Ahsoka Among 9 New Star Wars Series Titles Revealed!

Lucasfilm had plenty of new Star Wars content to offer fans at the Disney Investors Meeting on Thursday evening, including multiple series heading straight to the Disney+ streaming service: one returning favorite (the third season of The Mandalorian, which will drop near the end of 2021), and nine new titles. As has long been reported, characters like Ahsoka Tano, Obi-Wan Kenobi, and Lando Calrissian will each be getting their own spinoffs, although there were several big surprises among the new reveals – and a few notable absences. Star Wars also seems to be setting up a mysterious (but presumably massive) crossover event between some of these upcoming series.

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YouTube | @NewBite

First up we have Kenobi, which will follow the titular Jedi Master during his time in exile on Tatooine. A beautiful new, desert-inspired logo for the series was unveiled, and a sizzle reel was played for Disney investors but hidden from general audiences. But what captured the internet’s attention was the reveal that prequel trilogy star Hayden Christensen will be reprising the role of Anakin Skywalker/Darth Vader in the series. How this will work is currently unclear: between Revenge Of The Sith and A New Hope, Kenobi and Vader never had any interaction with each other – but Lucasfilm president Kathleen Kennedy promised fans that the Jedi and Sith will take another crack at each other, in the “rematch of the century”. My theory is that some sort of Force projection or vision will make this possible, but who knows? This is Star Wars: canon has been rewritten countless times before.

Ahsoka, based on the adventures of former Jedi Knight Ahsoka Tano, will presumably follow Rosario Dawson’s version of the fan-favorite character after her brief appearance in The Mandalorian‘s second season. The title logo, which features a star-chart similar to the map of the World Between Worlds, seems to indicate a connection to the Star Wars: Rebels animated series, where the World Between Worlds first debuted. This probably means that Ahsoka will travel through the World Between Worlds on her journey, and she’ll likely team up with Rebels heroine Sabine Wren on her quest to locate the long-lost Jedi Ezra Bridger (fingers crossed Rahul Kohli plays him in live-action) and Grand Admiral Thrawn.

Rangers Of The New Republic is a bit more vague. Jon Favreau and Dave Filoni, the creatives behind The Mandalorian and Ahsoka, will work on this series too – its existence probably explains the reason why New Republic characters have been popping up frequently throughout The Mandalorian: particularly X-Wing pilot Carson Teva, played by Kim’s Convenience‘s Paul Sun-Hyung Lee. Unfortunately, New Republic marshal Cara Dune will likely also return, putting bigot and anti-masker Gina Carano in a lead role in Star Wars. This is among the series’ I’m least excited for (partially because of Carano, partially because the New Republic is pretty uninteresting to me; especially without Carrie Fisher around to reprise the role of Leia Organa), but it’s apparently one of three that will lead into a massive crossover event including characters from The Mandalorian and Ahsoka. I expect this crossover to focus on the return of Grand Admiral Thrawn and Ezra Bridger; the final showdown between Din Djarin and Moff Gideon; and the rise of the First Order. Strangely, a Boba Fett series rumored to be in the works was not included among the new title reveals.

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Rangers Of The New Republic and Ahsoka | theverge.com

Lando has the potential to be a great series, thanks to the involvement of Dear White People‘s Justin Simien. Little else is known, and the sizzle reel played for investors was hidden from general audiences: but there’s a possibility that both Billy Dee Williams and Donald Glover will reprise the role. The colorful logo for the series and the party music played during the sizzle reel interval hopefully reflects the show’s playful, groovy bent – I’d gladly take a break from Star Wars‘ doom, gloom, and darkness, if it means exploring the glittery upper echelon of galactic society. Explicit confirmation of Lando’s pansexuality (teased by the Solo writers prior to the film’s release, without payoff) would also be nice.

One of the few Star Wars series’ to reveal new footage at the presentation, Andor will explore the backstory of Rogue One antihero Cassian Andor, as a fighter and secret agent for the young Rebellion. Spanning twelve episodes and featuring a cast of over two-hundred named characters (!), the series also stars Adria Arjona, Stellan Skarsgård, Fiona Shaw, Denise Gough, Kyle Soller, and Genevieve O’Reilly, who will reprise her role as Rebel leader Mon Mothma. For Star Wars: Rebels fans who were let down by the lack of a Rebels animated sequel series announcement, Andor is a must-watch: I thoroughly expect some characters from the animated series to pop up in live-action, with General Hera Syndulla being the most likely candidate in my opinion. This series will drop in 2022.

