Mads Mikkelsen In Talks To Join “Fantastic Beasts 3” As Grindelwald!

Like it or not, Johnny Depp has now been officially ruled a wife-beater by a British court, and there’s likely very little he can do at this point to prove otherwise. The ruling, which came about after a prolonged legal battle between Depp and his ex-wife Amber Heard (whom Depps claims physically and emotionally abused him, and who herself claims to be the victim of Depp’s own abusive tendencies), has already led to consequences for Depp, at least from a business perspective: it wasn’t long after the court case ended that Warner Brothers announced they had let him go from the Fantastic Beasts franchise. Depp was actually the first to break the news, in an Instagram post where he admitted that Warner Brothers had asked him to resign from the role of the dark wizard Grindelwald, a pivotal character in the franchise whom he has played since the Fantastic Beasts franchise’s start in 2016.

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digitalspy.com

What both Depp and Warner Brothers neglected to mention at the time was that Depp, who had not yet filmed any scenes for the third film in the Fantastic Beasts series, would nonetheless be receiving his full 8-figure salary for his work. In light of that reveal, I think we can all agree that – no matter how you feel about Depp and the allegations against him – the actor has been left financially well-equipped by Warner Brothers to continue his fight in court (he hopes to challenge Heard again for libel, here in the United States), and probably find work elsewhere before long. In the meantime, filming is still underway for Fantastic Beasts 3, but the movie now needs a new Grindelwald fast – he’s not a side-character who can just be removed from the story. He’s the main antagonist of the series.

Luckily for the franchise and its small but admittedly devoted hardcore fandom, it seems that Fantastic Beasts director David Yates has long had a replacement in mind, and thus, after just a few days, Yates and Warner Brothers have expressed their intent to bring Danish actor Mads Mikkelsen into the Wizarding World. Mikkelsen, who is often cited as the actor most people wish had gotten the role in the first place, is already in early talks to join the series – a bold and potentially very risky move for the actor, who has up until now made mostly solid career choices: his most significant role to date being Hannibal in the popular TV series of the same name. He hasn’t had much luck when it comes to big film franchises, which may be part of the reason why he’s interested in taking the juicy role of Grindelwald – a charismatic fascist dictator whom we last saw mustering armies of dark wizards to conquer the world and enslave the non-magical population, and who cunningly manipulates the emotions of his nemesis and former lover, Albus Dumbledore. A few years ago I think all this would have been quite enough to convince Mikkelsen (or anyone, really) to take the role. But nowadays, I would personally be hesitant to attach Mikkelsen to the Fantastic Beasts franchise and its swiftly growing hurricane of controversy – for Mikkelsen’s sake.

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Grindelwald | cnbc.com

It’s not just because Mikkelsen will receive a barrage of unwarranted abuse from Johnny Depp’s most ardent supporters, who will cry foul and continue to defend Depp’s right to return to the role; it’s not just that Mikkelsen will have to work around and hopefully overcome valid criticisms that the characters of Grindelwald and Albus Dumbledore are written intentionally vaguely so as to queerbait audiences; it’s not even just that J.K. Rowling, the series’ creator and lead writer, is a ticking time bomb who has done her level best to destroy her own reputation and the reputations of those who associate with her by constantly waging war on the trans community in a series of attacks that ranged from depicting transwomen in her adult crime novels as serial killers by nature, to writing up entire essays about how she thinks transwomen are infiltrating spaces reserved for cisgender women or being forced to transition by nefarious forces, to unfollowing fellow author Stephen King on Twitter after he simply proclaimed that transwomen are women. It’s also that Fantastic Beasts is a struggling franchise overall, one which any bystander can see is probably on a collision course with disaster. While the first film was fairly decent and made a good profit, the sequel derailed the story entirely – and unsurprisingly, it drew in overwhelmingly negative reviews before dying a long, slow, death at the box office. Fantastic Beasts 3 is now being moved from the franchise’s consistent, safe, November release date to an alarming spot in mid-July, where it will open just a week after Captain Marvel 2, the sequel to last year’s female-led, billion-dollar-club entry. At one point, this series was supposed to be a five-film epic: now, with everything up in the air, it’s going to be extraordinarily difficult to make a fourth or fifth film happen, and J.K. Rowling would be wise to at least try and wrap up the entire series in this third movie – the only one she’s assured to get. But with the way she’s been acting recently, I’m not holding my breath. What seems more likely is that she’ll end Fantastic Beasts 3 on yet another bizarre cliffhanger just before the entire franchise gets gently terminated, leaving us all unsatisfied, frustrated, and exhausted. Either that or Warner Brothers sticks with J.K. Rowling’s vision and continues to suffer the consequences.

