Moiraine Must Die In “The Wheel Of Time” Season 3 Teaser

SPOILERS FOR THE WHEEL OF TIME BOOK FOUR: THE SHADOW RISING AND BOOK FIVE: FIRES FROM HEAVEN, AND POTENTIAL SPOILERS FOR THE WHEEL OF TIME SEASON THREE AHEAD!

Moiraine Damodred has been prepared to meet a violent end since The Wheel Of Time season one, when she accompanied Rand al’Thor to the Eye of the World expecting to be “ground to dust”, as she put it, between the opposing powers of two cosmic enemies; Rand himself, a.k.a. the Dragon Reborn, and the Dark One. In so doing, she hoped to bring about a quick end to what would otherwise escalate into a large-scale conflict between armies, in which thousands would die and chaos would reign. Given that there are eight seasons of The Wheel Of Time planned, adapting a series of fourteen extraordinarily dense novels, it should go without saying that that is not what happened. Instead, and to her great dismay, Moiraine had to pick herself up after a crushing defeat and keep fighting, for the sake of the world rather than for herself. Throughout season two, which additionally saw her wrestling with the triple-fold loss of her ability to channel, her relationship with her Warder, and the trust of her lover, Moiraine rose again: because the world needed her to.

And now the world needs her to die.

Josha Stradowski as Rand al'Thor and Rosamund Pike as Moiraine Damodred in The Wheel Of Time stand, accompanied by a group of Aiel warriors and at least one Wise One, at the edge of a cliff, looking out over a barren valley filled with fog and the ruins of ancient skyscrapers encircled by a tall wall. Rand has short reddish-brown hair and wears a white shirt and brown trousers, with a sword strapped to his back. Moiraine wears a hat, and a long dress. The Aiel warriors carry spears and wear lightweight sand-brown leather armor, while the Wise One is swathed head-to-toe in white fabric.
Rhuidean | youtube.com

The first teaser trailer for The Wheel Of Time season three follows Moiraine on a trippy journey through “a thousand thousand futures”, stalked and toyed with by the Dark One’s most powerful minions, as it’s revealed to her that across an infinite number of possible realities, one thing remains constant: either she dies, or Rand dies. And Rand is the Dragon Reborn, the only person in the world capable of defeating the Dark One at the Last Battle. He must survive until then, no matter the cost. For Moiraine, therefore, there is no choice to be made. She will die. She doesn’t know when, where, or how – though we see alternate versions of her being strangled and stabbed to death by Lanfear in different scenarios and settings, including one in which Lanfear has seemingly turned Rand and his friends to the dark. She only knows that when the time comes that both their lives hang in the balance, she will see to it that it is she who perishes and Rand who lives to fight another day.

Ironically, the person who probably stands to fare worst out of everyone here is Rand. The best possible outcome for him is the one in which he miraculously makes it to the Last Battle and saves the world before he dies, but death is as much a guarantee for him as it is for Moiraine, and he already knows exactly how his will transpire, as all male channelers inevitably succumb to madness. But even if he makes it that long, and it’s a big “if”, there’s a decent chance he loses to the Dark One and has to watch the world burn because of his failure in his final moments. And if the madness takes him before the Last Battle, it’s not only possible but likely that he’ll end up destroying the world on his own, without the Dark One having to lift a finger. Some of the Aes Sedai sorceresses would happily “gentle” him, permanently removing his ability to channel, but of course, Rand can’t go up against the Dark One without the One Power at his fingertips. And now, on top of everything else he has going on, Moiraine is gonna go and die, burdening him with the pressure that will come from knowing that she did so to save him so that he might save everyone else? I too would run off into the desert if I were Rand.

