Do I have any idea why the Instagram page for Amazon Prime’s The Lord Of The Rings just randomly announced twenty new cast-members for the upcoming series this morning without doing the same on their Twitter account, and seemingly without any warning? No, I do not. Today is not a holiday in the Tolkien fandom, and it has no great significance in the chronologies of Middle-earth (Frodo spent all of December comfortably and unremarkably hunkered down in Rivendell). That being said, am I objecting in any way, shape, or form? No, I most certainly am not. The twenty new additions widen and diversify the series’ main cast dramatically, giving us a little more insight into what Amazon Prime is aiming for with their epic adaptation of J.R.R. Tolkien’s writings.
Unlike today’s date, the number twenty is especially significant in Tolkien’s deep lore, as it’s the number of Rings of Power that were forged in the Second Age, all but three under the influence and guidance of Sauron. Amazon Prime’s The Lord Of The Rings, as we’ve discussed many times, takes place sometime during the Second Age, three-thousand years before the events of the novel itself. This Age of Middle-earth’s history is only vaguely sketched out in the pages of The Lord Of The Rings, with more information coming from the book’s extensive appendices – and mostly from Tolkien’s posthumously published works, including Unfinished Tales. But if you want to read more about that, you can check out several posts I’ve written on the subject, including my timeline of the Second Age; right now, let’s get to the good stuff!
First up, the casting announcements confirm some things we’ve already known or strongly suspected for a while now. Simon Merrells, Maxim Baldry, and Augustus Prew, all of whom have been rumored to be appearing in the series, have now officially joined. A special shoutout is in order for Fellowship Of Fans, who expertly pieced together the theory that Prew had joined The Lord Of The Rings just a few weeks ago. By a truly bizarre coincidence, Benjamin Walker, the husband of actress Kaya Scodelario, is also among the newly announced cast-members: Scodelario, of course, was recently believed to have been cast in the series, although that turned out to be untrue. But she now has a connection to the show anyway, so that’s actually pretty cool.
The new batch of casting also includes a number of BIPOC actors, including Ghanaian-American actress Cynthia Addai-Robinson (star of Spartacus, Arrow, and Power, and now among The Lord Of The Rings‘ most well-known, mainstream, stars); Jamaican-English comedian Lenny Henry; Sri Lankan stage actress Thusitha Jayasundera; Māori-Niuean-Samoan actor Alex Tarrant; actress Sara Zwangobani; and actress Maxine Cunliffe. The commitment to hiring a diverse, multi-ethnic cast is admirable.
Additionally, the cast now includes Ian Blackburn, Christopher Chapman, Anthony Crum, Trystan Gravelle, Fabian McCallum, Geoff Morrell (who has a very impressive beard; if I were in the business of clickbait, I would already be theorizing that he’s playing Gandalf, even though Gandalf doesn’t appear in Middle-earth until the Third Age), Peter Mullan, Lloyd Owen, Peter Tait (who played Shagrat and a Corsair of Umbar in The Lord Of The Rings trilogy), and Leon Wadham. If I learn anything particularly interesting about any of these actors’ backgrounds and/or past film credits, I will be sure to update this post accordingly, although it seems most of them are either complete unknowns or hail from a background in theatre.
We will, of course, be breaking all of this down in the near future, as I begin to compose my thoughts on who each actor could be playing, etc., but for now this is the breaking news – and exciting news indeed! It’s been a long time since The Lord Of The Rings‘ official social media accounts have posted anything (the last occasion being a tribute to the late Sir Ian Holm), and we’ve all been growing very impatient over here in the Tolkien fandom.
So what do you think? Do you recognize any of these newly-announced actors, and if so, do you like their work? Share your own thoughts, theories, and opinions, in the comments below!
Rejoice, my fellow Tolkien fans! For today we have learned about substantial new evidence to support the theory that an actor has recently joined the cast of Amazon Prime’s upcoming The Lord Of The Rings series. Although it’s not yet official, the evidence is very strong, and if nothing else it should help to fill the void in Tolkien fandom discourse that until recently was being filled by think-pieces regarding sexuality and nudity in Middle-earth, and…well, that’s a conversation I think we can probably take a break from at this point, no? I’ve made my thoughts on the matter clear, at any rate.
This new theory comes to us from Fellowship Of Fans, a very reliable YouTube channel that also revealed some of the first behind-the-scenes photos from the set (showing some mountainous set design), and has kept up to date with The Lord Of The Rings cast and crew’s social media, scouring for clues and hints about filming locations, characters, etc. Today, Fellowship Of Fans revealed that Augustus Prew, an English actor with a solid resume in films and TV, has quite possibly joined The Lord Of The Rings cast. Prew has been in New Zealand for some time, and his Instagram posts indicate that he’s been staying close to various filming locations for the series. Most of the other cast-members in the show, as well as director J.A. Bayona, follow Prew and regularly interact with his posts, and he follows several of them back, including Bayona and The Lord Of The Rings On Prime‘s official Instagram account. It’s not enough proof to say anything for certain, but it’s looking very likely at this point that Prew will indeed be joining Amazon Prime’s Middle-earth adventure.
The big question, of course, is who will he be playing? The Tolkien community on Twitter has speculated that he might be Gil-galad, due to his passing resemblance to Mark Ferguson, who played the High King of the Noldorin Elves for about three or four seconds in Peter Jackson’s The Fellowship Of The Ring. It’s actually a pretty good theory and the attention to continuity would be admirable. COVID-19 has made it extremely difficult to discern when filming is going on and how much has been completed, but I did momentarily doubt whether such a major casting would come seemingly so late in the game, with the two-part pilot reportedly finished and the rest of the season already underway (filming is rumored to end sometime around March or April of next year) – until I realized that Prew has been in New Zealand since at least September, giving him plenty of time to film scenes for the pilot. Really, anything is possible, but Prew’s facial features do seem to suggest that he’s playing an Elven character, and Gil-galad is an obvious choice.
But if he’s not Gil-galad, I’m going to throw out a different theory, for which I have precisely no evidence. I think Prew could be playing Oropher, the King of Mirkwood (before it was actually called Mirkwood, back when it was still the Greenwood). Oropher was the father of Thranduil, whom Lee Pace memorably portrayed in The Hobbit trilogy, and I can see a resemblance between Prew and Pace – with a platinum blond wig, ice-blue contacts and thicker eyebrows, I think Prew could easily pass for Pace’s in-universe father. In the Second Age, Oropher’s reign was chiefly marked by his hostility towards the Noldorin Elves, and his eventual refusal to follow the orders of King Gil-galad during the War of the Last Alliance, ultimately leading to Oropher’s unnecessary death and the slaughter of a large part of his army. Thranduil was left in control of the remaining forces, but also homeless: because the seat of Oropher’s kingdom in Amon Lanc was taken over by evil creatures during the king’s absence. That’s how Thranduil ended up in the far north of Mirkwood, and it’s also how Amon Lanc turned into Dol Guldur, the hiding-place of the Necromancer in The Hobbit. I imagine that this sort of juicy backstory is exactly the sort of thing Amazon will include, and could potentially foreshadow by having Oropher appear throughout this first season of The Lord Of The Rings (or whatever it ends up being titled), along with a younger Thranduil. Even if Prew’s not playing him, I suspect both these characters will still show up in some capacity.
As for Prew himself, I don’t know a great deal about him, except that he’s the first openly LGBTQ+ actor to join The Lord Of The Rings cast (as far as I know), and he has had notable roles in films like Charlie St. Cloud, The Secret Of Moonacre, and Almost Love (which, by a bizarre coincidence, I just recently watched for the first time on Netflix: Prew was very good in it), and TV series’ like The Borgias, Prison Break, and The Morning Show. Just based on the little exposure I’ve had to his work, I’m very excited to see what he brings to The Lord Of The Rings – if he has indeed joined its ensemble cast.
So what do you think? Will Augustus Prew be in Amazon Prime’s series, and if so, who will he be playing? Share your own thoughts, theories, and opinions, in the comments below!
It’s been a while since we’ve talked about my favorite topic, The Lord Of The Rings and all things Tolkien (it really hasn’t, since I somehow manage to bring it up in most completely unrelated posts, but that’s beside the point), or since I’ve written a “top ten” list like the ones I did sometime back in March, where I discussed things I wanted to see in Amazon Prime’s upcoming adaptation of J.R.R. Tolkien’s writings on the Second Age of Middle-earth, as well as things I didn’t want to see, and characters I hope the series will handle with the utmost care. In the meantime, the Tolkien fandom has found other things to argue about – most recently the topic of sexuality in the Professor’s works, something I will address later in this post, and which was in fact the inspiration for this post. After seeing how shocked and outraged a portion of the Tolkien fandom was in response to the news that nudity and sexuality might be present in the Amazon Prime series, I asked myself: what other things might similarly shock them, if it’s mature content they’re opposed to? Things straight from the Tolkien canon, things that the Professor himself sketched out in detail or tantalizingly hinted at, and which will now have the opportunity to be realized onscreen?
Of course, this list will only be dealing with shocking events and themes of the Second Age of Middle-earth, which is when the Amazon Prime series will be set (no, it’s not reallyThe Lord Of The Rings, and I still don’t understand why they haven’t given us some indication of what the actual title will be). The Second Age just so happens to be the second darkest era in Middle-earth’s history (the First being, both figuratively and, until the creation of the sun and moon quite literally, the darkest), which means there’s a great deal of strange, terrifying, controversial or just uncomfortable things for Amazon to draw from for their adaptation. And now, without further ado, let’s get into it.