And as for Mads Mikkelsen personally, well, he’ll get a big paycheck for sure, but the laundry list of possible consequences for him for taking this role goes on. Right upfront, he’ll be expected to come up with an excuse for how he can be comfortable working under J.K. Rowling – and, in fact, all the Fantastic Beasts stars will need to do so before long. So far, the series’ lead Eddie Redmayne has wavered between vocally condemning Rowling’s harsh rhetoric and writing supportive letters to her. Mikkelsen should be ready with a statement of his own: if he signs on, he will become the first major actor to join the franchise after Rowling’s transphobic views became widely-known, putting him in an unenviable position. For the moment, he’ll also carry the massive burden of trying to rescue the franchise (assuming that’s even a concern of Warner Brothers’ at this point): he’s the only new name thus far attached to the cast, and none of his costars, not even Jude Law, did much to draw audiences to theaters when the last film came out in 2018. Depp’s parting and Rowling’s statements make it inevitable that we’ll also see calls to boycott in the months and weeks leading up to the film’s release: there’s a widespread feeling among the fandom that supporting Fantastic Beasts financially equals supporting transphobia.

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Mads Mikkelsen | independent.co.uk

With that being said, Mikkelsen is popular enough that he might actually be able to rescue the franchise, though he’ll never be able to repair all the damage that’s been done. Since the news of his involvement broke last night, I’ve been surprised to see a surge of people expressing renewed interest in the upcoming third film, saying that they’ll watch it just for Mikkelsen, or at least catch it on HBO Max. Granted, this moment of hype could die out by the time the film actually opens, and we’ll have to see how Mikkelsen looks and acts in the Grindelwald costume (or if he gets embroiled in any controversy of his own, something I truly hope doesn’t happen), but he’s almost certain to turn in a great performance: the kind of performance that could even get Fantastic Beasts some good reviews. If Warner Brothers is trying to get this franchise off their hands, they might have chosen too good an actor to make that possible just yet.

So what do you think? Is Mikkelsen a much-needed win for a franchise getting back on its feet after failure, or is this a disastrous career choice the actor will regret for a long time? Share your own thoughts, theories, and opinions, in the comments below!

“Fantastic Beasts 3” Has Been Greenlit!

Fantastic Beasts: The Crimes Of Grindelwald was not a good movie. In fact, it can be argued that it was a downright bad one – certainly critics and audiences were almost unanimous in their condemnation of the film’s many convoluted subplots, crowded cast of characters, and disrespect toward Wizarding World canon. Nonetheless, many of us hoped and prayed that, despite fan backlash, despite that ugly Rotten score, despite (worst of all) the lower box-office returns, the franchise could reach its full potential in a third installment, a third film that could right Grindelwald‘s wrongs and put the series back on track. We, the faithful few, suffered devastating setback after devastating setback: the film was pushed back to a 2021 release date; star Ezra Miller’s busy schedule seemed to indicate that he might be leaving the Beasts franchise, or worse, that it might be canceled – these were the concerns that kept us awake at night. We heard rumors that Johnny Depp was out as Grindelwald; that Warner Brothers had lost faith in writer J.K. Rowling’s ability to turn out a good film; that nothing was certain.

Today, one year after Crimes Of Grindelwald put the franchise’s future into question – a third film has been confirmed.

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cinemablend.com

Beasts is not dead, despite how long it took to get the series off of life-support. In Fantastic Beasts 3, the franchise will need to work harder than ever before to convince fans to stick around – but Rowling can’t rely on the same tactics she thought would make Grindelwald an instant hit: her literary style, the complexity of her stories, her excessive callbacks to Harry Potter – that all needs to stop now, for the third film to work. No more subplots within subplots within subplots, all stuffed into one gigantic red-herring; no more half-baked characters tossed into the story to fill up space and time; no more queer-baiting Grindelwald and Dumbledore’s LGBTQ relationship. It’s time to put the focus back where it belongs, on the core narrative of our four heroes (Newt Scamander, Jacob Kowalski, Tina and Queenie Goldstein), and strip away the layers upon layers of underdeveloped plot that turned Grindelwald into the tangled mess that it was. Bring us back to basics, Jo, and give us a good, stand-alone story that is comprehensible, accessible, and enjoyable.

