MCU Archives - Page 4 Of 41 - The Wide Screen

September 22, 2021

“What If…?” Episode 7 Teaches Thor A Good Lesson – Don’t Mess With Captain Marvel

**SPOILERS FOR WHAT IF…? AHEAD!**

One of the great things about anthologies, Marvel’s What If…? being one of them, is that you (usually) never have to spend too long in a story setting that bores you, or with characters who grate on your nerves, before you’re on your way again. That’s not to say the next installment will always be good, but variety keeps things interesting – and I’m finding that’s especially true of What If…?, which at least finds ways to shake things up each week, even if the series has yet to reach another high-point on the level of episode four and has declined markedly in quality in its last two episodes.

It’s a bit of a shame, too, because with a little more focus and a few touch-ups to the script, I think What If…? could surely have done something more interesting with a character as wonderfully ridiculous as Party Thor (Chris Hemsworth), the unofficial nickname of this Variant of the MCU’s Thor who comes to Midgard to escape his kingly duties on Asgard and ends up hosting an intergalactic get-together based out of Las Vegas that threatens to tear the earth apart.

That intriguing concept harkens back to actual Norse mythology, which is a lot more weird and trippy than I think most MCU stans realize (as evidenced by all the MCU Loki fans horrified that he could ever be attracted to himself, as if mythological Loki didn’t turn into a mare so he could…uh, have “diplomatic relations” with a stallion and give birth to that stallion’s babies). The MCU’s version of Thor has never been much like the mythological character who would go out partying with Loki (Tom Hiddleston) and the giants of Jotunheim, only to find himself trying to drink the ocean out of a horn, so it’s pretty awesome as a fan of both to see some crossover there, and even spot a couple callbacks to the myths.

But these are the MCU versions of Thor and Loki we’re dealing with, and that’s not a bad thing by any means. For one thing, it allows the scope of today’s What If…? to expand well beyond Asgard and Midgard. There are cameos, some sizable and some of the blink-and-you’ll-miss-it variety, from a bunch of cosmic characters plucked mostly from Thor: Ragnarok and the Guardians Of The Galaxy franchise. Jeff Goldblum pops up as The Grandmaster (and “release the foam” is instantly immortalized as one of the character’s most iconic lines); Karen Gillan, Taika Waititi, and Clancy Brown reprise their roles as Nebula, Korg, and the Norse deity Surtur, respectively, while Mantis, Rocket Raccoon, Yondu, Ayesha and Valkyrie all have background roles.

The only character missing from the crowd, or at least the only character I missed, is Hela. The Nexus Event of this whole timeline is Odin returning Loki to his birth-parents in Jotunheim and raising Thor as an only child, but technically Thor’s sister Hela should still exist in this timeline regardless – and personally, I think What If…? missed out on a great opportunity by not having her living in Vegas and running her own casino when Thor arrives. It’s an actual storyline in the comics, people! Forget Party Thor, we could have had Party Hela!

Unfortunately, even with this incredible assortment of characters all onscreen at once like it’s the Endgame of parties (which technically it’s about to be if they don’t all leave), the story still finds a way to drag…perhaps because it’s centered around a romance between Thor and Jane Foster (Natalie Portman) that didn’t work seven years ago when the MCU tried to make that a thing, and still doesn’t work now. In a franchise in which Steve Rogers once kissed his dead girlfriend’s niece, and where the most believable romance is between a woman and a sentient computer program, Thor and Jane still somehow stands out as one of the MCU’s low-points when it comes to love-stories.

It wasn’t just that Chris Hemsworth and Natalie Portman had no chemistry, either, or that every time they shared the screen Hemsworth looked vaguely uncomfortable and Portman seemed bored out of her mind. It was more so that the early Thor movies hinged on the notion that their characters were soulmates being forced apart by the universe itself, and nothing about their painfully apathetic performances seemed to back that up. At least in What If…?, Hemsworth and Portman both seem more enthusiastic about the whole business and Hemsworth is leaning into his strengths as a comedian, which makes their interactions amusing to watch if not particularly romantic, but there’s still nothing that explains why these two are supposedly fated to fall in love.

Frankly, I was far more interested in the high-speed romance between Darcy Lewis (Kat Dennings) and Howard the Duck (voiced by Seth Green) that unfolds across just a handful of scenes, in which they go on a date, get married in Vegas by an Elvis impersonator, and are last seen squabbling like an old couple. It’s the kind of outlandish pairing that makes absolutely no sense on paper, but in execution it just works. It’s ridiculous, yet completely in-character for both Howard and Darcy, and I bought their chemistry and mutual attraction for each other.

