Rings Of Power Archives - Page 4 Of 6 - The Wide Screen

July 16, 2022

“The Rings Of Power” 2nd Trailer – It’s A Wandering Day In Middle-earth

“The past is dead. We either move forward, or we die with it.”

So says Elendil in the new full-length trailer for The Lord Of The Rings: The Rings Of Power, but for Amazon’s sake, they had better hope the past still has a little bit of life left in it, because if this billion-dollar venture of theirs is going to prove commercially successful, it needs to convince casual fans of J.R.R. Tolkien’s works and people who have never read his writing or watched the film adaptations of his novels that they could care enough about the events of Middle-earth’s ancient history to sit down and watch roughly eight hours of streaming television based on the Appendices to The Lord Of The Rings. I hope this trailer does the trick, because I don’t know if we’re getting another one before the series premieres in early September.

The strategy at play in this new trailer is very simple. From the opening shot of Númenor’s coastal capital city viewed through a ravine speckled with seabirds and monuments honoring long-dead kings to the final shot of Sadoc Burrows leading a small group of scruffy yet intrepid Harfoots far afield over rolling green hills in search of a new home, the trailer aims to shock-and-awe its potential viewers with the kind of spectacular visuals that streaming services often struggle to deliver consistently…and very rarely in the first season of a new show. It’s what Middle-earth deserves, of course, but it’s also what will get people talking about The Rings Of Power to their friends and family, because you don’t need to have read the books or seen the movies to know that the show looks incredible.

For anyone wondering why these trailers haven’t given away many story details yet, I think you have your answer – it’s because Amazon believes that such details not only wouldn’t be relevant to anyone who hasn’t read The Lord Of The Rings (and more specifically its Appendices, further limiting the amount of people for whom the content of the story itself would convince them to watch), but could potentially give casual viewers the impression that the show is overly convoluted and inaccessible, which is definitely not what Amazon wants. That’s just my amateur analysis, of course, but in my mind it makes sense to assume you’re losing viewers every time you throw decontextualized pieces of information and unfamiliar names at them in a trailer.

If you’ve read the Appendices to The Lord Of The Rings and are reading this post, I’m going to assume you’re already aware that The Rings Of Power is set during the Second Age and depicts Middle-earth in its heyday – the way it would have appeared before countless wars reduced its fair cities and proud towers to rubble; before Sauron and his orcs pillaged Ost-in-Edhil, before a Balrog stalked the hallways of Khazad-dûm, before the seas rose to swallow Númenor whole, before the Elves allowed the forest to reclaim their homes in Lindon. The question now is whether more casual fans will recognize any of these locations as the same ones they saw ruined or abandoned by the time of Peter Jackson’s Lord Of The Rings trilogy, or whether they’ll be sufficiently wowed that it won’t matter if they do or not.

Who, indeed, could be unmoved by the sight of Khazad-dûm in the days before its fall, “not darksome but full of light and splendour” as Gimli so eloquently described it in The Fellowship Of The Ring? To be honest, Tolkien left so much unsaid regarding Khazad-dûm that in this case, even the books won’t adequately prepare you for what The Rings Of Power has in store – in a single screenshot from the trailer, we’re instantly transported back three-thousand years to a time when “the light of sun and star and moon” showered down upon the Dwarven city through many vents and windows in the high ceilings and, by means of mirrors mounted on walls and pillars, zig-zagged away into the mines and cavernous places deep beneath the Misty Mountains – nourishing not only the Dwarves, but an entire underground ecosystem including a forest and a hanging garden.

That’s just one example of a location and an entire archaic culture constructed in reverse by The Rings Of Power‘s Emmy-award worthy team of concept artists (headed up by the legendary John Howe), production designers, prop-makers, weapon-smiths, armorers, costume designers, hair and makeup artists, and God (or possibly Jeff Bezos) only knows how many others who must have been involved in helping restore Middle-earth to its former glory with all the delicacy and dedication of archaeologists on a dig-site. I could go on for hours, quite frankly, but I think you get the gist: The Rings Of Power is visually stunning and aesthetically pleasing, and that’s likely to be the show’s main selling-point until Amazon feels they can afford to push the story and characters equally as hard (the way Netflix eventually did with The Witcher).

And that’s not to say they haven’t been marketing the story and characters at all; just that it hasn’t been their top priority. At least this new trailer features actual dialogue from Galadriel, Marigold Brandyfoot, Elrond, Gil-galad, Arondir, Elendil, and Durin IV (this is the first time we’re hearing most of these characters speak, as a matter of fact, and while we’re on the topic I have to mention that Robert Aramayo’s Elrond in particular sounds just right – I still don’t know how I feel about his short tousled hair, but he’s won me over with his voice, poise, and mannerisms). There’s also a much stronger focus on the Elves, Dwarves, and Humans, as opposed to the Harfoot-centric first teaser narrated by Elanor Brandyfoot.

Regarding the Elves, what stood out to most fans were all the flashbacks to events in the First Age – events recounted only briefly in the Appendices to The Lord Of The Rings. Amazon doesn’t have the rights to J.R.R. Tolkien’s posthumously-published compendium of First Age myths and legends, The Silmarillion, which would have allowed them to go into greater detail on certain subjects like the Years of the Trees, Fëanor, the Silmarils, and the War of Wrath, so I’m still a little wary of getting my hopes up for things I don’t think The Rings Of Power can actually show us, but I can’t deny that every time the trailers slip in a sneaky reference to something covered extensively in The Silmarillion it makes me wish they had those rights so they could show us what they’re just vaguely referring to.

I suspect the Tolkien Estate is clinging onto those rights because they know better than anyone that fans will always want to see more than Amazon is currently able to show, and that as demand for The Silmarillion grows, they can gradually drive up the price and force Amazon to fork over another $250 million before filming on season two gets underway. And The Silmarillion is only the beginning! Imagine what Amazon would be willing to pay for the rights to Unfinished Tales and its references to the mysterious Blue Wizards…

Anyway, what Amazon has been able to show us – even without needing to draw on The Silmarillion – is the same vista of Valinor under the light of the Two Trees that was first revealed to us in an image released almost one year ago, just from a slightly different angle. Later, when Elrond starts mansplaining to Galadriel that it’s time for her to “put up [her] sword” and relax because the enemy has been defeated, Galadriel’s simple yet chilling response – “you have not seen what I have seen” – is intercut with crimson-tinted images of Galadriel covered in ash and of bodies floating in deep water, meant to look like Amazon’s interpretation of the Sinking of Beleriand and the War of Wrath (not that Galadriel canonically played any part in that war, but I’ll let it slide because that never made sense to me anyway, sorry Tolkien).