Thankfully, she’s not alone. As many of us suspected and hoped would be the case, a real screenwriter has been brought onboard to assist Rowling in translating her impressive vision to the big screen: Steve Kloves, the writer for all of the Harry Potter films (except Order Of The Phoenix). Rowling was originally set the write the third film on her own, but reason has prevailed.

I’m not saying that Rowling is not a good writer – on the contrary, I believe she is quite an excellent one: she has an eye for detail, she weaves clues and hints into her writing in an intriguing way that allows fans to play along, and she has a knack for compelling mystery (so much so that, when not writing wizard books/movies, she writes mystery novels under a pseudonym). But her style is best suited to the literary format, where she has all the time she needs to write those mysteries and weave those intricate stories. In a two-hour film, her plot is virtually bursting at the seams, demanding to be given space to breathe, pleading with the viewer for more time – time that Rowling simply doesn’t have. With a professional screenwriter at her side, she will hopefully be able to edit her story down to a decent size, give it a clear focus, and make it just a bit more cinematic: certainly there’s enough in the third film to make a good movie, it just needs a good script.

Fantastic Beasts 3 is confirmed to be another world-hopping adventure like the first two films, with Rio de Janeiro, Brazil, set as one of the main locations – though the Deadline article in which the news broke does make it seem like the story will span several continents: which would fit in with what star Dan Fogler suggested earlier this year, that the third film would be bigger in scale than the first two combined. Oh please, Jo, don’t mess this up. This could be your last chance – don’t mess this up!

The regular cast, including Johnny Depp as Grindelwald and Jude Law as young Albus Dumbledore, are confirmed to be returning for the third film. Jessica Williams, who had a blink-and-you’ll-miss-it cameo in Grindelwald as Professor Eulalie “Lally” Hicks, will also have a pivotal role, though no further details have been revealed about her character. Production will begin in Spring of 2020.

What do you think of the news? Are you relieved, or disappointed that the franchise is continuing? Share your thoughts in the comments below!

“Fantastic Beasts 3” Release Date Announced!

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theverge.com

It’s long been suspected that the next installment in the Fantastic Beasts franchise wouldn’t be coming to the big screen for quite some time: not only was the previous Beasts film, Fantastic Beasts: The Crimes of Grindelwald, ravaged by critics and met with only a middling reaction at the box-office, but there was also debate about whether or not the franchise’ star Johnny Depp was fit to remain in his role as the Wizarding World’s greatest villain after his domestic abuse scandal began to heat up again. Ezra Miller had some scheduling troubles with his upcoming Flash movie. Meanwhile, the sci-fi epic Dune nabbed the November 2020 release date that had previously been rumored to belong to Fantastic Beasts 3, leading some to believe we would see the third film in early 2021.

Alas, it is not to be. Today, Warner Brothers released a statement confirming that, while they are “proud to be the cinematic home of the Wizarding World”, they’ve made the decision to push back the third film’s release date to November 12, 2021. Considering the epic cliffhanger that the previous film left off with, this is a hard blow to those of us who actually enjoyed Crimes of Grindelwald and are excited to see where this franchise could go. Author J.K Rowling has the script apparently ready to go, and filming will begin in the spring of 2020. Previously, actor Dan Fogler had reported that the third film would be bigger than the first two Beasts movies combined – probably an overstatement, but perhaps not impossible at this point: the official reason given for delaying Fantastic Beasts 3 is that it will “give the filmmakers time and space to allow their artistry to truly flourish”, which sounds pretty good, all things considered. Crimes of Grindelwald was rushed through its production and, as much as I loved the film, it certainly had major flaws: the characters felt only half-baked compared to how vibrant and unique they were in Fantastic Beasts & Where To Find Them; multiple plots and subplots branched out without solid resolutions; and, worst of all for Wizarding World fans, there were a number of peculiar and nagging retcons or continuity errors, none more infamous (or notorious) than the appearance of Professor Minerva McGonagall years before her established birthdate in the Harry Potter canon. More time to work on the film could have made it a worthier sequel to the first Fantastic Beasts installment, and might have made it more of a critical darling – or a box-office hit. As it was neither, it’s no surprise that the studio is taking steps to insure the franchise gets back on a smoother track: according to Rowling, there will be five films when all is said and done. If Fantastic Beasts 3 winds up in the same unfavorable position as its predecessor, we might never see 4 and 5.