An animated series titled The Bad Batch will premiere next year – a trailer dropped, which I reviewed yesterday. The only other animated series revealed was one simply titled Visions, which will explore new corners of the Star Wars galaxy through the perspective of anime – and produced with the help of some of Japan’s leading anime studios. This seems likely to be an anthology of standalone episodes, much like another newly revealed Disney+ project which is being called an animated series by most outlets: A Droid Story, which will star C-3PO, R2-D2, and a new droid character.

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The Acolyte | comicbook.com

Finally (and most excitingly, to my mind), we have The Acolyte, an original series from Leslye Headland, one of the visionaries behind Netflix’s brilliant dark psychological comedy, Russian Doll. The Acolyte is set further back in Star Wars‘ timeline than any existing live-action property, during the mysterious era known as the High Republic: which will be further explored in a series of novels and comic books set to release next year. Said to be female-led and featuring martial arts elements, The Acolyte focuses on the Dark Side of the Force, and sounds like it might be our most in-depth look yet at the hierarchy of the Sith, and their heyday. The logo – with a prominent lightsaber gouge slashing the title – also hints at something very new, unique, and cool.

So what are you most excited for? The Acolyte is my most-anticipated Star Wars series, but maybe you’re more interested in Ahsoka, or Lando…or A Droid Story? Share your own thoughts, theories, and opinions, in the comments below!

Benioff & Weiss Depart “Star Wars” Franchise!

What Deadline is reporting as a “Star Wars Setback”, the rest of the world seems to be praising as one of Disney’s greatest business moves in a long time. The bitter war waged against Game Of Thrones screenwriters David Benioff and D.B. Weiss by their enraged ex-fans has now reached a crescendo, with the two men being forced to abandon their newfound place at the helm of an entire Star Wars trilogy. It’s a big win for audience backlash, which is both exciting and a little frightening.

It’s exciting because, in this case, fans really do have a good reason for wanting Benioff & Weiss to exit Star Wars. The duo are pretty much exclusively responsible for the controversial final season of the HBO TV series, Game Of Thrones, that saw character development thrown out the window, expectations subverted in the worst way, plot twists coming out of nowhere – all of it to rush towards a clumsily-structured, badly-written finale that saw the series’ protagonist and most beloved character slain in cold blood. Fans are understandably worried that what happened to Game Of Thrones can happen to Star Wars, and there’s obviously plenty of reason to believe them. I wrote an entire post on this subject yesterday, in which I addressed Benioff & Weiss’ recent interview (which I think must have been a contributing factor in their decision to depart Star Wars), in which they talked about basically scamming HBO into giving them an expensive film school experience while they were supposed to be developing a TV series based off of books they didn’t even try to understand. I’m sure Disney was also more than a little nervous about hiring two men who just unabashedly revealed that they got into a heated argument with a mother who didn’t want them placing her baby fully-naked on a block of ice, both exploiting and endangering the infant.

On the other hand, it’s also a nerve-wracking development: how closely do studios listen to their fanbases, and how much influence and power should audiences exercise over film-making? It’s a question that has been plaguing us for quite some time, but it’s all about context: when fans rioted about the design of Sonic The Hedgehog in Paramount’s Sonic movie, they were justified because the character looked like an asymmetrical weasel rather than a hedgehog; when protesters demanded a boycott of Disney’s Mulan remake because the lead actress expressed her support for the police-state of China, they were definitely coming from the right place, though that story is a very complex one; when heartbroken fans demanded that Johnny Depp’s career be canceled after claims of domestic abuse arose against the actor, well, we still don’t know who’s right or wrong in that case, or if it’s actress Amber Heard who should be canceled instead, or if it’s both of them. Context matters in these situations. So, yes, in my opinion, fans are at least partly justified in wanting Benioff & Weiss to leave Star Wars, because there are many reasons not to trust the two men with a story of that magnitude, so soon after the disastrous finale of Game Of Thrones.

We could also say they deserve a second chance, and that’s true, to some extent: which is why it’s a good thing that Benioff & Weiss already signed a deal with Netflix, which is where they will be headed. If they do a good job over there, with some smaller projects that don’t run the risk of upsetting a franchise that has only just regained its footing to begin with, then maybe they should consider coming back to Star Wars – if Kathleen Kennedy will have them. But in the meantime, Disney is keeping that galaxy far, far away from the divisive duo.

In Benioff & Weiss’ defense, their statement on the matter implies that it was their obligations to Netflix that prevented them from devoting their full time and attention to Star Wars – but while I suppose that could be true, it seems more likely to me that it’s the polite way of flattering Netflix into offering them more job opportunities.