But for Rand, the solitude of the Waste only offers more grisly ways to die, and I’m not just talking about the harsh weather and living conditions. Rand has deep connections to the Waste and to the people who live there, red-haired warriors known as the Aiel. They have their own set of prophecies about him, distinct from the prophecies of the Dragon Reborn, and to fulfil them, Rand must enter the ruined city of Rhuidean and brave the “glass columns”, a labyrinth of shimmering pillars that allow a person to relive crucial events from the Aiel’s ancient history through the eyes of their own ancestors. The paradigm-altering truths revealed there are too much for some to bear, and they go mad and die inside, which probably explains the veritable forest of spears standing outside the walls of the city in the image above – the spears of all those who entered and did not return. The glass columns of Rhuidean are the setting for one of the most vivid sequences in the entirety of the Wheel Of Time book series, a sequence we can see glimpses of in the images below:

Close-up blue-tinted image of Josha Stradowski as Rand al'Thor, with a bright light shining behind him. He has close-cropped reddish-brown hair.
Rand in the Glass Columns | youtube.com
Blue-tinted wide shot of a tree with a thick trunk and sweeping boughs with moss hanging from them. A bright light shines behind it.
Avendesora | youtube.com

That tree is Avendesora, which grows at the center of the glass columns and is sacred to the Aiel, who gifted a sapling from Avendesora to the people of Cairhien to repay an old debt. The tree that sprang from that sapling, Avendoraldera, was later cut down by Moiraine’s uncle, King Laman Damodred, and its precious wood used to build him a larger throne, resulting in the Aiel War during which a coalition of the Aiel clans left the Waste, sacked Cairhien, killed Laman, and left, but not before one Aiel Maiden of the Spear gave birth to a son, Rand himself, on the blood-soaked slopes of Dragonmount. I know, I know, I just threw a lot of lore at you, but you’re here for a trailer breakdown, aren’t you? Let’s not even get into the fact that Avendesora isn’t technically a tree but a unique organism genetically engineered with the One Power…

While Rand peruses AielAncestry.com, Egwene begins learning from the Aiel Wise Ones how to “Dreamwalk” – enter the World of Dreams at will. The World of Dreams, or Tel’aran’rhiod, is the nebulous realm humans unconsciously enter when they sleep. The Wise Ones have mastered the ability to navigate this realm and manipulate it to a degree, though not to the level of someone like Lanfear, who considers herself the Queen of Tel’aran’rhiod, or Moghedien, whose power there is even greater. But Egwene in season three has just endured weeks or possibly months of imprisonment at the hands of the Seanchan and the appropriation of her own powers by a sadistic captor whom she brutally murdered. She is a very different woman than she was before that experience, and if Lanfear or Moghedien think they can toy with her in the World of Dreams, they’ve got another think coming. Let me remind you all that Egwene was able to single-handedly hold off Ishamael, the strongest of the Forsaken, for several minutes while beaten up and bruised in the immediate aftermath of the aforementioned murder.

Madeleine Madden as Egwene al'Vere and Josha Stradowski as Rand al'Thor, lying on their backs side-by-side on the floor of a tent, with pillows and rugs underneath them. Egwene has short dark hair and wears a gray top with baggy sleeves over a white tunic dress. Rand has short reddish-brown hair and wears a sand-brown coat over a partially unbuttoned off-white shirt.
Egwene al’Vere and Rand al’Thor | youtube.com
Out-of-focus close-up image of Madeleine Madden as Egwene al'Vere. She has short dark brown hair.
Egwene al’Vere | youtube.com

We see Egwene and Rand lying next to each other in a tent, hands not quite touching, possibly indicating that they’ll Dreamwalk together, or perhaps belonging to a scene in which the two finally agree to end the untenable romantic relationship that was already on the rocks back in season one, even before Rand faked his death and ran away in an effort to protect her from himself. There are not many “Randgwene” shippers out there, but I am one, and I know that Wheel Of Time showrunner Rafe Judkins is another because the doomed love between Rand and Egwene has been a focal point of both season finales and a major factor in important decisions both characters have made, even though they technically called it quits in the very first episode, and Rand was briefly in a sexual relationship with Lanfear (a relationship that Lanfear is intent on rekindling, based on the trailer). But now, with Rand and Egwene starting down diverging paths, there has to be some kind of closure there before either character begins actively pursuing their eventual love interests.