Hopefully, having more time to perfect the script and edit out unnecessary filler material (did we really need to see Yusuf Kama’s eye-surgery, or Newt Scamander’s escapade with a Kelpie in Crimes of Grindelwald?), or unnecessary fan-services (looking at you, McGonagall, and you, Nicolas Flamel), will only benefit the final film. Even though we now have a much longer wait ahead of us, we can rest assured that what we get in the end could be that much better.

Captain Marvel Review (SPOILERS!)

It’s time to talk about everything that happens in Captain Marvel, so if you’ve not seen the film yet – don’t go any further!

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denofgeek.com

Still here? Good. Let’s dive right in.

So there are several surprises in the movie, obviously: Carol’s backstory was completely unknown to us, so piecing it together is not only an incredible journey but also uncovers a lot of interesting stuff; the truth of the Kree-Skrull War; the history of the Tesseract; a surprise villain; and a very shocking end-credits scene. Not to mention some hints as to what might come next. Let’s break it all down.

For anyone who was confused during the movie, here’s what happened, in chronological order:

Carol Danvers (Brie Larson) was a USAF pilot in 1989 when she and her friend Maria Rambeau (Lashana Lynch) found work testing new aircraft designed by a member of Project PEGASUS: Dr. Wendy Lawson (Annette Bening). Lawson had created a lightspeed engine core for her aircraft which harnessed the power of the Tesseract, the Space Stone – it seems she worked for S.H.I.E.L.D and thus was able to get her hands on the powerful artifact, which allowed her aircraft to fly at seemingly impossible speeds, and even into space. What no one knew, however, was that Dr. Wendy Lawson was a rogue Kree agent, who had discovered that her people were fighting an unjust war against the Skrull shapeshifters: the lightspeed aircraft were designed to be powerful enough to end the war. The Kree found her, however, and intercepted Danvers when she and Lawson were flying one of the test-crafts. Forced to make a crash landing, Danvers and Lawson were injured, but Lawson attempted to destroy the lightspeed core before it could be taken by the Kree. Before she was able, Yon-Rogg (Jude Law) the Kree pilot who had downed their plane, shot and killed Lawson. Carol Danvers, however, was able to destroy the core – but not fully. She absorbed the power of the Space Stone when she blew it up, and was then knocked unconscious. Yon-Rogg, seeing this, took her back to the Kree planet of Hala to try and harness the power she now possessed. By the time we see her in Captain Marvel, Carol has no memories of her past life, and has been completely brainwashed by the Kree.

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The obvious shocker here is that Carol Danvers received her powers from the Space Stone, which could mean that, like Vision and the Mind Stone, she is inextricably linked to that Stone’s power. How will her own powers be affected by the fact that the Space Stone now resides in Thanos’ Infinity Gauntlet? There are differences between this and the situation with Vision: Vision was created by the Mind Stone, given life by it, and when it was taken from him, he died. Carol, however, only got her powers from the Space Stone, and seems to retain them without needing the Space Stone at all. However, this does not rule out the possibility of a link between Carol and the Space Stone in Avengers: Endgame. She should be capable of wielding the Stone, for instance, and that would be quite an interesting possibility.

On a side-note, it’s cool to learn just a little bit more about the Tesseract, between its appearances in Captain America: The First Avenger, and The Avengers. Before Captain Marvel, we all thought it had just been in S.H.I.E.L.D hands up until the time Loki stole it. Little did we know it had started an intergalactic war, created the most powerful entity in the MCU, and been carried around in an orbiting laboratory, a lunchbox, and the insides of a Flerken, in between those two movies.

Speaking of the Flerken, that was one surprise I saw coming: it had been all but spoiled for me months ago, when toys were revealed that showed a muzzled Goose the Cat. Considering that there is only one species of alien in the MCU that takes the form of cats and has tentacles that explode from its mouth, it was pretty easy to guess that cat was a Flerken, especially when early reactions said that Goose stole the show.