With subplots like that, the heavy focus on Thor and Jane’s relationship feels underwhelming, and the happy ending to their love story tacked on at the end of the episode is so contrived that the episode itself immediately turns around and forces a new problem to arise: one involving What If…?‘s ultimate big bad, revealed here for the first time – an alternate version of the genocidal cyborg Ultron who’s apparently succeeded in downloading his consciousness into the Vision’s body and then also conveniently picked up some Infinity Stones along the way. As we near the end of the season, I hope to learn more about this Ultron in next week’s episode.

I also hope that we get to see more of Carol Danvers (voiced by Alexandra Daniels) before the season’s end. She has a pivotal role in this week’s episode, summoned from the heavens by S.H.I.E.L.D. to put an end to Thor’s partying – allowing for an effective if slightly shallow commentary on how women are often depicted in media as being “no fun”. I enjoyed seeing Carol trade punches with Thor in an epic battle spanning several continents, and I admired her capacity for understanding and empathy; but I’m still not sure how I feel about her – and most of the women around Thor, for that matter – having to teach him lessons about responsibility and common decency.

Oh, and as for who would win a duel between Thor and Carol, the episode doesn’t fully answer that question which has long riled up MCU fan-forums. The two cosmic heroes seem pretty evenly matched in their first fight: Carol’s power-absorption protects her from Thor’s lightning, and she’s stunned but not seriously injured by a blow to the head from Mjolnir – ultimately, it’s only when Thor uses the hammer to pin her down that she’s defeated. But Carol reveals later that she’s unable to use her full power on earth without making a considerable dent in the planet’s surface, and when she does lure Thor out to Siberia to try and fight him more freely, the fight seems to be turning in her favor before it’s interrupted. Sorry, Thor, but I think Carol wins this one; and someday I’d love to see a fight between the two where neither has to hold back.

Episode Rating: 7.5/10

September 15, 2021

“What If…?” Episode 6 Proves Why Nakia Is Crucial To Black Panther

**SPOILERS FOR WHAT IF…? AHEAD!**

For the past few weeks, with Marvel’s What If…? on a hot streak, I had begun to hope that the series’ worst episode was well behind us. As disappointing as it was to see Captain Carter’s potential wasted in a shallow and unimaginative recap of The First Avenger, I genuinely believe that the first episode was always to some extent going to play like the tutorial level of a video game, giving general audiences a taste of what the series had to offer before it could jump into bigger and bolder concepts. And we’ve got four straight weeks of good or great episodes to prove that What If…? isn’t afraid to go big.

But it seems the show still has a couple of clunkers left in store for us too.

And the downside of What If…?‘s anthology format is that without an overarching storyline to pull viewers through these rough patches, audiences are gonna drop off and they won’t necessarily feel compelled to come back each week. Technically, the characters in What If…? are supposed to meet up and fight a big bad at some point, and there’s even talk of some appearing in live-action sooner rather than later, but we’re six episodes deep into a nine episode series, and there’s still no sign of that happening.

That puts the pressure on each new stand-alone episode to try and outdo the last, and unfortunately this week something just doesn’t click. On paper, the basic premise is intriguing enough: what if Tony Stark (voiced by Mick Wingert) never got kidnapped by the Ten Rings, never became Iron Man? That alone could be the Nexus Event of a million new realities, but throw in the seemingly random twist that it’s Erik Killmonger (Michael B. Jordan) of all people who rescues Stark, and we could have had a good old political thriller weaving across the globe between the United States and Wakanda.

But in execution, episode six is an awkward mash-up of Iron Man and Black Panther that struggles to add anything meaningful to either movie’s mythology in just thirty minutes. Tony Stark’s inclusion, at least in such a prominent role, feels especially unnecessary. He’s really only there to be Killmonger’s pawn in a game of three-dimensional political chess, but roughly half of the episode is spent fleshing out their relationship. The story actually nearly finds its footing when the action finally shifts away from his mansion to Wakanda, but because we still need to catch up with Stark’s supporting characters, the problem of split focus doesn’t get solved.

Also, I totally get wanting to capture the tone of Iron Man and Marvel’s other Phase One movies…but did the plotline need to be ripped from the Phase One movies too? I just really need Tony Stark’s genius to be utilized for something other than building an army of faceless, easily hackable robots. I’m begging Marvel to think of something else, anything else, that they can do with this character’s tech.