10: Different Magic. Let’s ease into this and start out fairly tame, with something that Amazon doesn’t necessarily have to include, but definitely should if they can find a way to do so naturally without alienating a massive part of the Tolkien fandom. In Tolkien’s assorted early writings on the Blue Wizards of Middle-earth, he briefly mentioned something that has always fascinated me and has always intrigued me because of how it seemingly challenges the loose rules of his soft magic system. “I fear that they failed…,” he wrote of the two Wizards, “and I suspect they were founders or beginners of secret cults and ‘magic’ traditions that outlasted the fall of Sauron.” Tolkien would later rewrite the story and have the Blue Wizards play an active, heroic role in bringing about Sauron’s downfall secretly from the east, but the idea of the duo spreading the knowledge or understanding of magic throughout Middle-earth is almost too irresistible to pass up on – even if Tolkien put magic in quotes, and clearly didn’t intend for it to mean real magical power like that possessed by Gandalf or the Elves. We’ve never seen magic used quite to this extent before in Middle-earth, certainly not with regards to cults or occult practices. And considering how Tolkien’s magic system is often used as the gold standard for soft magic systems in fantasy, it could be risky to explore this in too much detail – though it could be rewarding because it would give the show a chance to explore uncharted territory.
9: The Valar. As with occult magic, this has the potential to be both a good idea and a bad idea, depending on who you ask. Most hardcore fans know and love the Valar, but more casual fans might be weirded out by the reveal that Tolkien’s world comes with an entire pantheon of gods, goddesses and other minor deities – like the sun, and the moon…and Gandalf. In the semi-biblical narrative of The Silmarillion, the presence of the Valar feels very natural and I would argue it’s no different with the Second Age – but I’m just one person, and I have previously seen some quiet backlash to the idea of the Valar ever physically appearing. Some simply feel like it’s too radical a departure from the Middle-earth that most people know from The Lord Of The Rings, while others specifically don’t like The Silmarillion because of the gods and goddesses and other somewhat religious elements of the story. Amazon will have to include the Valar either way, because they’re critical to the story, but I’m interested to see what the reaction will be from the fandom. Personally I’d be thrilled.
8: The Burning Of The Entwife Gardens. Let’s get a little more specific now. In the cinematic Middle-earth franchise thus far, the most explicit act of desolation we’ve seen has been a single vision of a ruined Shire in the Mirror of Galadriel, and the wreck of Dale by dragon-fire in The Hobbit. But we’ve never seen anything on the scale of the torching of the Entwife gardens near the end of the Second Age. The Entwives cultivated a tranquil land east of the River Anduin, which unfortunately fell directly on Sauron’s warpath as his armies returned from defeat in Eriador to Mordor. In an attempt to deplete the approaching Last Alliance’s resources, he torched the Entwife gardens, and the Entwives themselves disappeared from recorded history. Were they burned? Enslaved and put to work in Mordor (in which case, that will be even more disturbing content to watch out for)? Or did they escape to happier lands? Whatever their fate may have been, watching their gardens be uprooted and scorched will be shockingly brutal enough. Not unpredictable, but definitely the stuff that season finale cliffhangers are made of.
7: Celebrimbor, Gil-galad And Anarion’s Deaths. The Second Age is filled with a lot of very violent deaths. Nobody knows this better than Celebrimbor of Eregion, the Elven smith who forged most of the Rings of Power and was later betrayed by his partner and confidante, Annatar – who turned out to have been Sauron in disguise all along. Sauron and his orc armies attacked Eregion with the hope of locating the Three Rings that Celebrimbor had made for the Elves: they pillaged the city without any luck, and eventually Sauron captured Celebrimbor and tortured him mercilessly for information. Celebrimbor refused to relent, and so, of course, he was killed. But Sauron wasn’t content with just murdering one of the last of the Fëanorian bloodline. No, he also horribly mutilated the Elf, shot him full of arrows, and had his body hung from a flagpole and carried into battle like a banner by his orc army. That’s straight out of Game Of Thrones right there, and is almost certain to land the show a TV-MA rating no matter what. As for Gil-galad, last High King of the Noldor, he was apparently burned alive by the fiery heat of Sauron’s hand during their duel on the slopes of Mount Doom. And Anarion…well, he got his whole head bashed in by a rock thrown from the parapets of Barad-dûr, killing him and crushing the crown of Gondor. I don’t know which of these three fates was the worst, but all will certainly be graphic and stomach-churning onscreen.
6: Death And Mortality. Speaking of death, it’s actually one of the major recurring themes throughout the Second Age – and when the series begins to tackle the subject of Númenor and their relationship with death and mortality, that’s when it’s going to abruptly steer away from the realm of fantasy and into disturbing, cynical, psychological horror. For many fans of The Lord Of The Rings, it might come as a shock to realize that Tolkien’s world isn’t always escapist entertainment, but can be horrifyingly realistic when it needs to be. It’s in Númenor where this will surely be most apparent, as the island kingdom’s long-lived people slowly begin to lose their famous longevity and wither away: in desperation, they cling to life but fall into madness, chaos and a frantic search for a cure to death, or an antidote to their fear – which some of them find in Sauron’s evil, or in the nihilistic worship of the dead. They turn away from the wisdom of the Valar and the Elves, and descend into an abyss of their own making (and ultimately into the very real abyss beneath their island. Too soon?). It’s really grim.
5: Commentary On Imperialism. Tolkien was no fan of the British Empire’s global expansion, and his works reflect that: much of the trouble in Númenor first begins to emerge after the island kingdom starts occupying lands in Middle-earth across the sea, starting wars with the native peoples there and bringing back riches to fuel and fund ever more conquests. For our own sake, I hope that any violence against the native peoples of Middle-earth will be shown as it is – an unjust brutality – and not glorified or normalized. Some will complain that it’s politicizing Tolkien’s work or “pushing an agenda”, but they will be purposefully ignoring the fact that Tolkien’s work is already very political and itself pushes a very anti-imperialist agenda. The Númenóreans are also responsible for deforesting almost the entirety of Middle-earth’s western shore from the Elven kingdom in Lindon all the way to Harad at least, but probably even further. Remember in The Lord Of The Rings, when Treebeard the Ent laments the vast forests that once covered the earth? Yeah, Númenóreans tore them all down and used the wood to build ships. If you’re not shocked by that, you probably should be.
4: Human Sacrifice. Just a little bit more graphic violence, don’t worry. When the Dark Lord Sauron arrived in Númenor and began playing on the growing fears and prejudices of the Númenórean people to increase his own power, he also had a plan to try and make Middle-earth great again – a plan which involved sacrificing political prisoners to the memory of his former master and mentor, the fallen angel Morgoth. So he built a truly massive domed temple in Númenor and used it to perform these sacrifices: we don’t know exactly how, but we know the bodies were disposed of with fire, because smoke rose from the temple so often that the dome was stained black by soot. The first victim to the flames was the original White Tree, which had stood in the King’s Court for years and was a symbol of the friendship between Elves and Men. Sadly, many Númenóreans fell for Sauron’s lies and gladly gave up their friends and families to the Dark Lord’s altar.
3: Ar-Pharazôn. If you’re wondering who allowed all this to happen, well, you should probably blame Ar-Pharazôn, the last King of Númenor and the guy who decided it was a good idea to bring Sauron into the very heart of his empire. He makes this list not only because he was a corrupt leader who allowed Sauron to slaughter his own people, declared war on the Valar, and doomed his entire nation to a watery fate, but because of what he did in his personal life. You know, the whole bit where he usurped his kingdom’s throne by forcing his first cousin, Míriel, to marry him against her will – thus stealing the rule of Númenor from her, the rightful heir. It’s probably one of the greatest tragedies in Middle-earth’s history: that a capable woman could have been so close to averting all the horrors that would befall her kingdom, but because of an unqualified man was forced to the sidelines, where she could only watch and wait for the inevitable. Her last act was to try and plead with the Valar to show mercy on her people, but she died in the cataclysm like all the rest. You might be noticing a pattern at this point, and yes, the Second Age really is this hopeless and horrible.
2: Commentary On Gender. Since we’re now on the topic, I feel like we have to talk about this (though I’m well aware that a certain subsection of the Tolkien fandom would rather not). Truth is, you can’t read the tale of The Mariner’s Wife, the most complete extant writing by Tolkien on the Second Age, and not see how it’s a story about gender. I mean, it’s not even subtext. Erendis, the story’s protagonist, literally has an extended, passionate monologue about male privilege and how men will do anything in their power to undermine women, even the great women of history – whose heroic deeds they diminish and leave out of their legends. No matter how much it may cause some people to squirm and start muttering under their breath about “social justice warriors”, I want this entire speech recited onscreen. It’s among the most important and exceptional things Tolkien ever wrote, and it’s true, both in-universe and in real-life. But Amazon shouldn’t stop there: considering what we’ve just discussed about how Númenor’s downfall might have been averted by a woman, I think they could find further opportunities to comment on the empire’s oppressive, patriarchal system.
1: Sexuality. At last we come to it: the great battle of our time. Is sex and sexuality wholly foreign to Tolkien, or is it instead woven subtly and cleverly throughout his work, a thematic goldmine waiting to be properly explored? Both answers are nearly right, in my opinion, but the latter more so. Tolkien’s depictions of sexuality aren’t gratuitous, something I feel the series should reflect, but they’re there: prominently, in the First and Second Ages. For examples, read The Mariner’s Wife (no, but like, seriously, read The Mariner’s Wife: it’s amazing), and you will find that the whole story is bristling with sexual energy. Erendis and her husband have an epic back-and-forth about how he leaves her bed cold, to which he replies that he thought she preferred it that way. Tar-Ancalimë accidentally interrupts a mass wedding and then has to stay the night, listening in embarrassment to the sounds of “merrymaking” all around her as the bridal-chambers are occupied one-by-one. Amazon is going to have to expand on all of this because they’re creating something in a visual medium, but it’s also just common sense to be more explicit rather than less so because it helps to make the existing commentary on gender and sexuality more explicit as well, lending thematic depth to the entire story of Númenor. And for those worried about “the children”…well, I’m honestly not sure you can make a series about the Second Age child-friendly without actually rewriting the entire thing anyway.