Marcus Rutherford as Perrin Aybara, seated on a bed, with Isabella Bucceri as Faile on his lap, kissing him. Perrin has frizzy dark hair and a beard, and wears a sleeveless white shirt. Faile has short dark hair and wears a long-sleeved black jacket.
Perrin and Faile | youtube.com
Marcus Rutherford as Perrin Aybara, in battle. He has frizzy dark hair and a beard. He's wearing a steel breastplate and pauldrons over a shirt of woven leather rings like chain-mail. His face is covered in blood, sweat and grime. His eyes are gold.
Perrin Aybara | youtube.com

Love is in the cards for at least one of our main characters, though, as Perrin Aybara is shown kissing a dark-haired woman whom we can safely assume is Faile, the Hunter for the Horn who follows Perrin back to the Two Rivers in book four, The Shadow Rising, when he goes home to help liberate his people from an army of Whitecloaks under the command of his archnemesis Dain Bornhald. Perrin and Faile have a…tumultuous relationship in the books; I’ll be curious to see how The Wheel Of Time adapts that, especially with the significant change they’ve made to Perrin’s backstory, giving him a wife whose death he is directly responsible for, and whose memory still haunts him. Speaking of closure, Perrin’s return to the “scene of the crime” in season three will provide him a much-needed opportunity to put Laila to rest amidst everything else going on in the Two Rivers. There’s no sign in the trailer of Dain Bornhald himself, the peddler Padan Fain, or the mysterious Lord Luc, all key players in Perrin’s The Shadow Rising arc, but we do see Perrin leading the defense of the Two Rivers, so they’re around somewhere.

Wide shot of the Hall of Sitters in the White Tower. A woman in a long red gown is sitting on the Amyrlin Seat, with a dark-haired woman in a white dress sitting on the armrest at her left hand.
The Amyrlin Seat | youtube.com

Also conspicuously absent is the character of Elaida, one of The Wheel Of Time‘s most important antagonists, expected to be played by Oscar-nominated actress Shohreh Aghdashloo, who joined the cast after playfully engaging with fans and showrunner Rafe Judkins on social media who were fan-casting her as a different character, Cadsuane Melaidhrin. I thought we might have seen her briefly (see the image above), because what other Aes Sedai from the Red Ajah would be so brazenly enthroned on the Amyrlin Seat with a dark-haired woman in white at her side, but I’ve since been informed that the women in the image are more likely Liandrin Guirale and Lanfear, during some kind of dream sequence. You have to zoom in really close, but the woman on the throne does appear to have blonde hair and Kate Fleetwood’s distinctive cheekbones.

Kate Fleetwood as Liandrin Guirale, standing in a dark hall amidst a throng of masked and costumed revelers. She has long blonde hair and wears a long-sleeved crimson gown with a lace veil. She holds the edge of her veil up to her mouth with her left hand, which also sports a gold ring with a dark red gemstone set in it.
Liandrin Guirale | youtube.com

Liandrin is also shown unveiling herself at some kind of costume party (probably at the Panarch’s Palace in Tanchico, where she hides out in The Shadow Rising), speaking to the Forsaken Moghedien, and dueling Alanna Mosvani of the Green Ajah (potentially killing one or both of her Warders, based on a shot of Alanna sobbing over someone’s body) in the streets of Tar Valon itself, where violence is practically unheard of, let alone violence between Aes Sedai. But of course, Liandrin is no ordinary Aes Sedai: she may be Red Ajah, but her true loyalties lie with the Black Ajah, a faction of sorceresses sworn to the Dark One, whose existence was a closely-guarded secret. In the books, Siuan Sanche is able to cover up Liandrin’s betrayal because it happens within the White Tower, behind closed doors, but if the show has her and Alanna blowing up large swathes of the city, that obviously won’t be possible, and there could be ripple effects: maybe the people of Tar Valon will begin to feel unsafe in the shadow of the Tower, and Elaida’s attempts to undermine Siuan’s authority will center around fanning the flames of this growing dissent.