The scenes in Wakanda, meanwhile, suffer from a lack of thematic cohesion. The nuance of Ryan Coogler’s writing simply isn’t there to foster potential for multiple interpretations on different levels, or to provoke a very meaningful discussion, and the episode falls completely flat when tackling the complexity of its central character, Killmonger. Sure, we learn that he’s a big fan of anime, which is a cute humanizing detail I’m not entirely sure what to do with, but What If…? doesn’t actually seem to understand his motivations except on a surface-level.

And part of that is because What If…? drops the most crucial (and underappreciated) character from Black Panther – Nakia. This isn’t something acknowledged in the episode, nor is any correlation drawn between her absence and the ease with which Killmonger takes over Wakanda in this timeline, but the loss of Nakia is felt. She’s the antithesis to Killmonger – both come from a place of wanting to help the African diaspora, but while Killmonger only has a vague idea of how to achieve that, informed by his experience working with destructive imperialist institutions such as the US military and CIA, Nakia wants to use Wakanda’s resources to help the world, and she has cohesive strategies about how to do so.

That’s what makes one exchange in What If…? stand out as a particularly bizarre moment that betrays a misunderstanding of Killmonger’s purpose as a villain. In place of Nakia’s radical empathy, What If…? uses James Rhodes (Don Cheadle) as the mouthpiece for a very different moral counterpoint to Killmonger’s message. “You’ve gotta be part of the system to change the system”, he says at one point while defending his service in the US military, before Killmonger strikes him dead and responds that he’s gonna “burn it down”, referring to “the system”.

The problem with this is that Killmonger always was part of the system – even in this alternate universe, it’s made pretty clear that he’s been working with the US military and the CIA for some time. That’s where he learned how to be such an effective agent of chaos, and where he became enamored of the imperialistic ideology he tried to implement in Wakanda. Killmonger didn’t ever want to “burn down” the system – he wanted to force it to work for him because being part of that system had taught him to equate bloodshed with strength, and oppression with power.

This scene, which tries to sever Killmonger’s connections to the US military and position him as an outsider with radical opinions, feels like What If…?‘s counterpart to that episode in The Falcon And The Winter Soldier where Karli Morgenthau accidentally started making some good points, so the series stopped talking about her cause and doubled down on why her methods were too extreme and she had to be stopped.

The most interesting thing about the episode, at least to me, is the different reception that awaits Killmonger when he finally reaches Wakanda. Having killed T’Challa (voiced once again by Chadwick Boseman, in an especially touching performance), his path to the throne is seemingly wide open: but while he could easily strike down the elderly King T’Chaka (John Kani), Killmonger chooses to keep the man alive instead and manipulate his grief to obtain a spot in the King’s favor, ultimately being chosen to succeed T’Challa as the new Black Panther.

Not everybody is fooled by his act, however. Visiting the Ancestral Plane, Killmonger is warned by the spirit of T’Challa that he will pay a terrible price for his crimes – which segues nicely into the final scene of Shuri (voiced by Ozioma Akagha) discovering that Killmonger is behind the murder of Tony Stark, and meeting with the new president of Stark Industries, Pepper Potts (voiced by Beth Hoyt) to discuss a plan. I haven’t forgotten that shot from the trailer where Pepper was fighting alongside the Dora Milaje, and although I expected to see it in this episode I now feel certain we’ll pick up this storyline again.

At the moment, I’m not sure if that idea actually excites me. This episode isn’t bad, but it brings very little to the table that wasn’t already done (and done better) in Black Panther or Iron Man. Hopefully in part two, Nakia shows up and becomes the Black Panther in this universe like she deserves.

Episode Rating: 5.9/10

September 13, 2021

“Hawkeye” 1st Trailer Throws Some Holiday Cheer Our Way

As the only two members of the original Avengers line-up without either superhuman strength, durability, or flight, Scarlett Johansson’s Black Widow and Jeremy Renner’s Hawkeye tended to get sidelined in most of the Avengers movies where the enemies were usually a little too big or overpowered to be taken down by an arrow or a well-aimed high-kick. In Black Widow’s case, the MCU got around this problem by finding a place for her in the comparatively grittier, more grounded Captain America franchise, and then when she finally got her own movie earlier this year they just…removed the problem entirely and retroactively gave her superhuman abilities even though that went against her whole character.