So there you have it. Ten examples of things that are either going to shock the Tolkien fandom, or already have (though, to be quite blunt, it seems to be mostly the thought of nudity that has people all riled up: because apparently graphic violence and human sacrifice is fine, but some bare skin is where our fandom draws the line?) It should go without saying that I love the Tolkien fandom, and this isn’t meant as an attack on anyone in particular. So what did you think of my list? Feel free to share your own thoughts, theories and opinions in the comments below – and if you have any more shocking things to add to the list, say so!
We’re all hungry for more news and information about Amazon Prime’s adaptation of The Lord Of The Rings, and so, unsurprisingly, many of us have taken up the habit of theorizing to try and piece together our own news and information. But while many theories have no basis in factual evidence, there’s one that’s been making the rounds recently that actually sounds pretty plausible. I speak of the rumor that actress Kaya Scodelario has possibly joined the cast of The Lord Of The Rings and is moving to New Zealand to begin filming.
The theory came to my attention when it was posted by TheOneRing.net on their Twitter account, but their post did not credit the original theorizer, kayascodsnews, a Kaya Scodelario fan account on Instagram that actually did some very nifty sleuth work and managed to construct a fairly elaborate and convincing theory about Scodelario’s new whereabouts.
As they noted in their theory, Scodelario has been talking on her Instagram about moving away from her home country (the United Kingdom) to an unidentified new location: but she seems to only plan on moving for a year, suggesting that this is for her career, not for any personal reasons. Just a few days ago she embarked on a flight, which she mentioned in her Instagram story would last up to 27 hours – pretty much the exact time it takes to fly between the U.K. and New Zealand. As a going-away present, Scodelario’s friends gifted her a poster for The Hobbit with their faces edited over the thirteen Dwarves and other characters: a funny gesture, or something with a little more significance? If Scodelario has already told that many of her friends that she’s working on The Lord Of The Rings, then she’s not doing a very good job of keeping Amazon Prime’s secrets: but it wouldn’t be at all uncommon for this to happen. Besides, Amazon Prime has been a bit too secretive for my taste recently: since the main cast reveal, we’ve gotten hardly anything from any of their official channels.
That’s the extent of the theory, and since then we’ve had no updates: Scodelario hasn’t yet confirmed where in the world she is now. But with all this in mind, let’s imagine for a minute that Scodelario is, in fact, onboard The Lord Of The Rings series in what I have to assume will be a major role. Who would she be playing? TheOneRing.net pointed out that she bears a striking resemblance to Liv Tyler, who portrayed Arwen Evenstar in Peter Jackson’s The Lord Of The Rings trilogy, and deduced that Scodelario could be playing Arwen’s mother, Celebrían (she can’t be playing Arwen herself, because Arwen isn’t born during the time period when the Amazon Prime series takes place; during the Second Age, over three-thousand years prior to the Quest of the Ring). In the histories of Middle-earth, Celebrían is a bit of a background player until the Third Age, when she gets abducted and brutally tortured by Orcs, leading to her eventually leaving Middle-earth entirely and setting sail for the West. In the Second Age, all we really know about her is that she’s the daughter of the Elven lady Galadriel, and accompanied her during several of her travels. At some point, she met and fell in love with Elrond Half-elven. For an actress like Scodelario (who has had major roles in several franchises, including the most Pirates Of The Caribbean movie) to be attracted to this role, the character’s story would almost certainly have to be expanded through original material – which isn’t a problem, if you ask me, but anything that diverges even slightly from the books is bound to court with controversy. Whoever she’s playing, Scodelario’s recent success as an action star in the horror-thriller Crawl suggests to me that her character would have some sort of action element (and on a side-note, Scodelario’s sister in Crawl was played by Morfydd Clark, who will play Galadriel in The Lord Of The Rings according to all sources: would it be so much of a stretch for Scodelario to now play her daughter?).
But now we’re moving away from the facts. Simply put, we don’t know whether Kaya Scodelario is in The Lord Of The Rings: it’s possible she’s filming something else entirely (the Resident Evil reboot, for instance), or not filming anything at all. It’s possible she’s not even heading to New Zealand. But while this is merely a rumor for right now, it’s a rumor with a grain of truth – which means we shouldn’t discount it just yet, but should instead keep a close eye on Scodelario’s next move.
What say you? Does it seem likely to you that Scodelario has joined the cast, or are you wary to jump to conclusions? Share your own thoughts, theories and opinions in the comments below!
The Tolkien fandom can collectively sigh a breath of relief: several months after production ground to a halt on Amazon Prime’s The Lord Of The Rings due to the advent of coronavirus, the high-profile series is finally getting back on track, with preliminary work already underway and actual filming expected to start up again soon.
The Lord Of The Rings began shooting back in February, and we now have confirmation that, before the government-mandated lockdown in March, almost two full episodes of the series’ first season were completed. This means that Amazon Prime’s original gameplan – to film two episodes and then go into hiatus until September – won’t actually have to change that much. This lines up with Lord Of The Rings actress Morfydd Clark’s recent statement that she won’t be able to return to her home country of England “for a while”, which The Daily Mail took to mean sometime in the autumn (though it’s worth noting they also missed the memo that this isn’t actually an adaptation of The Lord Of The Rings proper, since they referenced Gollum, Gandalf and Frodo as well, none of whom should be in the series). This is very good news, not just for Amazon themselves, but also for those of us in the Tolkien fandom who are constantly having to combat negativity towards the series: there are already a number of cynical and pessimistic detractors of the show out on the internet, and they tend to cling to any bit of bad news they can find.
But why the sudden change, after so many months? New Zealand’s government has officially granted border exemptions to a number of personnel from various different TV and film productions that were set to film in the country, including Lord Of The Rings, Netflix’s Cowboy Bebop, and – completely coincidentally – a film starring original Lord Of The Rings trilogy star Viggo Mortensen, entitled Greatest Beer Run Ever. Over the next six months, cast and crew from all these productions will be allowed to return to the country and resume work (after first going through self-quarantine). New Zealand had one of the most comprehensive and effective responses to the coronavirus crisis anywhere in the world, which is what has allowed them to return to relative normalcy earlier than most other countries.
In fact, New Zealand’s quick action when dealing with coronavirus may pay off in many more ways than they could ever have expected – their Economic Development Minister declared the country “a global safe haven” for the film community, and that’s not really an exaggeration: most other nations are still suffering heavily from the pandemic, and have a long way to go before they can safely bring in large film crews from all around the world. In recognition of this, New Zealand is increasing funding for both international and domestic film and TV projects in their country to upwards of $230M. In exchange, New Zealand’s economy is expected to receive a massive boost from big productions like Lord Of The Rings and James Cameron’s Avatar sequels, which could bring in about 3000 new jobs and $400M for the small Pacific nation. It looks like Middle-earth will never not be a hugely profitable investment for New Zealand.
So what do you think? Is New Zealand making a wise decision allowing film crews back into their country, or is this still risky? No matter how much we may want to see The Lord Of The Rings on our screens sometime next year, peoples’ lives matter more than any piece of film or TV, and I cannot reiterate that enough. STAY SAFE, and share your thoughts, theories and opinions in the comments below.
However, we do have this new bit of Lord Of The Rings casting – plus two possible character name reveals for actors already attached to the series. And just like old times, I’ll break it all down for you, as well as give you my thoughts on the situation.
It appears that English actor Anson Boon has joined the project – though his role is still unclear. Redanian Intelligence notes that he easily be playing an elf due to his very defined, somewhat “ethereal” features. I agree with that assessment: Boon’s resume is still small and mostly limited to British TV and stage performances (outside of an appearance in Sam Mendes’ war drama 1917, a breakout hit with critics), so I don’t have much to work with when trying to determine who he could be playing, but I’ll take a guess anyway – let’s mark him down as a possibility for Glorfindel. This character, an Elf from the books and left out of all of Peter Jackson’s movies, plays a significant role in the Second Age of J.R.R. Tolkien’s Middle-earth, when this series is supposed to be set – thousands of years before the events of Lord Of The Rings – depending on which version of Tolkien’s canon you prefer to regard as definitive. As Glorfindel is depicted in the books, “his hair was of shining gold, his face fair and young and fearless and full of joy; his eyes were bright and keen, and his voice like music”. It’s a fairly vague description, but it’s enough for me to go on – and I just really want to see Glorfindel in this series, so forgive me if I grasp at straws.
Next up, we have Ben Fransham, a New Zealand actor who, like many of the country’s citizens, worked on Peter Jackson’s The Lord Of The Rings and The Hobbit trilogies – Fransham played an elf in the first trilogy, as well as orcs in both. His casting makes him the first actor from Jackson’s films to cross over into Amazon Prime’s adaptation of the Middle-earth saga, but his role will likely be fairly small. Additionally, he is now a stunt performer, which may be another reason why he has joined Amazon’s series. If I had to take a guess, I’d wager he will once again be wearing orc prosthetics when we see him onscreen.
So those are the castings, but Redanian Intelligence didn’t stop there – they also informed us that both Simon Merrells and Megan Richards, both of whom were cast in The Lord Of The Rings earlier this year, have character names added to their official actor CV’s. Redanian Intelligence cites this as reason to believe they may be official character names, and they may well be, but I’m wary to come to that conclusion – possibly because I’m wary of the names themselves. Merrells is listed as “Trevyn”, and Richards as “May”, and neither name seems to fit particularly well in Tolkien’s extensive network of languages. May, in particular, feels much too modern for the ancient setting – and it has a hobbit-y sound to it that makes me very nervous, considering that hobbits are among the characters I have no desire to see in Amazon’s Lord Of The Rings.
