I had to dig through my site’s archives to find the first post I wrote about Gollum, but even so I was shocked to discover that it’s been over two years since the first footage from the game was revealed to the public. I can just barely remember feeling disappointed with the titular character’s unexpressive face and janky movements at the time, but it seems I wasn’t the only one who felt that way, because Daedalic Entertainment has spent the last two years reworking the game. I would have probably forgotten about it entirely, were it not for a new full-length trailer for the game released on Thursday that tentatively hints at a 2023 release date and urges gamers to add it to their wish-list now.
Gollum follows the character’s circuitous journey across Middle-earth in pursuit of Bilbo Baggins during the sixty-year interlude between The Hobbit and The Lord Of The Rings, a journey that takes him from the Misty Mountains to Mordor, where he is detained in the dungeons of Sauron and tortured until he reveals who took his precious Ring, and then to Mirkwood, where he is detained in the dungeons of Thranduil and tortured until he reveals what he revealed to Sauron, and then back to the Misty Mountains to continue his long-delayed original mission, only to unexpectedly run into the Fellowship of the Ring led by Bilbo’s nephew Frodo Baggins and begin hunting them. The game promises to flesh out these events with new material and original characters to keep Tolkienites and casual gamers alike on their toes, but Gollum’s goal, the player’s goal, is the same – survive, and find the Ring.
With everyone and everything in Middle-earth out to get you, this goal can only be achieved by being strategic about when to lean into the character’s violent tendencies as Gollum and when to unlock their deeply suppressed better qualities as Sméagol, something that is sure to be one of the game’s most interesting and unique features. Reinforcing the idea that Gollum stands in the middle of the rift between Middle-earth’s cosmic forces of light and darkness, the character’s potential allies come from both sides of the conflict, including an Elven woman named Mell who appears to hail from Mirkwood and Shelob, a monstrous demon in spider-form.
Even though many of the game’s characters are recognizable by name to even the most casual Tolkienite, including Shelob, Gandalf, Thranduil, and the Mouth of Sauron, their designs are remarkably…original, borrowing far more heavily from the bizarre, whimsical Rankin/Bass 1977 animated adaptation of The Hobbit and Ralph Bakshi’s borderline-psychedelic 1978 animated adaptation of The Lord Of The Rings than from either of Peter Jackson’s hyper-realistic film trilogies or Amazon’s The Rings Of Power. Gollum‘s Elves, for instance, are sinuous, reed-thin creatures with hooded eyes, drowning in layers upon layers of voluminous fabric and enormous, ornate headdresses. It’s the kind of game where a Tom Bombadil cameo wouldn’t seem entirely out of place, and that’s saying something.
Whether the gameplay matches the quality of the visuals remains to be seen, but I’ll leave that to professional gamers to determine: for me, as a fan of J.R.R. Tolkien’s works who simply enjoys analyzing new adaptations and debating the thematic consequences, great and small, of making changes to the source material, the main appeal of Gollum is the agency it gives to the player to make choices that will decide Gollum’s ultimate fate. I don’t know yet if the game allows you to go running off in any direction, with alternate endings depending on how you choose to play, or if it eventually forces you back on the path that leads Gollum to his canonical confrontation with the Fellowship of the Ring, but I’m excited to see how the developers at Daedalic have integrated the character’s internal struggles into every aspect of their game from the narrative to the actual gameplay.
POTENTIAL SPOILERS FOR THE RINGS OF POWER SEASON TWO AHEAD!
New year, same niche interests.
Amazon’s The Lord Of The Rings: The Rings Of Power has been lingering in the back of my mind ever since its epic season finale, which saw the human Southlander Halbrand revealed to be the Dark Lord Sauron in one of his many fair-seeming forms. With his plan to conquer Middle-earth unknowingly set in motion by the characters of Adar, Celebrimbor, and Pharazôn, the stakes are higher than ever – and the only thing standing between Sauron and his ultimate goal is Galadriel, to whom Sauron’s ambitions were made terrifyingly clear when he offered her a place at his side in the new world he intends to build from the old one’s ashes. Heading into season two, the Three Rings forged by Celebrimbor will come into play, giving the Elves an apparent advantage over Sauron that the Dark Lord will seek to circumvent by approaching Celebrimbor in a new disguise and persuading him to create more Rings with his help; Rings through which he can control the other Free Peoples, Men and Dwarves.