Madeleine Madden as Egwene al'Vere, Jennifer Cheon Garcia as Leane Sharif, Sophie Okonedo as Siuan Sanche and an unidentified fourth woman standing before the silver arches in the basement of the White Tower. Egwene has short dark hair and wears a white shift. Siuan has short dark hair and is wearing a silver coat and is channeling white ropes of the One Power with the assistance of Leane and the other woman, who wear blue and white, respectively.
Egwene’s Accepted Test | youtube.com

Something that I personally find very relieving is the fact that we see Siuan at the White Tower, specifically during what looks to be Egwene’s Accepted Test. You may remember that when season two was airing, I was…very vocal about my displeasure with how The Wheel Of Time was characterizing Siuan. I don’t feel like rehashing it all right now (you can read what I wrote then here) but one of my points was that Siuan being offscreen for most of the season and her long absence being hand-waved away, especially while Novices were being kidnapped from the White Tower, was not going to help endear her to audiences who still barely know her as a character in her own right, separate from Moiraine, with whom she shares nearly every scene in which she’s appeared and who is usually the viewpoint character in these scenes. It would be one thing if season three wasn’t adapting the events of The Shadow Rising, but if you’ve read that book, you probably know what I’m referring to when I say it’s about to be really important that audiences know Siuan and care about Siuan (again: separately from Moiraine!), and that’s a lot more difficult when she’s hardly ever around! And when she DOES show up, it’s to try and imprison Rand and abuse the Oath Moiraine swore to her…sorry, sorry, I said I wouldn’t rehash my issues with that episode. Let’s just say, I’m very happy to see her.

Zoe Robins as Nynaeve al'Meara. She has long dark hair pulled back in a braid. She's wearing a long-sleeved white dress with a narrow oval cutout in the front.
Nynaeve al’Meara | youtube.com

I’d have loved to have seen a little bit more than one frame each of Nynaeve al’Meara, Mat Cauthon, Aviendha, and Min Farshaw. Nynaeve, because Zoë Robins has top-billing after Rosamund Pike and Daniel Henney, and it’s a little weird to not see that reflected at all in the marketing, but also because Nynaeve had by far the least to do out of the Emond’s Field Five in the season two finale (I wholeheartedly believe that the plan up until the last minute was for her to rescue Egwene from the Seanchan kennels as she does in the books, and when the writers decided they were gonna have Egwene break herself out of captivity, they had no idea what to do with Nynaeve, and pulling an arrow out of Elayne’s leg for twenty minutes was the best they could come up with on a tight schedule and budget). I really need season three to remind people that she is not helpless without the One Power.

And Mat, well, I just want the poor guy to have some screentime this season. Though it’d sure be nice if he could have his long-awaited quarterstaff fight with Gawyn and Galad (who I suppose I should mention does appear in the trailer; there, I mentioned him). To be fair, Mat did get temporarily written off the show after the original actor abruptly dropped out midway through filming season one, requiring a recast and major rewrites, so he had to play catch-up throughout season two, but now that his storyline is pretty much back on track, I’m hopeful that season three will do more with him and with actor Dónal Finn.

A few stray observations: the cinematography has massively improved, and the budget looks much bigger, though I don’t have the exact numbers to state that with certainty. The VFX for the channeling is more seamless, the weaves more complex and more colorful, the digitally rendered environments and armies more expansive. I notice a lot of costumes from season two making a reappearance, but equally as many gorgeous new designs, with Alanna Mosvani’s gold-spangled green dress, the alternate reality Emond’s Field Five fits, and the head-to-toe white lace garments of the Wise Ones being particular favorites of mine already. And while I would never think to juxtapose the subject matter of The Wheel Of Time with “Hazy Shade of Winter” by The Bangles, I’ve gotta admit…it does work weirdly well. I mean, doesn’t hurt that it opens with the refrain “time, time, time”.

But now I want to hear what you think? What was your favorite part of the trailer? Share your own thoughts, theories, and opinions, in the comments below!

The Wheel Of Time returns for its third season on March 13th, 2025

First Poster For “The Wheel Of Time” Season 3 Drops Ahead Of CCXP

SPOILERS FOR THE WHEEL OF TIME BOOK FOUR: THE SHADOW RISING, AHEAD!

The Wheel Of Time, Amazon Prime’s best epic fantasy series that hardly anyone seems to know about, is returning for its third season sometime soon, by the looks of it. With showrunner Rafe Judkins and stars Josha Stradowski and Madeleine Madden scheduled to take the stage at CCXP in Brazil this Saturday to discuss season three and drop the release date (confirmed by Judkins over on his Instagram), and a new poster dropping this morning, there’s excitement in the air as it feels suddenly plausible that the Dragon Reborn might be back on our screens early in the new year.