What do you think of these casting announcements, and the names revealed? Do they encourage you, or not? For me, personally, I’m a little nervous about those names in particular, but I’m also keeping an open mind. Share your own thoughts, theories and opinions in the comments below!
The past few days, we’ve been through all the basics: what Amazon Prime needs to do in their upcoming The Lord Of The Rings adaptation; what they should do; and, of course, what they should never do. So with that in mind…how many more “Top 10” lists can I think of? The answer is: at least one more, because today we’ll be looking at the ten characters I’m most hyped to see in The Lord Of The Rings.
As always, let me throw out a quick reminder to all of my readers who haven’t been following along (though, if you haven’t been at least following this series of posts, then why are you here now?): Amazon Prime’s series is not a straight-up adaptation of the best-selling novel by J.R.R. Tolkien – instead, it’s set at least three-thousand years prior to the events of that story, during a time period known as the Second Age. Thus, most of the characters you know and love won’t show up in the series, except a handful of immortals such as Galadriel, Elrond, Thranduil, and Sauron. All of these characters, however, will be either significantly younger, or just very different with regards to personalities, appearances, motivations, etc.
So, without further ado, let’s take a look at my list, shall we?
10: Thranduil. Firstly, let me apologize for a glaring factual error in one of my previous posts, where I referred to Thranduil and his father Oropher, both Sindarin Elves of great prestige, as Silvan Elves. In fact, it’s partially because of this error that I realized Thranduil belongs on this list – the King of the Elves of Mirkwood (called Greenwood in the Second Age, and ruled from the hilltop city of Amon Lanc, which would later fall into ruin and be renamed Dol Guldur) was a Sindarin Elf who nonetheless looked out for his Silvan citizens and treated them with respect and benevolence, seemingly even adopting their “rustic” customs – at least in The Hobbit, where he’s most commonly found feasting in the woods, hunting wild animals or merrymaking. This is the Thranduil I want to see: he should still have some of Lee Pace’s steely, ice-cold hostility, but in private, I’d love for the King of the Woodland Elves to open up to his citizens, to share in their traditions, and to come across as a powerful leader and a guardian for his people.
9: Ar-Pharazôn. Whereas Thranduil was actually a decent guy, Ar-Pharazôn, the twenty-fifth and final king of Númenor, only gets worse when you learn more about him. On the surface, he doesn’t seem too bad: he was just a particularly strong-willed, stubborn and slightly dim-witted military commander who happened to get tricked by Sauron into declaring war on the gods and invading paradise, right? But how did he become King of Númenor in the first place? Well, by unlawfully marrying his cousin against her will, of course. The Dark Lord Sauron, ostensibly the King’s prisoner, flattered Ar-Pharazôn with lies until he was at last given freedom to come and go as he pleased in Númenor. It wasn’t long before Ar-Pharazôn had consented to worshiping the ancient evil Morgoth, and the ritual sacrifice of political prisoners. He burned the White Tree of the Elves, severing that link between the two peoples. And, yeah, he did also doom his country (not to mention untold numbers of his own citizens) to a horrific, watery end – all because he thought he could live forever if he bested the gods in open warfare. Still, I can’t wait to see this villainous puppet of Sauron’s get pulled apart in real-time.
8: Elrond. We’ve seen Elrond Half-Elven, master of the Last Homely House of Rivendell and bearer of the Ring of Air, a couple of times on the big screen before – but always as a stern, proud scholar with a particularly melancholy attitude towards life and humans in general (not entirely surprising: considering that most of the problems of the Second Age resulted from his brother’s decision to become a human Man instead of an Elf). The Elrond that we’ll meet in Amazon’s Lord Of The Rings is going to be very young by Elven standards: so when I consider what his personality might be like, I imagine him as a generally optimistic and light-hearted individual who hasn’t yet been weathered and worn down by centuries of pain and sorrow. He hasn’t probably even met his future wife, Celebrían (who will eventually be tortured by Orcs until she can no longer bear to live in Middle-earth), and he has no idea he’ll one day be called upon to bear the weight of one of the Three Rings (which I’m sure King Gil-galad will give to him shortly before his brutal death at the hands of Sauron). Let’s just say: he’s in for a ride.
7: Glorfindel. This guy is one of the coolest in all of Middle-earth’s history – and when I say all of it, I mean all of it, because he’s been around for just as long as characters like Galadriel and Círdan, and been to Valinor, Middle-earth, the Halls of Mandos and everywhere in between. Originally an Elf of Gondolin who sacrificed his life to save fleeing refugees in the First Age, Glorfindel was judged to be so pure and good that he was almost immediately reincarnated and sent back to Middle-earth to help out the Elves during their war with Sauron in the Second Age. Not only that, but he was given semi-magical powers that put him almost on the level of Maiar like Gandalf. Throughout the Second Age, he fought alongside the Elves, rarely using his powers in war, and continued on into the Third Age as a great warrior and hero of legend, challenging the Witch-King, leading armies and rescuing Frodo Baggins. Remind me again why Legolas was chosen to represent the Elves on Frodo’s quest and not Glorfindel? Oh right, becauseGlorfindel was so powerful that Sauron would have sensed him coming from miles away, that’s why. Yet despite this, we’ve never seen him onscreen. Even if they do nothing else right, I will be forever grateful to Amazon if they make Glorfindel a major player in the series.
6: Erendis. In The Lord Of The Rings, there are far fewer women characters than men, and even some of the most prominent, like Galadriel and Arwen, are still only in a couple of chapters. But that’s not the case in the Second Age and Middle-earth’s ancient histories, where strong and complex women populate the legends – and one of the most interesting is Erendis. This Númenórean noblewoman put up with a lot; from her husband, her family, and her patriarchal society. But she wasn’t afraid to make enemies (she even publicly declared herself to be the personal nemesis of the divine Maia, Uinen, one of Númenor’s patron goddesses), and she stood her ground when attacked for her beliefs – which were radical for her time, as she counseled her daughter never to submit to the will of men. She’s loud, she’s persistent, and she’s exactly the type of character I want to see in Amazon’s Lord Of The Rings.
5: Tar-Ancalimë. Erendis’ daughter was no less interesting: neglected by her absent father and raised only by her mother and the women of their sheep-farm, Ancalimë almost never encounters men before suddenly becoming the first ruling Queen of Númenor. This scenario screams to be depicted onscreen: in my mind, I picture it playing out much like the film Elizabeth (in which The Lord Of The Rings‘ very own Cate Blanchett starred in the lead role), but with the newly-crowned Tar-Ancalimë having no one to turn to for counsel but herself and the advice of her mother. We don’t know much about the Queen’s reign, save that it was one of the longest in Númenórean history, and, in an act of revenge against her father, she withheld aid from her father’s ally, Gil-galad, during his war against Sauron. With so much blank space, there’s plenty of room to write new material.
4: Celebrimbor. Though only briefly mentioned in The Lord Of The Rings proper, Celebrimbor is one of the few Second Age characters that general audiences might know, thanks to the incredible popularity of the Shadow Of Mordor video games – the games themselves are not a very accurate adaptation of Middle-earth (as should have been obvious when they had Celebrimbor’s ghost team up with a Gondorian Ringwraith, a human version of Shelob, and Gollum to forge his own Ring and take down Sauron), but they did at least introduce a bunch of people to the character of Celebrimbor, and his identity as the craftsman behind the Rings of Power. Last of the line of Fëanor, Celebrimbor inherited much of his grandfather’s rebellious attitude, though he is generally viewed in a more positive light than his violent ancestors. Most of his faults were either exacerbated by or derived from Sauron, who deceived Celebrimbor into trusting him. Sadly, that was to be Celebrimbor’s fatal mistake, and he was killed after months of exhausting torture, refusing to disclose the locations of the other Rings of Power that he had forged. The Elf’s mangled body soon became one of Sauron’s favorite military souvenirs and hung from a banner when the Dark Lord marched into battle.
3: The Witch-King. Very little is known about any of the nine mortal men doomed to die, all of whom willingly bound their lives to the fate of Sauron and his One Ring in a bid for…what, exactly? Did they desire immortality? Magic? Power? We don’t know. Tolkien wrote that at least three of them were Númenóreans – likely imperialist military officers dispatched to Middle-earth to safeguard the empire’s colonies, who fell under the Dark Lord’s sway while there. Some of them may have been sorcerers. The only named member of the Nine was Khamûl, and he was an Easterling. But who was the enigmatic Witch-King, whom prophecy foretold would never be slain by any man? There’s no hint as to his true name, personality, or motivation for accepting one of the Nine Rings – which means Amazon Prime can do whatever they want with the character.
2: Galadriel. She’s always been my favorite character in the Tolkien legendarium, and not just because she was masterfully portrayed by Cate Blanchett in Peter Jackson’s trilogy. In Tolkien’s published works, you only see a tiny fraction of this heroine’s long and eventful life in Middle-earth: it’s only when you begin to find mentions of her in The Silmarillion and Unfinished Tales that you realize she is fascinating, nuanced, and, honestly, more complex than most of Tolkien’s male heroes. She started out as a woman of great physical strength, who participated in a variety of sports in her homeland of Valinor and was described as being an Amazon. She openly defied the Valar and chose to leave Valinor to pursue fortune and glory in Middle-earth, and when called upon to repent for that “crime” at the end of the First Age, she refused. She was an open-minded and intelligent leader: she fostered a close friendship with the Dwarves when other Elves shunned them, and she viewed them with the keen eye of a commander, helping them to ready their armies against Sauron’s onslaughts in the Second Age. She and her husband traveled all over Middle-earth, searching for allies in the coming war, settling in several different locations. She presumably led troops into battle on many occasions. In the Third Age, she gave magical aid to heroes such as Eorl and Frodo Baggins, and she entered Dol Guldur and drove back the darkness that hung over Mirkwood. And these are just the highlights of her life! If she’s not also my favorite character in the Amazon Prime series, I’d be very surprised.