We also catch a few more quick glimpses of what each of our Elven protagonists are up to in season one, from Galadriel fighting an ice-troll in the Forodwaith to a captive Arondir wrestling giant wolves in a pit (not entirely sure what that’s about, but I’m assuming the parallels to Finrod’s last fight are intentional?), as well as more Elven cities – including what looks like Ost-in-Edhil, where the Rings of Power will be forged. As a side-note, I’m not sure whether to be amused or frustrated that there’s been no mention of Rings (of Power, or otherwise) in any of the three teasers released. I guess season one is all one long, slow-burn backstory for why the Rings were made, but to not even foreshadow the Rings seems like a missed opportunity.

Well, there is one moment in the trailer that could be interpreted as backstory for the Rings – but it involves Durin IV, a semi-canonical character whom Tolkien probably only bothered naming because he needed to get the total number of Durins to seven. Durin IV probably lived near the end of the Second Age and never had anything to do with the creation or distribution of the Rings of Power, yet his ancestor Durin III was actually a close friend of the Ring-maker Celebrimbor and the only Dwarf-lord to whom Celebrimbor personally gifted one of the Seven Rings (according to the Dwarves)…so naturally, in the show, their roles have been swapped. Durin III is now a peripheral character (albeit played by Westworld‘s Peter Mullan, so he’s sure to be a scene-stealer), while Durin IV is the friend of Celebrimbor.

And it’s Durin IV whom we see holding aloft a chunk of raw mithril and proudly declaring “the beginning of a new era”, heavily implying that this is the first discovery of mithril in Khazad-dûm…which somehow feels like a more significant act of timeline-compression than I think it is. It doesn’t really affect anything; it just means that Celebrimbor must have had a different reason for settling in Eregion outside the west gates of Khazad-dûm besides wanting dibs on all mithril leaving the Dwarven kingdom. I just wonder what this is setting up for the future, because to my mind there’s only two options – one involves the creation of Galadriel’s Ring of Power, Nenya, and the other would necessitate moving the Fall of Khazad-dûm forward by roughly four-thousand years…and that’s what scares me about this change.

Just because the writers are already having to compress thousands of years of history into just five seasons of television doesn’t mean they should actively seek out opportunities to do more of that. Timeline-compression works best when it’s helping the story flow more smoothly to its destination (an example of this being Peter Jackson’s decision to do away with the seventeen-year long gap between Bilbo’s birthday party and Frodo leaving the Shire in The Fellowship Of The Ring), not when it’s forcing an epic story to shrink itself down to a more manageable size (like what’s at risk of happening in the case of Númenor).

I still firmly believe Amazon could have left the timeline just the way it was and gotten away with changing out the entire cast of human characters every season to emphasize the fear of mortality and decay prevalent among humans (and to some extent all the Free Peoples) throughout the Second Age, but I respect that, for whatever reason, they wanted a story where Isildur and Ar-Pharazôn are contemporaries of Celebrimbor, and they made the timeline work for them. We’ll have to wait until September to see if it pays off, but right now the sequences in Númenor certainly look compelling; particularly if you’re a fan of political intrigue tropes, as I am.

We see Ar-Pharazôn (still just Pharazôn at this point) riling up a colorfully-dressed crowd of Númenórean citizens with one of his speeches, presumably railing against the Elves and their leaders. Elendil’s daughter, Eärien, a non-canonical character described as politically-minded and opinionated, watches from the sidelines with an unreadable expression (it’s safe to assume that she’ll become one of Pharazôn’s allies, the “King’s Men”, in future seasons…and suffer the same terrible fate as all who join him in defying the Ban of the Valar). Tar-Míriel, the Queen Regent of Númenor, wanders through the streets of Armenelos with eyes fixed on the sky – from which particles of ash appear to be falling.

Elendil and Isildur, though not yet leaders of the Faithful, also appear – and The Rings Of Power foreshadows their future significance in the War of the Elves and Sauron by having them befriend and assist Galadriel after she washes up on the shores of Númenor with Halbrand, a probably non-canonical human character of indeterminate origins (I say probably because there’s a chance he’s the future Witch-king of Angmar or another of the nine Nazgûl, most of whose identities Tolkien never disclosed). Halbrand appears to part ways with Galadriel in Númenor – at one point in the trailer, he stands in the same large room where Ar-Pharazôn has been spotted in other images, and the two could very well become allies or rivals depending on what goes down between them there.

In the last ten seconds of the trailer, the focus returns to the Harfoots and their discovery of the mysterious Meteor Man – whose crash-landing we’ve now seen from various different angles, but this time we get the view from directly above…and there’s really no denying that, for a moment, as he’s lying there in a fetal position in the middle of a burning crater, he strongly resembles the Eye of Sauron as described by Tolkien in The Fellowship Of The Ring – “a single Eye….rimmed with fire, [that] was itself glazed, yellow as a cat’s, watchful and intent, and the black slit of its pupil opened on a pit, a window into nothing”. Coincidence? Deception? Or a hint that this conveniently amnesiac stranger is in fact Sauron, coming to interrupt Middle-earth’s long peace after centuries in hiding?

Based on their dialogue, Galadriel and Gil-galad at least seem fairly certain that Sauron was not defeated during the War of Wrath, and they warn of a darkness creeping back into the world from the deep woods and waters where it long lurked, as if answer to a summons. Gil-galad’s monologue on the subject accompanies footage of orcs marching in torchlit procession behind a tall, gaunt commander with long black hair and eyes like dark hollows in a pale face – not Sauron, but an original character supposedly named Adar, played by Game Of Thrones‘ Joseph Mawle and rumored to be a High Elf (possibly even one of Galadriel’s brothers) captured and corrupted by the darkness.

So as you can see, there’s actually a good amount of substance to this trailer, more than I think the majority of people will pick up on given that every story detail is intentionally presented without any context in an effort to avoid confusing people that could all too easily backfire if Amazon doesn’t provide viewers enough reasons to watch The Rings Of Power. The cinematic scope of the series and its top-notch production design will lure in folks who might otherwise scoff at fantasy, while its breathtaking CGI will earn high praise from those disillusioned by the shoddy work that Marvel Studios has been rushing out in the past few months (if I were Marvel, I’d be pushing back the release date of She-Hulk because it’s gonna be a bloodbath on Twitter when people start comparing screenshots from both shows).

