“The Lord Of The Rings” New Leak Promises Short-Haired Elves

The slow and unpredictable trickle of information from the set of Amazon’s The Lord Of The Rings has not provided solid ground on which to build a fandom or even a following for the upcoming series. I think a fair number of us in the Tolkien community are definitely excited, but I think many folks are simply…curious, and still more don’t even know that a new adaptation of The Lord Of The Rings is on the way because Amazon has done virtually nothing to promote interest in their biggest fantasy series, much less clearly establish to general audiences that this show isn’t – technically – an adaptation of The Lord Of The Rings, but of the book’s lore-heavy appendices.

The Lord Of The Rings
The Lord Of The Rings | polygon.com

And that’s why leaks are so important. Leaks can increase or deflate public interest in a project far more effortlessly than a studio press release…and in “power vacuum” situations like this one, where the studio in question isn’t even interacting with their target audience yet or attempting to turn the narrative in their favor, leaks and rumors are especially vital. They can also be dangerous, as evidenced by the ongoing backlash to a rumor that Amazon would feature nudity and sexual activity in their adaptation of The Lord Of The Rings.

But today, TheOneRing.net (colloquially known as TORn) presented us with a bundle of set leaks, together forming the most substantial and invigorating information about Amazon’s The Lord Of The Rings since filming began, well over a year ago. Obviously, everything in these leaks is unconfirmed, and should be treated as rumor rather than fact, at least for now. But that being said, some of it lines up with other things we’ve heard or guessed, and I don’t doubt that TORn still has access to a reliable network of veteran spies across New Zealand. They claim to have verified most of the leaks with sources working on Amazon’s series, which is also an encouraging sign.

I, of course, will be running through each item on TORn’s bullet-point list of leaks based on my own personal interest: a ranking, of sorts. There’s a lot here, some of which could even form the basis of individual posts, if anybody would be interested.

The biggest news to come out of the leaks is that Amazon has apparently obtained rights to what TORn describes as “elements” and “passages” from The Silmarillion. This would confirm that Amazon’s deal with the Tolkien Estate, first forged in late 2017, is constantly evolving – perhaps because, as TORn claims, the Tolkien Estate is more closely involved with Amazon’s The Lord Of The Rings than with any previous Tolkien adaptation, and is apparently “very happy” about the direction the series is taking. I know for a fact that Tolkien fandom will be of two minds about this: some people will get excited by the prospect of an adaptation of The Silmarillion; others will be outraged by a perceived assault on Christopher Tolkien’s legacy. The truth, as TORn notes, is probably that the elements and passages in question are those contained in The Silmarillion‘s own appendices, which merely expand upon information in The Lord Of The Rings‘ appendices (and are further expanded upon in Unfinished Tales, but that’s a whole other set of rights).

A little further down TORn’s list, but higher up on mine, is news of a release date for the series: mid-2022, which matches up with recent reports obtained by Fellowship Of Fans from the New Zealand Film Commission detailing timeframes for Amazon’s marketing campaign. It’s not an exact date yet, but it would seem to suggest a late Spring or early Summer release, which sounds pretty good to me. Will I be digging through every text related to the Second Age of Middle-earth trying to find significant dates in that general timeframe on which Amazon might release the first season? You bet I will.

On a related note, TORn claims that “Main unit wrapped shooting in April 2021” – which again lines up with other reporting – and that while many of the cast have finished their work on season one and left New Zealand for the time being, there are still other “big stars” in the show that we haven’t heard about yet. No indication of whom, exactly, but this could tie into the very last point on TORn’s list: the identity of Sauron.

The Lord Of The Rings
The Eye of Sauron | businessinsider.com

According to the leaks, Sauron “will not be revealed in Season One”, nor will his alter ego of Annatar appear: possibly dispelling rumors that season one will focus on the Forging of the Rings and Annatar’s betrayal of the Elves. But the wording there makes me think that instead, Sauron will appear in other forms throughout the first season, with several different actors portraying the shapeshifting deceiver as he navigates through Middle-earth in the Second Age. That means general audiences and Tolkien fans alike will be surprised when Sauron is eventually revealed, and a new actor could potentially take on the role going into season two – kind of like a dark twist on Doctor Who. This actor could very well be someone with the star-power to keep fans hooked on the show, and it would make for a great cliffhanger. It also means that Joseph Mawle, who joined the cast as season one’s unnamed main villain, isn’t playing Sauron – I still hope he’s portraying the man who will become the Witch-King of Angmar.

