to see. I want the paranoid obsession with this metal’s supposed death-defying properties to have fully set in, and for Elven lords like Gil-galad and Celebrimbor to be pleading with the Dwarves to supply them with more, threatening them with war or blockade if they do not. The light of the Silmarils inspired in the Elves an insatiable lust that drove them to defy the Valar and chase Morgoth halfway across Middle-earth – the effects of mithril will have to be almost as ruinous if I’m to believe they’re one and the same. Also, I just don’t want the costume designers to miss the opportunity to dress all the Elves head-to-toe in mithril‘s radiance.

7: Pelargir

Jumping across the map for a moment, the Númenórean outpost of Pelargir is mentioned near the end of the first season as the next destination for Arondir, Bronwyn, Theo, and the displaced citizens of the Southlands, now Mordor. It’s one of the oldest cities of Men in Middle-earth, predating Osgiliath, Minas Anor (later Minas Tirith), and Minas Ithil (later Minas Morgul). The city sits at a literal and figurative crossroads between the lands of Harad and Khand in the southeast, Númenor in the distant southwest, Mordor in the east, and the lands of Elves in the northwest. It’s going to be a very different environment than what Bronwyn and her son Theo are used to, and I strongly suspect that they’ll end up entangled in the burgeoning conflict between the Númenórean colonizers and the oppressed “Low Men” of Middle-earth. And Sauron’s human form, Halbrand, still believed to be the rightful “King of the Southlands”, will almost surely waltz in at some point and drop the match that starts a firestorm.

6: Númenórean Imperialism

On that note, let’s talk more broadly about the subject of Númenórean imperialism in Middle-earth. Now, one major downside to The Rings Of Power compressing the timeline of the entire Second Age into the span of a single human character’s lifetime, as I’m sure I’ve talked about before, is that we lose the profound sense of the massive scale of Númenor’s empire-building efforts; how long it took them to become a superpower and how long they clung to that power through increasingly brutal methods as successive generations of kings and queens, each one more fearful of death and resentful of the immortal Elves than the one before, took out their anger on those they deemed inferior to themselves just to assure themselves they still could. In The Rings Of Power, all of this history and nuance will have to be crammed into the space of a few years at most, and it gives the show an excuse I hope they don’t take to place the blame for Númenor’s degradation squarely on Ar-Pharazôn, rather than on Númenor itself. Ar-Pharazôn is a symptom of the problem. The problem is Númenórean exceptionalism and racism – which is never treated, and reemerges in the kingdoms of Gondor and Arnor that sprang up after Númenor’s eventual downfall. I’m not particularly confident that The Rings Of Power will address these subjects directly, but I would be ecstatic if it did, and did so well.

5: The Faithful vs The King’s Men

Trystan Gravelle as Pharazon striding ahead of Leon Wadham as Kemen through a courtyard with stone pillars. Pharazon is wearing a dark red cape over a dark blue robe with a large gold belt and sash made of gold metal discs. He has long graying hair and a beard. Kemen wears an orange cape over a light-brown robe, and has short brown hair.
Pharazon and Kemen | comingsoon.net

Something I know will be addressed is the divide within Númenor between the followers of Ar-Pharazôn, named the King’s Men, and the so-called Faithful led by Elendil and Tar-Míriel, who wish to reestablish ancient bonds of friendship with the Elves and assist them in their fight against Sauron. I will say something possibly controversial here and point out that while the King’s Men are very much pro-imperialism, the Faithful aren’t exactly anti-imperialism, and ultimately take a very similar approach to dealing with the Men of Middle-earth as the King’s Men, but that’s a whole separate topic and I seriously don’t trust The Rings Of Power to touch on that idea at all. Elendil and Míriel’s joint struggle is not about grappling with the fact that the Faithful are no better, but about accepting the incalculable sacrifices that the way of the Faithful demands – which is also a valid central theme for this subplot, and vaguely more religious.

4: Rhûn

One of the earliest promises made by Rings Of Power showrunners Patrick McKay and J.D. Payne was to more fully explore the lands of Middle-earth that bleed off the sides of the map J.R.R. Tolkien drew and to which he generally constrained the scope of his stories – the lands of Harad, Far Harad, Khand, and Rhûn. Everything that Tolkien wrote about these places and their inhabitants, even combined, is barely enough to fill a single page, as well as being vague and carrying some racist undertones (the question of whether Tolkien was racist has been debated for decades in fandom and academic circles, and is probably impossible to answer definitively – but what is inarguable is that he had the blind-spots typical of even the most well-intentioned Western European white man born in the 19th Century whose primary literary influences growing up would have been mostly other Western European white men). Anyway, I can’t wait to see Rhûn for the first time onscreen alongside Elanor Brandyfoot and the Stranger in season two. The places they visit and the people they meet there will obviously have to be entirely original inventions of the writers, but this is one area of Tolkien’s legendarium that is long overdue for expansion and some revision in the process.