Nostalgia for the Peter Jackson movies is also an important factor to take into consideration, although I could see it going both ways – on the one hand, there will be fans of the movies who are just happy to revisit Middle-earth even if it looks, sounds, and feels a little bit different…and on the other hand, you’ll have the violently angry stans spamming Amazon’s comments with hate because they can’t accept that Jackson’s interpretation of Middle-earth is not necessarily the definitive one.

There’s obviously a lot of overlap between stans of Jackson’s films and fans of Tolkien’s writings, but at this point I think the latter are on average slightly more likely to tune into The Rings Of Power simply because there are a significant number of “purists” who didn’t like the movies and probably won’t end up enjoying the series either, but will either watch it for the sole purpose of complaining, or just to see what all the fuss is about. The upside to there so being so few new adaptations of Tolkien’s work over the past decade is that fans haven’t experienced anything resembling a “fatigue” yet, so we don’t not watch these things.

Will it be enough? I guess we’ll find out soon enough, but right now I want to know whether Amazon’s marketing strategy has been working for you – if so, I’d be interested to hear why, but if not, I’d be equally interested in hearing from my readers what Amazon could and should be doing to hook the hardcore fans, but even more importantly the casual viewers who only know The Rings Of Power through its trailers and promotional materials. Share your own thoughts, theories, and opinions, in the comments below!

Trailer Rating: 8.5/10

July 6, 2022

Epic New “Rings Of Power” Footage Teases Full-Length Trailer On July 14th

**POTENTIAL SPOILERS FOR THE RINGS OF POWER AHEAD!**

In a new, minute-long, sneak peek at the second full-length trailer for Amazon’s The Lord Of The Rings: The Rings Of Power, everyone in Middle-earth is looking up to the skies in anticipation of something, be it an answer to their prayers or a reckoning for their misdeeds or divine punishment upon their enemies – but when a meteor actually streaks across the heavens, leaving a trail of blazing flame in its wake as it hurtles toward Wilderland (and straight into the midst of a peaceful nomadic community of Harfoots whose lives will be irrevocably altered by their encounter with the meteor), there’s no telling which of those it will be, or whether it’s something entirely different.

You might be wondering where in all of J.R.R. Tolkien’s writings does the author mention a meteor striking Middle-earth in the middle of the Second Age, and to that there really is no good answer. Off the top of my head, there’s one reference in The Silmarillion to the swords Anglachel and Anguirel being “made of iron that fell from heaven as a blazing star”, i.e. a meteorite, but one that fell during the First Age, and then there’s the mysterious Stone of Erech in Númenor (later transported by ship to Gondor) which “some believed…had fallen from the sky”. But everything we know about The Rings Of Power‘s “meteor” from leaks and previously released footage suggests that it’s a strange, disheveled man, and not a chunk of rock.

Middle-earth’s skies are conveniently crowded with minor deities and even a couple of stray Elves who could potentially take a tumble, but I feel like The Rings Of Power would be backing itself a corner by trying to insert guest appearances from the likes of, say, Eärendil the Mariner or even Tirion, god of the moon, into a story where neither of these characters had any relevance to begin with, because if they did it would have been a pretty big deal…like a really big deal…like the kind of momentous event that would have warranted at least a footnote in Tolkien’s Appendices to The Lord Of The Rings, I think (although I suppose I ought to note that the Hobbits of the Third Age did have a legend about the “Man in the Moon” coming down to earth one night to get wasted, so, uh, make of that what you will).

The prevailing theory among fans, of course, is that the “Meteor Man” is none other than Sauron, adopting a convincing disguise and putting on a show so he can slither back into Middle-earth after centuries of banishment in desolate lands – but I get the sense that Amazon only wants us to think that, to draw attention away from the other original characters in the sprawling ensemble cast who are just as likely to be Sauron (personally, I’m sticking by this theory, posed a few months back on Reddit by u/TheManFromFarAway, that the Meteor Man is Old Man Willow – specifically, the malicious spirit that will end up trapped in a willow-tree in the Old Forest and eventually become known as Old Man Willow).

What I really like about that theory is that Old Man Willow is only relevant to the Hobbits, so he could stay with the Hobbits (sorry, the Harfoots) for the course of the entire show and it wouldn’t break canon because Old Man Willow is a pretty minor character in the grand scheme of things. Him just being there wouldn’t necessarily cause any glaring plot-holes; at least none that come to mind. But regardless, everyone in Middle-earth saw something fall from the sky – and I’m assuming that while they’ll each have their own interpretation of what it means, it will be widely read as a sign of approaching upheaval, calamity, and changes both great and terrible. They wouldn’t be wrong to think that.

Most of the teaser is just a montage of several noteworthy characters looking up at the sky, stitched together to make it seem as if they’re all watching the meteor fall at the same moment – a few of them clearly are, but some, like Númenor’s Queen Tar-Míriel, the Dwarven prince Durin IV, and the Lady Galadriel, are just as obviously glancing upwards at other things, or at nothing in particular. When the meteor falls, presumably near the very end of episode one just before the cut to credits (I can already envision how it will play out in my head), I assume Galadriel will still be in Lindon, the realm of King Gil-galad. My guess is that in episode two, alarmed by the meteor, Gil-galad sends Galadriel and a crew of seafaring Elves west to Valinor to try and seek answers from the Valar regarding the meteor’s origins.

That, I think, is what we see in this teaser – Galadriel standing on the deck of a small ship carved in the shape of a swan, much like the one she and Elrond sailed into the Uttermost West at the end of the Third Age, with white seabirds spiraling around the mast. I’m also going to hazard a guess that this is the same ship we know for a fact gets wrecked during a storm at some point in the first two or three episodes, resulting in the tragic loss of the entire crew save for Galadriel and a human named Halbrand (whom I now believe is a stowaway trying to sneak into Valinor, which makes a lot of sense given what we know about his character). Of course, mortal men like Halbrand are strictly forbidden from setting foot in Valinor, which is probably the reason for the sudden storm and the failure of Galadriel’s mission.