According to TORn, Celebrimbor is the character whom Tom Budge was set to play before leaving the role because of creative differences. The character has since been recast, although he may not have a very large part to play in season one given that this incident seems to have had no effect on filming dates. I also suspect that Celebrimbor doesn’t appear in the first few episodes, directed by J.A. Bayona, which serve as “a standalone entry point to the series”.

That latter bit of information lends credence to some previous reporting from TORn that Bayona’s episodes form a feature-length film. I’m gonna call it now, this feature-length film probably deals with the very end of the First Age and the early days of the Second; from the great migration of Elves, Men, and Dwarves across Middle-earth, to the construction and enrichment of their great kingdoms in Lindon, Númenor, and Khazad-dûm, respectively.

Fascinatingly, the new leaks claim that Elves, Men, and Dwarves all “have their own sequestered production units” on The Lord Of The Rings. I cannot wait to learn what that’s about, since, as TORn editor Clifford Broadway speculates, it could suggest some kind of anthology or split-narrative approach to season one that would also emphasize the deep divides between the Free Peoples – and underscore the immensity of the threat that will bring them together in the final days of the Second Age during the War of the Last Alliance. Foreshadowing; we love to see it!

Apparently, the ancient ancestors of Hobbits – referred to in the leaks as Halflings – will also make an appearance in the show, though the extent of their role is unknown. I’m conflicted about this, and I really need to know more about what Amazon plans to do with their Halfling characters before I can pass judgment. But the fact that the Halflings will be played by Black and brown actors, including Sir Lenny Henry, is promising: again, a lot will come down to the execution of this idea, which has roots in Tolkien’s own writing (prepare for the inevitable discourse about how Tolkien’s reference to Harfoot Hobbits being “browner of skin” was actually a reference to very tan white people). During the Second Age, very little is known about the Halflings or their movements across Middle-earth: I rather suspect that by the end of the series, we’ll find them settled in the Gladden Fields, where thousands of years later a Halfling known as Sméagol would come upon the One Ring in the muddy waters where Isildur died.

Moving on to the most controversial item on the list, we have the surprising and somewhat bemusing revelation that Elves will apparently have short or shorter hairstyles in Amazon’s The Lord Of The Rings. I’ve seen a lot of backlash to this idea already, but I’ve got to be honest – I’m into it. There’s definitely arguments to be had about just how many of Tolkien’s Elves had long flowing locks, because some most certainly did, but the instantly iconic image of universally long-haired Elves is mostly a Peter Jackson creation. This change suggests that Amazon isn’t constrained by Jackson’s continuity, and I appreciate that. On a similar note, the show apparently swaps out the Jackson term “Cave Troll” for “Ice Troll”. Minor change, but it’s little details like this that reinforce my faith in the leak overall.

Over in the pile of “things that were never controversial to begin with but got blown wildly out of proportion”, we have the subject of nudity…or “sexless nudity”, as TORn proudly declared in their headline today. You may remember that TORn led the charge against the very concept of nudity or sexuality in The Lord Of The Rings after learning that an intimacy coach had been hired for the series; but today, it turns out all their fears were unfounded, because the nudity in Amazon’s series isn’t even remotely sexualized. In depicting the transformation of Elves into monstrous Orcs by Sauron’s corruptive evil, The Lord Of The Rings will apparently involve nudity “suggestive of concentration camp-type visuals of victims”.

And whether or not TORn’s claims that Tolkien scholar Tom Shippey had been fired from the set of The Lord Of The Rings had any validity, the new leaks state that three unnamed Tolkien scholars “were on set for a time”. The language here is slightly deceptive – they may have been on set, but more importantly, what did they think of the set? Who are they, and was one of them Shippey? Are they no longer working on the show? Can I apply for this job?

