“Madame Web” Coming To Sony’s Spider-Verse!

You would think, with Sony having successfully taken Spider-Man away from Disney and Marvel Studios, with all of the character’s huge universe of characters, villains and exciting storylines at their disposal, without having Kevin Feige running the show, without Bob Iger breathing down their backs, without any limitations whatsoever on their creative control over the entire Spider-Verse…you would think Sony would want to do something with all that.

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Well, technically, they are. But this latest Sony announcement, one of their first Spider-Man related news-stories since the Sony/Marvel breakup, is confusing at first because of just how bizarre it is. It’s being reported that Sony is developing a Spider-Man spinoff about a little-known character from the Spider-Verse, Cassandra Webb, who goes by the name “Madame Web”. To call her “little-known” is probably an understatement, in fact. An elderly blind clairvoyant, who needs to be surrounded by a giant mechanical web-shaped life-support system at all times, Webb is…well, she’s not the character that immediately comes to mind when you think of Marvel heroes who deserve their own spinoff films. Green Goblin, Black Cat, Venom, Silk, Silver Sable; those seem like the obvious choices, and already have some strong fans from the comics, and/or have appeared in previous Spider-Man films, so they’re not totally unknown to audiences.

Madame Web, on the other hand, is…not any of that. And unless Sony is taking a radically-different approach to the character, she doesn’t seem like a heroine whose story would make for a great action thriller or superhero epic. If anything, a Madame Web movie could be more introspective and thoughtful, focusing on how Webb uses other heroes to do her bidding, and the moral implications of her actions. It seems like a rather dark subject for a Spider-Man movie, too; watching an old woman forced to sit in the solitude of her webs, while wars rage outside her home, unable to do anything to help. Somehow, Webb’s story seems more like awards season fare, rather than a crowd-pleasing, family-friendly popcorn flick: additionally, the script is apparently being written by Matt Shazama and Burk Sharpless, who are currently developing another Spider-Man spinoff for Sony, about the bloodthirsty vampire Morbius. So, maybe don’t expect Spidey to run into Webb on a school field-trip.

Then again, who knows? Maybe Sony is doing what Marvel Studios did; building up the onscreen personas of little-known characters, preparing for some huge crossover event like an Avengers movie of their own. Webb, whose powers include foresight, would be an invaluable addition to the team, and could work from behind-the-scenes, like a puppet-master of sorts. That would be both slightly creepy and very cool, and seems like it would fit in with the edgier approach that Sony is taking with some of their Spider-Verse acquisitions. Then again, going too dark will lose some of the crucial teenage audiences that turn out regularly for Tom Holland’s Spider-Man movies, so Sony should be careful with their marketing decisions here. And they might also want to start trying to lure in the large part of their Spider-fandom that they lost when they took Spidey away from the MCU: there’s still a lot of resentment toward the studio, resentment which could probably be abated if Sony were to finally use characters like Green Goblin, Doc Oc, the Sinister Six, etc. I just don’t know if Madame Web’s fanbase is big enough to make this film a worthwhile investment, especially now, when Sony has to make good choices and show that they can still be responsible with the great power they now have over Spider-Man.

A final note, though: Sony will presumably soon be on the lookout for an actress to fill the role of Casandra Webb, and I’m urging them to get to Meryl Streep before Marvel scoops her up for some bit part. If there’s anybody who could pull off this difficult role (and possibly bring in some Oscar nominations for Sony), it would be Streep.

What are your feelings on a Madame Web movie, and do you think it’s the content that audiences crave from Sony, post-Marvel? Share your thoughts in the comments below!

“Eternals” Begins Filming: “Thena” Revealed!

We’ve all been waiting for a glimpse, however brief, at one of Marvel Studios’ most tantalizing and mysterious upcoming projects – Eternals, the story of a race of human/alien gods created by the Celestials to protect our earth from prehistoric threats. Today, we’ve been given a glimpse, but it raises more questions than answers.