First poster for The Wheel of Time season three, depicting Josha Stradowski as Rand al'Thor walking through a desert between rows of standing spears that cast long shadows in the early morning light. He is carrying Rosamund Pike as Moiraine Damodred in his arms. Rand has short reddish-brown hair and wears a short-sleeved sand-brown shirt with brown trousers. He has dragon tattoos spiraling down his bare forearms. Moiraine, whose face is turned away from the camera, has long brown hair and wears a sand-brown blouse and a gray dress.
The Wheel Of Time | Twitter @TheWheelOfTime

The poster – our first look at season three since the short video celebrating a wrap on filming early this year – is beautiful, which is something I haven’t necessarily been able to say of previous posters for the series…not that they were ever bad, but they were “floating head” posters, and I felt like the show’s marketing team could have cooked up something a little more visually arresting to entice audiences, who made The Wheel Of Time Prime Video’s most watched original series debut of 2021 but didn’t show up as strongly for season two in 2023 despite much better reviews for the season, in large part because the marketing was non-existent. The actors and writers literally couldn’t talk about the show or promote it at the time due to the SAG-AFTRA and WGA strikes, and Amazon did virtually nothing to fill the void. We don’t know how season two performed in the eyes of Amazon executives, but with season four yet to be greenlit, I think it’s safe to assume that they’re waiting for season three to come out first and do well before they commit to continuing the sprawling story; which was planned to run for eight seasons, condensing fourteen books worth of source material.

So the marketing can’t suck this time around – and if this poster is anything to go by, I’m cautiously optimistic that it won’t. So let’s discuss the poster itself.

The image seems obviously designed to eventually double as a book cover for The Shadow Rising, the fourth volume in Robert Jordan’s saga, which The Wheel Of Time season three will be adapting (having consolidated most of the relevant parts of books two and three into its second season). Depicting Stradowski’s character Rand al’Thor walking through a steel forest of standing spears in a desert at dawn, carrying Rosamund Pike’s Moiraine Damodred in his arms, the poster follows through on the promise made in season two to shift focus away from Moiraine, the series’ protagonist throughout its first season, and onto Rand, the books’ protagonist, who has reluctantly accepted that he is the “Dragon Reborn” destined to save the world or destroy it, and must now complete the vague prophecies written about him centuries before his birth if he is to defeat the Dark One at the Last Battle and prevent the very fabric of reality from being torn apart.

The poster transports us to one of the books’ harshest settings, the Waste, home to twelve warring clans who collectively make up the Aiel. Rand is, as the show has already revealed, the son of an Aiel Maiden of the Spear named Shaiel, who died giving birth to him on the field of battle during the Aiel War, in which a coalition of Aiel clans under the command of Chief Janduin of the Taardad invaded the Westlands to exact vengeance for the killing of a sacred tree (long story). Janduin is Rand’s father, making him half-Aiel. Wait, didn’t I say that Rand’s parents are both Aiel? I’ll let the show explain that.

Close-up image of Josha Stradowski as Rand al'Thor. He has a shaved head, and is wearing a dark blue coat with ornate gold embroidery over an open-collared white shirt. He is channeling red and gold threads of the One Power into a web that spirals around his upper body. He has a sword strapped to his back.
Rand al’Thor | nerdist.com

In The Wheel Of Time season two, we met Aiel Maiden of the Spear Aviendha (played by Ayoola Smart) as she led an expeditionary force back into the Westlands to find the prophesized savior of the Aiel, the Car’a’carn or “Chief of Chiefs”, who turned out to also be Rand al’Thor. In season three, presumably just as in the books, Rand will decide to follow her into the Waste and help his people in their hour of need, against Moiraine’s wishes. His journey will take him to the ruined city of Rhuidean, built in ages past by Aes Sedai to house a treasure trove of powerful tar’angreal (magical objects) and the secret histories of the Aiel. But in the Waste, Rand will encounter opposition not only from the Dark One’s most powerful minions, but from leaders of the Aiel who dispute and challenge his claim to be the Car’a’carn, including a hotheaded clan chief and an ambitious Wise One (the Aiel equivalent to an Aes Sedai) who join forces to take him down.