Lastly, we have one truly bizarre piece of news. Amazon apparently has “a fake production team shooting decoy footage on fake sets” simultaneously to the real production. I…have no words for how strange and distasteful that is to me, but I pray to Eru Ilúvatar that some of this decoy footage has a purpose, and isn’t just meant to keep people away from the real set. I mean, it would be one thing if anybody had even gotten a good look at the fake set, much less the real one, but so far we’ve seen virtually nothing besides fences and walls of shipping containers. If they’re trying to deceive us, at least…uh, tell us what we’re supposed to be deceived by?

The Lord Of The Rings
The One Ring | gadgets.ndtv.com

If Amazon is willing to go to such ridiculous levels to throw people off the scent, it’s hard to trust that this leak isn’t also a carefully planned distraction. But I hope it’s not, because I’m more excited now than I think I’ve ever been for this adaptation. Does this change your views on The Lord Of The Rings? Share your own thoughts, theories, and opinions, in the comments below!

“The Lord Of The Rings” Anime Will Explore Origin Of Helm’s Deep

In all the hype surrounding Amazon’s upcoming The Lord Of The Rings prequel series (hype that, to be honest, Amazon themselves have done little to stir up on their own with official announcements and news, relying on hardcore fans to drive interest for the past several months), it’s hard to remember sometimes that Warner Brothers and New Line Cinema still own the rights to the actual narrative of J.R.R. Tolkien’s magnum opus, The Lord Of The Rings. The situation is messy, and who owns what exactly is still not entirely clear (whether or not Amazon has permission to draw from Unfinished Tales, for instance, is a matter of heated debate in the Tolkien fandom), but Warner Brothers clearly still has enough to create an entire stand-alone feature-length anime focusing on the ancient history of Rohan.

The Lord Of The Rings
Helm’s Deep | the-world-of-arda.fandom.com

Honestly, this is a startlingly random announcement to spring on us today of all days, without so much as a warning – Danger! Beware Of Hype Overload! Because I don’t know about you, but my hype levels are accelerating at an alarming rate, and show no sign of stopping. It’s been six years since the last film set in Tolkien’s Middle-earth came out, and that film was The Battle Of The Five Armies, so it doesn’t count. With Amazon’s The Lord Of The Rings still only dimly visible on the horizon like the far-distant peak of the Meneltarma rising above the waters of Belegaer, it makes sense for Warner Brothers to capitalize on their long delays by giving audiences a taste for what the OG makers of Middle-earth have been up to in the mean-time. Partnering with the Warner Brothers Animation department for the ambitious project, New Line has already picked out a director in anime veteran Kenji Kamiyama, and a pair of writers in Jeffrey Addiss and Will Matthews, who previously developed Netflix’s The Dark Crystal: Age Of Resistance. If you remember my feelings on that series, you probably know that their inclusion in this project sends a chill down my spine that I can’t entirely shrug off, but luckily these writers will have help from Philippa Boyens herself.

Boyens is one of the three masterminds behind The Lord Of The Rings‘ excellent screenplay, alongside Fran Walsh and her husband, Peter Jackson. While Jackson’s directing is a huge part of why the films are as good as they are and he certainly deserves credit for his accomplishments, he tends to be propped up on a pedestal by the mainstream media as the sole genius responsible for bringing Middle-earth to life – while Boyens and Walsh, both Oscar-winners, are overshadowed and largely ignored. Both women were instrumental in keeping the films as true to the source material as they could be, as well as creating some of the most iconic original lines of dialogue from the trilogy (some of Boyens’ contributions in that category include “You shall not pass”, a slight but significant deviation from the books, and “A wizard is never late, Frodo Baggins. Nor is he late. He arrives precisely when he means to.”) That’s not to say all of her work on the trilogy was perfect – she was apparently responsible for “Meat’s back on the menu, boys!”, according to Grishnákh actor Stephen Ure – but her involvement in the anime is encouraging to me.