1: Sauron. The only character I could see possibly vying with Galadriel for my undivided affection in the Second Age is…Sauron, base master of treachery, shape-shifting dark wizard and sadistic fallen angel. But that’s because Sauron, while he is indeed a villain, is still a villain with a purpose – and a good one, too. Originally a divine Maia whose chief virtue was supposedly perfectionism, Sauron was allured by the demonic deity Morgoth, whose visionary ideas of reformation appealed to him. Sauron, however, disagreed with Morgoth on many issues: in particular, he had no desire to see the world destroyed, instead hoping for a future in which he could be Middle-earth’s sole leader, and build a perfect utopia for himself and all his loyal subjects. Upon Morgoth’s fall, Sauron decided to make this a reality: he refused to repent for his crimes against the Valar, instead taking a beautiful human form and going among the Elves, offering them a chance to rebuild the world alongside him. At this point, Tolkien was explicit in saying that he was not fully evil. He did, in fact, want to make the world a better place – but because he could not be content with any imperfection in his plan, and because he had turned away from the teachings of Eru, the True God, and so could only mimic Morgoth’s flawed designs, he failed in his purpose and slipped into a feral rage, becoming tyrannical and too ambitious to be contained. That’s a great villain arc right there: all too often I hear people say that Sauron is a one-dimensional floating eye in the sky (I mean, it’s hard to even find an image for this post that isn’t of him as a floating eye!), and all I have to say to those people is that they’re wrong, and I will not tolerate your foolish arguments…and yes, I realize I just sounded like Sauron, so what?
Do you like my list? Would you add a couple more characters to it, or remove some? Share your own thoughts, theories and opinions in the comments below!
Well, before we get into the list, let me remind you all that Amazon’s series isn’t a straight-up adaptation of The Lord Of The Rings, the classic best-selling novel. Instead, it’s based on the tantalizing hints, references and scraps of unfinished stories about the Second Age of Middle-earth, a time period in the world’s history when Sauron, Dark Lord of Mordor, first rose to power with the help of the One Ring. That being said, Sauron isn’t the only thing you’ll find in this new adaptation that will be reminiscent of previous books, films and video games: characters like Galadriel, Elrond and Glorfindel will all presumably make appearances; locations like Rivendell, Mount Doom and Moria will be visited; events like the War of the Last Alliance and the forging of the Great Rings will be witnessed.
With that out of the way, let’s get to my list.
10: Sorrowful Elves. It’s important to remember that the Second Age ends about three-thousand years prior to Frodo Baggins’ quest at the very end of the Third Age. A lot of stuff happens in between those two points – including the events that cause the Elves to begin their slow decline into sorrow and grief. At the start of the Second Age, however, we should see the Elves in their heyday: a happy, peaceful people with a flourishing culture, working to rebuild after the traumas of the First Age. That means characters like Elrond, best known for being grim and dour, are going to be cheerful, bright and optimistic in the Amazon series; wise, experienced leaders like Galadriel will still be learning, growing, and making mistakes; aged, brooding wise men like Círdan…well, he’ll still be an aged, brooding wise man, but the rest of them will be different. This doesn’t necessarily mean that they should be singing “tra-la-la-la-lally,” but at the same time it doesn’t necessarily mean that they shouldn’t be, either.
9: A Reliance On CGI. I’m flexible on this issue: on the one hand, I think CGI is an essential element in the making of any fantasy world, and particularly Middle-earth, and I definitely wouldn’t discourage Amazon from using it in many of the same ways Peter Jackson did in his original trilogy (to build fantastical locations, digitally construct armies, certain creatures, etc); but on the other hand, I’d counsel them not to rely on special effects as much as Jackson did with The Hobbit films – practical effects, real location shoots, physical props and sets: for the most part, these can do the job just as well as green-screens and digital wizardry.
8: A Fully Evil Sauron. It would be almost ridiculously easy to depict Second Age Sauron as a purely evil character, but that’s not the Sauron I want to see. Tolkien wrote that, in the beginning, Sauron was a perfectionist, whose plans for Middle-earth were ambitious, but no more evil than those of any reformer’s. He eventually grew to be a tyrant, thinking that Elves and Men could only flourish if they relinquished their own free will and submitted to his rule. Sound familiar? Yeah, that’s because the Sauron of the Second Age has more in common with the Marvel Cinematic Universe’s trickster god Loki (one of the most popular villains there is) than with the flaming eye of Peter Jackson’s films. Sauron, in fact, tried to do good – but his fate had been decided long before, when he turned away from the teachings of Eru and began learning from the devilish Morgoth, whose evil teachings Sauron implemented in his own plans. Amazon could do some amazing things with that storyline.
7: Eru. Speaking of Eru, it’s about time I addressed him. In my last post, I said it would be a mistake to leave the Valar (Middle-earth’s pantheon of gods) out of the series, and I stand by that. But there’s one god I never want to see take a physical form in The Lord Of The Rings, and that’s Eru Ilúvatar, the One Above All. Eru is the highest, mightiest being in all of Tolkien’s legendarium – his song set all of history into motion; his plan is the divine plan, which cannot be undone by any design of Morgoth’s or Sauron’s; near the end of the Second Age, he intervenes one last time in the affairs of the world, reshaping the earth into a globe (it was flat previously), and sending the country of Númenor to the bottom of the sea. But though that means he’ll probably be brought up frequently in conversation, he shouldn’t ever be seen; at most, he should be a voice, but even that feels wrong. Eru is incomprehensible, on a plane of existence higher than any of our protagonists should be able to understand. Keep him offscreen. Leave the mystery intact.
6: Whitewashing. The fantasy genre already has a problem with diversity – series like Game Of Thrones employ one or two people of color in lead roles over the course of several seasons, and the few exceptions to the rule, such as The Witcher, get viciously attacked by an online community that resorts to the same tired excuses for why people of color are simply unthinkable in worlds filled with dragons, elves, orcs and wizards: it’s unrealistic because fantasy worlds are Euro-centric and Europe obviously never had any racial diversity; race-bending white characters is wrong because people of color need to write their own stories if they want to see themselves represented in mainstream media (but whitewashing characters of color is somehow okay?); Tolkien came from a different time period, and the series should reflect that by not having people of color, who clearly didn’t exist forty years ago. The cast of Lord Of The Rings currently includes a handful of people of color – but only fifteen actors have been cast so far, and I hope to see the number increase as more come onboard the project. I want to see Amazon take advantage of the amazing opportunity they have, and use their platform to hire talent of many different ethnicities – not to mention genders, sexual orientations and ages.
5: Gandalf. Gandalf the Grey, along with his partners Saruman and Radagast, were both sent to Middle-earth in the Third Age: to be the enemies of Sauron in that age, and that age alone. They didn’t witness any of the events of the Second Age, and they had never fought Sauron before the attack on Dol Guldur as depicted in The Hobbit; if they had, Gandalf would likely have been able to recognize the One Ring immediately, and Saruman might never have been deceived by Sauron’s lies. Having them arrive earlier in the timeline would be a very bad move – yet people continue to mistakenly assume that Gandalf is either going to be a major character, or a female lead, of the upcoming series. To avoid further confusion, I hope Amazon gives the series an official title soon that differentiates it from The Lord Of The Rings, which immediately brings to mind images of Gandalf and hobbits.
4: Hobbits. Allow me to clarify: hobbits did exist in the Second Age, even though they are only recorded in the Third Age and later. But these hobbits (a) dwelt only in Wilderland east of the Misty Mountains, and not in the Shire, and (b) had no impact on Middle-earth’s history at this time. Most importantly, there should be no interaction between Sauron and the hobbits: he, above all others, should never hear of them or even be aware that they exist. Why? Because the whole reason Frodo’s quest succeeds in The Lord Of The Rings is because Sauron (like Smaug before him) had never dealt with hobbits before. They were the unforeseen heroes of the Third Age, who “suddenly became, by no wish of their own, both important and renowned, and troubled the counsels of the Wise and Great.” So, Amazon: if you want to throw in some hobbits, put them in at the very end of the entire series, during the disaster of the Gladden Fields, when such an appearance might make sense. No sword-wielding hobbit heroics in the Second Age, please.
3: Game Of Thrones. Now, I’m not totally opposed to the series being more mature than the adaptations we’ve seen before: Tolkien’s world definitely isn’t grimdark or gritty, but the Second Age is a time of decadence, vice, violence and horrific evils (including, but not limited to, hundreds upon thousands of human sacrifices). So when I say I don’t want The Lord Of The Rings to be Game Of Thrones, I’m not necessarily saying it shouldn’t include violence (I refer you back to the human sacrifices), sexuality, and/or mature themes. I’m saying it should never revel in these things or use them for shock value, as Game Of Thrones was often accused of doing. So no, I don’t want to see violence against women used to subvert expectations; I don’t want to see nudity used to make exposition-heavy dialogue “more interesting” or whatever the excuse was; I don’t want to see fan-favorite characters get brutally murdered just to prove a cynical point. Tolkien’s world is one where hope survives even against immeasurable odds, where light endures in the darkest situations, where heroes are…for the most part…heroic. George R.R. Martin’s world is bleak, pessimistic, and, at least in the TV series, there is no end to its cycle of death, defeat and petty power struggles. That’s not bad: it’s just not Tolkien.