Angelina Jolie, one of the stars of the film (the others being Gemma Chan, Kit Harington and Richard Madden) has been spotted in the United Kingdom, filming some very interesting and unusual scenes for the superhero movie. Jolie has been confirmed to be playing the immortal warrior Thena, but, well…she doesn’t appear to be playing the character here: or, if she is, then her outfit has been dramatically altered since we saw it in the D23 Expo concept art last month.

I won’t post all of the photos, since they might be considered spoilers by some; but the few that I’ll show certainly seem to imply that Jolie’s take on the war-goddess is definitely very different from how she’s appeared in the comics, dressed in Greek-inspired armor.

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The first image shows Jolie, sporting the character’s white-blond hair, in what looks at first glance to be a Greek gown of some sort, wading through water, holding some sort of little black pot. The general consensus among internet theorists is that she’s scattering ashes, for whatever reason.

But the next photo made me start wondering…

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Because I don’t know about you, but I’ve never seen a depiction of ancient Greek women wearing such modern footwear. And that inspired me to start looking more closely at the rest of the outfit: those long sleeves certainly seem out of place in the ancient world, for instance…and then I found this image.

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Ignore the modern coat that Jolie is wearing over her outfit to keep warm, and look at the front of the dress: it’s very clearly a modern or 20th Century button-up dress, rather vintage-inspired by the looks of it. In fact, it gives off some serious Indiana Jones vibes, to the point where I almost began wondering whether Jolie was playing some sort of similar adventurer, or…archaeologist.

Oh, wait. Remember all those rumors from months ago that a “female archaeologist” was the lead of Eternals? But everyone dismissed them because Jolie was confirmed to play Thena, and nobody else seemed to fit the description of the character. That female archaeologist, after all, was said to be Margo Damian, from the original Eternals comics published back in the 70’s, a character who wore her hair in that decade’s trendiest styles (because archaeologists are paragons of fashion: everybody knows that), and dressed like a female Indiana Jones.

And now we have Angelina Jolie, the lead of the film, doing the same.

But Jolie is playing Thena, right? How can she also be playing Margo Damian? Well, there isn’t any precedent for this in the comics, but it is an established part of recent Eternals lore that the Eternals’s minds were once wiped by the trickster Sprite (who will also show up in this movie), and the gods were forced to live as humans, suffering from amnesia and fragmented memories until they remembered who they were. In the original comics, it turned out that Damian’s partner and love interest, Ike, was in fact the Eternal Ikaris (shocker, I know). We don’t know for sure what’s happening here, but Marvel might be updating the story and having Margo be the one to discover that she’s the long-lost embodiment of an ancient goddess – since, in the comics, she sort of just…died. This would also help to explain why the Eternals didn’t show up in Avengers: Endgame to help in the fight against Thanos – because they don’t remember their powers yet.

So what do you think? Is Jolie playing Thena or Margo Damian in this scene? Share your thoughts in the comments below!

Netflix’s “Umbrella Academy” Adds To Season 2 Cast!

While the second season of Netflix’s gritty superhero drama Umbrella Academy is still at least a year away (at best), the show has begun filming in Toronto, Canada, with the main cast returning to their instantly-iconic roles. But alongside the Hargreeves siblings, there are three new faces to add to the mix.

Netflix has just cast Ritu Arya, Yusuf Gatewood, and Marin Ireland for what appear to be large roles on the show. So let’s break down who they’re playing, and what their inclusion could mean for the series, and the future of the Umbrella Academy.

First of all, are they playing new members of the Academy – a.k.a. any of the thirty-six other supernaturally-gifted children all mysteriously born on October 1st, 1989? Well, it’s most likely that Arya and Gatewood, who are both around the same age range as the other Hargreeves, could be some of those long lost kids.

Additional confirmation of this could come from the character descriptions released by Netflix: Arya’s character, Lila, is an unpredictable “chameleon who can be as brilliant or as clinically insane as the situation requires”. To my mind, that suggests she has the ability to either shape-shift or, more interestingly, drastically change her personality in such a way that she becomes an entirely different person to any but the most discerning eye. Lila also has a macabre sense of humor: this suggests a villain at first, but pretty much everybody in Umbrella Academy has a macabre sense of humor, so it’s not very telling.