Eagle-eyed fans will have noticed right away that Rand is sporting some new tattoos on his arms in the season three poster, which have great significance but are kinda a spoiler, so I won’t give away too much. Let’s just say, the process of obtaining those tattoos is an arduous one, and comprises one of the most memorable sequences in the entirety of Jordan’s saga, a sequence I hope The Wheel Of Time can do justice, as I firmly believe that it could single-handedly put the show on the map, so to speak. If not, The Shadow Rising still has plenty of other outstanding moments that could also do the trick (it is regarded by many fans as the best book in the series), some of which I’m looking forward to even more, but that particular sequence has the potential to be uniquely brilliant on every level. I already know Stradowski’s gonna kill it; it’s just a question of whether the show’s writing, direction, cinematography and production design are able to match the energy he’s going to bring.

Ragga Ragnars as Bain, Ayoola Smart as Aviendha, and Maja Simonsen as Chiad standing in a row in a dimly-lit room with stone walls. All three have long reddish-brown hair and wear lightweight brown leather armor over sand-brown garments with hoods and black scarves. They have spears strapped to their backs and small bucklers at their sides.
Bain, Aviendha, and Chiad | lrmonline.com

Oh, and as for why Rand is holding Moiraine in his arms, well, I have my theories. Which I will not be sharing at this time, because again, that would require spoilers and the source material is just obscure enough that I don’t feel comfortable revealing everything that happens even though it’s been over thirty years since The Shadow Rising‘s publication. I envy those of you who will be watching the season with fresh eyes, completely unaware of what’s coming. Because everything I’ve seen thus far – i.e. this poster – tells me it’s gonna be great.

What do you think of the poster, and what are you hoping gets revealed or shown during Saturday’s CCXP panel? Share your own thoughts, theories, and opinions, in the comments below!

iwot Producing Yet Another “Wheel Of Time” Adaptation…Using AI

Remember iwot? Last time they came up, the possibly imaginary two-person production company that’s been clinging for dear life to the film and television rights for Robert Jordan’s The Wheel Of Time since 2004 had just announced that Kari Skogland would be directing their (still entirely hypothetical) live-action film trilogy set three-thousand prior to the events of Jordan’s books. There’s been no movement on that front, nor is there likely to be, since iwot has a long and well-documented track-record of announcing projects and abandoning them just as quickly (to date, their entire output consists of one low-quality, half-hour long fan-film scraped together just in time to retain the rights when they were in danger of reverting back to Jordan’s estate), but they’ve previously taken the estate to court over their right to continue racking up failed business ventures to add to their resume, so there’s not much that anybody can do to stop them at this point.

The Wheel Of Time symbol comprising a golden ouroboros serpent interwined with a seven-spoked wheel against a black background.
The Wheel Of Time | rare-gallery.com

Now, however, cofounders Rick Selvage and Larry Mondragon are back with a new announcement; and I’m covering this, even though I strongly suspect it will never get off the ground, because it’s not just another silly, eyeroll-inducing, ultimately harmless empty promise from these guys. Selvage and Mondragon are claiming to have partnered with an AI software company called D1srupt1ve (okay, that name is eyeroll-inducing) to turn The Wheel Of Time into the “first-ever AI-enabled entertainment franchise”. Their press release contains all the usual vague, hyperbolic, self-aggrandizing language we’ve come to expect from these two; lots of stuff about how the experience will “energize an array of products and services that will extend, expand, and enhance the franchise’s current and future media formats, including books, television, movies, video games, and location-based entertainment”, and “intensify the emotional ties that bind fans to the franchise, bringing stories and characters to life in a way that is both dynamically interactive and deeply personal” and so on and so forth.

I don’t believe I’ve ever talked about AI on here, so let me state for the record that I am firmly and unequivocally against this usage of the technology. Selvage and Mondragon intend to train their AI (called The One Power, by the way) on Jordan’s books without his consent or the consent of his estate, scraping his source material for their glorified wiki-page which they claim will be able to answer all your Wheel Of Time-related questions in-character as Padan Fain or whomever. And of course, The One Power will have a visual component as well, “bringing to life the vivid imagery of the story” i.e. combing through Darrell K. Sweet’s iconic book covers and countless pieces of beautiful fan-art on the internet until it can regurgitate some atrocious picture of a person with three-hundred fingers and toes that it will swear is actually your favorite character. AI “art” is theft, plain and simple. There are methods to implement the technology into the creation of art by humans, but that is not what Selvage and Mondragon have in mind.

