New Clip From “Tolkien”

This movie does seem to be getting more appealing to me – though this clip, which was released today by Empire, is somewhat conflicting. On the one hand, it has beautiful background music, which helps the dialogue immensely; the spoken words seem to flow around melodiously in a rhythm, the effect of which would almost be hypnotic if it weren’t for the fact that the interaction between J.R.R Tolkien and Edith Bratt here seemed so peculiarly awkward! I mean, yes, their interruptions and mumbling does lend to the interest of the scene, but it doesn’t seem to work entirely. Tolkien himself (played by Nicholas Hoult) seems a little self-absorbed – when Edith (Lily Collins) tells him she has thought of a name for a character in a story, he corrects her: “It’s not a name,” he says. “It’s something else.”

He’s referring to the fact that, in his invented language, the word Edith has created is a place-name. But the line delivery sounds too sharp, too abrupt.

Similarly, at the opening of the scene, the back-and-forth between the two seems less romantic than it does snippy. Edith pushes Tolkien to tell her a story, but can only persuade him when she gives him the choice of doing it “in any language”. Once things get moving and Tolkien starts showing off his incredible imagination, the whole scene gets much better, but the dialogue between the two feels like it could have been toned down just a little. Tolkien is currently coming off somewhat impolite – not entirely rude, but very secluded and private. Edith is much more relatable: she’s clearly fascinated by Tolkien’s intellect and her eyes are wide with wonder as Tolkien explains that the name she created (which,  by the way, is just the words “cellar door”) properly belongs to an ancient place, almost impossible to reach, but held in reverence by those who find it. “Oh, is it now?,” Edith says: proving she, too, seems to have a tendency to cut in at just the wrong moment.

Tolkien, however, is by now lost in his imagination: he talks about the shrine at the heart of this magical place, and how it is marked by – and there he pauses suddenly, and the music gently trembles around him. This is the best moment in the clip. Tolkien is on the brink of saying that this place was marked by the Elves, the legendary people who inhabit much of his invented world. But he stops, staring dreamily into space, and says – “by trees.”

In a way, the idea that the trees were responsible for this place’s magic would not be alien to Tolkien – he revered trees, and would often stop to stare at them for very long times when he was out walking. Some of his most notable characters are the Ents, the tree-shaped forest dwellers who rise up against industrialism in The Lord of the Rings trilogy. Magical trees populate Middle-earth, from the enchanting mellyrn of Lórien to the Forest of Nightshade in Beleriand. So for a moment I was actually caught off guard by this line, and didn’t realize that it was meant to be a substitute for Elves. When I did realize, and re-watched the whole scene, the magic is indeed much more noticeable – but the interactions between Edith and John might have needed just a little more work.

All in all, the scene is quite good: the focus on Tolkien’s linguistic and philological skills is delightful. The use of the phrase “cellar door” to drive the scene is wonderful: Tolkien once said that the word “cellar door” was one of the most beautiful in the English language. The music is just perfect (honestly, the music is so good: very Elven). And the acting from Hoult and Collins is, for the most part, really good – I just think certain lines could have been edited slightly for an even better effect. I would be lying, though, if I said that this brief clip didn’t make me more excited than any Avengers: Endgame trailer. The truth is, I am wildly hyped for Tolkien, and I’m giving it all the benefit of the doubt for now.

Trailer Rating: 7.9/10

“Black Widow” Cast Begins To Take Shape

"Black Widow" Cast Begins To Take Shape 1
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Everything that Marvel has planned past the release of Avengers: Endgame is currently shrouded in a veil of secrecy and intense mystery – but that hasn’t stopped us from getting a few casting announcements for some of their upcoming films.

Currently, they’ve actually got quite a few movies going into production – The Eternals, a perplexing addition to the roster; Shang-Chi, set to be the first Marvel film headed by an Asian lead; and Black Widow, an origin film for a character who debuted in the MCU back in 2010.

That sounds unusual, and that’s because it is. Black Widow, or Natasha Romanoff, had her popularity peak just after the release of Captain America: The Winter Soldier, in 2014. That would have been the best time to release a film for her, since she was one of only two original Avengers who didn’t get an origin film to begin with (the other being Hawkeye: I mean, you could say that technically the Hulk didn’t get an origin film, but technically he did). Since The Winter Soldier, Black Widow has been playing a more secondary role in the MCU, with only a few minutes of screentime in Avengers: Infinity War. That does seem to be changing with Avengers: Endgame, the trailers for which have highlighted Black Widow as one of the leading opponents of the Titan, Thanos. But that’s the thing: Endgame is…well, the end. After Endgame, where most of the other Avengers will presumably be retired or even die, what purpose does Black Widow have going forward? And why does she suddenly need an origin film, eight years after she originated?