The leaks, which mostly come from Fellowship Of Fans on YouTube (check out his channel if you haven’t already), indicate that no later than episode three, Galadriel and Halbrand wash up on the shores of Númenor, an island kingdom in the middle of the ocean separating Middle-earth and Valinor, inhabited by humans of unusually tall stature and great strength. Their queen, at the time this story opens, is Tar-Míriel – and yes, canonically, her cousin Ar-Pharazôn usurped the throne before she could ever take up the crown and scepter of Númenor, but The Rings Of Power is playing around with the timeline and giving her a bit more time to rule before that happens, which is actually…not a terrible idea? Hopefully, it allows us to feel the tragedy all the more deeply because by that point we’ll actually understand for ourselves why Tar-Míriel could have been a great leader, instead of having to take Tolkien’s word for it as is the case in the text.

Circling back around to Lindon (only because we know quite a lot about the Numenorean subplot in The Rings Of Power season one, and I’m afraid I’ll give too much away if I keep rambling on), it seems that Gil-galad wants to cover all of his bases and so puts his young herald Elrond in charge of an expedition eastward, perhaps to try and find the crash-site. We know that Elrond will end up in Khazad-dum as a guest of Durin IV and Disa, and he probably spends some time in Eregion with Celebrimbor as well (I can’t explain it, but I have this sneaking suspicion Celebrimbor will try to manipulate Elrond into working for him by reminding him of the debt Elrond owes to Celebrimbor’s family for saving his life as a child – long story, read The Silmarillion), but I haven’t heard any rumors regarding what happens to Elrond after that, whether he returns to Lindon or ventures further into the east of Middle-earth in search of the Meteor Man.

Meanwhile, far southeast of Lindon in a verdant region of Middle-earth soon to be burned unrecognizable by the coming of Sauron, a Silvan Elf named Arondir and village apothecary named Bronwyn – both original characters created for The Rings Of Power – grab for each other’s hand as they watch the meteor descend from the skies, dangerously close to where they’re standing. I’ve previously speculated that the village of Tirharad, where Bronwyn lives, and the ruins of the Elven settlement it’s built on, which used to belong to Arondir’s people, all exist on land that will one day become known as Mordor; around the same time that Bronwyn and Arondir, following in the footsteps of other star-crossed lovers before them, will probably die defending their homes from Sauron’s legions of orcs (that’s purely speculation on my part, not a spoiler, but come on…these two aren’t making it out of the show alive).

The meteor finally zips over Fangorn Forest before crashing in Wilderland, startling a couple of Ents who were just minding their own business – confirmation, if any was needed, that there will indeed be Ents in The Rings Of Power, although I’d recommend keeping your expectations fairly low if you’re going into season one hoping the Ents play a major role…or really, any role except as bystanders…in the narrative. Entwives, on the other hand, might have a little something to do if we ever get to visit their gardens in the south of Wilderland, but I’d be extremely surprised (delighted, mind you, but still surprised) if we got the chance in season one.

By an extraordinary coincidence, the kind that would make even Gandalf take notice, the meteor lands just a mile or two away from a group of Harfoots camping in the woods, and is there discovered by the most unlikely person imaginable: Elanor “Nori” Brandyfoot! We’ve talked at length about the identity of Meteor Man already, so there’s no need to rehash any of that, but Elanor is potentially even more interesting because she’s a hobbit, and Amazon is likely to do something important with her character. There’s one itty-bitty little problem, which is that neither she nor any of the Harfoots can do anything too important without breaking canon, or if they do, it must be done in secret and without anyone – specifically Sauron – ever finding out about it.

The reason for this is that Gandalf tells Frodo Baggins in The Lord Of The Rings that, until Sauron first heard the name of Baggins and The Shire from Gollum, the Dark Lord had “entirely overlooked the existence of hobbits”, or so Gandalf believed. One could argue that Gandalf was wrong, and, well, it wouldn’t be the first time, nor would it be entirely implausible in this case – Gandalf wasn’t actually around during the Second Age, having not yet taken a physical form, so he might not have been aware of everything that Sauron knew – and of course, if Sauron knew of hobbits but was mistakenly led to believe that he had killed all of the hobbits for whatever reason, that could work too, but all of these excuses kinda miss the point, which is that Sauron needs to have overlooked hobbits for a very simple thematic reason.

Sauron, gnawed incessantly by his envy of the gods and all of their creations in Middle-earth, seems to have always been hyper-aware of anything he perceived as greater than himself – people, places, inanimate objects – and if he couldn’t improve upon a thing further, as he did with the Rings of Power for probably the last time in his life, then he sought only to destroy it. Anything undeserving of his envy was undeserving of his rage or his attention in general, and that’s exactly why he lost the War of the Ring, because even after learning that a hobbit was in possession of the One Ring and was heading towards Mount Doom with the intention to destroy it, he was still convinced that Aragorn and the Elves were his real enemies, and that something as insignificant as a hobbit wasn’t worth guarding against.

So the only way I’ll accept Sauron learning about the existence of hobbits in The Rings Of Power, potentially even interacting with hobbits if he truly is the Meteor Man, is if we see how this delusion came about, with him immediately abandoning the hobbits once he realizes that he can’t use them to his own gain, even after all that Elanor and the community did for him. It would perhaps be poetic if a hobbit saved his life, seeing as a hobbit also took it away – both times without Sauron ever even registering it.

But now I want to know what you think about Meteor Man, who you think he is and when we’ll find out his true identity – will it be in season one of The Rings Of Power, or will we have to wait even longer? Could all of our questions be answered when the full-length trailer drops on July 14th? Share your own thoughts, theories, and opinions, in the comments below!

June 10, 2022

New “Rings Of Power” Images Raise Hopes And Concerns For Amazon’s Epic Series

**POTENTIAL SPOILERS FOR THE RINGS OF POWER AHEAD!**

Empire Magazine’s July issue is currently hitting newsstands all across the country, and those lucky enough to have grabbed a copy already will no doubt be enjoying reading through exclusive interviews with the cast and crew of Amazon’s The Rings Of Power, accompanied by beautiful images from the set – all of which I’ve already seen, mind you, because someone leaked grainy photos of the photos in the magazine a couple days ago, but now that the high-resolution versions of these images are available to us all I figured I ought to share my thoughts and rank the images in order of how much I like them.

I won’t be talking about the interviews in this post, because to be quite honest there’s not a lot of new information contained in the interviews. With the exception of showrunners J.D. Payne and Patrick McKay boldly declaring that they have all five seasons of The Rings Of Power mapped out (right down to the final shot of the final episode), most of it is stuff we’ve heard before. There are also one or two images that I’ve left out of my ranking, because they’re behind-the-scenes shots of actors surrounded by cameras and not very indicative of how the scenes will look with finished special effects and proper lighting and everything. With those disclaimers out of the way, let’s get into it!