With a grand total of nineteen Rings of Power floating around in season two (minus the One Ring forged by and for Sauron alone), audiences can look forward to appearances from the future owners of the Seven Rings made for the Dwarves and the Nine Rings destined to enslave Men. On top of that, the first season came to an abrupt end before the Elves gathered to witness the forging of the Three Rings could decide who among them should wield these precious artifacts, leaving open the possibility that multiple high-ranking Elven-lords and ladies will vie for a Ring of their own before they inevitably come to rest on the hands of Galadriel, High King Gil-galad, and Círdan the Shipwright. The books and posthumously published writings of J.R.R. Tolkien are largely unhelpful for theorists, offering only a vague account of how the Rings of Power were distributed – which means there’s no predicting how Amazon’s adaptation of this story will play out.
At one point, Tolkien toyed with the idea that the Rings of Power had originally all been made for Elven wearers, and that it was Sauron who later went amongst Dwarves and Men, handing out the sixteen Rings he had stolen from Celebrimbor’s forge when he sacked the city of Eregion. I can easily believe that Men, with their short lifespans and shorter memories, would fall for that trick, but it’s never made much sense to me that the Dwarves of Khazad-dûm, who promptly closed their doors in Sauron’s face after Eregion was sacked, would reopen them for any mysterious stranger bearing Rings that could only have been made in Eregion. I’ve always preferred the account passed down by the Dwarves themselves; that Celebrimbor himself presented a Ring of Power to King Durin III, making at least one out of the Seven a true token of friendship between Elves and Dwarves.
The identities of the other Ringbearers also eluded Tolkien, or else he never gave the matter much thought. It is generally assumed, for good reason, that the rest of the Seven Rings were given to the heads of the seven Dwarven clans (Longbeards, Firebeards, Broadbeams, Ironfists, Stiffbeards, Blacklocks and Stonefoots), but I do not believe that this is actually confirmed anywhere. It’s theoretically possible that two or more Dwarf-lords of a single clan each received a Ring, and that some clan leaders steadfastly refused to accept Rings at all. Seeing as the Dwarves were generally far more resistant to the corrosive powers of the Rings than Men or even Elves, it would not surprise me if that were the case. The names of the nine Men who became Sauron’s Ringwraiths were either lost to time or suppressed, all save one; Khamûl, the Shadow of the East, who was second-in-command to the Witch-king of Angmar.
That’s the story we’ve been told, anyway. Amazon intends to tell their own, and it seems to me that there are already a few original characters (i.e. characters invented for The Rings Of Power, who didn’t exist or weren’t named in Tolkien’s works) that have been set up in season one to become Ringbearers in season two, amongst them Durin IV and Disa of Khazad-dûm, Bronwyn and Theo of the Southlands, and Kemen of Númenor. The concept alone may offend some Tolkien purists, but allow me to lay out the argument for each of these non-canonical candidates.
Representing the prestigious Longbeard clan as the main Dwarven viewpoint character in the series, Prince Durin IV is the most obvious choice to receive the Ring of Power given to his father by Celebrimbor in the semi-canonical version of the story only sketched out by Tolkien. He is, at any rate, far more likely to accept the gift without questioning its origins than his father Durin III, who in Amazon’s retelling is deeply distrustful of the Elves and all their handiwork. The Ring, with its tendency to “inflame [the bearer’s] heart with a greed of gold and precious things”, would bring out the worst qualities in Durin IV, who unsuccessfully sought for six episodes to convince his father that the value of mithril (a precious metal coveted by the Elves, but only found in narrow crevices deep below the foundations of Khazad-dûm) far outweighed the dangers of mining it. With a Ring on his finger to assure him of his own infallibility, he would become insistent upon digging ever deeper in search of mithril, inevitably awakening the monster nestled in wait at the mountain’s roots.
