Rejoice, my fellow Tolkien fans! For today we have learned about substantial new evidence to support the theory that an actor has recently joined the cast of Amazon Prime’s upcoming The Lord Of The Rings series. Although it’s not yet official, the evidence is very strong, and if nothing else it should help to fill the void in Tolkien fandom discourse that until recently was being filled by think-pieces regarding sexuality and nudity in Middle-earth, and…well, that’s a conversation I think we can probably take a break from at this point, no? I’ve made my thoughts on the matter clear, at any rate.
This new theory comes to us from Fellowship Of Fans, a very reliable YouTube channel that also revealed some of the first behind-the-scenes photos from the set (showing some mountainous set design), and has kept up to date with The Lord Of The Rings cast and crew’s social media, scouring for clues and hints about filming locations, characters, etc. Today, Fellowship Of Fans revealed that Augustus Prew, an English actor with a solid resume in films and TV, has quite possibly joined The Lord Of The Rings cast. Prew has been in New Zealand for some time, and his Instagram posts indicate that he’s been staying close to various filming locations for the series. Most of the other cast-members in the show, as well as director J.A. Bayona, follow Prew and regularly interact with his posts, and he follows several of them back, including Bayona and The Lord Of The Rings On Prime‘s official Instagram account. It’s not enough proof to say anything for certain, but it’s looking very likely at this point that Prew will indeed be joining Amazon Prime’s Middle-earth adventure.
The big question, of course, is who will he be playing? The Tolkien community on Twitter has speculated that he might be Gil-galad, due to his passing resemblance to Mark Ferguson, who played the High King of the Noldorin Elves for about three or four seconds in Peter Jackson’s The Fellowship Of The Ring. It’s actually a pretty good theory and the attention to continuity would be admirable. COVID-19 has made it extremely difficult to discern when filming is going on and how much has been completed, but I did momentarily doubt whether such a major casting would come seemingly so late in the game, with the two-part pilot reportedly finished and the rest of the season already underway (filming is rumored to end sometime around March or April of next year) – until I realized that Prew has been in New Zealand since at least September, giving him plenty of time to film scenes for the pilot. Really, anything is possible, but Prew’s facial features do seem to suggest that he’s playing an Elven character, and Gil-galad is an obvious choice.
But if he’s not Gil-galad, I’m going to throw out a different theory, for which I have precisely no evidence. I think Prew could be playing Oropher, the King of Mirkwood (before it was actually called Mirkwood, back when it was still the Greenwood). Oropher was the father of Thranduil, whom Lee Pace memorably portrayed in The Hobbit trilogy, and I can see a resemblance between Prew and Pace – with a platinum blond wig, ice-blue contacts and thicker eyebrows, I think Prew could easily pass for Pace’s in-universe father. In the Second Age, Oropher’s reign was chiefly marked by his hostility towards the Noldorin Elves, and his eventual refusal to follow the orders of King Gil-galad during the War of the Last Alliance, ultimately leading to Oropher’s unnecessary death and the slaughter of a large part of his army. Thranduil was left in control of the remaining forces, but also homeless: because the seat of Oropher’s kingdom in Amon Lanc was taken over by evil creatures during the king’s absence. That’s how Thranduil ended up in the far north of Mirkwood, and it’s also how Amon Lanc turned into Dol Guldur, the hiding-place of the Necromancer in The Hobbit. I imagine that this sort of juicy backstory is exactly the sort of thing Amazon will include, and could potentially foreshadow by having Oropher appear throughout this first season of The Lord Of The Rings (or whatever it ends up being titled), along with a younger Thranduil. Even if Prew’s not playing him, I suspect both these characters will still show up in some capacity.
As for Prew himself, I don’t know a great deal about him, except that he’s the first openly LGBTQ+ actor to join The Lord Of The Rings cast (as far as I know), and he has had notable roles in films like Charlie St. Cloud, The Secret Of Moonacre, and Almost Love (which, by a bizarre coincidence, I just recently watched for the first time on Netflix: Prew was very good in it), and TV series’ like The Borgias, Prison Break, and The Morning Show. Just based on the little exposure I’ve had to his work, I’m very excited to see what he brings to The Lord Of The Rings – if he has indeed joined its ensemble cast.
So what do you think? Will Augustus Prew be in Amazon Prime’s series, and if so, who will he be playing? Share your own thoughts, theories, and opinions, in the comments below!