My favorite of the new images is the one I’ve chosen to position at the top of the post, so that it will be the thumbnail on Twitter and other social media platforms. This is probably a scene from an early episode of season one in which Galadriel (second-from right, with her back to us) is invited to the banquet-table of King Gil-galad of Lindon (seated at the far right), giving her a chance to catch up with old friends like Elrond half-Elven (third-from-left) and Celebrimbor (third-from-right), and make new friends like Durin IV of Khazad-dûm (at the far left). There’s a character seated directly between Elrond and Celebrimbor with their face obscured, which has led to speculation that this is Tar-Míriel of Númenor.

Celebrimbor appears to be leading the attendees in a toast – perhaps in response to Durin IV announcing his betrothal to Princess Disa, or Galadriel reporting on her fight with a snow-troll in the Forodwaith? Note that Gil-galad hasn’t raised his glass, and in fact wears a distinctly dour expression on his face. Maybe Celebrimbor is trying to hog the spotlight? For The Rings Of Power to characterize him as an attention-seeking peacock might seem blasphemous on the surface, but if you think about it, it’s only natural that the last and currently the least-accomplished of the Fëanorians would want all eyes on him. I mean, he falls for Sauron’s flattery, doesn’t he?

The composition of the image is absolutely exquisite – if I didn’t know this was a still from The Rings Of Power, and you told me it was a long-lost pre-Raphaelite painting, I’d believe you. The same can also be said of our next image, which depicts Gil-galad presenting Galadriel with a crown of golden laurel-leaves during some kind of coronation ceremony in Lindon. Canonically, however, Galadriel was already living in Lindon by the time Gil-galad settled there and established his kingdom on her land, and she’s significantly older than him at any rate, so until we know the context of this scene it’s just…amusing, that’s all.

But anyway, if it weren’t for the fanciful Medieval armor worn by Galadriel and the extras surrounding her, and the close-cropped hair on most of the male Elves, this image would probably be my favorite. You know how there are certain photos that just deserve to be made into thousand-piece jigsaw puzzles that you can display on your coffee table to impress house-guests? This is one of them, and I would buy that, Amazon, so…take notes.

If you couldn’t tell, I quite like the look of Benjamin Walker as Gil-galad, High King of the Noldor in Middle-earth. He’s one of the only male Elves in The Rings Of Power with the classic flowing locks that I, at least, still associate with Elves because (a) Peter Jackson’s movies have left me with a clear mental image of how an Elf “should” look, and getting my brain to accept short-haired Elves is gonna take some work, (b) Tolkien described male Elves as having long hair on multiple occasions, and even went so far as to say that High Elves find long hair to be particularly beautiful, so it has a basis in canon, and (c) long hair looks good on guys, obviously.

Another great candidate for a puzzle, but this would be that puzzle that stays unfinished for days because once you got the tower and the panoramic landscape out of the way you’re left with hundreds of identical cloud-colored pieces that nobody wants to take (yes, I will drive the jigsaw-puzzle metaphor into the ground before we’re through with this). In this picture, a character believed to be Ismael Cruz Córdova as the Silvan Elf Arondir stands atop a watchtower and looks out over a mountain valley dotted with farms, croplands, roads, rivers, and little forests.

Tolkien fans are divided over where in Middle-earth this is, with the prevailing theory being that the watch-tower is situated in the southern crook of the Ephel Dúath or Mountains of Mordor, far south of what will one day become the barren Plateau of Gorgoroth. According to this theory, Arondir is looking out eastward across a Mordor not yet ruled by Sauron, one that is still green and fertile and inhabited by both humans and Elves. In the distance, there’s a glimmer of light on a lake that could very well be the inland Sea of Núrnen.

Alternatively, that glimmer of light is the ocean, and this watchtower is just outside of Mordor’s margins in north Harad with the jagged peaks of the Ephel Dúath on the right – which would mean that Arondir is looking west, not east. So confusing. Either way, we know that this is somewhere in the south of Middle-earth because Arondir and his human lover Bronwyn live in a village with the Sindarin name Tirharad, which roughly translates to “south-watch” or “watch over the south”, a name that I now think refers specifically to this tower looming over the village and the surrounding countryside. But who built it, and why?

Despite the Dwarves of Khazad-dûm being the subjects of one of the three Empire Magazine covers released for this issue, there are surprisingly few images of Dwarves in the actual magazine – just one, in fact, but it’s a beautiful close-up on Prince Durin IV and Princess Disa sitting together and staring lovingly into each other’s eyes. Durin holds a distinctive golden leaf, which says to me that the couple are in Lindon – obviously trees with golden leaves could grow elsewhere in Middle-earth, but since we already know Durin will be in Lindon for Gil-galad’s banquet, it’s reasonable to assume Disa joins him. Maybe this is their honeymoon?

Then again, Tolkien wrote of Dwarven women in the Appendices to The Lord Of The Rings that “they seldom walk abroad except at great need” (not that The Rings Of Power should be beholden to that one line, by any means), so perhaps this scene takes place after Durin returns to Khazad-dûm with a small souvenir from Lindon for his wife or wife-to-be. They really seem like a sweet couple, and I’m interested to see what role they have to play in the story of the forging of the Rings of Power, given that it wasn’t Durin IV but Durin III (his father, in the show) who received one of the seven Rings given to the Dwarves by Celebrimbor and Sauron. That means there are plenty of options for where to take this story.

(With that said, I am once again begging The Rings Of Power costume designers to let us see Disa and Durin IV in new outfits. I love these fits, I really do, but this is Dwarven royalty we’re talking about here, and it’s not like Khazad-dûm’s princes and princesses don’t have money or resources to spend on extravagant clothes. I want to see opulence!)

Okay, so Amazon’s cheating a little bit with this one. We’ve already seen this image in the teaser trailer, it’s just been cleaned up a bit. But it’s nearer the top of my list because it’s improved my opinions on the teaser trailer. I didn’t love that whole scene with the snow-troll in the cave when I first saw it, but now I’m actually excited to see more of this grotesque creature with its wicked tusks and its long tangled beard filled with chunks of ice and stone. I feel for that poor Elf played by Kip Chapman who’s probably not going to make it out of the first episode alive, just based on the size of that troll’s claws and the speed with which it moved in the trailer.