I see these tragic events unfolding in Durin IV’s future as clearly as if they were already filmed, but whether his wife Disa make it out alive or not will depend entirely on whether she learns too late what Gandalf told Saruman in The Fellowship Of The Ring; that “only one hand at a time can wield [a Ring of Power]”, meaning that its bearer will soon become possessive of it and irrationally suspicious of anyone who offers to share it, even if only to ease the mental and physical toll it exacts. I fear that this once inseparable power-couple will break under pressure, and that while Durin is dragged down by the weight of his Ring to a dark and terrible place, Disa will be put in an extremely difficult position where she can choose to stick by his side, either for true love’s sake or in the naïve hope that she can make the Ring work for her too, or she can get out before she’s buried with him beneath falling monuments to their selfishness and greed, the only thing they ever truly shared.
We have yet to see any Dwarf-lords from the other six clans scattered across Middle-earth from the Ered Luin to the Iron Hills, and I doubt that The Rings Of Power will ever find the time or space to flesh out their stories anyway, but I imagine we’ll see the other Dwarven Ringbearers gathered in at least one scene, solely so that Amazon can replicate that iconic moment in the opening sequence of Peter Jackson’s The Fellowship Of The Ring, where the seven nameless Dwarf-lords hold up their Rings as one. Personally, I’m hoping for a little more diversity in Amazon’s version, because if Galadriel can get grouped in with the “Elven-kings” in the famous Ring-verse despite being a woman (and explicitly not even equivalent to a king amongst her own people), then there can be some Dwarven-women among the “Dwarf-lords” mentioned in the next line.
That brings me to the next character I believe might be tempted to get her hands on a Ring – Bronwyn of the Southlands, a humble human apothecary who became unexpectedly crucial in deciding the fate of Middle-earth after leading her people to a victory against the Orcs that was only overturned when Orodruin suddenly erupted, forcing her to flee to Pelargir with her family and other refugees at the end of season one. Not only is she now acquainted with the Dark Lord Sauron (albeit in the fair form of Halbrand, long-lost king of the Southlands), giving her the means to obtain a Ring of Power, she also has the motive to want one: she’s in love with an immortal Elven warrior named Arondir who has been around since the First Age and will still be around long after Bronwyn’s great-grandchildren are dead, which is sure to pose a problem in their relationship as they start to wonder what’s next for them now that they’re comfortably settled down in Pelargir.
By a complete coincidence, the nine Rings of Power given to Mortal Men have the side-effect of extending their bearer’s lifespan long beyond its natural endpoint, something that sounds really appealing until you realize that the Rings can’t do anything to preserve your physical body or your mind, but will continue to puppeteer your undead husk for centuries until even that has crumbled away and finally all that remains is an overworked and exhausted soul tied to the world by the Ring on its nonexistent finger. If that fate awaits Bronwyn, it will be far worse than dying of old age, for death would come as a sweet release after an eternity of numbness.
Frankly, I’ve always felt that Middle-earth needs more women who are morally ambiguous in all the ways that men have always been allowed to be, so I wouldn’t necessarily object to Bronwyn becoming a Ringwraith, but I do have concerns that if her story goes down this route, it might gradually become the story of Arondir’s attempts to save Bronwyn from herself, rather than remaining focused on her – very relatable, and extremely Tolkienesque – struggle with the fear of death, so I’d like to hear opinions from women about how (or whether) it can be depicted without that happening.
Bronwyn’s son Theo has a rather more straightforward motive for desiring a Ring of Power. Ever since Waldreg stole the mysterious sword-shaped key that Theo had been using to stab himself so he could get high on blood loss and used it to activate Orodruin (why was the key shaped like a sword, anyway? I still have far too many questions regarding the key, the keyhole, and Sauron’s bizarre plan to anti-terraform the Southlands for there to ever be good enough answers), Theo has spoken about feeling powerless without it and wanting revenge on the Orcs to fill the gaping void in his life. While Sauron might not allow him to go that far, he can offer Theo something else – an even stronger drug that will silently kill off the parts of him that are good and innocent, reducing him to a vacant vessel ready to be filled with Sauron’s malice. The alternative, in my opinion, is that Theo becomes the King of the Dead, and either way he’s going to be trapped between life and death for a long time before getting peace.