2: Incessant Callbacks. Often, a prequel to some successful film franchise (such as…oh I don’t know, The Hobbit) fails in part because it never tries to be its own thing: instead, with the help of callbacks, references and hints, it simply serves to remind viewers to go check out another, usually better, film or TV property that came before it. Using The Hobbit as an example: remember the really weird shout-out to Aragorn in The Battle Of The Five Armies that makes no sense, considering Aragorn was a ten year-old during the time of that film? Or how they refer to the recently drowned Master of Lake-town as being “half-way down the Anduin” when there’s no conceivable way he could ever have gotten there from the Lake of Esgaroth, as shown by their own maps? How about that bizarrely contrived scene where Legolas learns about Gimli sixty years before ever meeting him? These things serve no purpose in The Hobbit, except to remind us that, yes, we are still watching a prequel to The Lord Of The Rings, as hard as it is to believe. Amazon doesn’t need to make that mistake: focus on telling a good story first, then weave in some subtle foreshadowing or evocative parallels later (also, for the love of Eru, choose better callbacks: one reason why those in The Hobbit fail is because they’re calling back to the weirdest things – athelas? Peter Jackson’s carrot-eating cameo? Why were these things necessary?)
1: Strictly Movie Canon. We know that Amazon wants to maintain some level of continuity with the classic Peter Jackson trilogy, and at one point they even approached Jackson – either for his help as a consultant, or simply for his blessing. It makes sense: Jackson defined Middle-earth with his award-winning, critically-acclaimed, hugely successful three-film magnum opus. He and his team are widely viewed as experts when it comes to worldbuilding of any kind. But there’s no need for Amazon to feel beholden to his specific vision of Middle-earth: while his is certainly the most iconic, it wasn’t the first, not will it be the last. Amazon should feel free to branch out, to use the books more frequently as source material than the movie, and along the way to establish their own unique take on Tolkien’s world. Let’s not forget: Peter Jackson has broken his own canon on occasion – Bilbo’s encounter with Gollum in the prologue of The Fellowship Of The Ring is completely different to the same scene in An Unexpected Journey: different actor, different scenery, set design, clothing design, everything. Amazon should be able to do that too.
So what do you think of my list? Do you disagree with my picks (it’s worth remembering that I’m a pretty positive person, so it was hard for me to even think of ten things I didn’t want to see)? Share your own thoughts, theories and opinions in the comments below!
Yesterday, I laid out ten defining moments from the Second Age of Middle-earth that will probably comprise the backbone of the Amazon Prime The Lord Of The Rings series coming to streaming in the near future: the misleading title would have you believe that Amazon is simply adapting J.R.R. Tolkien’s iconic and beloved novels (and I’m sure Amazon is fine with that, if it lures you into watching their series), but this is anything but a retelling of the author’s most popular work. Instead, Amazon is going to be telling some of the less well-known stories from the depths of Middle-earth’s extensive history, specifically the Second Age.
But because J.R.R. Tolkien wrote so little about the Second Age, and so much of what he did write was only published posthumously by his son, many people don’t have a very clear idea of what to expect from the series, which is why, today, I’ve compiled a list of the top ten things that I want to see in The Lord Of The Rings. These aren’t necessarily things that will happen, but I feel that each one is a necessary element that would add whole new layers to our understanding of Middle-earth.
10: The Ent And The Entwife. While it would obviously be a non-canonical answer to an age-old question, it’s about time we finally saw what happened to the mysterious Entwives after Sauron swept through their gardens with a destructive slash-and-burn policy, near the end of the Second Age. By the time of Frodo Baggins’s quest, these gardens had been deserted for so long they were only known as the Brown Lands: but in Amazon’s The Lord Of The Rings, we have a chance to see a flourishing Entish culture, maybe even some of the elusive Ent children that were so rare in later days. The Entwives passed on their agricultural knowledge to humans during the Second Age, giving them a narrative purpose (remember that one of the rumored main characters is said to be a farmer). As for what happens to them after Sauron attacks, well, that’s up to Amazon to decide: if they want to be really controversial, they could have them escape to the Land of Rhûn, backing up the claims of a recently uncovered map.
9: The Blue Wizards. This is a complicated subject. The two Blue Wizards are usually believed to have arrived on the shores of Middle-earth at the same time as their more well-known brethren – characters like Gandalf, Saruman and Radagast – and to have failed in their purpose, becoming servants of Sauron or founding mystic cults in lands like Harad and Rhûn. But one version of the story, written later in Tolkien’s life (and thus, by the generally-accepted laws of determining canon, the more accurate version), outlines a scenario where the Blue Wizards, individually named Alatar and Pallando (or Morinehtar and Rómestámo), entered Middle-earth during the Second Age, and journeyed far into the East and South, helping to disrupt Sauron’s plans and playing a crucial part in his defeat, both in the Second and Third Ages. In this version, they enter Middle-earth at about the same time as Glorfindel, a resurrected Elf of Gondolin sent back from death to aid in Elrond and Gil-galad’s defense of the citadel of Imladris (Rivendell). This is the version I want to see: while one of the two Wizards could potentially be corrupted by Sauron or otherwise fall from their higher purpose in the series, I’d like to see them depicted in a more heroic light – and since they’ll be journeying into lands more akin to the Middle East and Central Asia than Western Europe, I’d want to see them played by actors of color: specifically women of color, if that’s possible.
8: The Haradrim. In all of Tolkien’s legendarium, only two Haradrim are mentioned by name – and both come from the Second Age. Herumor and Fuinur were both Black Númenórean lords of Harad who fought alongside Sauron in the War of the Last Alliance. In the Amazon Prime series, we should see storylines – entire story arcs – set in the desert country, providing a welcome change from the more familiar lands of Eriador and Mordor, and giving us more racial diversity in Middle-earth. Helped by the subtle efforts of the Blue Wizards, we could see heroic Haradrim characters rise up against their villainous kings and resist Sauron’s influences.
7: Galadriel And Celeborn. Even Tolkien himself never came to a conclusion on how Galadriel and Celeborn met, what they did in the First Age, how they came to Middle-earth, or what they did when they got there. In the scraps of his unfinished tales, the two characters are constantly changing: at one point, they’re the parents of a son and daughter, but later they only had a daughter; sometimes Celeborn was a Telerin Elf, other times Sindarin; in some versions Galadriel rebelled against the Elf, but in others she left Valinor for different reasons. Amazon can’t adapt every variation on the same story. My suggestion is that, rather than try to stick to just one version of the tale, they’ll take all the best parts from many different versions and piece them together into one cohesive whole. Just so long as we see the Galadriel who was obsessed with Dwarves and the Celeborn who stayed behind in Eregion with Sauron rather than travel through the Dwarven city of Khazad-dûm, I’m good.
6: Valinor And Valar. Amazon will be limited by the restrictions placed upon them by the Tolkien Estate, but if they want to fully flesh out the ancient history of Middle-earth in a way it never has been before, they’d be wise to make it clear that a number of gods, demigods and angels inhabit the world of Arda. Even Peter Jackson hinted at this, during Gandalf’s rebirth. With the Númenóreans constantly praising Maiar like Uinen and Ossë, the Elves worshiping Varda, and the eagle messengers of Manwë showing up to forewarn people of impending doom, there are many opportunities to slip in references to these deities. As for Valinor, the Blessed Realm of the Valar, there’s no way to tell the story of the Fall of Númenór without seeing that far green country at least once, through the eyes of the would-be conqueror Ar-Pharazôn, just before he and his army get crushed under a mountain.
5: Different Elves.In previous adaptations of the Tolkien mythos, there haven’t been many obvious distinctions drawn between the different Elven cultures, but in the Second Age, such a distinction will be necessary with so many characters sharing the screen. The High Elves or Eldar are the ones we’ll probably be following most closely: after being forced to migrate en masse from their ruined homelands in Beleriand, the High Elves settle down in the vast lands of Middle-earth, often uprooting the defenseless Silvan Elves from their own homes.Silvan Elves whom we might see include Amroth, the Prince of Lórien; Nimrodel, a notable Lórien resident and inventor of the flet treehouse; and a young Thranduil then living in Amon Lanc (which would later be overrun by Sauron’s forces and turned into Dol Guldur) with his father, the proud king Oropher. Though the simmering resentment the Silvan Elves feel toward the High Elves never boils over into aggression in Tolkien’s works, there’s certainly room for Amazon to go there with their story: not only to give the Elves some interesting dynamics, but to parallel the similar situation between the Númenóreans and the Men of Middle-earth.
4: Númenórean Imperialism. Tolkien himself went on the record as being anti-British Empire, and in his stories, imperialism is never viewed in a positive light: the Númenórean desire to rule over the “lesser” Men of Middle-earth during what was already the heyday of their power led them to ever bloodier, more brutal conquests that in turn led them straight to a watery end. To stay true to Tolkien, depicting the Númenóreans faithfully will require Amazon Prime to turn the initial heroes of the story into the villains, as the once peaceful culture devolves into an ambitious, power-hungry assortment of misguided kings and warmongering military leaders. It’s not going to be pretty.
3: The Refusal Of The Gift. One of the darkest – but most crucial – elements that Amazon will have to nail down in their series is the Númenórean society’s fear of death. In the beginning of the Second Age, the Men of Númenor are long-lived, surviving for hundreds of years and being given the ability to basically die whenever they feel like it, thus “giving up the gift” – that being the gift of death that was given to them by Eru, Middle-earth’s ultimate deity. But as the Second Age wanes and Númenor tries to extend its reach around the world, killing and pillaging in the process, these Men begin to grow jealous of the immortal Elves, and they become more obsessed with their own inevitable mortality than the years they have left to live. This is the volatile situation that Sauron the Deceiver will enter and masterfully manipulate to his own advantage – it’s critical that we understand why the Númenóreans would be so willing to listen to his lies.