You cannot tell me that Markella Kavenagh is not well-cast as a hobbit after seeing this image – I’m sorry, you just can’t. We know next to nothing about her character, Elanor “Nori” Brandyfoot, but I would not be surprised if she turns out to be the distant ancestor of one Frodo Baggins, based solely on the striking resemblance between Kavenagh and Lord Of The Rings-era Elijah Wood that becomes almost uncanny when you put Kavenagh in a curly wig, as the Rings Of Power costume designers have done. They already have the same big blue eyes and delicate facial features, now all that Kavenagh’s character is missing is her very own Ring of Power – but who knows, she might get one of those too by the end of this show.

I’m lumping together all of my favorite Harfoot pictures because they’re all sort of similar, and I like them roughly the same amount. I actually adore this picture in particular because it’s just so sweet – we have Dylan Smith as Largo, Markella Kavenagh as Elanor, and Megan Richards as Poppy Proudfellow, and they have all leaves or herbs in their hair and they’re smiling and holding hands, and it’s like something straight out of one of those cheerful 17th Century Dutch paintings portraying the idyllic country life. I don’t know what the Harfoots have to be smiling about, but I’m sorry that they probably won’t be smiling for long, as there’s a rumor floating around that several Harfoots will die before the end of season one.

More Harfoots, and a better look at Sir Lenny Henry as Sadoc Burrows, their leader. In this scene, which presumably follows hard on the heels of Meteor Man crashing to earth and being discovered in the woods by Elanor Brandyfoot, Sadoc takes the initiative and ventures out into the night armed with only a lantern to investigate. Maybe they’ll find evidence of Meteor Man’s crash landing, but Elanor will find the man himself and hide him from her disapproving village elders, or perhaps Sadoc goes to the crash-site after Elanor brings the stranger into their camp to find out where he really came from and what he’s up to – there’s so many possibilities, and absolutely none of this has any basis in canon which unfortunately makes it really difficult to theorize.

Even more Harfoots, and now they’re on the move. I don’t love this image, mostly because it looks very much like a soundstage with fake trees and a forest path that’s slightly too flat and well-tended to be believable. But the Harfoots themselves are impossible to dislike, and I must say, I do think it’s adorable that they all wear odd little bits and bobbins in their hair like small fairy-wings or tiny antlers. It’s Willow by way of Cecily Mary Barker, which is weird when you remember that this is still supposed to be Rings Of Power and not any of those things, but hey, it’s something new at least, so let’s give it a chance. If it works, it works; if it doesn’t, they still have time to change course before season two starts filming.

There’s so much going on in this photo, it’s hard to know what to take away from it, exactly. You’ve got Lenny Henry in the foreground, dancing and wearing a bushel of wheat as a crown….and then you’ve got the Harfoot children’s choir off in the lower left-hand corner but they’re wearing oversized bonnets made of wheat, and I think they’re supposed to resemble corn dollies (it’s a European thing, look it up)…and then up in the top-left corner you’ve got these unspeakably ugly fairy garden lanterns that look like they were bought off Etsy…and the whole scene is illuminated by this unrealistically golden light that makes it look like the cover of Better Hobbit-holes & Gardens.

In this smorgasbord of aesthetics, I’m not seeing any Neolithic or Bronze Age design influences. Now, you could argue that it’s my own fault for expecting those influences to be present when Amazon never actually promised that the Harfoots would be portrayed as a Bronze Age culture, and that was always kinda just me extrapolating on the hints in the character posters and the fact that The Rings Of Power is set over three-thousand years before The Lord Of The Rings so it made sense (and still makes sense) to me that the Harfoots of the mid to late Second Age would be as different from Hobbits of the late Third Age as the Beaker people of 2500 BC were from British people of the late 19th Century…and you’d be right, but I still feel cheated that what I got instead were ghastly fairy garden lanterns.

I’d have put this image much higher in my rankings were it not for those lanterns, because I’m totally onboard with the idea of prehistoric Hobbits worshipping fertility deities like Yavanna in the hopes of more bountiful harvests. That tracks. But now, not only will I be worried for the next few months that the Harfoots don’t belong in The Rings Of Power to begin with (because as much as I’ve tried to suppress that fear and tell myself it’ll all work out in the end, the ominous feeling of dread hasn’t ever fully gone away), now I’ll also be worried about those lanterns popping up and ruining the vibe of otherwise perfect scenes.

Ismael Cruz Córdova is hot enough that him being the only thing in this image isn’t really the problem – rather, the problem is that the photographer has only given me a sliver of Cruz Córdova to admire, and I can’t even see the intricate detail-work on his character’s unique wooden armor, because he has his back partially turned, so I’m left without anything to focus on…except, of course, Ismael Cruz Córdova’s chiseled features and remarkably beautiful eyes, which in this light appear gold. This man’s mere existence is almost enough to convince me that male Elves with short hair aren’t such a bad idea after all.

I’m sorry to have to put Elrond so far down on the list, but this close-up tells me nothing about his character. He’s standing at a window, looking out, and…that’s about it. The most interesting thing about this image isn’t even Elrond, it’s the lighting, which is actually quite atmospheric. But it’s not enough to outweigh the blandness of the outfit, the stiff pose, and the fact that the hairstylist on this show clearly had a personal vendetta against poor Robert Aramayo.

Twitter was not very kind to Charles Edwards when they found out he was playing Celebrimbor, and while I admit that Edwards isn’t anything like the Celebrimbor I envisioned when reading Unfinished Tales, I think there are significantly more nuanced discussions to be had regarding this casting than just “he looks different than how I imagined, therefore he will be a terrible Celebrimbor”. For instance, we could be questioning the logic behind casting a fifty-two year old actor to play Celebrimbor, whose older cousin Galadriel is played by an actress in her early thirties. What’s up with that, anyway?

And even if we try to look past that, the image itself offers nothing of great interest to look at instead. For whatever reason, Celebrimbor is depicted standing in the middle of a sparsely-decorated hallway, wearing a shapeless green garment and a sullen expression. There’s no ornament on his person nor any detail in the set dressing behind him to suggest that the subject of this image is the greatest blacksmith, craftsman, and jeweler of his generation, or that he will soon put an army of like-minded artists to work forging the Rings of Power in Eregion. If he has any Rings on his fingers, even lesser ones, we can’t see them.

Keep in mind that, despite Celebrimbor’s prominent role in the non-canonical but supposedly very entertaining Shadow Of Mordor video games, he’s only mentioned three times in the text of The Lord Of The Rings and not once in Peter Jackson’s films, so most of the people looking at this image won’t recognize his name or remember his role in the story. They’ll just see a regular-looking guy, and that’s what worries me. Forget trying to appease Celebrimbor’s diehard fans, this image really needed to give casual fans something familiar to grab hold of; something that would tell them who this guy is, and why they should care about him. And it doesn’t.