But Hawkeye never got the chance to be a major supporting player in anyone else’s franchise, and he never got a solo movie. Following the release of Black Widow, he is in fact the only remaining member of the original six Avengers not to have their own solo film (with the caveat that Hulk technically has one; not with Mark Ruffalo in the lead role, but the MCU has increasingly treated it as canon anyway). That’s not going to change anytime soon, I don’t think – but that’s okay, because Hawkeye’s getting the full Disney+ treatment.

And now that we have our first teaser trailer for the Hawkeye series, I have…well, a lot of thoughts, but the thing that really stood out to me from the trailer is that Hawkeye isn’t suddenly getting a power upgrade just because he’s the star of the show now. He’s a really good shot with a bow…that’s it. There’s plenty of cool stuff Marvel can do with that powerset alone (go watch all of Legolas’ scenes in The Lord Of The Rings if you don’t believe me), while still acknowledging Hawkeye’s obvious weaknesses.

Frankly, those weaknesses are a big part of what makes the character even halfway interesting, because he can’t rely on his own strength and agility to save him in a fight, like most of the other Avengers. He’s dependent on his bow and arrow, and without it he’s just a relatively average middle-aged guy. Even with it, the bow is only truly effective as a long-distance weapon – Hawkeye has some training with swords thanks to his work as Ronin, but he’s probably not gonna last long in a duel: something he learned the hard way when he fought Black Widow on Vormir, in a last-ditch effort to stop her from throwing herself off that hateful cliff.

And while a lot of Avengers purposefully put distance between themselves and their loved ones because they can’t balance their personal commitments with their duty to the world, Hawkeye is one of the few who’s always been adamant that he can’t abandon his wife and kids, and that he’d rather give up his place on the Avengers team than do so. That gives him another crucial weakness, but it’s also theoretically one of his greatest strengths because he’s so human. His empathy and capacity for understanding are admirable qualities that never really found an outlet in the movies, and I hope Hawkeye does a better job in that regard.

The series picks up probably about a year after Endgame, during the middle of the Christmas season, and the trailer and other marketing heavily leans into the holiday spirit. I’m talking snow flurrying over the title-cards, a genius Christmas-themed tagline (“This Holiday Season The Best Gifts Come With A Bow”), and a Rockefeller Center action set-piece, all set to “It’s The Most Wonderful Time Of The Year”. Marvel’s closest thing to a Christmas movie is probably Iron Man 3 (one of those “if it’s set at Christmas but doesn’t actually have anything to do with Christmas, is it a Christmas movie?” movies), so this is kind of a surprise.

Now, Hawkeye is set to premiere in November and run through December, so this is obviously just a case of good timing on one level: but thematically, I think sticking the most empathetic Avenger into the season of giving and caring makes sense and could lead to some interesting and emotional character moments, not only between Hawkeye and his family (whom he takes into the city to go see Rogers: The Musical, a Broadway retelling of Captain America’s life that features Hawkeye as a backup dancer – awkward), but also between him and his young protégé, Kate Bishop.

Kate Bishop’s arrival in the MCU is an important milestone, bringing us one step closer to the formation of a Young Avengers team. Just like in the comics, it appears she’s run away from home to follow in Hawkeye’s footsteps, which includes honing her skills as an archer and donning a version of his purple uniform. In the comics, Bishop also emulates the super-spy Mockingbird, but we have no idea if Marvel plans to bring that character back after her appearance in Agents Of S.H.I.E.L.D., or if she would be played by Adrianne Palicki again.

Regardless, introducing Bishop here is logical, and it’s a good business move: Hawkeye has some fans, but Oscar-nominee and bestselling popstar Hailee Steinfeld brings with her an entire fanbase. She and the other women of Hawkeye, including Alaqua Cox as Echo and Vera Farmiga as Eleanor Bishop (both very briefly visible in the trailer), not to mention Florence Pugh as returning fan-favorite Yelena Belova, are the main reason we will be watching.

And none of these characters, at least as far as we know, have superpowers. That’s not to say there won’t be any, or that they couldn’t be handled well, but I do appreciate having a corner of the MCU where the “street-level” heroes don’t necessarily have to fight literal gods and monsters all the time. There’s just something so wonderfully relatable about Hawkeye attempting to zipline across Rockefeller Center and falling into the Christmas tree that not only harkens back to the lighthearted tone of the Matt Fraction comics that defined this character, but is also necessary in a franchise where heroes are too often invulnerable and untouchable.