Peter Jackson, meanwhile, is presumably still too busy navigating the fallout from a bizarre scandal in his personal life involving a vintage aircraft theft to get involved in the new film, although he apparently gives it his blessing. It’s unclear whether the anime will attempt to stay in line with Jackson’s canon anyway, although it seems fairly likely given that New Line is overseeing this project, not Amazon. That being said, the film, currently titled The Lord Of The Rings: The War Of The Rohirrim, will be set a few hundred years before Jackson’s trilogy, so the only area in which it will really be expected to adhere to his canon is in the architecture and design of certain locations.

The Lord Of The Rings
The Rohirrim | inews.co.uk

The War Of The Rohirrim will take place in the kingdom of Rohan during the reign of Rohan’s ninth and arguably its most legendary king, Helm Hammerhand (for comparison, Théoden was the seventeenth king of Rohan, during the time period covered in The Lord Of The Rings). Helm inherited a kingdom very different from the one we saw in the trilogy: mostly due to the fact that Saruman the White had not yet settled in the ring of Isengard, nor consolidated the kingdom’s most ancient enemies into an alliance against the Rohirrim. Helm Hammerhand’s greatest foes were Freca, a powerful tyrant who lived west of Rohan in the region of Dunland, and all of his house. They claimed to be descended from Rohan’s fifth king, although Tolkien’s appendices to The Lord Of The Rings never confirm whether this claim held any weight. Either way, Freca was not very fond of Helm Hammerhand, and sought to gain power in Rohan by means of a politically-motivated marriage between his son, Wulf, and Helm’s daughter.

The marriage proposal fell through (although I won’t be surprised if it’s the central love story in The War Of The Rohirrim anyway) after Helm sucker-punched Freca in the face, killing him, and Wulf seized an opportunity to launch an attack on Rohan while the kingdom’s closest ally, Gondor, was occupied with defending their coastlines against the Corsairs of Umbar. Wulf’s Dunlending army was soon joined by warriors from the lands east of Mordor, and they drove Helm’s armies into the valley where he would fortify the foundations of an ancient Gondorian citadel which became known as Helm’s Deep. Both of Helm’s sons were killed there, but Wulf’s foes never breached the gates of the citadel. That’s an important plot-point in The Lord Of The Rings, so it can’t be altered with too much.

This siege lasted for many months, and coincided with the onslaught of the Long Winter, which left Rohan devastated by famine and blight. Tolkien describes Helm during this time as becoming increasingly dangerous and feral, venturing alone out into the snow to “slay many men with his hands”. Rumors that he had become a cannibal in his madness preceded him and sent his foes scattering whenever they heard the blast of his mighty horn from the walls of the citadel. Even when the cold finally killed him, he was found standing, frozen to death and covered in snow, on the wall. Long after his death, the ghostly echoes of his horn would still sound in the Deep, and his vengeful phantom was believed to rise again whenever Rohan was endangered.

Helm didn’t survive to see the end of the siege on Helm’s Deep, or the day when his brave young nephew Fréaláf ambushed Wulf in the Golden Hall of Meduself and achieved victory over the Dunlendings. But his legacy lived on, inspiring his descendants to great deeds of their own. The anime will have plenty of opportunities to draw parallels to the siege of Helm’s Deep in The Lord Of The Rings, where Helm’s horn marked the turn of the tide against Saruman’s armies of ravenous orcs.

And speaking of Saruman…I know I mentioned earlier that he wasn’t living in Isengard at the start of Helm’s reign, but by its end he had already taken an interest in the affairs of Rohan – assuming he hadn’t already been pulling the strings behind Freca and Wulf’s dissent. At Fréaláf’s coronation ceremony, he first appeared in Rohan and was welcomed by the Rohirrim. And with the Dunlending presence driven from Isengard, he was given free reign over the ancient stronghold and its treasure trove of magical artifacts. This ominous, almost tragic, ending would be the perfect way to tie everything back into The Lord Of The Rings proper.