We don’t know. But the origin film is definitely going forward, has a director (Cate Shortland) attached, has a release date of sometime in 2020, and has now begun casting. We first had preliminary reports that Beauty & The Beast star Emma Watson would be joining the cast, which actually didn’t come to pass – Fighting With My Family‘s Florence Pugh instead nabbed the role Watson was up for: the role of a spy, similar in strength to Black Widow herself. It would be hard to imagine Watson in such a role – Pugh seems like a perfectly good fit. Personally, I’m still hoping Watson gets to be Spider-Woman someday.

Then we got word that Andre Holland would be playing the movie’s villain, though those reports are still unconfirmed. There is still no word on who the villain is, either. That same report also mentioned the possibility of Alec Baldwin joining the cast.

Today, we received some definite casting: Stranger Things actor David Harbour will be joining Black Widow, in an unidentified role, and Rachel Weisz is also in talks to enter the cast.

So yeah, this thing is definitely on the move. We still don’t have any details on the plot, aside from the fact that this film is supposedly a prequel – as in, set before the events of Iron Man 2, where Black Widow first debuted onscreen, played by Scarlett Johansson (who, by the way, will continue to play the Russian spy). What is the need for an origin story now, when we don’t even know if Black Widow will survive the events of Avengers: Endgame? And what purpose could Black Widow serve in the future MCU, where the scope will be growing increasingly cosmic in scale? Is she going to fight off vast intergalactic entities like Galactus or the Silver Surfer with just her glow-stick batons and fists?

There is one link I can think of, though, and it could explain why a Black Widow movie is called for at this time, and not years ago. Crucially, Black Widow will be released next year, before The Eternals, which is set to come out in November, 2020.

You see, The Eternals itself has an interesting lineup of characters, and one of them is the villainous Druig. He is an immortal being, able to fly and teleport and do all the sorts of things that other Eternals can do – but he has one interesting thing about him. In the comics, Druig took the alias “Ivan Druig” and became a KGB officer in the Soviet Union. He even became the Prime Minister of the (fictional) country of Vorozheika. Now that may or may not be relevant, but Black Widow is also a KGB agent who operated out of the Soviet Union, and her movie should come out only a few months before The Eternals. Perhaps Natasha could have a connection to the greater cosmic beings that will inhabit the next phase of the MCU – perhaps, in the past, she had a connection to this country of Vorozheika, and even became entangled in the plots of “Ivan Druig”. It would be a brilliant link between the two films, and a great way of bridging the gap between the previous phase and the new one. It’s even possible that Andre Holland could be playing Druig, since The Eternals is currently shaping up to have a very diverse cast. Florence Pugh is rumored to be playing the “moral opposite” of Black Widow – in other words, she’ll most likely be playing Yelena Belova. I could easily imagine a scenario in which Druig recruits Belova, who trained alongside Natasha in the Red Room Program, to take out the Black Widow.

This is definitely looking like it will be a very interesting thriller. I’m sure there will be more updates on casting, plot details, etc, once Avengers: Endgame is released and Black Widow’s fate becomes known.

DC Takes A Whole New Approach With “The Joker”

Yesterday, at CinemaCon, Warner Brothers showed the first trailer for an upcoming release – The Joker, which stars Joaquin Phoenix and will open in October. The movie is going to be an origin story for the iconic Batman villain, and will be set in the 80’s, long before the DC universe as we know it: however, this may not be such a bad thing, as the DC universe is currently going through some renovations, to say the least, and the whole idea of a shared universe with all the DC characters is becoming more and more unlikely with every passing day – most recently, the Wonder Woman creative team have made headlines with their repeated statements that their next film, Wonder Woman 1984, won’t be a sequel: it will be a stand-alone film, for the stand-alone Wonder Woman universe, which apparently doesn’t actually exist in the DCEU proper – it’s all getting very confusing. Actually, it’s interesting to note that Wonder Woman 1984 and The Joker both take place in the 80’s, though I doubt there will be any connection. It’s unclear if The Joker will even have any connection to Matt Reeves’ Batman movie, which is still very much a top-secret project.