It’s been a while since we’ve talked about my favorite topic, The Lord Of The Rings and all things Tolkien (it really hasn’t, since I somehow manage to bring it up in most completely unrelated posts, but that’s beside the point), or since I’ve written a “top ten” list like the ones I did sometime back in March, where I discussed things I wanted to see in Amazon Prime’s upcoming adaptation of J.R.R. Tolkien’s writings on the Second Age of Middle-earth, as well as things I didn’t want to see, and characters I hope the series will handle with the utmost care. In the meantime, the Tolkien fandom has found other things to argue about – most recently the topic of sexuality in the Professor’s works, something I will address later in this post, and which was in fact the inspiration for this post. After seeing how shocked and outraged a portion of the Tolkien fandom was in response to the news that nudity and sexuality might be present in the Amazon Prime series, I asked myself: what other things might similarly shock them, if it’s mature content they’re opposed to? Things straight from the Tolkien canon, things that the Professor himself sketched out in detail or tantalizingly hinted at, and which will now have the opportunity to be realized onscreen?
Of course, this list will only be dealing with shocking events and themes of the Second Age of Middle-earth, which is when the Amazon Prime series will be set (no, it’s not reallyThe Lord Of The Rings, and I still don’t understand why they haven’t given us some indication of what the actual title will be). The Second Age just so happens to be the second darkest era in Middle-earth’s history (the First being, both figuratively and, until the creation of the sun and moon quite literally, the darkest), which means there’s a great deal of strange, terrifying, controversial or just uncomfortable things for Amazon to draw from for their adaptation. And now, without further ado, let’s get into it.
10: Different Magic. Let’s ease into this and start out fairly tame, with something that Amazon doesn’t necessarily have to include, but definitely should if they can find a way to do so naturally without alienating a massive part of the Tolkien fandom. In Tolkien’s assorted early writings on the Blue Wizards of Middle-earth, he briefly mentioned something that has always fascinated me and has always intrigued me because of how it seemingly challenges the loose rules of his soft magic system. “I fear that they failed…,” he wrote of the two Wizards, “and I suspect they were founders or beginners of secret cults and ‘magic’ traditions that outlasted the fall of Sauron.” Tolkien would later rewrite the story and have the Blue Wizards play an active, heroic role in bringing about Sauron’s downfall secretly from the east, but the idea of the duo spreading the knowledge or understanding of magic throughout Middle-earth is almost too irresistible to pass up on – even if Tolkien put magic in quotes, and clearly didn’t intend for it to mean real magical power like that possessed by Gandalf or the Elves. We’ve never seen magic used quite to this extent before in Middle-earth, certainly not with regards to cults or occult practices. And considering how Tolkien’s magic system is often used as the gold standard for soft magic systems in fantasy, it could be risky to explore this in too much detail – though it could be rewarding because it would give the show a chance to explore uncharted territory.
9: The Valar. As with occult magic, this has the potential to be both a good idea and a bad idea, depending on who you ask. Most hardcore fans know and love the Valar, but more casual fans might be weirded out by the reveal that Tolkien’s world comes with an entire pantheon of gods, goddesses and other minor deities – like the sun, and the moon…and Gandalf. In the semi-biblical narrative of The Silmarillion, the presence of the Valar feels very natural and I would argue it’s no different with the Second Age – but I’m just one person, and I have previously seen some quiet backlash to the idea of the Valar ever physically appearing. Some simply feel like it’s too radical a departure from the Middle-earth that most people know from The Lord Of The Rings, while others specifically don’t like The Silmarillion because of the gods and goddesses and other somewhat religious elements of the story. Amazon will have to include the Valar either way, because they’re critical to the story, but I’m interested to see what the reaction will be from the fandom. Personally I’d be thrilled.
8: The Burning Of The Entwife Gardens. Let’s get a little more specific now. In the cinematic Middle-earth franchise thus far, the most explicit act of desolation we’ve seen has been a single vision of a ruined Shire in the Mirror of Galadriel, and the wreck of Dale by dragon-fire in The Hobbit. But we’ve never seen anything on the scale of the torching of the Entwife gardens near the end of the Second Age. The Entwives cultivated a tranquil land east of the River Anduin, which unfortunately fell directly on Sauron’s warpath as his armies returned from defeat in Eriador to Mordor. In an attempt to deplete the approaching Last Alliance’s resources, he torched the Entwife gardens, and the Entwives themselves disappeared from recorded history. Were they burned? Enslaved and put to work in Mordor (in which case, that will be even more disturbing content to watch out for)? Or did they escape to happier lands? Whatever their fate may have been, watching their gardens be uprooted and scorched will be shockingly brutal enough. Not unpredictable, but definitely the stuff that season finale cliffhangers are made of.