The Lord Of The Rings
Saruman the White | looper.com

So yeah, I’m definitely going to keep a close eye on this project. Voice-casting and animation is currently underway, and I’m especially interested to see the style of anime that Warner Brothers goes with, as I think that will be very important: personally, I’d be most excited for something similar to the artwork of Netflix’s Blood Of Zeus and Castlevania anime series’, both of which also come with the violence one would expect from a series following Helm Hammerhand. This could very well end up being the first R-rated Tolkien property, and I don’t know how the fandom will respond to that.

But what say you? Does The War Of The Rohirrim sound appealing to you, and would you look forward to more anime based on The Lord Of The Rings? It’s a “yes” and a resounding “yes!” from me, by the way. Share your own thoughts, theories, and opinions, in the comments below!

“The Lord Of The Rings” Welcomes Charlotte Brandstrom!

It’s a good year to be a fantasy nerd. Shadow And Bone just dropped on Netflix, a second season of The Witcher is deep into post-production, The House Of The Dragon is dropping set photos left and right, and Amazon’s The Lord Of The Rings series is…well, it’s coming, it’s just taking its sweet time. Despite being literally the most expensive TV show ever filmed, and capitalizing on a built-in fanbase of millions around the world, The Lord Of The Rings hasn’t quite captured the attention of mainstream media just yet, or gotten people chattering outside of the Tolkienverse fandom.

The Lord Of The Rings
Charlotte Brandstrom | m.imdb.com

That’s going to change soon, though. The first season is set to wrap post-production in early August, and before then we’ll likely see an official still from the set, maybe even a brief teaser. At this point, a title reveal would be nice. But until then, we have the exciting news that Charlotte Brändström has indeed joined the series’ production team as a director on two episodes of the first season, becoming the first woman to helm a piece of official Tolkienverse media (an important distinction from Fran Walsh directing key scenes in Peter Jackson’s The Lord Of The Rings trilogy, something for which she does not get enough credit).

I want to give a shoutout to Fellowship Of Fans, a YouTube channel specializing in frequent and reliable updates on Amazon’s The Lord Of The Rings series, including exclusive reporting based on admirable sleuth work. Fellowship Of Fans broke the news that Brändström was probably involved in the Amazon series some time ago, and their reporting has once again been proven accurate. With the prevailing trend in Tolkien fandom these days being to wildly exaggerate and hyperbolize any potential scoop (I’m not naming names, but…you know), Fellowship Of Fans’ high quality of reporting is extremely important.

But today, it’s been made official by Amazon themselves. Brändström is working on two episodes of The Lord Of The Rings, and multiple cast members – including Nazanin Boniadi and Ismael Cruz Córdova – have already congratulated her on social media. She joins J.A. Bayona and Wayne Che Yip as confirmed directors on the series, although we still don’t know for sure which episodes she’s directing.

The Lord Of The Rings
The Witcher | pinterest.co.uk

Brändström, a Swedish-French director with an International Emmy Award nomination to her name, has had a long career in the TV industry, spanning multiple studios – but she’s probably best known for directing two episodes of The Witcher, something that bodes well for her work on The Lord Of The Rings. She has also directed episodes of The Man In The High Castle and Counterpart for Amazon, Outlander, Grey’s Anatomy, Arrow, and, most recently, Jupiter’s Legacy for Netflix (which I am very slowly making my way through, by the way. It’s not a very good show, but since I haven’t gotten up to either of Brändström’s episodes yet, I don’t really have anything to say about it that has any impact on the conversation at hand. But at this point, I’m continuing solely because I want to get a broader idea of her work.

The significance of a woman working to bring this new iteration of Middle-earth to life can’t be understated. The backbone of the Tolkien fandom has always been women, and it’s been kept alive this long by women, by people of color (particularly women of color), and by LGBTQ+ people – but that makes it all the more important that we acknowledge that this is only a small step in the right direction. A certain group of people will wring their hands about how a white cisgender woman directing two episodes of a Lord Of The Rings series is proof that “wokeness” is ruining Tolkien, but the truth is there’s not enough diversity behind the scenes yet, and I will continue to push Amazon to do better, especially when it comes to hiring Black people and people of color for leadership positions where their input can’t be ignored or sidelined.