Anyway. Getting back to The Joker itself: the thing is, this movie clearly doesn’t want to fit into the DCEU at all. Just based from this trailer, we can see that this movie looks to be all the things that, at the moment, the DCEU is steering away from – dark and gritty realism with a dash of the macabre. It only makes sense when dealing with a character like the Joker: unpredictable, dangerous, defying expectations. We see in this trailer, in fact, the makings of a movie so unlike any previous comic book movie that I would not be shocked if it gets nominated for some Oscars next year – of course, it’s far too early to say that for certain, but it is definitely worth keeping an eye on. Black Panther was able to score a nomination for Best Picture this year: could The Joker be the next comic book movie to do so?

It might seem presumptuous to say “yes”, but take a look at this trailer: this is an intricate and profound character study of Arthur Fleck, the man who will become the Joker – there is sadness here, and a grim and unflinching portrait of a man scarred by emotional trauma. This Joker is not stylized or done up to fulfill comic book fans’ expectations: this Joker is stricken to the core by pain and anguish, he is depressed, tortured, on the brink of taking his own life. He has a job as a sign spinner outside a bankrupt store, where he dresses like a clown, intent on bringing “laughter and joy to the world”. He is robbed and beaten up, and even ends up at the Arkham State Hospital, an iconic location in Gotham City.  The locale looks like the New York City of the late 70’s and early 80’s, and its brutality is also reminiscent of that period.

But Arthur Fleck finds purpose in a new life – a life of crime, that gives him the opportunity to be free, careless, independent. He who once ran from the police now hounds them. He who once hid in the shadows now makes a dramatic entrance at a protest, somersaulting down a flight of steps. He who once slouched over, dressed in dark clothes, trudging through the filthy streets, now dons a new outfit: the painted smile, the green wig, the brightly colored suit. He no longer slouches – now, he leaps over taxi-cabs and strides elegantly down hallways, dancing for the great audience all around him, the people of Gotham. “I used to think that my life was a tragedy,” he says. “But now I realize it’s a comedy.”

And the people embrace him and take him as their figurehead in their rebellion against the forces of law and order. This is not a movie about a supervillain, this is a movie about a man who just happens to become a supervillain: it’s almost like historical fiction, uncovering the truth behind this classic character of comic book mythology and delving deep into his troubled psyche.

There is, however, one hint that may or may not indicate a connection to the wider DCEU – there is a scene, near the end of the trailer, of the Joker meeting a young boy, though the two are separated by the bars of a metal gate. This boy may not be the young Bruce Wayne, but there’s a strong chance that he is.

So no, aside from that one hint (that may not even be a hint), The Joker does not have a connection yet to the DCEU. But it doesn’t need one. It is entirely its own thing, its own bizarre and beautiful being, and it stands alone. The DCEU is moving towards being a fun, family-friendly environment – this stands out as a dark, harsh exception. But this movie (at least from the trailer) seems almost to enjoy and embrace its complete uniqueness.

Trailer Rating: 8.5/10

Avengers: Endgame TV Spot!

The raging debate over whether we would be getting a new Avengers: Endgame trailer today, the same day that tickets for the movie officially go on sale, can finally be laid to rest. We got one precious minute of material, almost all of it new, and it is stunningly beautiful. Let’s jump right into this.

We start out with a lovely panoramic shot of the Avengers HQ – the sun is sinking, the place looks pretty normal. And yet, all is not okay here: Thor (Chris Hemsworth), Bruce Banner (Mark Ruffalo), and War Machine (Don Cheadle) are busy discussing what they’re going to do – Black Widow (Scarlett Johansson) is seen sitting outside in the rain, looking absolutely miserable. Black Widow’s getting a solo movie next year: she should look more happy! Then again, her solo movie is a prequel to all these events, so she could also die in Endgame.

Steve Rogers (Chris Evans) is shown staring into a bathroom mirror – since he appears to have just shaved, this could explain where and when he loses the infamous beard that he sported in Avengers: Infinity War. He also looks sad and grim. On him falls the task of trying to figure out how on earth they’re going to defeat Thanos.

There’s the same great shot of the Avengers Quinjet flying low over a brightly-city – New York? I’ve also seen speculation that this is Hong Kong, but I’m more inclined to believe the heroes are heading towards NYC for whatever reason. Another shot later on in the trailer also seems to point to that.

While Tony’s voice-over begins to tell us that it’s “not about how much we lost – it’s about how much we have left”, we see Rocket Raccoon (Bradley Cooper) comforting the cold android Nebula (Karen Gillan). Clearly, Nebula is pondering something, but there’s a shot later in the trailer that better illustrates this, so I’ll talk about it there. These scenes of our remaining heroes trying desperately to help are so touching – and so brilliant. They give us the feels, and that’s a good thing. The emotional punch this movie is going to pack is really going to hit critics too, I believe. I wouldn’t be surprised if the more character-driven storyline and the heavier and darker material get this movie a few Oscars of its own next year.

