“The Batman” 2nd Trailer Has Changed My Mind On Matt Reeves’ Vision

Hot take, but when the first trailer for Matt Reeves’ The Batman released at last year’s DC Fandome event, the truth is that I wasn’t immediately blown away by it like many were. That first trailer was very brief to be fair, on account of The Batman only being about 25% complete at the time, but the initial impression it gave me was that Reeves’ interpretation of the timeless character of Batman and the iconic locale of Gotham City would be very gritty and grounded in realism – which is fine if you like that sort of take on superheroes, but I’m somebody who generally enjoys more fantastical elements in comic-book stories.

The Batman
The Batman | cnet.com

That’s the reason why, as a rule, I’ll almost always gravitate towards the…shall we say, zanier corners of any cinematic universe – whether that be WandaVision in the MCU or Shazam! in the DCEU – but it’s a rule with enough exceptions (for instance, I thought the recent Black Widow movie would have benefited from being significantly more grounded) that I really have to explain why I feel this way specifically with regards to The Batman, before we discuss the new trailer released yesterday.

It’s partly because I feel as though gritty edgelord Batman has been done and overdone; not always well, but it’s hardly a novel concept in comics or on camera, either. The one truly new aspect that Matt Reeves is apparently bringing to his portrayal of Batman is an emphasis on the character’s role as a detective…which is something that the trailers haven’t shown a great deal of, probably for fear of clever fans piecing together clues and figuring out the film’s twists and turns months before it releases in March of next year.

But more importantly to me, it’s also because Batman and his rogues gallery are always more interesting to me when they’re allowed free rein to be eccentric, campy, and/or straight-up weird. The Riddler, the Penguin, and Catwoman, all of whom will have major roles in The Batman, all have an element of capricious whimsy baked into their characters that Matt Reeves seemed to be removing from all three – especially the Riddler, who is now a genuinely terrifying mastermind styled after the Zodiac Killer, but with little of the Riddler’s typical flair and colorful charisma. For me personally, that’s why The Batman‘s first trailer, while very well-edited, extremely atmospheric, and exceptionally beautiful, didn’t really affect me the way it did others.

But one year later, here we are at the end of the second annual DC Fandome event; and thanks to endless release date shuffling and excruciating delays, we’ve finally gotten to see only our second trailer for The Batman. It’s a full-length trailer this time, more seamlessly stitched-together than the first and with a lot more action and CGI to show off. And much to my surprise, I think this trailer may have changed my mind on Matt Reeves’ vision.

The Batman
Catwoman and Batman | hollywoodlife.com

I knew I was going to like it more than the first teaser when the trailer opened with a scene of Paul Dano’s Riddler being apprehended and arrested by Gotham City police in a coffeeshop, while the camera lingers on the character’s iconic question-mark emblem written in the foam of his coffee. It’s a simple yet striking stylistic choice that feels very much in line with the Riddler’s established history and characterization while still serving this new persona that Reeves is crafting for the villain, and seemed so deliberately quirky (at least to my eye) that it immediately piqued my interest. I mean, it’s much too clean a question-mark. Realistically, it shouldn’t have held that perfect curlicue shape for that long. But that’s what I love about it.

And there are plenty more scenes like that sprinkled throughout this trailer. The character of Selena Kyle, as played by the fabulous Zoë Kravitz, looks to have sauntered straight off the comic-book page through a revolving door of stylish wigs and glamorous fits – emerging with a Catwoman suit that, while in need of a couple tweaks and refinements, will make for a good starting-point for her character. Her on-and-off clandestine romance with Batman is complemented by stunning shots of the Gotham City skyline at its most romantic, offering a welcome counterbalance to the chaos erupting in the streets far below.

But lest the villains should sneak in and steal the spotlight, the most over-the-top moment of all in this trailer is wholly Batman’s to own – because as many have pointed out and as Reeves seems to understand, Batman is a lot like his villains in that he excels at putting on a show. That’s why he dresses like a bat, lurks in a cave, emblazons his logo on the night sky, and why driving the Batmobile straight through a wall of fire to chase the Penguin, while his cape flaps in the wind behind him like bat-wings, is completely in-character for him. And that’s why the Batman should never be grounded too heavily in realism, in my opinion at least. You lose more than you gain.

I would say the same of the Penguin too, but this is unfortunately an instance where I feel Matt Reeves has possibly missed the mark. Without his signature monocle, parasol, top hat, and flock of highly-trained penguins, this version of Oswald Cobblepot is Penguin in name only – and for the life of me, I still can’t figure out the reason behind casting Colin Farrell in the role only to bury him under a mountain of facial prosthetics and makeup, and then have him affect a boisterous Italian accent.