Trailer Rating: 9/10

September 6, 2021

“What If…?” Episode 4 Goes Fully Dark, And It’s Marvelous

**SPOILERS FOR WHAT IF…? AHEAD!**

Although What If…? hasn’t ignited the same level of heated discourse or enthusiastic speculation as any of Marvel’s live-action Disney+ series’ (a sad testament to the fact that animation is still viewed by many fans as somehow inherently less canon), last Wednesday’s episode had become the subject of intense scrutiny after it became widely known that it would focus on the character of Doctor Stephen Strange…specifically, a dark and twisted version of him who goes by the title of Doctor Strange Supreme (Benedict Cumberbatch).

This was largely because, coming off the first trailer for Spider-Man: No Way Home, one of many theories given for Marvel’s inconsistent characterization of Strange was that the Master of Mystic Arts had somehow been replaced by an evil doppelgänger from the Multiverse (or by Mephisto; yep, we’re doing that again). It’s a good theory: as a Doctor Strange fan baffled by some of his actions in the No Way Home trailer, I really like it. And then lo and behold, here comes What If…? with an entire episode built upon that very concept.

Now having seen the episode in question…yeah, I’m pretty sure this is another WandaVision situation where we played ourselves. I still love the evil Doctor Strange theory, mind you, and I’m not writing it off until we see how Doctor Strange Supreme’s character arc continues across What If…? season one, but I don’t know if there’s any real connection to No Way Home. And that’s okay, because like the WandaVision finale, What If…? episode four is great storytelling first and foremost.

Some of that is perhaps attributable to length: this episode is the longest of the four by a minute or two, and it enjoys a steady pacing that feels urgent without becoming frantic. But what sets it apart from the rest of What If…?, and elevates it to a place alongside WandaVision and the most sophisticated episodes of Loki and The Falcon And The Winter Soldier, is the mature tone it’s able to capture. The episode earns and owns its darkest moments with a forcefulness that was once severely lacking from the franchise, and a sensitivity that evolves from WandaVision‘s nuanced handling of discussions about death and grief.

Usually, it’s Star Wars that’s not afraid to get bleak and depressing, even in their animated shows aimed (at least initially) at kids. But watching Doctor Strange Supreme lose his sanity, his soul, his loved ones, and ultimately his entire universe in a desperate attempt to cheat death that ends with him trapped in the crystallized remnants of what was once a timeline, begging What If…?‘s dispassionate narrator The Watcher (voiced by Jeffrey Wright) for mercy, demonstrates quite powerfully that having an anthology of self-contained short stories in which to explore risky ideas can only be a good thing creatively.

The episode doesn’t even wait that long to go fully dark. The Nexus Event that kicks off Doctor Strange Supreme’s alternate timeline is the death of his girlfriend, Doctor Christine Palmer (Rachel McAdams), in the first few minutes. It’s admittedly an odd change, given that it relies so heavily on a chemistry between the two that was…never really there in Doctor Strange, but in this timeline apparently Strange really loves Palmer. The two surgeons are therefore on their way to a romantic dinner date when Strange’s car goes flying off a cliff – but in this timeline, Strange is miraculously unscathed and Palmer dies.

At first, this change doesn’t appear to have major ramifications: Doctor Strange still becomes a sorcerer and fights Dormammu (and somehow still survives that astral plane battle in the hospital where Christine saved his life in the original movie). It’s only when he gets his hands on the Time Stone that things take a turn for the worse, as Strange tries to revisit the moment of Palmer’s death and reverse it, only to discover that no matter what he changes in the past, all he does is weaken the integrity of his own universe. Christine still dies, over and over and over again.

And at a certain point, it starts to get really uncomfortable. Christine dies multiple times in the car crash, even when Strange has her drive. She dies of food poisoning the one time they actually make it to their destination. She gets shot dead in a pizza parlor when Strange picks a different location for their date. She dies in a random fire the one time he tries to abandon her for her own sake. It’s a lot, honestly. And maybe if Christine were actually a three-dimensional character, it wouldn’t be so questionable, but neither live-action nor animation did a very good job of fleshing out her personality and interests.