So what do you think? Is this a win for fans – or a loss for Disney? Share your own thoughts and opinions in the comments below!

Kevin Feige Joins “Star Wars” Team!

What is Kevin Feige? What is he, that he can patiently build up 23 films worth of material, mash it all together (successfully, no less!) in the most ambitious crossover event ever, than outdo himself the very next year, wipe the board clean and start all over immediately afterwards, unveiling his genius plans for the next two years and implying that he already has the next five planned out in his head? How is it that this man can expand one of the biggest movie franchises in the world to include as many as 12 new properties (14 if you include Fantastic Four and X-Men, which he hasn’t even begun discussing yet), probably 8 films in total and 8 streaming shows, seemingly without any worry that he could risk over-extending Marvel Studios’ reach? How is it that he can lose one of his company’s most iconic characters to a rival studio in a bitter war between his superiors at Disney and Sony, without breaking a sweat?

How is it even humanly possible that he looks at everything he’s got on his plate right now, calmly, studiously examines everything, nods his head, and says: “You know what, let’s add a Star Wars movie to the mix”.

You heard that right: Star Wars. Kevin Feige, a lifelong fan of the Galaxy Far, Far Away, is joining the troubled franchise to work with Lucasfilm president Kathleen Kennedy on a new Star Wars movie.

From Kennedy’s point of view, this is probably both relieving and slightly nerve-wracking. Feige, with an entire decade of blockbusters behind him, will be a boost to the franchise, which has been going through some rough patches lately, with studio shakeups and audience backlash dominating the headlines: Star Wars is still a wildly successful property, but Kennedy needs it to outlast the Skywalker family, who will probably make their last appearances in this year’s The Rise Of Skywalker. However, her attempts to do so have been met with resistance, as some fans refuse to let go of the Skywalkers, or aren’t interested in the stories of Rey and Kylo Ren. Kennedy has a huge new wave of films she wants to roll out in the coming years, but so far her picks to produce and direct them have been so shocking, it almost seems like she’s intentionally courting controversy: Game Of Thrones‘ David Benioff and D.B. Weiss are working on an entire trilogy for the franchise, even after the disastrous final season of their hit TV show that basically turned an entire fandom against them; and Rian Johnson, who infamously directed The Last Jedi (a film I actually quite liked) and became so hated among the Star Wars fanbase that Kennedy didn’t even keep him around to develop the sequel, is also shaping up his own trilogy.

Feige, then, is a breath of fresh air in this crowded kitchen. The man is beloved by the Marvel fandom, widely recognized as a business-savvy genius with a keen understanding of PR as well as how to craft excellent stories, and has produced many of the highest-grossing films in history. He’s also a die-hard Star Wars fan, which means he’s not just being brought in to rescue the franchise, but actually has a good idea of what he’s getting into.

But while Kennedy has to be happy about all that (what with her current track record of hiring directors, she had better recognize a good thing when she’s got it), there still has to be some doubt in her mind: Kevin Feige is a presence that leaves a mark on whatever he touches – assuming his Star Wars project is a stand-alone, that might not be so bad, but what if he wants to direct more? Apparently, he has already approached a major actor that he’s worked with before to star in his Star Wars film, and that actor has expressed interest (the rumor is that it’s Brie Larson, star of Captain Marvel, and a huge fan of Star Wars). How much of it will, in fact, be his? Kennedy’s obviously not passing Lucasfilm onto Kevin Feige, but she has to be worried that her own legacy in the company will be overshadowed by Feige, especially if Disney sees that the results are favorable and decides to work with Feige again. Disney CEO Bob Iger has just recently gone on the record criticizing his company’s handling of the Star Wars situation, saying that they tried to do too much at once and rushed the process. Wow, Kennedy’s got to be thrilled about that assessment of her work. The last thing that Star Wars needs right now is more infighting, and Feige’s involvement could be the spark that lights the flames of war.

And as for Feige? Well, I can’t imagine how he’s going to balance all of his new projects, or if his move to Star Wars signifies a shift away from Marvel (something that would undoubtedly only increase Kennedy’s fears). Some are saying this would be the perfect time for Feige to make good on his promise to diversify the Marvel franchise, by putting his current Executive Vice President of Production Victoria Alonso in charge of the studio. Others are begging Feige not to leave Marvel in favor of what they view as a lost cause.

I’m still busy wondering whether Kevin Feige is a cyborg: the man takes multitasking to the next level.

So what are your thoughts? Is this a good move for Feige, Kennedy, or both? Or is this is sign of worse things to come for both Star Wars and Marvel? Share your thoughts in the comments below!