The Batman
The Riddler | comicbook.com

Stuff like that still gives me pause, and makes me concerned for how Matt Reeves will adapt other characters from Batman’s rogues gallery in the future, but I’m willing to give The Batman a chance. Visually, there’s no question that the film looks breathtaking – thanks in large part to cinematographer Greig Fraser, who also worked on Dune and Rogue One. It’s got action, it’s got mystery, it’s got an all-star cast. The only real question, for me at least, is whether it has the panache that I expect and demand from my Batman content.

Trailer Rating: 8.5/10

“The Batman” DC Fandome Trailer!

The reaction to the first teaser trailer for The Batman, revealed last night at DC Fandome, has been one of almost unanimous praise so far: which makes it my painful duty to report that I can’t quite share in the growing excitement surrounding the film as much as I’d love to, as much as I truly hope to be able to in the near future, as more of the film is completed and revealed to us. Unfortunately, the teaser trailer simply isn’t connecting with me, although I’ve now watched it several times. I’ve identified most of my issues, as well as several elements which I genuinely find interesting or at least intriguing, and hope to see expanded upon.

The Batman
variety.com

Let’s start with a positive: Robert Pattinson. I’m a big fan of Pattinson, and I feel certain he has all the makings of an excellent, instantly iconic, Batman. A dark, twisted, vengeful Batman who stalks the streets of Gotham like a rogue detective – we’ll talk about detective work in a moment – dealing out a very violent kind of justice to the city’s hordes of criminals and wrongdoers. Pattinson’s suit has the perfect Batman silhouette, and I absolutely love all of his gadgetry and customized accessories – particularly his Batmobile, which flares into life around the trailer’s midpoint and looks to be equipped for high-speed chases. I don’t quite understand what Pattinson and director Matt Reeves are going for with Bruce Wayne’s long, unkempt hair and dark eyeshadow, but it’s striking nonetheless and it’s already given rise to a deluge of memes about “Emo Batman”.

Gotham City itself is honestly a bit of a mixed bag, personally. On the one hand, I feel like this film is going to tell a Jack the Ripper storyline under the guise of superheroes and villains – The Riddler, who appears to be the film’s primary antagonist, shares many similarities with the historical serial killer, which this take on the character could be examining – and I love that idea. We don’t see any establishing shots of Gotham in this trailer, but it has all the essence of Jack the Ripper’s London: dark, foggy, atmospheric; the kind of city where evil lurks in wait around every street corner, and nobody is safe. But that stylistic decision feels almost too easy, too safe. It’s dark and it’s gritty, and those are two words I’ve heard enough of when it comes to Batman.

The Batman
deadline.com

Now, I’m not saying that The Batman has to be as brightly-lit or gaudy as Birds Of Prey, but I do feel like a pop of color would help to differentiate this Gotham from past incarnations of the iconic city, while a bit of absurdity never hurt anyone. My ideal vision of Gotham is of a semi-psychedelic labyrinth, lit by flashing neon and inhabited by colorful characters. Gotham’s brooding darkness has been explored to death, but its sensuality (for lack of a better word) has never really been touched upon. Even if I were lucky enough to be making this movie, I would still incorporate that Jack the Ripper tone, but I don’t see why it needs to be oppressively grimdark to achieve that. At the same time, I should point out that only about thirty percent of The Batman has actually been filmed, and this teaser trailer may not be indicative of everything that’s in the film. Matt Reeves explained in the panel leading up to the trailer’s debut that all the characters will still be transitioning into the heroes and villains we know from the comics, and considering that he counted Gotham as a character in the story, I wonder if that same sort of character arc will be granted to the city itself.

I also don’t want to sound like I hate everything about Gotham – I love the mansion which Selina Kyle’s amateur Catwoman attempts to burgle, with its arched Gothic windows looking out over the city skyline. This mansion is also the setting where the Riddler’s first murder takes place.

Speaking of which, time to address the Riddler in the room! Paul Dano is never unmasked in the trailer, but from what we see and hear of him, he’s definitely a very disturbed and terrifying character. The first we see of him, he’s taking his time setting up a perfect little crime scene, leaving his clues and a signature calling card for Gotham’s greatest detective, Batman himself (feeling the Jack the Ripper vibes yet? Because I am). Matt Reeves mentioned that most of Batman’s villains are still new on the scene in this film, which takes place during the early years of the Caped Crusader’s career, and that Riddler in particular is only just emerging for the first time. That gives me hope that, despite Dano’s character appearing in muted green throughout the trailer, he will eventually suit up in a brighter, somewhat more comics-accurate costume, perhaps trading in his mask for a quaint little hat along the way. The tone of this Gotham seems so dark that it’s hard to imagine that being the case, but I’m remaining hopeful.