Kemen, the weakly rebellious son of Pharazôn, is by far the least interesting and least sympathetic character who could potentially end up wearing one of the Nine Rings, but I have to believe there was a reason for writing him into the series, and this is the only one that makes any sense to me. Throughout the first season, in the few and far-between glimpses we caught of Kemen and his father interacting, we watched with second-hand embarrassment as the young man almost reluctantly matured – though only after his puppy-like attempts to please his father (“I was only trying to be clever”) were met with contempt. Kemen’s guilty anger emboldened him, and he thwarted his father’s imperialist agenda by blowing up a ship intended to set sail for Middle-earth, although he barely made it out of the conflagration alive. In season two, I expect Kemen to go to even greater lengths to sabotage (and at the same time, subconsciously impress) his father, and it would be most ironic if he only succeeded in enslaving his will to the Dark Lord.
Besides Kemen, it’s possible – though very unlikely, in my opinion – that another Númenórean, Eärien, will become a Ringwraith. I personally believe she will be lured to the dark side not by promises of power or eternal life, but by the opportunity to build the Temple of Morgoth in Armenelos where Sauron and Pharazôn will sacrifice prisoners-of-war and members of the Faithful arrested on false charges of treason, including Eärien’s own family. I will support her every step of the way, mind you, no matter what unspeakable crimes she commits to become the greatest architect in Middle-earth for one brief shining moment before it all comes crashing down around her, but for that climax to be truly satisfying I believe Eärien must surely die in the building she designed to last for centuries, like Thomas Andrews going down with the Titanic.
With the cast of The Rings Of Power expanding in season two, there’s a very strong chance we’ll soon meet other future Ringwraiths from Númenor, Middle-earth’s Southlands, and the currently uncharted regions of Rhûn and Harad. But I don’t know anything about these characters, and Tolkien left nothing for me to work with, so this is where I must sadly end. Of course, there is one more Ring, one of which I have not yet spoken, but that One was made for the Dark Lord’s hand alone, and it was only by chance (which some might call the divine intervention of Eru) that it was cut from his finger and later lost in the murky waters of the Anduin, only to be picked up by a hobbit or something akin to one, anyway. For the record, however, I do believe the One Ring will be forged in the season two finale, concluding Sauron’s irreversible descent into darkness.
So…which of the characters I’ve mentioned will actually get their hands on a Ring of Power when all is said and done, and which will become corrupted, transforming into horrible Ringwraiths? Share your own thoughts, theories, and opinions, in the comments below!
No point in delaying the inevitable, so here’s the harsh truth: I did not particularly care for The Witcher: Blood Origin. The live-action limited-series, set a thousand years before the events of The Witcher in a world populated by Elves, was originally intended to have a full six episodes, each an hour long, in which to tell the story of how Elves, humans, and fearsome monsters from Slavic folklore first collided during the Conjunction of the Spheres and were stranded on The Continent – a tale that could easily have been as epic and stirring as the first trailer promised. Alas! We shall never know if, in its original form, Blood Origin earned those descriptors, because at some point late in production two entire episodes were scrapped at Netflix’s bequest and their contents were hastily scattered across the remaining four. The spilled blood and guts of this once grand series are on full display in the unappealing final product, which has been served up as an appetizer to The Witcher season three.
I have to imagine that Blood Origin‘s world, story, and characters were all fully fleshed-out in the episodes we lost forever, and that its commentary on “progressive reformers” who play at being revolutionaries while merely redecorating the inherently oppressive systems in which they remain caged was probably once effective, even timely. Perhaps the few, faint glimmers of originality still just barely visible in these four hectic episodes shone a little brighter before they were buried under layers of muck. Whatever the case, I can regretfully only pass judgement on what I actually watched: four hours of dull exposition, shallow political intrigue (my favorite fantasy trope, which I usually eat up), confessions of love and betrayals both rendered meaningless by the lack of any semblance of build-up, and a grand total of two or three minutes dedicated to the actual Conjunction of the Spheres, shoved in almost as an afterthought. Blood Origin is bad, but what’s worse, it’s incredibly boring.