7: Celebrimbor, Gil-galad And Anarion’s Deaths. The Second Age is filled with a lot of very violent deaths. Nobody knows this better than Celebrimbor of Eregion, the Elven smith who forged most of the Rings of Power and was later betrayed by his partner and confidante, Annatar – who turned out to have been Sauron in disguise all along. Sauron and his orc armies attacked Eregion with the hope of locating the Three Rings that Celebrimbor had made for the Elves: they pillaged the city without any luck, and eventually Sauron captured Celebrimbor and tortured him mercilessly for information. Celebrimbor refused to relent, and so, of course, he was killed. But Sauron wasn’t content with just murdering one of the last of the Fëanorian bloodline. No, he also horribly mutilated the Elf, shot him full of arrows, and had his body hung from a flagpole and carried into battle like a banner by his orc army. That’s straight out of Game Of Thrones right there, and is almost certain to land the show a TV-MA rating no matter what. As for Gil-galad, last High King of the Noldor, he was apparently burned alive by the fiery heat of Sauron’s hand during their duel on the slopes of Mount Doom. And Anarion…well, he got his whole head bashed in by a rock thrown from the parapets of Barad-dûr, killing him and crushing the crown of Gondor. I don’t know which of these three fates was the worst, but all will certainly be graphic and stomach-churning onscreen.
6: Death And Mortality. Speaking of death, it’s actually one of the major recurring themes throughout the Second Age – and when the series begins to tackle the subject of Númenor and their relationship with death and mortality, that’s when it’s going to abruptly steer away from the realm of fantasy and into disturbing, cynical, psychological horror. For many fans of The Lord Of The Rings, it might come as a shock to realize that Tolkien’s world isn’t always escapist entertainment, but can be horrifyingly realistic when it needs to be. It’s in Númenor where this will surely be most apparent, as the island kingdom’s long-lived people slowly begin to lose their famous longevity and wither away: in desperation, they cling to life but fall into madness, chaos and a frantic search for a cure to death, or an antidote to their fear – which some of them find in Sauron’s evil, or in the nihilistic worship of the dead. They turn away from the wisdom of the Valar and the Elves, and descend into an abyss of their own making (and ultimately into the very real abyss beneath their island. Too soon?). It’s really grim.
5: Commentary On Imperialism. Tolkien was no fan of the British Empire’s global expansion, and his works reflect that: much of the trouble in Númenor first begins to emerge after the island kingdom starts occupying lands in Middle-earth across the sea, starting wars with the native peoples there and bringing back riches to fuel and fund ever more conquests. For our own sake, I hope that any violence against the native peoples of Middle-earth will be shown as it is – an unjust brutality – and not glorified or normalized. Some will complain that it’s politicizing Tolkien’s work or “pushing an agenda”, but they will be purposefully ignoring the fact that Tolkien’s work is already very political and itself pushes a very anti-imperialist agenda. The Númenóreans are also responsible for deforesting almost the entirety of Middle-earth’s western shore from the Elven kingdom in Lindon all the way to Harad at least, but probably even further. Remember in The Lord Of The Rings, when Treebeard the Ent laments the vast forests that once covered the earth? Yeah, Númenóreans tore them all down and used the wood to build ships. If you’re not shocked by that, you probably should be.
4: Human Sacrifice. Just a little bit more graphic violence, don’t worry. When the Dark Lord Sauron arrived in Númenor and began playing on the growing fears and prejudices of the Númenórean people to increase his own power, he also had a plan to try and make Middle-earth great again – a plan which involved sacrificing political prisoners to the memory of his former master and mentor, the fallen angel Morgoth. So he built a truly massive domed temple in Númenor and used it to perform these sacrifices: we don’t know exactly how, but we know the bodies were disposed of with fire, because smoke rose from the temple so often that the dome was stained black by soot. The first victim to the flames was the original White Tree, which had stood in the King’s Court for years and was a symbol of the friendship between Elves and Men. Sadly, many Númenóreans fell for Sauron’s lies and gladly gave up their friends and families to the Dark Lord’s altar.