The Batman
indiewire.com

A large part of why I’m still hopeful is because Catwoman actress Zoë Kravitz mentioned in a previous interview that she has already had a chance to wear her Catwoman suit during the filming – so either she’s referring to her low-tech burglar getup in the trailer, or there are actually comics-accurate costumes in store for all of Batman’s villains. I don’t see why not: Batman got a perfect outfit, so why shouldn’t the rest? Ironically, Catwoman’s costume already looks quite good, though I don’t know if she’s intentionally embracing her feline design aesthetic, or if her ski mask is only accidentally bunching up into cat ears as an act of foreshadowing.

Then there’s The Penguin, and this is another negative: not because of Colin Farrell, who is very talented and seems to have undergone an incredible physical transformation into this role with the help of extreme makeup and prosthetics (can you say Oscar nominations?), but because the role requires this much makeup and prosthetics at all. When Farrell was announced as The Penguin, my first thought was how original and out of the box it was – in the comics, Penguin has always been a very grotesque figure, whereas Farrell is traditionally handsome. I concluded too quickly that Farrell’s Penguin would be very suave, maybe even fabulously dressed or well-groomed. Well, not quite. Farrell is instead unrecognizable under all the makeup, which has turned him into a much more familiar, jowly, balding crime lord. It feels safe. Too safe, if you ask me.

The Batman
observer.com

That’s my big problem with the trailer as a whole: it’s just a tad bit too predictable. When Matt Reeves promised us a Batman movie that’s like nothing we’ve ever seen before, I expected a wild divergence from the days of the dark, gritty Batmen in their dark, gritty Gothams – but instead, Reeves has doubled down on the dark and the gritty and come out with something that almost looks and feels like an exaggeration of everything I’ve grown bored with when it comes to this character. Now, I’m well aware that this Batman’s selling-point is supposed to be that he works as a detective, which is something I’m very excited to see (especially with The Riddler being the main villain), but I didn’t see him doing any actual detective-work in the trailer. And again, this is a teaser for a film that isn’t even half-completed yet, so it’s not fair to make any assumptions about anything, but I’ve still got to review what we did see – and what we did see didn’t feel like anything I haven’t seen before in some way or another, though there are distinct differences here and there.

Well, time to turn it over to you, dear reader. Share your own thoughts, theories and opinions in the comments below!

Trailer Rating: 7/10

Jonah Hill (Maybe) Cast In “The Batman”!

With the focus all on Bruce Wayne’s nemesis Joker for the past few weeks, with critics and early audiences chattering excitedly about controversy and Oscar drama, it’s understandable why plenty of people have probably forgotten about, you know, Bruce Wayne. But yes, indeed, there is a new Batman movie coming out of DC Studios, and the headlines it’s been stirring up today might turn the attention away from Joker for just a little while (not enough to make a dent in that film’s box-office tracking, though).

The Matt Reeves-directed Batman prequel, simply entitled The Batman, already caused quite a rift in the DCEU fandom when it cast Robert Pattinson in the lead role, as the franchise’s newest Dark Knight. But since then, there’s been little to no news about the film, and much of what has been rumored seems “too good to be true”. Daisy Ridley was rumored at one point to be playing Batgirl; then it was Andy Serkis as a possible candidate for The Penguin; Eddie Redmayne lobbying for the role of The Riddler; Vanessa Hudgens wanting to play Catwoman; Josh Gad campaigning for The Penguin; just last night Zendaya made unintentional waves in the Batman fandom by wearing green to the Emmys, which, according to some, was a nod to Poison Ivy; only a few weeks ago it was Rihanna who accidentally got herself labeled as Poison Ivy by over-enthusiastic theorists; so on and so on. The list of A-list actors who want to be in The Batman to accompany Pattinson on his journey back to stardom is incredibly long, but so far none of these are more than rumors or fan-speculation. And as for the actual cast that is being assembled, well, it’s a lot more low-key. Matt Reeves has already made it clear he’s going for a much more grounded approach to the superhero than has been previously attempted, so maybe he just doesn’t want big, flashy superstars distracting from his vision. Whatever his reasoning, he’s just picked out two actors for lead roles – and, well, they might not be Rihanna, but they’re nothing to sneeze at, either.

First, Westworld‘s Jeffrey Wright has apparently been cast to play Commissioner Jim Gordon, Gotham City detective, Batman ally, and, most importantly, the father of Barbara Gordon, a.k.a. Batgirl. Wright’s casting suggests that a woman of color could be up for that coveted role: considering that Batgirl, in the comics, happens to be a white woman with red hair, this will undoubtedly spark more of the usual uproar about how “Hollywood hates redheads”, a statement that is still laughably wrong no matter how many times it gets brought up. However Reeves decides to interpret Barbara, though, the casting of her father is a win for Wright, who’s got a decent, but relatively low-profile resume: he’s definitely looking to change that, scoring roles in the next James Bond film, as well as Marvel’s What If? streaming show.