The next surprise has to do with the Skrulls: throughout the first half of the film, we think we should be siding with the Kree, even if they are a bit warlike, and their leader, the Supreme Intelligence, is downright creepy. At any rate, it’s quite easy to see that the Skrulls are the bad guys: they’re green aliens who can shape-shift, and they take Carol captive in an ambush. They strap her into a device that makes all of her memories visible to the Skrull leader, Talos the Tamer (Ben Mendelsohn). Like, seriously, with a name like Talos the Tamer, how can you not be a villain?

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But they’re not. Turns out, the Skrulls are the victims of brutal oppression at the hands of the Kree, and they have been scattered far and wide across the universe. Talos himself is looking through Carol’s memories because he’s trying to find Dr. Wendy Lawson’s laboratory, where she was keeping Skrull refugees safe from the Kree. Not only that, but the Skrulls are also incredibly funny, and Talos himself is just hilarious. The Skrulls become instantly likable, especially after we see Talos reunite with his wife and daughter, who have been waiting for him for years.

At the end of the movie, when Carol has defeated the Kree, she promises to help the Skrulls find a new home: we see them vanish into the darkness of outer space, but their destination after that is still unknown.  Where will the Skrulls go? Will the Kree find them? And what about Secret Invasion, the comic-book storyline that everyone and their mother thought was going to be started in this movie: the story where Skrulls infiltrate the Avengers for evil purposes? Well, there are definitely still opportunities for that to happen, even with the Skrulls on the good side for now. It’s possible that other Skrulls could challenge Talos’ peaceful goals, and want to continue their war. It’s also possible, as Grace Randolph of Beyond The Trailer speculated, that Talos’ daughter, who was featured prominently in the film, could turn down a dark path and initiate the Secret Invasion.

Now let’s talk about some other things that I found noteworthy in the film: at the end, when Ronan the Accuser (Lee Pace) has been foiled in his attempt to blow up most of the western side of the United States, Captain Marvel hovers above the earth, daring him to try again. This immediately brought to mind the Alpha Flight storyline, in which Captain Marvel and a team of other superheroes act as Earth’s first line of defense against extraterrestrial threats. Whether this will be expanded upon in a Captain Marvel sequel remains to be seen, but I would be here for it.

There’s also two things relating to Nick Fury (Samuel L. Jackson) in this movie that are worth talking about: well, three, really, if you count the fact that we learn here that Fury cannot bring himself to eat toast that is cut diagonally. But we see how he lost his left eye, and how he came up with the name “The Avengers Initiative”. The answer to the first question is simple – perhaps too simple: his left eye was scratched out by that angry Flerken cat Goose. The answer to the second question – well, to call it a question is misleading, since I’m not sure anyone was really asking for an answer, but we got one anyway and I like it – is that Fury was inspired by the name of Carol Danvers’ plane, “Avenger”. It was a very cool scene, right at the end, when the Avengers theme started playing. A great way to finish a great movie.

However…it wasn’t technically the end. There’s a mid-credits scene and a post-credits scene, which we’ll talk about now: the mid-credits scene is actually from Avengers: Endgame. So firstly, you remember that in the post-credits scene for Avengers: Infinity War, we saw Nick Fury desperately trying to page Captain Marvel, before he was dusted. Turns out that pager was found by the remaining Avengers and brought back to the base, where we see it still beeping. Captain America (Chris Evans), Black Widow (Scarlett Johansson), War Machine (Don Cheadle), and Bruce Banner (Mark Ruffalo) are all gathered together when the pager suddenly stops sending out its signal: but as Black Widow tells them to charge it up again, she turns around to find…CAPTAIN MARVEL! Yes, Carol Danvers, standing right behind her, looking very serious and no-nonsense. It’s a scarily good scene, and really sets us up well for Avengers: Endgame, where we know we’ll see Captain Marvel and the Avengers face off against Thanos.

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Oh yeah, and the post-credits scene? Typical Marvel prank: it’s simply Goose throwing up the Tesseract, which he had been carrying around in his stomach during the final act of Captain Marvel. We know from that scene that Nick Fury will thus be able to recover the Tesseract and put it into the secret base where Loki, years later in The Avengers, would steal it, setting off a chain reaction of events. It’s amazing how much the Space Stone has caused in the MCU, and I am curious to see if there’s a reason for that. Could the Space Stone – and, by extension, Captain Marvel – be the key to defeating Thanos? Only time will tell.

Captain Marvel Review (No Spoilers!)