Beyond that, there’s not much else to say. The announcement of Brändström’s involvement was accompanied by a photo of her standing in a mountainous environment in New Zealand, but it’d be pretty cool to see something substantial at this point – like a title logo, maybe? Please, Amazon? Anything so that I don’t have to keep calling it The Lord Of The Rings and then backtracking every five seconds to explain that it’s not actually The Lord Of The Rings!

The Lord Of The Rings
The Lord Of The Rings | denofgeek.com

So what do you think? Where have you experienced Brändström’s work before, and what qualities do you foresee her bringing to the series? Share your own thoughts, theories, and opinions, in the comments below!

“The Green Knight” 2nd Trailer Review!

A24’s The Green Knight definitely looks like a strong awards season contender, but it already deserves to win something for the film’s clever method of adapting to the COVID-19 pandemic by recentering its entire marketing campaign around the ominous line “One year hence…” – which now refers to both the Green Knight’s warning to Sir Gawain that sets the entire story into motion, and the rather meta aspect of the film being pushed back from its May 2020 release date to a new one at the end of July, 2021. A little more than one year hence, but close enough.

The Green Knight
Sir Gawain | filmaffinity.com

The Green Knight‘s new full-length trailer, released today, should hopefully give general audiences some idea of what they’re in for, while piquing the interest of fantasy nerds, Arthurian legend lovers, and Medieval history buffs (a.k.a. me, me, and also me). The Green Knight should be of special interest to Tolkienverse fans who are at all interested in J.R.R. Tolkien’s scholarly work outside of Middle-earth – which included translating the poem of Sir Gawain And The Green Knight into Modern English on his own, and collaborating with his good friend and Viking Club cofounder E.V. Gordon to compile and annotate a Middle English edition of the text in 1925. That arcane bit of information is absolutely nonessential to understanding or enjoying this particular adaptation of The Green Knight, but it’s fun regardless.

I can’t speak to the quality of the adaptation just yet, but one thing I love about this trailer is how weird and macabre it is. It’s clearly leaning into the Celtic mythological influences on Arthurian legend, which means everything from a herd of giants to a talking fox (oh yeah, and the Green Knight himself: a towering man-tree hybrid who carries around his own decapitated head). Andrew Droz Palermo’s rich and vibrant cinematography is perfectly suited to this tale, which is built on layers of symbolism and allegory hidden in every innocuous detail – all obviously meaningful, despite their original and definitive meaning being unclear and a subject of heated debate.

The Green Knight
Sir Gawain and the giants | Twitter | @DiscussingFilm

Some scholars argue that the poem is a deconstruction (either serious or semi-satirical) of Medieval chivalry, using the conflict between the Green Knight (quite literally representing nature at its most primal and chaotic) and Sir Gawain (a supposedly virtuous knight of King Arthur’s court) to comment on chivalry’s inability to restrain humankind’s darkest impulses. So…basically Amazon Prime’s gory superhero satire The Boys, but aimed at knights – who, if you think about it, made themselves out to be the superheroes of their era. Just based on the trailers, that particular reading of the poem appears to be the central theme of The Green Knight.

Dev Patel stars as Sir Gawain, but the film’s cast also includes Alicia Vikander and The Falcon And The Winter Soldier‘s Erin Kellyman – who’d you think the trailer would spotlight at least a little given her recent boost of popularity off the hit Marvel Disney+ series. Unfortunately, I suspect her role will be very small. Sir Gawain And The Green Knight has a lot of things to say about the dynamic between masculinity and femininity in the age of chivalry (though again, things which no modern scholar can interpret with any degree of certainty), but it’s too early to say if the film will dive into any of that, or give the women in Gawain’s story more prominent roles.

The Green Knight
The Green Knight | nerdist.com

Hopefully, The Green Knight does really well at the box-office as well as with critics, so that Hollywood will start to take more of an interest in Arthurian and Celtic myth, after essentially reducing the former to “knights in shining armor” and “the sword in the stone”, and simply ignoring the latter outright for years. Next stop; Cú Chulainn, Finn McCool, and the Morrígan!

Trailer Rating: 8/10