Then, there’s the big headline: Jonah Hill, a two-time Oscar nominee who has mostly flown under the radar with mainstream audiences, is in early talks to play a villain in The Batman, but neither he nor Warner Brothers can decide which one. Apparently Matt Reeves is intent on nabbing the Moneyball star, and Hill is intent on starring in this movie; it’s just a matter of figuring out which of Gotham’s legendary rogues is best suited for the dramatic actor. According to other trades, the conversation has been narrowed down to a choice between The Penguin and The Riddler, both iconic characters; but “it is unclear if the two sides will be able to find common ground”. I can’t imagine how difficult this choice could possibly be (if you’re going to cast Jonah Hill in your Batman movie, you cast him as The Penguin, there is no room for doubt), but all the reports are unanimous in saying that the delay has nothing to do with dealmaking, but everything to do with pure indecision. Personally, Hill as Penguin and Eddie Redmayne as Riddler sounds like a perfect scenario, and if it were up to me, I wouldn’t be hesitating, but Reeves and Warner Brothers probably know what they’re doing. Emphasis on probably

The Batman is expected to include a large, possibly unprecedented number of villains, but no names are yet confirmed. So I turn the question to you: who would you like to see Jonah Hill play in the Caped Crusader’s solo movie? Share your thoughts in the comments below!

Robert Pattinson is Batman!

Robert Pattinson is Batman! 1
nbcnews.com

Yesterday’s CW Batwoman trailer declared very definitively, in a cringey opening monologue, that “The Bat’s not coming back” – well, that might be true enough for the CW network, which ignores DCEU continuity. In their alternate universe, Batman has left Gotham City and is thought to be dead.

But guess what? The DCEU ignores CW continuity (and sometimes their own continuity) too, so yesterday they revealed that, no, the Bat actually is coming back. And he’ll be played by Robert Pattinson.

The DCEU has always had a problem with having to recast many of their lead actors every so often – their latest Superman, Henry Cavill, is out, and their last Batman, Ben Affleck, is also gone: Affleck’s Batman didn’t even get to have a solo film before he was unceremoniously ousted. Personally, I was not a fan of the “Batfleck”, as his character was dubbed by social media. His performance in Justice League (which, granted, was a bad movie to begin with) was stiff and monotone, and his suit didn’t even fit him properly – seriously, the Bat-suit has to fit. The Dark Knight was reduced to a badly-costumed parody.

But with director Matt Reeves at the helm, DC’s upcoming The Batman is expected to go dark and gritty, with a take on the iconic character closer to that of Christopher Nolan’s sensational Dark Knight trilogy.

Apparently, the Robert Pattinson casting hasn’t been locked down yet, with Nicholas Hoult (star of the recent biopic Tolkien) also on Warner Brothers’ shortlist. But it seems obvious to me that Pattinson is the better choice, and could actually bring some interesting stuff to the table, if he were chosen for the role of the Caped Crusader. Reeves’ Batman movie will follow a young Bruce Wayne in the 1990’s, possibly as a follow-up to The Joker, which will open this fall – with that movie already being tossed around as a potential Oscars contender, it seems likely that The Batman will also have a dramatic and artistic approach to the comic-book source material. This has been Pattinson’s own interest, of late, as the former Twilight actor has branched out into the indie and art film genres – even set to star in a film directed by Christopher Nolan himself. Yet the mainstream DCEU is still conflicted between going dark and serious or light-hearted and ridiculous, with both paths looking fortuitous – the successes of the very dissimilar The Dark Knight Rises and Aquaman exemplify this.

But with Batman, there really should be no doubt in anyone’s mind: gritty is the way to go. You can’t have a Gotham City that isn’t shadowy and hostile, and you certainly can’t explore Batman’s impressive and classic roster of villains without going deep into the darker parts of the human psyche. Bruce Wayne himself is a hugely interesting character with plenty of emotional depth that could be explored in detail by a professional actor – rather than just making Batman yet another superhero with high-tech gadgets. If the script is top-notch and the DCEU isn’t afraid to possibly alienate an audience that would prefer more family-friendly, humorous fare, then I think The Batman could even prove itself a worthy Oscars competitor – superhero films have never really been Academy darlings, and the actors in them least of all: except Heath Ledger, who was given a Best Supporting Actor award for his role as the Joker in The Dark Knight. Maybe – just maybe – Pattinson can build on his experiences in the indie genre to elevate Batman to the same status.

And maybe, though it’s unlikely, his take on the character might be successful enough that we could see another (better) Justice League movie. The romance that was built up between Ben Affleck’s Batman and Gal Gadot’s Wonder Woman might finally make sense – considering that Pattinson is much closer to Gadot’s own age than Affleck was. Of course, it all relies on The Joker and The Batman being good movies. I am definitely jumping a bit far ahead of myself.

The Bat is back. And hopefully this time he’s here to stay.