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After all the negativity, the backlash and controversy surrounding this film – and lead actress Brie Larson – it is something of a triumph to see how marvelous this film actually is. Directors Anna Boden and Ryan Fleck have created something very, very special. Not only does it equal the cinematic masterpiece that is Wonder Woman, but in some places it even manages to surpass it. It is a better origin film than any other in the MCU thus far, including Black Panther. Brie Larson’s Carol Danvers is one of the most likable protagonists to come from Marvel – it’s not just her wit and sass that make her so much fun to watch: it’s seeing how she was before the event that changed her life, and seeing her try to rebuild the relationships she had with friends and loved ones on Earth. There is something bittersweet about the movie, something very sad about every scene where Carol reminisces on her past life, or has a sudden memory of something she cannot fully understand. Seeing her struggling with this trauma is moving, and is one of the finest aspects of the film.

Of course, it is made so only by the fact that Brie Larson is an incredible actress, and even when she is an amnesiac on the planet Hala she still manages to take very difficult material and run with it – fly with it, in fact. When the film opens, she is a soldier living on Hala, the homeworld of an alien race of “noble warrior heroes” – the Kree. But she has memories of something else, a different world, a different life: it’s a classic storyline, but there are so many interesting and unique elements, so many unexpected twists, that it feels fresh and exciting: and poignant – and also, it has Brie Larson, and she carries the whole story with ease. She has moments of intense drama and laugh-out-loud humor, and she blends the two in a way that no other Marvel hero has done with such skill. She is, without a doubt, the definitive reason to go see this film: I, for instance, went into the movie as a Thor fanboy – but when I left, Carol Danvers was my favorite Marvel superhero, and one of the best heroines ever brought to the big screen.

The aforementioned storyline of Carol Danvers, however, is the second reason to see the film – if you like a story that is twisty, complex, and as deeply layered as Captain America: Winter Soldier, or Captain America: Civil War. Admittedly, when the film begins it is hard to follow. There are dream sequences and vague hints, and things that happen very fast and very chaotically – but even Carol doesn’t know what’s going on, which is both a help and a hindrance: on the one hand, it gives us the opportunity to relate to Carol as we see things through her eyes and learn with her, but on the other hand…her confusion rubs off a bit on the audience, leaving us a bit perplexed in the first fifteen to twenty minutes. But then, just as we are wondering what is going on, clues start falling in place, things happen that set off a chain reaction of other things happening, and we suddenly realize that things are not as they seem. The major problem, I think, with the flashbacks that are used frequently in the movie is that, while some of them are relevant, there are others that are not – though they appear to be – and they are interspersed with the relevant flashbacks in a way that can be confusing. Thankfully, this problem goes away early on in the film, and after that it’s smooth flying – well, aside from one spot of space turbulence.

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The space aspect, actually, is one of the most interesting things in the film: we are brought to a total of three different worlds in the film – the Kree homeworld of Hala, the Kree border-world of Torfa, and Earth. Hala is the most interesting of the three worlds – since Torfa is mostly irrelevant. Hala is a fantastic place, brilliantly lit, and is inhabited by a race of blue alien warriors – or rather, mostly blue warriors: Jude Law’s character is, for some reason, not blue. This race, the Kree, are for the most part background characters: Jude Law portrays the Commander of Starforce, a team that consists of “Vers” (Brie Larson), Minn-Erva (Gemma Chan), Korath (Djimon Hounsou), Att-Lass (Algenis Perez Soto), and Bron-Char (Rune Temte). Aside from Law and Larson, the rest get very little screentime – though not as little as Lee Pace’s Ronan the Accuser, a character that will no doubt be familiar to fans of Guardians of the Galaxy.

Besides Ronan, there are many other tie-ins to various Marvel movies – and the most notable is the appearance of Nick Fury, once again portrayed by the great Samuel L. Jackson (though here, Fury is much younger and more naive, and has both of his eyes: his apparent youth is achieved by incredible de-aging techniques that are so seamless you will actually believe you’ve been transported back in time to 1995, which is when this movie takes place). S.H.I.E.L.D agent Phil Coulson (Clark Gregg) also shows up – also de-aged – though very briefly. There are some terrific nods to the first Avengers, one of which will make fans gasp in surprise, and one of which will fill in some blanks. The mid-credits scene is also…shocking.

Speaking of shocks, there are twists in this movie, twists that you will never see coming. And obviously, because this review is Spoiler-Free, we will leave it at that.