2: Aldarion And Erendis. There’s absolutely no better place to begin foreshadowing Númenor’s downfall than in the story of Aldarion and Erendis. One of the only complete stories from the Second Age that Tolkien ever wrote, this tragedy tells the complicated tale of a long-lived Númenórean Prince named Aldarion who falls in love with a woman, Erendis, whose lifespan is far shorter than his own. Aldarion disappears on voyages to Middle-earth that last for years, sometimes even decades, as he establishes colonies, starts wars, and fells entire forests for timber, caring little for his duties back at home. Erendis, meanwhile, after openly declaring herself to be hateful of the Sea and a foe of the Maia Uinen, is forced to watch and wait for her sea-faring husband, while precious time slips through her fingers, robbing her of the best years of her life. Not only does it shed light on the interesting gender dynamics of the Second Age, but, with just a little tinkering, it could become an effective prelude to all of Númenor’s later troubles, with Aldarion and Erendis representing both the imperialistic tendencies and the fear of death that would combine to bring about the empire’s downfall.
1: The Lord Of The Rings. Confused? Well, don’t be, because what you might never have considered is that the title of the novel, which refers – obviously – to Sauron, is perhaps still just as fitting a title for the Amazon Prime series. After all, Sauron is going to be the prime antagonist of the show, and Amazon will give us an opportunity to finally see his true power. Throughout The Lord Of The Rings (the novel, not the series: I can see why using that title would be confusing), we’re told that Sauron reclaiming his One Ring would cause a second darkness, and give the Maia almost unlimited power – but in the Second Age, when Sauron did have the Ring and was still busy causing his first darkness, he was defeated (albeit temporarily) by one lucky guy with a broken sword. Amazon has a chance to show us, for the first time, what the Ring is actually capable of doing when bound around its dread master’s finger. I’m not saying I want to see the Lord of the Rings summon whirlwinds of fire or rain ruinous lightning down on his foes or anything…but no, actually, that’s exactly what I’m saying.
So what do you think? Would you care to see any of these ten things, or does it not matter to you what ends up in the series, so long as it’s good? Share your own thoughts, theories and opinions in the comments below!
With the coronavirus currently raging around the world and no end to the health crisis in sight, expect to see an increase in these sort of hypothetical think-pieces from my blog.
This is something I feel like I should have written about ages ago. But now, while we wait for production on Amazon’s The Lord Of The Rings streaming series to resume, we have to wonder: what will the series actually be about? Hint: it’s not The Lord Of The Rings – or, rather, it is, but not quite in the way you were probably expecting, if you haven’t been following along with every tidbit of news about the series.
You see, while Amazon Prime does have the rights to J.R.R. Tolkien’s most well-known and influential novel, that’s not what they’re choosing to adapt in their billion-dollar, five-season production. Instead, they’re rummaging around in the depths of Tolkien lore, in a little-known and oft-overlooked period of Middle-earth history: a time period known as the Second Age. The average audience member introduced to the Tolkien fandom through Peter Jackson’s movies probably doesn’t know this term, but they do know two major events that happened in the Second Age – namely, the forging of the One Ring, and the first defeat of Sauron the Dark Lord. Both events happened in rapid succession in the prologue to The Fellowship Of The Ring, but in Tolkien’s timeline there are more than a thousand years between those two things.
That’s why today we’ll be looking at ten events that shaped the Second Age and will likely define the series.
10: Rebuilding After The First Age. Amazon Prime does not have the rights to adapt material from J.R.R. Tolkien’s posthumously published The Silmarillion, meaning they probably won’t be addressing too many events from the First Age of Middle-earth’s history, at least not in great detail. But they don’t really need to: the Second Age picks up right where the First left off, with all of Arda (basically, the entire world, of which Middle-earth is actually only a small piece) in ruins following the fall of Morgoth the Accursed and the destruction visited upon the earth’s surface by the trampling feet of the host of the Valar (Middle-earth’s pantheon of gods). Continents get pushed around, coastlines change, mountains crumble – just an average day in Arda. Assuming the series starts roughly around the beginning of the Second Age, it’ll have to cover several events that happen here: the migrations of Elves, Men and Dwarves across Middle-earth, the foundations of new cities and strongholds, and the establishment of empires such as Númenor, a star-shaped island kingdom given as a gift to Mankind by the Valar; Lindon, which becomes the chief dwelling-place of the High Elves under the rule of King Gil-galad; and Eregion, a small but hugely influential kingdom settled by Celebrimbor, last of the crafty Fëanorian Elves. Even if the series starts later in the Second Age, these events will still probably be covered in flashbacks.
9: The Heyday Of Elves And Men. This is the time period during which we can probably expect a large part of the series to take place. Basically, what you need to remember about the Elves we’ll see living in Second Age in Middle-earth is that they chose to stay there. After the First Age, when the world was remade and Morgoth was undone, the Elves were offered a choice by the Valar: to repent for all their sins (which included killing some of their brethren and defying the will of the Valar) and return to the Blessed Realm of Valinor across the Western Sea, or to remain in Middle-earth. Some chose to head back home, but a lot decided to stay: the ones who stayed grew arrogant, and tried to prove to the Valar, in a way, that they could make Middle-earth just as blissful and peaceful as Valinor. This motivated Celebrimbor to welcome a stranger who came among his people claiming to be an emissary from the Valar who had taken pity on the Elves of Middle-earth. This stranger, going by the name of Annatar, Giver of Gifts, was welcomed into the kingdom of Eregion and quickly rose to power there. Meanwhile, in Númenor, human Men began to sail far and wide across the seas of Arda, settling in colonies along the coasts of Middle-earth and venturing even to the edge of the world. Something else to remember, for future reference: at this point in the timeline, the earth is flat. A flat, roughly circular disc just floating in the cosmos, minding its own business. So when I say the Númenóreans ventured to the edge of the world….I mean that literally.
8: The Rings Of Power. Remember that stranger who showed up in Eregion? Yeah, well, it’s at this point in the timeline that he basically comes out and says what every Elf in Middle-earth has already been feeling: it’s time to radically redesign the balance of power in Arda. He and Celebrimbor work together to forge a set of Rings, each of which is imbued with terrible power. These Rings are given out to all the major players in Middle-earth: King Gil-galad gets one, Círdan the Shipwright gets one, the Lady Galadriel gets one; seven Dwarf-lord get one each; nine of the most powerful human sorcerers, kings and warriors get one each. But in secret, Annatar, Giver of Gifts, has been stealing Celebrimbor’s secrets to forge his own Ring – a master Ring, a Ring that will rule all the other Rings and bind them to his will. Oh wait, did I forget to mention that Annatar is actually Sauron the Dark Lord in disguise? Yeah, he totally is, and he’s intent on getting vengeance on the Valar for what they did to Morgoth, his master and mentor in the First Age. But when he puts on his One Ring and declares himself to be the Lord of the Rings, Celebrimbor senses his true purpose and hides all the other Rings, buying himself a little time.
7: The War Of The Elves And Sauron. Unfortunately for Celebrimbor, his quick action meant that the Three Rings given to the Elves were saved – but he himself was captured by Sauron during an attack on Eregion, tortured for that information until he died of exhaustion, and then was tied to a flagpole and carried like a banner into battle by Sauron’s armies of orcs. In the end, Celebrimbor only disclosed to Sauron the locations of the Seven and Nine Rings they had made, and Sauron took most of those at this point. For a long time afterwards, Sauron was at war with the Elves of Middle-earth, and this is where the series will be able to fit in some awesome battles: Gil-galad and his herald, Elrond, lead the main assault against Sauron, but they are joined by several others, including Círdan with his fleets of Elven ships; Galadriel and Celeborn, leading joint efforts from both sides of the Misty Mountains; the Dwarves of Khazad-dûm; and Glorfindel, a resurrected Elf from the First Age who is sent back to Middle-earth by the Valar to aid in the Elven Wars. But even with all of this aid, the Elves still would likely have been defeated, had not Númenor arrived just in time.
6: The Decline Of Númenor. While the Elves are busy fighting Sauron in Middle-earth for centuries, the Men of Númenor are feeling the Dark Lord’s shadow from afar. At the height of their power, the Númenóreans were a naturally long-lived people, but as time went on their longevity began to wear away, even as they clung to it. In their heyday, they had welcomed Elves to their island paradise: even Elves who came from Valinor with gifts and wise advice. But now, they’re starting to wonder why only Elves were “blessed” with immortality, and their jealousy of Valinor grows until it becomes a disease. Amazon will need to get this exactly right: we need to feel that desperation that will drive the Númenóreans to madness and acts of blatant aggression; we need to see the terror in the eyes of their Kings, holding onto life even as they slip away; we need to smell the decay that creeps through their culture, foreshadowing what’s to come.
5: Sauron In Númenor. When the Númenórean army arrives in Middle-earth, bringing an end to the war between Sauron and the Elves, Sauron realizes at once that he is outnumbered. But Sauron is cunning: pretending to be defeated, he willingly surrenders to the Númenórean king and commander, Ar-Pharazôn, and is subsequently taken back to Númenor to be a prisoner. Here, he pulls the same trick he used against the Elves: he promises Ar-Pharazôn his greatest desire – in this case, everlasting life. This, he claims, can only be won if Ar-Pharazôn musters the courage and the army to invade Valinor, the Blessed Realm of the Valar. Ar-Pharazôn, not known for being the brightest Edain in Arda, finally succumbs to his prisoner’s seduction, and allows Sauron to counsel him in every matter: when Sauron begins the building of his army, the King agrees to it; when Sauron builds a temple to Morgoth and starts practicing bloody human sacrifices there, the King agrees to it; when Sauron sends him off to his death, the King agrees to it, ignoring all the warnings of doomsday that the Valar send his way. He and his army do make it to Valinor, and they even set foot on the Blessed Realm’s shores – and then, in the greatest act of comeuppance ever, the Valar kill him and almost everyone else in Númenor by sending the island hurtling into the ocean abyss and burying Ar-Pharazôn under a mountain. Sauron is temporarily killed in the cataclysmic disaster, and he loses his ability to ever again take a human form.