3: Nine Mortal Men Doomed To Die

It’s ironic, given how significant the Rings of Power are to the overarching story of Middle-earth’s Second and Third Ages, that we know so little about most of the Ringbearers. The Three Rings, as we all know, were given out to the wisest and most powerful Elven lords; Gil-galad, Galadriel, and Círdan the Shipwright (who could have been a whole separate entry on this list). The Seven Rings, as mentioned previously, were distributed amongst the mostly unnamed leaders of the seven Dwarven clans. And the Nine Rings were gifted to just about anybody. Okay, so canonically we know they were given to human kings, sorcerers, and warriors, three of whom were Númenórean lords (probably governors of Númenórean colonies in Middle-earth). One was from Rhûn and was named Khamûl (but that name only appears in Unfinished Tales, so Amazon probably doesn’t have permission to use it). The foremost among them was a powerful sorcerer, and probably one of the three Numenoreans, who would go on to become the Witch-king of Angmar (possibly, but not necessarily, indicating a prior connection to that northern region of Middle-earth, which was never a Númenórean colony as far as I’m aware). As these Ringbearers were all personally selected by Sauron with the intention of corrupting them, it is very likely they were chosen for their unique susceptibility to the Shadow. So who among the ensemble cast of The Rings Of Power is a future Ringbearer and Nazgûl? Ar-Pharazôn’s non-canonical, weak-willed son Kemen is a particularly strong candidate, as is Bronwyn’s angsty son Theo – and frankly, Bronwyn herself. Some fans would predictably throw a fit over one of the Nazgûl being a woman, but the Ring-verse refers to Galadriel as an “Elven-king”, and Tolkien used the capitalized word “Men” as an umbrella term for human men and women, so the loophole is there if the writers want to exploit it.

2: Celebrimbor

We didn’t get to see much of him in season one, but I’ve warmed up to Charles Edwards’ characterization of the Elven-smith Celebrimbor. In personality, physical appearance, and demeanor, he’s certainly not at all like the Celebrimbor I picture in my head while reading, but he’s valid, and I actually like him quite a bit now that I think I get what the show is going for with him. That being said, we do need more of him. The story of the Rings of Power is as much his story as it is Galadriel’s or Elrond’s, more so even than either of those characters, and yet the adaptation currently has him relegated to drifting in and out of the peripheries of the tale. I hope that Celebrimbor is spotlighted in season two, because it’s not just that he deserves it, as the literal maker of the Rings of Power, it’s that the show is speed-running through the events of the Second Age so fast that, uh, we may not have much time left with him after this season…if any. There’s a lot to get through, the distribution of the Three Rings, the forging of the Seven and the Nine Rings, the partnership with Narvi and the alliance with Khazad-dûm – and on top of all that, we still don’t actually know Celebrimbor very well in the context of the show, so it would be nice to have some flashbacks or even exposition that gave us more insight into his motives.

1: Annatar

Aerial shot of Sauron and Galadriel's reflections in clear water, silhouetted against the pale sun. Sauron is taller, wearing armor and a crown. Galadriel's hair is unbound, and she wears a white long-sleeved gown. Their faces are shadowy.
Sauron and Galadriel | nerdist.com

You knew he had to be number one, didn’t you? After taking the form of a scruffy human man named Halbrand throughout the first season, the shapeshifter Sauron will reportedly return with at least two different actors jointly playing the part – Charlie Vickers reprising the role of Halbrand, and Gavi Singh Chera, according to Fellowship Of Fans, appearing in both flashbacks and in Eregion alongside Celebrimbor as the “ethereal”, presumably more Elven-looking original form of the character – which I will go out on a short limb and say is very likely The Rings Of Power‘s amalgamation of Sauron’s angelic first form, Mairon, and the similar fair form he took while dealing with  the Elves of Eregion, named Annatar. The latter name only appears in Unfinished Tales and other books to which Amazon does not have the rights, but is apparently being used in some capacity on the series, whether only behind-the-scenes or in dialogue (it wouldn’t be the first time they’ve managed this somehow; they used the name Armenelos in season one, despite it only appearing in The Silmarillion and Unfinished Tales). Not only am I excited for the Annatar storyline to play out, even if it is heavily abbreviated, in general I’m just extremely hyped for another actor’s interpretation of Sauron. The character’s shapeshifting was something I was missing in the first season, and while I’m not familiar with his work, Gavi Singh Chera definitely has the looks and the poise.

The Rings Of Power is such a massive series that I could honestly keep going and going (I didn’t even get to talk about Adar! Expanded storylines for the Orcs! The Mystics! Isildur stranded in Mordor! Aldarion!), but I limited this list to just ten entries. Anyway, I want to hear what’s on your lists now. Share your own thoughts, theories, and opinions, in the comments below!