However, I can say this: the film takes place during the war between the Kree and their mortal enemies, the shape-shifting Skrulls – and Ben Mendelsohn portrays the leader of the Skrulls, Talos. I went in expecting a two-dimensional villain: I was very surprised at how much depth this villain had, though, so much so that by the end of the film he was one of my favorite characters. I can’t say any more, but there’s a lot to say about Talos.

No review of this film would be complete without mentioning three stand-out performances: Lashana Lynch, who plays USAF pilot Maria Rambeau, Annette Bening, who plays…well, somebody whose name should not be revealed in the Spoiler-Free review, and Goose the Cat. Lynch is incredible, and the first scene that she appears is one that left me in tears: the sheer force and range of her acting was extraordinary, and entirely unexpected. As for Bening – well, she is surprising. That’s all I’ll say about her. She has one very interesting action sequence, though, that had me at the edge of my seat. And Goose? He’s adorable, and is a great mascot for the film, just like Groot is for Guardians of the Galaxy.

What about the action – and especially, the third act battle? Third act battles have become synonymous with “meh” in comic book movies, with even great ones like Black Panther and Wonder Woman failing to stick the landing. So how does this one hold up?

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Very well, almost perfectly. There are only two fights in the film that are somewhat flat – a fight on Torfa, which actually does get more interesting after a minute, and the fight sequence on the subway train that we’ve seen in basically every trailer for the movie: more interesting to me was the car chase that was happening at the same time as the train fight – and there was one particularly shocking moment in the sequence that does elevate the stakes a lot. As for the third act battle: perfect. The crown jewel of the film, in fact. Again, it’s too spoilery to say much about, but it has a lot of layers, and all of them are very well-done: and there is one very special moment that seems to tease something that I really hope we get in a future Captain Marvel movie.

So to sum it all up: don’t miss out on Captain Marvel. You need to see her to believe her, really – her powers are incredible, and she could very well become your new favorite Marvel superhero. The movie has a great cast, great acting, a great storyline, and sets up neatly for Phase 4 of the MCU. Also, there is a very touching tribute to the late Stan Lee, that will have you in tears before the movie even begins. This movie is a great tribute to the power of women, and to the power of all individuals to choose for themselves who they want to be.

Movie Rating: 9.5/10

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Spoilers for Fantastic Beasts: The Crimes of Grindelwald, ahead!

 

Following Fantastic Beasts: The Crimes of Grindelwald, viewers were left with a myriad of unanswered questions. However, most of us took assurance in the fact that we would only have to wait two years for the next installment to figure out things like: how is Credence a Dumbledore? How is Minerva McGonagall alive years before her birth? How is it even humanly possible that Eddie Redmayne continues to get more and more adorable in the role of Newt Scamander?

However, our hopes were rudely shattered by the news, which broke in January, that production of Fantastic Beasts 3 had been pushed back to the fall of this year – it had been expected to start production in the summer. This was followed by the revelation that the release date rumored to be reserved for Fantastic Beasts 3, November 20th, 2020, had been given to the sci-fi epic Dune. Now we’ve been able to glean a few more details about why the production was delayed. In an interview with the LA Times, Warner Brothers chief executive Kevin Tsujihara revealed that he is aware that Crimes of Grindelwald was no critical darling, and that its box-office gross was not what he had hoped for: he suggested that this is being taken into consideration now, and that J.K Rowling is “working hard” on the script for Fantastic Beasts 3, which is interesting, since she finished writing it all the way back in December. Tsujihara also said that the third film will be better even than the first Fantastic Beasts movie, and that Rowling has “an incredible vision” of what the future installments in the series will be like. This is all very promising, especially when combined with Fantastic Beasts actor Dan Fogler’s statement that Fantastic Beasts 3 will be bigger than the first two movie combined. We can only hope that more news is on its way, and that we can get answers to our questions soon. But at the moment, it seems most likely that Fantastic Beasts 3 will be Apparating into theaters in 2021. That, of course, is small comfort for all of us fans who are dying to see what happens next to Newt & Co., but in my opinion the delay will actually be helpful: Crimes of Grindelwald, of course, was torn apart by critics and had only a moderate success at the box-office, so giving the production team more time to craft an excellent movie is not a bad idea, by any means. Continue reading “Fantastic Beasts 3”