And absolutely none of that is due to Henry Cavill suddenly leaving The Witcher, yet his name keeps popping up in eye-catching headlines for reviews of Blood Origin, and in a recent flurry of hyperbolic think-pieces predicting the quick death of the franchise. Without Cavill, critics write, The Witcher has nothing going for it. But what of the best-selling novels and critically-acclaimed video games, you ask? Tragically, they’re all meaningless now, without Cavill. And Blood Origin, a self-contained prequel which never starred Cavill in the first place but inconveniently comes hot on the heels of his departure, while his fans are still in mourning? Well, obviously it just shouldn’t exist. After all, what’s the point of anything Witcher-related if it doesn’t feature the second or third-best actor in the main series?
The visceral negative reaction from critics to the very concept of a Cavill-less Witcher prequel is…interesting, given that similar critiques were not leveled against Nightmare Of The Wolf, an animated Witcher prequel released last year that ended up with a 100% rating on Rotten Tomatoes while Blood Origin was stamped with a humiliating 33% rating. I’m not denying that there’s a difference in quality between the two, but the fact that Nightmare Of The Wolf was led by a white man while Blood Origin has a diverse ensemble cast spearheaded by a Black woman cannot be entirely discounted. Professional critics know exactly what they’re doing by attributing Blood Origin‘s faults to the absence of a white male lead; they’re trying to get clicks from the recently riled-up group of embittered book and game purists who believe, without any proof for their claims, that Henry Cavill walked away from The Witcher in protest of changes to the lore – including increased representation.
And sure, Cavill’s name is easy clickbait, but it’s not like Blood Origin doesn’t have a stacked cast of its own. Academy-Award nominee Minnie Driver provides her enchanting voice to the role of The Narrator, a nameless yet powerful Elven sorceress who even appears briefly in both the first and last episodes alongside Joey Batey, returning as the immensely popular bard Jaskier in a small but crucial role that allows him to once again belt out a catchy, profanity-laced song over the closing credits. And among Blood Origin‘s main cast stands the legendary Michelle Yeoh, TIME Magazine‘s 2022 Icon of the Year who stands perfectly positioned to become a first-time Academy Award nominee and winner in the new year for her starring role in the wildly successful sci-fi dramedy Everything Everywhere All At Once.
Yeoh’s character in the Witcher universe, a darkly humorous Elven warrior named Scían, may not earn her any Emmy Awards buzz (you want to receive recognition as an actor and be in a big-budget escapist fantasy, your best bet is still Westeros), yet nor is she reduced to her skill with a sword. Make no mistake, her fast-paced action scenes are a highlight of each episode, but something that I think casting directors often fail to take into consideration is that Yeoh can be a true team-player until you throw her into a fight opposite a relatively inexperienced combatant: and this is something that comes across clearly in the brief glimpses we catch of Scían off the battlefield, at peace, bickering with her traveling companions or joining in their merrymaking. Heck, I’d even argue that Yeoh ought to be invited to jump onboard the main series (one of the perks of playing an immortal Elf is that you can just do that), if she’d be open to it after the poor reception to Blood Origin.
The rest of the cast is also quite good, but with over a dozen major characters squeezed uncomfortably into these four episodes it’s impossible for them all to make an equally strong impression. Sophia Brown does so, proving particularly convincing as a good-natured bard named Éile whose songs inspire uprisings wherever she goes (shoutout to lyricist and composer Bear McCreary, whose score for the series is beautiful, with heavy Celtic influences), and Mirren Mack brings a unique ethereal swagger to the role of Empress Merwyn, though to be fair she receives considerable support from her breathtaking wardrobe of haute couture gowns (including several pieces designed by Iris van Herpen) and quirky hairstyles, which change from scene to scene. But the breakout star is Francesca Mills as Meldof, a foul-mouthed queer Dwarf whose memorable introductory scene convinced me to binge-watch episodes two through four despite all my reservations about the series.
Unfortunately, you will have to sit and suffer through the entire first episode if you want to meet Meldof, and that is a labor-intensive task I can’t in good conscience recommend to anyone just looking for a fun escapist fantasy to throw on, unless you know going in that you’ll be bombarded with solid blocks of expository dialogue in practically every scene and shouldn’t expect to catch anyone’s names amidst all the very serious discussion of peace treaties and food shortages until somewhere around the forty-minute mark (and that is being extremely optimistic). Look, I’ve enjoyed badly-written fantasy stories in the past. I have even put some out into the world. And that’s why I sat through Blood Origin‘s first episode praying that something so riotously bad would happen that I could at least have fun with the series. I didn’t expect it to be a tough ask of a franchise notable for putting an amusingly gory twist on classic fairytales.