That’s the really important takeaway from this story, but while we’re here, I do want to address one of the claims I saw being repeated on social media yesterday, that because Selvage and Mondragon are credited as executive producers on Sony and Amazon’s television adaptation of The Wheel Of Time, that this AI must somehow be connected to the ongoing series, or is being implemented into upcoming seasons. Currently, there is nothing to suggest that is the case. Firstly, Selvage and Mondragon have those credits because they still own the rights, and because of the aforementioned legal battle they waged against Jordan’s estate in 2015, at least in part to prevent the estate from courting Sony without their involvement. There is no evidence of them actually having been involved in the series’ production beyond that (on the contrary, Jordan’s widow Harriet McDougal and Brandon Sanderson, the author she selected to finish the Wheel Of Time books after her husband’s death, were both involved in the writing and making of the first season). Selvage and Mondragon love to flaunt their EP credits because it’s really all they’ve got, but their press release makes no mention of any collaboration with Sony/Amazon, and Sony/Amazon have not made any comment on this or any of their other projects in the Wheel Of Time universe. I sincerely doubt that they even want to be involved.

Hopefully, that’s all I have to say about this, and it will either go the way of all the other projects that iwot has announced, or else be so totally unremarkable and inconsequential that no one will pay any attention to them ever again. At this point, I’m not planning to cover any of their future endeavors, even if, by some miracle, their live-action film trilogy or their animated film ever gets made. Anyway, share your own thoughts, theories, and opinions, in the comments below!

Kari Skogland To Direct “Wheel Of Time” Prequel Film

Not many people ever watched it, for reasons that should become clear before the end of this sentence, but way back in February 2015, late at night and without any advertising, Winter Dragon, a roughly half-hour long adaptation of the prologue of Robert Jordan’s The Eye Of The World starring The Price Is Right‘s Max Ryan as Lews Therin Telamon, and Wheel Of Time super-fan Billy Zane of Titanic fame as the Forsaken Ishamael, aired on the FXX Network. I have seen it. It is not good. But the bizarre short film was never really intended to attract a sizable audience, or even appeal to fans. It was self-produced by Red Eagle Entertainment (or Manetheren LLC, or Ree Productions…they change their name every few years), a company cofounded by Rick Selvage and Larry Mondragon in 2003, which had bought the film and television rights to The Wheel Of Time from Jordan in 2004, sold them to Universal in 2008, got them back when Universal decided not to move forward with a film adaptation of The Eye Of The World, and then sat on them until the year that the rights were set to revert back to Jordan’s estate, at which point they frantically put together Winter Dragon for the sole purpose of preventing that from happening.

Natasha O'Keeffe as Lanfear in The Wheel Of Time, standing amidst the burning wreckage of a crowded town square. She is wearing a white mantle over a long-sleeved white and pale gray top, and slender golden strands of the One Power coil around her upraised arm. She has long jet-black hair.
Lanfear | winteriscoming.net

Soon thereafter, Jordan’s widow Harriet McDougal voiced her frustration with Red Eagle Entertainment, and they took the very smart and rational approach of suing her for slander. Though the legal battle was not long, and directly resulted in the joint announcement of the Wheel Of Time television adaptation from Amazon Studios which this year released its critically-acclaimed second season, the fandom has not forgotten or forgiven Red Eagle Entertainment for their underhanded methods, and the prevailing attitude towards them and all of their independent ventures ranges from mild bemusement to open disdain. But that hasn’t stopped Red Eagle Entertainment, or should I say “iwot Productions” as it was renamed (again) in 2021, from trying to get several of their own projects off the ground, with…uh, varying degrees of un-success.