4: Gondor And Arnor. At this time, the world is remade again by the Valar, and becomes a globe. Oddly, the only effect this has on the Middle-earth map, aside from the complete disappearance of Númenor, is changing one island in the Bay of Belfalas. Coincidentally, it’s in this bay that the next chapter of the Second Age begins, as this is where one small group of battered ships arrives after a long and arduous journey by sea, manned by the Númenórean prince, Isildur, and his brother. Their father, Elendil, gets washed ashore in the far north of Middle-earth. At these two points on the map, these men set up two kingdoms: Gondor in the south, and Arnor in the north. These kingdoms become one vast empire in these last few years of the Second Age, and are united in opposing Sauron. Isildur builds the city of Minas Anor (later changed to Minas Tirith), and plants the sapling of the White Tree of Gondor there. The seven seeing stones, or palantíri, are placed in secure locations around Middle-earth. The tower of Orthanc in Isengard is built. With callbacks like these, who needs hobbits?
3: The War Of The Last Alliance. Needless to say, Sauron isn’t done haranguing our heroes just yet. Gathering his forces for a final push, he leads his armies of corrupted Ringwraithes, orcs, and foul creatures into battle against the fledgling force of Gondor. But in this dark hour, Mankind does not stand alone. Elendil, King of Arnor, goes to Gil-galad and Elrond and requests their aid: they form a Last Alliance of Elves and Men, and lead their armies together into the south, relieving the siege of Gondor and eventually entering Mordor, Sauron’s dreadful realm. As they approach Mordor, they are joined by Elves out of Lórien and Greenwood, Dwarves from the Misty Mountains, and even Ents out of Fangorn Forest. There are several battles along the way, most notably on the plain of Dagorlad that would later become bogged down and renamed the Dead Marshes. In Mordor, the Last Alliance besieges Sauron’s fortress of Barad-dûr, which lasts for several years.
2: The Fall Of Sauron. At last, Sauron breaks the siege, though not before many have died, including Isildur’s brother Anárion and Oropher, king of the Elves of Greenwood. The Dark Lord arrives on the battlefield wearing the One Ring he created, making him almost invulnerable – he drives the attacking armies back to the slopes of Mount Doom, and there, with the fiery heat of his hand, he kills Gil-galad and Elendil. But Isildur, Elendil’s son, takes up the hilt-shard of his father’s broken sword and deals the fatal blow to Sauron, cutting the One Ring from the Dark Lord’s finger. Sauron is vanquished, and his evil spirit flees, incorporeal and weakened. His armies are easily defeated. His Ringwraithes vanish from history. And the war is won. But Isildur refuses to listen to the counsel of Elrond and Círdan, who both advise him to destroy the Ring in the fires of Mount Doom. Instead, Isildur finds himself unable to get rid of the Ring, and holds onto it as a souvenir of his victory.
1: The Disaster Of The Gladden Fields. This one is entirely up to the showrunners: it’s possible they’ll want to end the series on a more hopeful note, with the survivors of the war picking up the threads of their broken lives and moving on, and all that. And certainly there should be some happy endings – but at the same time, it would be deliciously exciting to end the entire series with the disaster of the Gladden Fields, something that was glimpsed briefly in The Fellowship Of The Ring. Isildur, returning home from the war, is attacked by a rogue band of orcs and killed – and the One Ring slips from his finger as he falls and drops into the River Anduin. Imagine it: Howard Shore’s familiar, eerie score closing out the final episode of the final season, as we watch the Ring settle into the mud at the river-bed, there to lie in wait for the next two and a half thousand years…
So what do you think of these ten events from the Second Age timeline? Will they define the series, or do you think the showrunners will focus their adaptation on a singular moment from the chronology, rather than trying to fit three-thousand years worth of story into just five seasons? Share your own thoughts, theories and opinions in the comments below!
Technically, I reported on this quite some time ago, back when Maxim Baldry’s name first came up in association with Amazon Prime’s long-awaited adaptation of the works of J.R.R. Tolkien, because, at the time, it seemed legit. However, as the months have crept by and we have begun to hear more information about the streaming series’ production and filming in New Zealand, Maxim Baldry’s name has been…let’s say, suspiciously absent from the conversation. To the point where it seemed like his casting had been a piece of misinformation (something that has plagued the Lord Of The Rings series since the beginning, with sites like TheOneRing.net often pushing hyperbolic and conjectural narratives about the series on their Twitter account).
Our fears were apparently confirmed when Baldry was left off an important cast list released by Amazon Prime themselves. A total of fifteen actors and actresses were officially cast and sent off to New Zealand to begin their strenuous physical training and start work on the series, including Robert Aramayo, Nazanin Boniadi, Markella Kavenagh, Morfydd Clark and others. But Baldry, whom, at the time, I and many other fans considered to be one of the main stars, was still nowhere to be seen. His social media gave no hint of any involvement (for comparison, most of the other confirmed stars have been using their social media to keep us up to date on their time in New Zealand, including sightseeing, hiking trips and visits to Lord Of The Rings trilogy locales such as the Hobbiton film set).
And then last night, out of the blue – Maxim Baldry is onboard the Amazon Prime series, according to Deadline (who also broke the original story of his joining the cast). They have now acknowledged that their initial report was only partially accurate: while he has been circling the project for some time, only recently has he worked out a deal with Amazon and settled into what Deadline are calling “a lead role” – not to be confused with the lead, who is believed to be played by Robert Aramayo. This matches up with what Amazon Co-head of TV Vernon Sanders said about the series: that there were still “a few key roles to cast”.
As for who Maxim Baldry is playing, that’s an open question as of right now. But the British actor, best known for his work on Years And Years, seems to have a very important place in the series. And that’s why I’m returning to what I think was my original assumption, and putting out a guess that he’s playing Annatar the Giver of Gifts, one of the many forms of the shape-shifting villain Sauron, who you might remember from Peter Jackson’s trilogy as being a giant eye in the sky. Baldry’s slender build, delicate features and long mane of dark hair lend themselves naturally to the Dark Lord, who often disguised himself as an Elf during the Second Age of Middle-earth, when this series is set. Annatar, Sauron’s most iconic alter ego, was an Elven lord who claimed to have been sent from the realm of the gods to bring a message of reconstruction and reform to Middle-earth, only to deceive his victims into enslaving themselves to his will. If not Sauron, then my other fan-cast for Maxim Baldry would be the young and peaceful Elven King Gil-galad, leader of the Last Alliance of Elves and Men, and one of Sauron’s chief rivals during the Second Age.
Who do you think Maxim Baldry is playing, and why do you think it took him so long to get onboard with the series? Share your own thoughts, theories and opinions in the comments below!
Amazon Prime recently announced the main cast for their upcoming Lord Of The Rings prequel adaptation (a multi-talented fellowship of fifteen, all of whom seem like admirable and interesting people), but now, with their production start-date inching closer, it’s time for them to start casting the smaller roles: recurring characters, guest stars, that sort of thing. Simon Merrells is the first such actor to be cast, according to new reporting.
Merrells, best known for his work on the TV series Spartacus (and for his brief but hilarious role on another Amazon Prime series, Good Omens), will supposedly be joining the cast of the epic fantasy in a recurring role: unsurprisingly, we don’t have a character name to attach to his face just yet, nor do we know how many episodes he will appear in. But that’s never stopped me before, and it’s not enough to stop me now from taking a wild shot in the dark and throwing out a guess for who I think Merrells could portray in the first season of Amazon’s Lord Of The Rings.
The character who came to mind immediately, after taking a long, hard look at Merrells’ long, hard face, was Círdan the Shipwright. Círdan is by no means a pivotal figure in the histories of the Second Age of Middle-earth, when this series takes place, but he is still just important enough to warrant popping up from time to time: he was one of the three Elven Ringbearers, and throughout the Second Age he wore on his hand Narya, the Ring of Fire – a responsibility he doesn’t seem to have ever exploited, as there’s no record of him ever using the Ring (and as soon as the Third Age rolled around, he took the first chance he got and passed it off to Gandalf). In this Age, he mostly stayed put in the peaceful country of Lindon, where he was probably a close confidante of the Elven king Gil-galad. He also started construction on the Grey Havens, which would later serve as the Elven peoples’ last escape-route from Middle-earth in times of war and hardship. There, at the Havens, he was probably the guardian of one of the palantíri seeing stones (which technically was housed a couple miles away at Elostirion, but close enough to still conceivably be within his sphere of influence). He stood by Isildur and Elrond on the slopes of Mount Doom after the first defeat of Sauron, and presumably backed Elrond up when the latter tried to convince Isildur not to take the One Ring. He’s a character who stands on the margins of this world’s history, watching events unfold with a patient, foreseeing eye, but rarely getting involved in the action. In other words, he’s not going to be around often in the series, but when he does show up, it’ll probably be for big, dramatic moments.
And of course, Merrells matches his physical description well enough: Círdan is written to be an old Elf, still noble and majestic, but weathered and worn-down a little from the weight of his burdens and the pain he has seen. Merrells, with his gaunt features and deep-set eyes, looks almost exactly like the character – I say “almost”, because Círdan is supposed to have a long grizzled beard, but that shouldn’t be too much of a problem for Merrells, who has grown a decent-sized beard before for multiple roles.
So that’s who I think Simon Merrells could play in the Amazon Prime series. Who do you think he’s playing, and what do you think of the casting? Share your thoughts, theories and opinions in the comments below!