As for Gatewood, his character Raymond sounds more than a bit like Emmy Raver-Lampman’s Alison Hargreeves – a “born leader” with the “innate ability to disarm you with a look”. He’s married, and devoted to his spouse, and seems to have a wide social circle who love and adore him. But what does it mean? Is he, like Alison, creating a perfect life for himself by mind-controlling his friends and family? Or is he just a really great guy? That seems way too good to be true on a show like this, where everyone is hiding a secret.

Marin Ireland’s “no-nonsense Texas mom” Sissy doesn’t seem as much like a possible Umbrella Academy child to me, but she sounds interesting: at forty, Ireland will be portraying a “fearless”, free spirited woman who seems to be getting past a stale marriage and moving on to the next chapter of her life with fervor. She probably lives in Texas, and she obviously has kids: other than that, we don’t know too much about her, but she sounds like she could be the moral compass of the next season, like Agnes (and, to some extent, Hazel) were in the first.

All in all, this sounds like a great deal of fun, and the characters each seem to have a lot of depth and layers already: we’ll just have to wait and see whether they turn out to be long lost siblings, time-traveling assassins, or maybe even more donut-shopkeepers.

Captain Marvel Review (No Spoilers!)

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After all the negativity, the backlash and controversy surrounding this film – and lead actress Brie Larson – it is something of a triumph to see how marvelous this film actually is. Directors Anna Boden and Ryan Fleck have created something very, very special. Not only does it equal the cinematic masterpiece that is Wonder Woman, but in some places it even manages to surpass it. It is a better origin film than any other in the MCU thus far, including Black Panther. Brie Larson’s Carol Danvers is one of the most likable protagonists to come from Marvel – it’s not just her wit and sass that make her so much fun to watch: it’s seeing how she was before the event that changed her life, and seeing her try to rebuild the relationships she had with friends and loved ones on Earth. There is something bittersweet about the movie, something very sad about every scene where Carol reminisces on her past life, or has a sudden memory of something she cannot fully understand. Seeing her struggling with this trauma is moving, and is one of the finest aspects of the film.

Of course, it is made so only by the fact that Brie Larson is an incredible actress, and even when she is an amnesiac on the planet Hala she still manages to take very difficult material and run with it – fly with it, in fact. When the film opens, she is a soldier living on Hala, the homeworld of an alien race of “noble warrior heroes” – the Kree. But she has memories of something else, a different world, a different life: it’s a classic storyline, but there are so many interesting and unique elements, so many unexpected twists, that it feels fresh and exciting: and poignant – and also, it has Brie Larson, and she carries the whole story with ease. She has moments of intense drama and laugh-out-loud humor, and she blends the two in a way that no other Marvel hero has done with such skill. She is, without a doubt, the definitive reason to go see this film: I, for instance, went into the movie as a Thor fanboy – but when I left, Carol Danvers was my favorite Marvel superhero, and one of the best heroines ever brought to the big screen.

The aforementioned storyline of Carol Danvers, however, is the second reason to see the film – if you like a story that is twisty, complex, and as deeply layered as Captain America: Winter Soldier, or Captain America: Civil War. Admittedly, when the film begins it is hard to follow. There are dream sequences and vague hints, and things that happen very fast and very chaotically – but even Carol doesn’t know what’s going on, which is both a help and a hindrance: on the one hand, it gives us the opportunity to relate to Carol as we see things through her eyes and learn with her, but on the other hand…her confusion rubs off a bit on the audience, leaving us a bit perplexed in the first fifteen to twenty minutes. But then, just as we are wondering what is going on, clues start falling in place, things happen that set off a chain reaction of other things happening, and we suddenly realize that things are not as they seem. The major problem, I think, with the flashbacks that are used frequently in the movie is that, while some of them are relevant, there are others that are not – though they appear to be – and they are interspersed with the relevant flashbacks in a way that can be confusing. Thankfully, this problem goes away early on in the film, and after that it’s smooth flying – well, aside from one spot of space turbulence.