Even in terms of production design and creature design, two areas in which The Witcher has always stood out from the competition, Blood Origin plays it safe, opting for dull familiarity over bold swings of its own (say what you will about The Rings Of Power, it was unmistakably different from Peter Jackson’s The Lord Of The Rings in every possible way, and I appreciate that even more now). The Continent pre-Conjunction of the Spheres, though quite literally shiny and new on the surface, is actually depressingly similar to the Continent of Geralt’s time, as we soon discover. Elves are just humans with pointier ears: they even violently oppress all the same marginalized groups that will still be oppressed a thousand years later, including women, queer people, Dwarves, and just about anyone in a lower social class than their aggressively elitist aristocrats and monarchs, who are also imperialists to boot. Every unique aspect of Elven culture and cosmology that seems worth exploring is brushed aside. Elven magic is loosely-defined and, whenever wielded onscreen, shockingly generic; lightning, fireballs, and the like. Balor’s Beast, the first monster on the Continent, evaporates its victims bloodlessly as part of a general effort to tone down the series’ violence that only reduces the stakes lower than they already were.
I have few kind words left for the series myself, though as always, nothing but support and positivity for those who genuinely adored it – especially those who simply enjoyed the representation, including one of the franchise’s first significant deaf characters and its first queer couple. The online discourse around Blood Origin has left me in this weird place where I feel strangely inspired to defend the series despite everything about it that I did not like, and I suspect it’s because so many purists, Henry Cavill fans, and straight-up bigots have been seizing upon this opportunity to try and bring the whole franchise down. I for one do not want that to happen. I enjoy the main series immensely, and I’m sure I would have enjoyed Blood Origin too, if Netflix hadn’t intervened to ensure that there was nothing left for anyone to enjoy. Hopefully, there is a future for some of these characters in The Witcher moving forward (well, we already know of one or two who will return, but I’m really only referring to Scían, Éile, and Meldof), so we can leave this disappointing chapter in the past while preserving the few parts of it that actually worked.
Ah, how I’ve missed the Amazon marketing team’s wildly unpredictable strategy for promoting what is reportedly the biggest and most expensive series ever made for television. Coming off a premiere with record-breaking viewership numbers that caused lots of online discourse but nevertheless generated a dedicated fanbase who thereafter kept the series at or near the top of the Nielsen charts for multiple weeks in a row, The Lord Of The Rings: The Rings Of Power has fumbled one opportunity after another to keep that fanbase’s undivided attention through what is expected to be a long downtime between seasons. Most casual fans probably weren’t even aware that season two had quietly started filming back in early October, while the first season was still airing, because there have been almost no official updates on the production out of Bray Studios in England.
Until Thursday morning, when Amazon chose to randomly spring on us a total of seven new casting announcements for The Rings Of Power season two – with one, unfortunately, being the unexpected recasting of a major character. Nobody behind-the-scenes seems to have considered how slipping this important piece of information into a press release might completely overshadow what should have been a celebratory moment for the seven new actors joining the world of Middle-earth, or how a day of warm welcomes would inevitably turn into a day of solemn farewell messages directed at Joseph Mawle when it got out that he would not be returning as “Adar”, the darkly seductive leader of the Orcs that so many of us had grown to love.
Samuel Hazeldine, best known for his work in Peaky Blinders, The Sandman, and The Last Duel, will assume the role going forward. Knowing nothing about Hazeldine and his acting process, I only hope that he isn’t compelled to mimic Mawle’s mannerisms too closely, or worse, directed to do so – while there should be a sense of continuity between their two iterations of the same character, Mawle’s Adar was by all accounts the end-result of meticulous research and immersion into Tolkien’s mythology for the Orcs, and I (along with many others) would ideally like to hear that Hazeldine took a similar journey before settling on his own, subtly unique, characterization for this enigmatic antagonist. Beyond that, I can guarantee that fans will be comparing the two actors, and a few will be coming into this season downright mad about the recasting and mad at Hazeldine through no fault of his own, so channeling Mawle might just have the undesired effect of drawing attention to his absence.