The problem only grows exponentially worse when the Ancient One (Tilda Swinton) explains that Christine has to die…in order for Strange to become a sorcerer. It’s a textbook example of “fridging” – killing a female character solely to motivate a male character. There’s no attempt to subvert this trope, or even to comment on it. If anything, it only opens a frightening new can of worms because the Ancient One suggests that the universe itself needs Christine to die for Strange to rise. The Nexus Event caused by her death is referred to as an Absolute Point in Time that cannot be changed or undone without destroying the universe, and it’s left somewhat unclear why that is.

Because if the whole point of Christine dying is to make sure Strange becomes a sorcerer, then it really shouldn’t matter how he gets to that point – just like it doesn’t seem to matter how Christine dies, only that she does die. I can totally get behind the idea that Doctor Strange is such a powerful mystic force that he (or some version of him) needs to exist in every universe and timeline; I don’t fully understand why his journey need be written in stone, especially since we know that other universes don’t require Christine’s death. Doesn’t that also throw out everything Sylvie and Loki did in the name of restoring free will to the Multiverse?

Interestingly, if Doctor Strange is so powerful that his universe literally balances upon him, that suggests he could be one of the MCU’s “Nexus Beings”, a group of characters in the comics who are considered the cornerstones of their respective timelines. Doctor Strange hasn’t been portrayed as a Nexus Being in the comics, but What If…? indicates that his power and influence puts him right up there alongside Kang the Conqueror, Vision, and the Scarlet Witch, all of whom are Nexus Beings in the comics and most likely in the MCU as well.

On that note, What If…? just might answer the burning question of what Scarlet Witch will be up to when we next meet her, in Doctor Strange And The Multiverse Of Madness. You’ll remember that Wanda Maximoff’s transformation into the Scarlet Witch during the WandaVision finale required her to absorb a large part of Agatha Harkness’ own magic and life-force into herself, weakening Agatha to the point of exhaustion. At the time, it seemed like a fairly simple way to incapacitate the witch. But What If…? reveals that power absorption has side effects, both good and bad. Mostly bad.

In the latest episode, Doctor Strange Supreme’s mission to bring back Christine leads him to the lost library of the ancient sorcerer Cagliostro, who was apparently one of the few people capable of undoing an Absolute Point in Time…but only by absorbing the powers of even greater mystical entities. Strange’s attempts to master this technique are not without some success (he gains the power he seeks, even if ultimately his universe implodes before he can spend more than a few moments with the resurrected Christine), but the experience transforms him into a horrible monster as he takes on the attributes of each creature he absorbs into his body: whether that’s a dragon, or the tentacled beast from episode one, or something that looks an awful lot like Mephisto.

It wasn’t until I rewatched the episode that I noticed the similarities to how Wanda’s first attempt at absorption also transformed her, albeit into a high-fashion sorceress rather than a grotesque demon. And that’s when I realized: if anyone in the main MCU timeline has reason to want to reverse an Absolute Point in Time, it’s Wanda. With the power she could gain from harvesting magical and cosmic forces far greater than herself, she could permanently undo the pain she’s experienced, and that her makeshift family suffered. She could even bring back her twin sons, whose voices she heard crying out to her in the WandaVision post-credits scene.

But first, she’d have to absorb a couple more beings – or perhaps, entire timelines and universes full of them. Good thing there’s an entire Multiverse gourmet buffet to choose from now, am I right? Maybe the demons and dark forces we once thought would be manipulating Wanda really ought to watch their backs because she could be coming to devour them. Though of course, the more powerful that Wanda grows, the more other entities will want to absorb her in turn…entities like, say, Mephisto. The possibilities are endlessly exciting, and I love how the MCU’s mystical side is developing its own complex ecosystem and food-chain.

Doctor Strange Supreme’s journey in What If…?, however, acts as a cautionary tale for anyone trying to obtain that kind of ultimate power. Consumed in his personal agenda, he neglects his duties to his universe and allows it to rot and die. He does bring back Christine, but she returns only to witness the end of all things as Strange Supreme’s timeline finally collapses, leaving him trapped in a purple orb. Strange Supreme will likely return in What If…?, but it’s still unclear how he’ll be rescued from his prison, or who would want to do so anyway. My best guess is that at some point, The Watcher will finally break his no-interference policy to save the Multiverse from an interdimensional threat, bringing several timelines together so that a new team of Avengers can form.

But for now, we leave Strange Supreme right where he deserves to be – and with the tone and atmosphere of What If…? altered irrevocably by his tragic ending, I can’t wait to see what dark and ominous tale of suspense comes next.

Episode Rating: 9.5/10