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The space aspect, actually, is one of the most interesting things in the film: we are brought to a total of three different worlds in the film – the Kree homeworld of Hala, the Kree border-world of Torfa, and Earth. Hala is the most interesting of the three worlds – since Torfa is mostly irrelevant. Hala is a fantastic place, brilliantly lit, and is inhabited by a race of blue alien warriors – or rather, mostly blue warriors: Jude Law’s character is, for some reason, not blue. This race, the Kree, are for the most part background characters: Jude Law portrays the Commander of Starforce, a team that consists of “Vers” (Brie Larson), Minn-Erva (Gemma Chan), Korath (Djimon Hounsou), Att-Lass (Algenis Perez Soto), and Bron-Char (Rune Temte). Aside from Law and Larson, the rest get very little screentime – though not as little as Lee Pace’s Ronan the Accuser, a character that will no doubt be familiar to fans of Guardians of the Galaxy.

Besides Ronan, there are many other tie-ins to various Marvel movies – and the most notable is the appearance of Nick Fury, once again portrayed by the great Samuel L. Jackson (though here, Fury is much younger and more naive, and has both of his eyes: his apparent youth is achieved by incredible de-aging techniques that are so seamless you will actually believe you’ve been transported back in time to 1995, which is when this movie takes place). S.H.I.E.L.D agent Phil Coulson (Clark Gregg) also shows up – also de-aged – though very briefly. There are some terrific nods to the first Avengers, one of which will make fans gasp in surprise, and one of which will fill in some blanks. The mid-credits scene is also…shocking.

Speaking of shocks, there are twists in this movie, twists that you will never see coming. And obviously, because this review is Spoiler-Free, we will leave it at that.

However, I can say this: the film takes place during the war between the Kree and their mortal enemies, the shape-shifting Skrulls – and Ben Mendelsohn portrays the leader of the Skrulls, Talos. I went in expecting a two-dimensional villain: I was very surprised at how much depth this villain had, though, so much so that by the end of the film he was one of my favorite characters. I can’t say any more, but there’s a lot to say about Talos.

No review of this film would be complete without mentioning three stand-out performances: Lashana Lynch, who plays USAF pilot Maria Rambeau, Annette Bening, who plays…well, somebody whose name should not be revealed in the Spoiler-Free review, and Goose the Cat. Lynch is incredible, and the first scene that she appears is one that left me in tears: the sheer force and range of her acting was extraordinary, and entirely unexpected. As for Bening – well, she is surprising. That’s all I’ll say about her. She has one very interesting action sequence, though, that had me at the edge of my seat. And Goose? He’s adorable, and is a great mascot for the film, just like Groot is for Guardians of the Galaxy.

What about the action – and especially, the third act battle? Third act battles have become synonymous with “meh” in comic book movies, with even great ones like Black Panther and Wonder Woman failing to stick the landing. So how does this one hold up?

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Very well, almost perfectly. There are only two fights in the film that are somewhat flat – a fight on Torfa, which actually does get more interesting after a minute, and the fight sequence on the subway train that we’ve seen in basically every trailer for the movie: more interesting to me was the car chase that was happening at the same time as the train fight – and there was one particularly shocking moment in the sequence that does elevate the stakes a lot. As for the third act battle: perfect. The crown jewel of the film, in fact. Again, it’s too spoilery to say much about, but it has a lot of layers, and all of them are very well-done: and there is one very special moment that seems to tease something that I really hope we get in a future Captain Marvel movie.

So to sum it all up: don’t miss out on Captain Marvel. You need to see her to believe her, really – her powers are incredible, and she could very well become your new favorite Marvel superhero. The movie has a great cast, great acting, a great storyline, and sets up neatly for Phase 4 of the MCU. Also, there is a very touching tribute to the late Stan Lee, that will have you in tears before the movie even begins. This movie is a great tribute to the power of women, and to the power of all individuals to choose for themselves who they want to be.

Movie Rating: 9.5/10