With that out of the way, there are six other actors joining The Rings Of Power who are lucky not to have the shadow of another looming over their heads, and it’s time we moved down the list. First up, there’s Gabriel Akuwudike, who comes from a background in theatre and has had various small roles in film and television (including 1917, Game Of Thrones, and Cursed). He’s around the same age as Morfydd Clark and very handsome, so naturally everyone in the fandom has jumped to the conclusion that he’s playing Celeborn, Galadriel’s canonical husband who has not yet appeared in The Rings Of Power (in a significant deviation from what Tolkien wrote on the subject, the series’ version of Celeborn has been believed dead for centuries, which is already a hell of a lot more interesting than anything he ever did canonically; sorry, someone had to say it). Of course, this is all just speculation, and it’s just as likely that Akuwudike is playing an original character.
Next on the list is Yasen Atour, and his face might already be familiar to some of you as that of the Witcher Coen in the second season of Netflix’s The Witcher. He struck me as very funny and likeable there, so I’m excited to see what kind of energy he brings to The Rings Of Power, whether his character is dramatic or comedic. My most out-there theory is that he’s Theo’s nameless father, who disappeared from Tirharad before he was born (and at one point was widely suspected to be Halbrand), but the mystery surrounding that character and Theo’s origins in general weirdly trailed off without a proper resolution halfway through the season, around the same time the Orcs attacked Tirharad. With Theo and his mother Bronwyn presumably safe and sound in Pelargir at the beginning of season two, maybe there’ll be time for the show to address all our burning questions regarding Theo’s bloodline, and his connections to Mount Doom and Sauron.
Moving on, we have Ben Daniels – an acclaimed British actor with a long and distinguished career on the stage (his performance in All My Sons at the Royal National Theatre in 2001 earned him a Laurence Olivier Award, and he is a three-time nominee), as well as in television and film (globally, he is probably best known as Antony Armstrong-Jones in the third season of Netflix’s The Crown, but he has also had major roles in House Of Cards, Merlin, and Jupiter’s Legacy). With that resume, I have to imagine his character in The Rings Of Power is someone of significance: Círdan the Shipwright perhaps, or Amandil, the grandfather of Isildur, if Amazon obtains the rights to his remarkable yet tragic story.
Amelia Kenworthy and Nia Towle have similar backgrounds in theatre and to date have had only a few film and television acting credits between them. For Kenworthy, in fact, The Rings Of Power will be her television debut – although the RADA graduate has previously appeared in several productions of Shakespeare’s work, including as Puck in A Midsummer Night’s Dream. Towle, who graduated from the Guildhall School of Music and Drama, received very strong reviews for her performance as Lettie Hempstock in the West End debut of Neil Gaiman’s The Ocean At The End Of The Lane, and most recently appeared briefly in Netflix’s anachronistic adaptation of Persuasion.
And that brings us at last to Nicholas Woodeson, who has been working in theatre since the early 1970’s, when he started out at the Everyman Theatre in Liverpool. Looking at his enormous body of work, which includes numerous appearances in film and television, including Heaven’s Gate, Conspiracy, Skyfall, and the HBO series Rome, I see a similar career trajectory as the one Sir Ian McKellen took to the role of Gandalf, which made him a household name globally. Looking at Woodeson, I could potentially see him as another wizard – one of the Blue Wizards, perhaps – or as a Harfoot, if there are any new characters yet to be introduced from that group. He could be Círdan (he’s certainly closer in age to how I would imagine the Shipwright than anyone else in the cast), but something about him doesn’t fully scream Elvish to me.
Well, that’s everything I know about everyone joining the cast of The Rings Of Power in season two. There are probably still a few more names that haven’t yet been revealed, important ones too, but I’d be surprised if we saw many more new additions to the cast – after all, there are still over twenty returning characters from season one. Whose introduction (or return) are you most excited for, and is there anyone from the books you think we’re seeing here for the first time without even realizing? Share your own thoughts, theories, and opinions, in the comments below!