Just in the past two years, iwot has announced (1) a trilogy of live-action films set long before the events of the book and television series during the fabled Age of Legends, to be written by Zack Stentz and executive produced by Eva Longoria, (2) an animated film centered around the White Tower, to be written and produced by Zack Stentz and directed by Jay Oliva, best known for Justice League: War, and (3) most recently, an “immersive adaptation” of the books that will use “360-degree visuals and sound, holographic projections, and spatial storytelling, to create a riveting entertainment experience”…whatever the heck that means. Nothing in iwot’s history suggests that any one of these projects will ever make it past the indefinite pre-production stage in which they’re all currently stalled, but the most ambitious, the live-action film tentatively titled The Age Of Legends and intended to kickstart a trilogy, now has a director attached.

And Kari Skogland, who previously directed all six episodes of The Falcon And The Winter Soldier, as well as episodes of The Handmaid’s Tale and The Walking Dead, is not exactly nobody. That’s not to say she can magically save iwot from their own proven ineptitude, or make something great from a Zack Stentz script (X-Men: First Class is considered some of his better work, and the first Thor movie is an example of his worst), but I know I can trust Skogland to tackle the intricate philosophy of Jordan’s invented cosmos, dive into the dark complexities of his painfully human heroes and villains, and bring us some awesome action sequences using the mechanics of the One Power to the fullest extent. If this were being produced by anyone else, I might actually be excited.

Alexander Karim as Lews Therin Telamon in The Wheel Of Time, standing in a sunny room with brown stone walls, staring off into the distance. He is wearing a black military-style uniform with gold embroidery, and a large golden dragon emblazoned on the right breast.
Lews Therin Telamon | pajiba.com

If you’re new around here or in need of a refresher, The Wheel Of Time is set in a world, technically our world, in which time literally forms a loop, meaning that history endlessly cycles back around on itself in what is referred to as a “Turning”. Every Turning may not be the same length, but they are all divided up into seven Ages, and a new Turning begins when the Seventh Age ends. Every Turning is different, too, sometimes only slightly, sometimes dramatically, but there are certain consistencies across time. The First Age is this one, the modern world in which we live, and it is always followed by the Second Age or Age of Legends, the almost utopian sci-fi fantasy world in which the One Power is rediscovered and one half of it tainted by the Dark One, and that event is probably always followed by the Breaking of the World, which leads into the Third Age, the fantasy world into which the Dragon is eventually reborn to defeat the Dark One.

In the Turning during which Jordan’s books take place, the end of the Age of Legends is presaged by the Drilling of the Bore, when a physicist and Aes Sedai named Mierin Eronaile opens a rift in reality that allows the Dark One, who has been caged outside the universe since the Moment of Creation, to seep into the world. Mierin, later known by the name Lanfear, becomes the first of many powerful Aes Sedai to join the Dark One in his mission to break the Wheel of Time itself. The thirteen most powerful of these ambassadors are named the Forsaken, and their ranks include representatives of every field, from philosophers, surgeons, and military historians, to athletes, singers, and psychiatrists. Their tragic tales could each be spun into compelling and dramatic feature-length stories.

Fares Fares as Ishamael in The Wheel Of Time, wearing a gray handsomely tailored dress-shirt, with his dark hair slicked back. He is smiling slightly. He is standing on a palanquin, with a metal railing behind him.
Ishamael | nerdist.com

The question that a lot of fans are asking is whether the film trilogy will aim for some semblance of continuity with the Amazon series, or whether iwot will try to establish their own competitive aesthetic for the world of The Wheel Of Time. Depending on which approach they take, iwot might approach Natasha O’Keeffe, Fares Fares, and Alexander Karim to reprise their roles as Lanfear, Ishamael, and Lews Therin Telamon, respectively, though I have a gut feeling that will not happen, and that they will instead try to hitch some unsuspecting high-profile Hollywood actor to this project next. But let’s cross that bridge when we come to it. We don’t even know if they’ll make it that far. Here’s hoping, though. I’d genuinely love to see Wheel Of Time enter the mainstream in a way it still hasn’t quite been able to, even after fifteen best-selling books and two fantastic seasons of television. Maybe a film trilogy is what it takes. But Winter Dragon, the only thing that iwot (or Red Eagle Entertainment or whatever you wanna call them) has ever released on their own, doesn’t inspire much confidence.

How about you? Are you excited for The Age Of Legends? Does Skogland boarding the subject actually make it any more likely that this thing ever gets made? Share your own thoughts, theories, and opinions, in the comments below!