Imagine if we had seen Celebrimbor standing at his anvil in the heat of the forge, surrounded by the jewel-smiths of the Gwaith-i-Mírdain, contemplating his next move and perhaps running his hands over a ring mold (I don’t know the first thing about blacksmithing, so forgive me if that’s not the correct term) – or anything, really, that would give casual fans a hint as to Celebrimbor’s importance while reassuring diehard fans that this is still Celebrimbor, despite the new look. There was potential here, but sadly, it was squandered.

I have my suspicions regarding Halbrand, the character depicted in this photo drinking with friends or comrades. We don’t know where he comes from, we don’t know how he and Galadriel end up on a raft in the middle of the ocean, drifting towards Númenor, and we don’t know what happens to him after they arrive on the island (mind you, there have been several detailed leaks concerning Galadriel’s interactions with Tar-Míriel, Ar-Pharazôn, Elendil, and pretty much everyone on Númenor). Halbrand is an enigma, and I believe Amazon wants to keep it that way for at least as long as season one is airing. He’s the original character most widely speculated to be either Sauron in disguise or one of the future Nazgûl.

The image itself, however, is boring. Halbrand is plainly dressed, the background seems deliberately blurred so as to hide what is presumably Númenórean architecture, and the characters sitting around Halbrand are just a bunch of disembodied arms and hands. I feel like this is probably a scene involving some important characters being hidden from us, including Ar-Pharazôn (I have no evidence for that claim, just a gut instinct).

My least favorite image of the lot has to be this one. It’s so overwhelmingly cluttered you’d think that someone or something here would catch my eye, but the composition and lighting ensure that even the main characters are almost indistinguishable from the extras in the background. Bronwyn and her son Theo stand on either side of the Silvan Elf Arondir, placing this scene somewhere in or around the village of Tirharad. It’s hard to make out, but Arondir is holding the hilt-shard of the broken sword featured on Theo’s character poster – he appears to be offering it to someone we can’t see.

Well, what do you know, that’s the last of ’em. At this point, I don’t think anything is likely to keep me from watching The Rings Of Power, but I’ll be honest, I was surprised by how many of these new photos left me a little underwhelmed – and I can’t tell if that’s just Amazon’s marketing team choosing weird stills from the first few episodes to highlight because they’re trying not to spoil later episodes, or if they genuinely have no idea how to sell this show. A lot of these pictures are just close-up images of characters we don’t know yet that tell us little to nothing about who they are or why we ought to care, and if Amazon is worried about saying too much in their marketing campaign they should just focus on blowing fans’ minds with incredible visuals, beautiful scenery, and the kind of big-budget VFX you can’t get from most TV shows.

But now that you’ve seen all the images, I want to hear what you think; which ones got you excited for The Rings Of Power, which ones disappointed you, and which you think are promising or maybe need some time to mull over. Share your own thoughts, theories, and opinions, in the comments below!

June 4, 2022

Three “Rings Of Power” Magazine Covers For The Elven-Kings, Under The Sky…

Sorry, Kenobi, but my priorities have shifted – because Empire Magazine just dropped new Rings Of Power-themed covers for their July 2022 issue featuring interviews with the cast and crew of the show, word is that we might even be due for another trailer around the same time, and I am once again begging Amazon on my hands and knees to please, please, please just warn me before dropping new Rings Of Power content out of the blue. Like, I get that this was technically Empire Magazine’s doing, not Amazon’s, but it was the Twitter notification from The Lord Of The Rings on Prime that nearly gave me a heart-attack so it’s still their fault, as far as I’m concerned.

Three new magazine covers, one for each of the Free Peoples we’ll be following throughout The Rings Of Power season one – Elves, Dwarves, and Harfoots (proto-Hobbits). Humans didn’t get a separate cover, oddly. I guess “Humans” wouldn’t have made for a catchy title, “Men” would have provoked the kind of discourse that Amazon can’t afford, and “Númenóreans” was probably too obscure? Well, whatever the reason, still no sign of Isildur, Elendil, Ar-Pharazôn, Tar-Míriel, or any of the other human characters Tolkien actually wrote about on any of these covers.

That said, I can’t be too mad when we got Galadriel looking like this.

She’s got a point(y sword), she’s an icon, she is a legend, and she is the moment. I don’t have much to say about this cover, but what I will say is that Morfydd Clark has the stance of a warrior, and I cannot wait to see her action scenes. Her heavy suit of pseudo-Medieval plate armor, which looked a bit clunky in the first-look photos provided by Vanity Fair, has here been stripped back a little, leaving only the ornate vambraces, gauntlets (which have fake fingernails, by the way; so Medieval), and greaves – perhaps not the most practical choice in reality, but if I’m right, and the location depicted on this magazine cover is supposed to be the same cave in the Forodwaith where Galadriel and her Elves encountered a ghastly snow-troll in the teaser trailer, then she probably removed some layers so she can run, jump, and climb in the mountainous environment.

I also want to draw attention to the chainmail tunic Galadriel is wearing here. It’s the same one we saw her wearing in the teaser trailer, when she was scaling an ice-wall using a Valinorean knife as an ice-pick, although if you compare the two images you’ll notice that Empire’s photographers have done away with the chainmail coif and cloth cap she was wearing in the trailer. But of course, we have to talk about the big eight-pointed star enmeshed in her tunic, because fans are once again demanding to know why Galadriel is proudly wearing the symbol of her cousin Fëanor, who slaughtered her mother’s kinfolk at Alqualondë and left her in the Helcaraxë to die, and once again I’m at a loss for how to answer.

My best guess is that Amazon was trying to recreate the six-pointed star of Eärendil, who was only distantly related to Galadriel but played an integral role in bringing about the end of the wars with Morgoth, in which Galadriel had participated (well, kind of; more on that here). The six-pointed star represents the Silmaril jewel which Eärendil wore on his brow into battle with the dragon Ancalagon the Black, and a remnant of this Silmaril’s light was later captured by Galadriel in a vial which she gifted to Frodo Baggins in The Lord Of The Rings. But I don’t know why Amazon wouldn’t recreate the symbol more faithfully if that was the intention – especially since, if you look very closely at the tunic, some of the smaller stars surrounding the big eight-pointed star of Fëanor do appear to have only six points arranged like the star of Eärendil, so it’s not like they weren’t allowed to.