Oh, and of course the very next shot is of Pepper reuniting with Tony: this trailer is determined to make me cry. We knew Pepper had been spared from the Decimation because of some posters released, but it’s still startling to see her here.

The next scene! Oh, it’s so beautiful! So we have Iron Man (Robert Downey Jr) himself, flying over New York City in the daylight, and he seems to be looking for something. He’s wearing his Mark 85 suit – special thanks to my friend Naglfar over at the SuperHeroHype Forums for pointing that out to me.

There’s a few clips of Hawkeye (Jeremy Renner), sporting some new arm tattoos, and Black Widow again – and then there’s the same scene from the end of the last trailer, with Thor summoning his kingly weapon Stormbreaker, which flies right past the head of a very unfazed Captain Marvel (Brie Larson). Then we’ve got a stunning money-shot of almost all our Avengers standing together: Hawkeye, War Machine, Tony Stark, Steve Rogers, Nebula, Rocket Raccoon, Ant-Man (Paul Rudd), and Black Widow. The only notable absences are Thor and Captain Marvel.

But nothing will prepare you for what comes next: if you’re very wary of any spoilers, you might want to leave now, but honestly this is just so wonderful and so awesome to see onscreen that I can’t not mention it here.

 

Still here?

Tony and Steve’s reunion is a thing of beauty. They appear to be standing in a street in New York City, also in the daytime, and Tony asks simply, bluntly: “Do you trust me?”

There’s hardly a pause before Steve responds. “I do.”

The two shake hands.

It’s so simple, but so heartfelt. This scene is definitely going to be one of the defining parts of the film itself.

The last minute of the trailer is incredible and fast-paced, so get ready. I don’t think you’re entirely prepared. It starts with the Guardians’ spacecraft shooting across the far distances of the galaxy – but onboard is one of the finest teams ever assembled: Captain Marvel and Rocket Raccoon at the helm, Black Widow (oddly, still sporting her short blond hair from Infinity War), Steve Rogers, War Machine and Thor. This shot is so cool – I can’t wait to see how Captain Marvel fits into this group.

Next, Marvel decides to hit us with the feels again, showing us Tony Stark as he looks down at a photograph of himself with Peter Parker (Tom Holland) who was turned to dust in Avengers: Infinity War. It drives the point home – the Avengers have to do something, anything, whatever it takes, to get half of the population back. We don’t know how, we don’t know what it will cost, but we know it has to be done.

Suddenly, Tony looks up from the photo: this scene is perfectly edited, because Thanos’ voice-over starts speaking a moment before he glances up. The Titan is grim and brutal: “You could not live with your own failure,” he intones, and the audience collectively wants to kill him. But our hopes are shattered by a terrifying vision of Thanos’ vast mother-ship, an enormous thing lurking in space. The sight of it is depressing, to say the least – but one of our Avengers seems to recognize this place.

Nebula. Her dark eyes are impassive as she stares up at the enormous ship – she is of course the daughter of Thanos, and her sister was killed by him. If anyone is going to deliver that fatal blow to the Titan, it’s got to be her: she was literally torn apart by him, and had parts of her body replaced by metal scraps. She’s a dangerous, uncontrollable creature, and I personally cannot wait to see what happens when she gets her last fight with her father.

Immediately after that, we see Thor and Rocket Raccoon both looking shocked: where they are is unclear, but it almost appears to be the same house where we last saw Thanos, at the end of Avengers: Infinity War. Perhaps Thor and Rocket go here to find the Titan, and are met with some startling news – perhaps this voice-over from him is actually delivered here, in this scene?

Steve Rogers, our beloved Captain America, is seen lying on the ground in a place filled with fire and debris, gripping his shield. He’s been knocked down, but we know from the previous trailers that he will get back up at least one more time. Hopefully it’s not his last time.

There’s a blinding flash of blue light (which almost looks like the Bifrost, but is probably the Space Stone) and Thanos himself appears, arriving in this desolate place. “What did that bring you?,” he asks, and then finishes his own statement:

“Back to me.”

Tony, Steve and Thor march side-by-side, slowly, to face him. And the trailer ends.

Oh, so much to discuss, so much to just stare at in horror and wonder. Who’s gonna die? Who will live? Does anybody live? What happens now? Are the Avengers going to face Thanos in battle: sure seems like it. Well, we can’t know until the 26th, but thankfully…

Tickets for Avengers: Endgame are on sale now!

Trailer Rating: 10/10