Anyway, let’s move on to the second of the three magazine covers; this one depicting Prince Durin IV and Princess Disa of the Dwarven kingdom of Khazad-dûm attending a banquet.

Both of these characters were created for The Rings Of Power, although we know that at the very least, a Durin IV must have existed because there was a Durin III in the Second Age of Middle-earth and a Durin VI in the Third Age, several centuries later. We know nothing about Durin IV, specifically, except that he must have lived and died sometime between Second Age (S.A.) 1697 and Third Age (T.A.) 1731 and been a lot like Durin I because J.R.R. Tolkien explicitly writes in the appendices to The Lord Of The Rings that “five times an heir was born…so like to his Forefather [Durin I] that he received the name of Durin”. Durins II through VII were even believed to be reincarnations of Durin I, which works in the books because there are a few generations between each Durin.

We don’t quite know how that will work in The Rings Of Power, because Durin III is rumored to be Durin IV’s father in the show and alive concurrently with his son, so…that’s gonna be awkward if they’re both reincarnations of the same guy. Maybe they have to fight to the death to decide who’s more Durin than the other? The showrunners have hinted previously that they’re interested in exploring the Dwarven concept of reincarnation, so I expect answers come September.

As for Disa…well, as the spouse of Durin IV she too must have existed, but Tolkien never gave her a name, so Amazon has simply gone ahead and given her a name of their own creation – albeit clearly inspired by Dís, the name of the only Dwarven woman in the entirety of Tolkien’s works. Dís, the younger sister of Thorin Oakenshield and mother of Fíli and Kíli, lived in Erebor in the late Third Age. We know nothing about her beyond that, so we have no way of knowing whether the parallels between the two characters begin and end with their names, but I do quite like the idea of Dwarves inheriting the names of their ancestors based on how closely they resemble them in appearance and temperament. We’ll revisit this topic when Amazon adapts The Hobbit and gives Dis the subplot she deserves.

In the image of Durin IV and Disa, they sit together at a banquet (possibly their wedding banquet?), hands clasped over the table in a gesture of unity, wearing the same clothes we’ve now seen in the character posters, Vanity Fair images, and teaser trailer. I’m not complaining, because the clothes are beautiful, but surely the Prince and Princess of Khazad-dûm, the “many-pillared halls of stone with golden roof and silver floor” so eloquently described by Gimli in the Third Age, can afford a single costume change?

Gracing the third and last of the new Empire Magazine covers with their presence are three characters who probably can’t afford a costume change, but wear their burlap like it’s Balenciaga – give it up for the Harfoots from Wilderland!

Man, I love this cover. Of the three, it’s by far my favorite. And not because I know any of these characters, or have any reason to care about them just yet (they’re all original), but because The Rings Of Power’s costume designers and production designers have clearly put a lot of thought and effort into designing an aesthetic for the Harfoots of the Second Age that feels both fresh and familiar at once, by starting with what we know from The Lord Of The Rings, which is that the Hobbits of the late Third Age are heavily inspired by late 19th Century England’s patchwork of rural communities, and then working backwards from that point.

The result is these Neolithic or Early Bronze Age Hobbits (referred to as Harfoots to drive home the point that they’re different from the Hobbits we know), and I’m in love with this whole concept because it feels so very Tolkienian to use real-world history in this way as a guideline for how to construct a fantasy civilization. It also reminds me of how concept artist Paul Lasaine described Frodo’s journey in The Lord Of The Rings films as taking him further and further backwards through stages of England’s ancient history to an “almost primordial situation” represented by Mordor. The Rings Of Power is taking that same journey backwards, the only difference being that we’re starting out a hell of a lot further back in time already.

That said, I can’t help but cringe a little at the names chosen for these three original Harfoot characters, which are so obviously supposed to sound “hobbity” that they accidentally work against the costume designers and production designers’ best efforts to achieve that immersive effect. I mean, Elanor Brandyfoot? Poppy Proudfellow? I can maybe excuse Sadoc Burrows, because it sounds somehow more natural to my ear, but these names sound like they were plucked at random from a Hobbit name-generator that’s only taking into consideration the naming conventions of late Third Age Hobbits of the Shire, not mid to late Second Age Harfoots of Wilderland. You’re telling me that their language and naming conventions never changed in a span of over three-thousand years? I don’t buy it.

Just to add to the confusion, Elanor’s name is Sindarin Elvish, and while there is one notable example of a Hobbit named Elanor, that Hobbit was the eldest daughter of Samwise Gamgee, who encountered the golden flower which the Elves called elanor (“sun-star”) in Lórien, after being granted safe passage through the guarded realm by Galadriel herself. Hardly a regular occurrence, I’d imagine! But it’s important to remember that The Rings Of Power is set in the Second Age, and we don’t know exactly when in the Second Age, either (except that it’s sometime prior to S.A. 1600, the year the Rings of Power were forged) – so it’s entirely possible that when the show opens, Galadriel might not yet have entered Lórien, and the realm might not be closed-off to the outside world.

One could also argue that elanor flowers pop up on the margins of Lórien’s forests, and that’s where Elanor Brandyfoot’s parents found them. Doesn’t explain how they learned the flower’s Elvish name, however. Tolkien tells us in the prologue to The Lord Of The Rings that Harfoots weren’t overly friendly with Elves in ancient times, much preferring the company of the Dwarves who lived in the Misty Mountains. Elanor’s parents must have been exceptional Harfoots indeed, then, if they were willing to venture close enough to Lórien to not only encounter Elves but actually speak with them and learn flower-names from them. Something tells me Elanor’s parents are dead or missing in the current day, she wants to explore “what else is out there”, as she says in the trailer, and her community disapproves which is why she’s so drawn to the mysterious Meteor Man…oh yeah, it’s all coming together now.

I don’t have much to add regarding Poppy or Sadoc, since we don’t know all that much about either of them just yet. Sadoc, played by British comedian Lenny Henry, is rumored to be the leader of the Harfoots; he was also shown holding a scroll in his character poster, which implies to me that he’s the keeper of some secrets – the truth about the origins of Harfoots, perhaps? I don’t know why the murky subject of Hobbit prehistory is so fascinating to me, but if The Rings Of Power gives us even a stupid explanation for where they came from, I will be so happy.

Anyway, which is your favorite of these three magazine covers, and when do you hope to see another trailer for The Rings Of Power? Can’t be long now! Share your own thoughts, theories, and opinions, in the comments below!