3: Ar-Pharazôn. If you’re wondering who allowed all this to happen, well, you should probably blame Ar-Pharazôn, the last King of Númenor and the guy who decided it was a good idea to bring Sauron into the very heart of his empire. He makes this list not only because he was a corrupt leader who allowed Sauron to slaughter his own people, declared war on the Valar, and doomed his entire nation to a watery fate, but because of what he did in his personal life. You know, the whole bit where he usurped his kingdom’s throne by forcing his first cousin, Míriel, to marry him against her will – thus stealing the rule of Númenor from her, the rightful heir. It’s probably one of the greatest tragedies in Middle-earth’s history: that a capable woman could have been so close to averting all the horrors that would befall her kingdom, but because of an unqualified man was forced to the sidelines, where she could only watch and wait for the inevitable. Her last act was to try and plead with the Valar to show mercy on her people, but she died in the cataclysm like all the rest. You might be noticing a pattern at this point, and yes, the Second Age really is this hopeless and horrible.
2: Commentary On Gender. Since we’re now on the topic, I feel like we have to talk about this (though I’m well aware that a certain subsection of the Tolkien fandom would rather not). Truth is, you can’t read the tale of The Mariner’s Wife, the most complete extant writing by Tolkien on the Second Age, and not see how it’s a story about gender. I mean, it’s not even subtext. Erendis, the story’s protagonist, literally has an extended, passionate monologue about male privilege and how men will do anything in their power to undermine women, even the great women of history – whose heroic deeds they diminish and leave out of their legends. No matter how much it may cause some people to squirm and start muttering under their breath about “social justice warriors”, I want this entire speech recited onscreen. It’s among the most important and exceptional things Tolkien ever wrote, and it’s true, both in-universe and in real-life. But Amazon shouldn’t stop there: considering what we’ve just discussed about how Númenor’s downfall might have been averted by a woman, I think they could find further opportunities to comment on the empire’s oppressive, patriarchal system.
1: Sexuality. At last we come to it: the great battle of our time. Is sex and sexuality wholly foreign to Tolkien, or is it instead woven subtly and cleverly throughout his work, a thematic goldmine waiting to be properly explored? Both answers are nearly right, in my opinion, but the latter more so. Tolkien’s depictions of sexuality aren’t gratuitous, something I feel the series should reflect, but they’re there: prominently, in the First and Second Ages. For examples, read The Mariner’s Wife (no, but like, seriously, read The Mariner’s Wife: it’s amazing), and you will find that the whole story is bristling with sexual energy. Erendis and her husband have an epic back-and-forth about how he leaves her bed cold, to which he replies that he thought she preferred it that way. Tar-Ancalimë accidentally interrupts a mass wedding and then has to stay the night, listening in embarrassment to the sounds of “merrymaking” all around her as the bridal-chambers are occupied one-by-one. Amazon is going to have to expand on all of this because they’re creating something in a visual medium, but it’s also just common sense to be more explicit rather than less so because it helps to make the existing commentary on gender and sexuality more explicit as well, lending thematic depth to the entire story of Númenor. And for those worried about “the children”…well, I’m honestly not sure you can make a series about the Second Age child-friendly without actually rewriting the entire thing anyway.
So there you have it. Ten examples of things that are either going to shock the Tolkien fandom, or already have (though, to be quite blunt, it seems to be mostly the thought of nudity that has people all riled up: because apparently graphic violence and human sacrifice is fine, but some bare skin is where our fandom draws the line?) It should go without saying that I love the Tolkien fandom, and this isn’t meant as an attack on anyone in particular. So what did you think of my list? Feel free to share your own thoughts, theories and opinions in the comments below – and if you have any more shocking things to add to the list, say so!
Yesterday, I laid out ten defining moments from the Second Age of Middle-earth that will probably comprise the backbone of the Amazon Prime The Lord Of The Rings series coming to streaming in the near future: the misleading title would have you believe that Amazon is simply adapting J.R.R. Tolkien’s iconic and beloved novels (and I’m sure Amazon is fine with that, if it lures you into watching their series), but this is anything but a retelling of the author’s most popular work. Instead, Amazon is going to be telling some of the less well-known stories from the depths of Middle-earth’s extensive history, specifically the Second Age.
But because J.R.R. Tolkien wrote so little about the Second Age, and so much of what he did write was only published posthumously by his son, many people don’t have a very clear idea of what to expect from the series, which is why, today, I’ve compiled a list of the top ten things that I want to see in The Lord Of The Rings. These aren’t necessarily things that will happen, but I feel that each one is a necessary element that would add whole new layers to our understanding of Middle-earth.
10: The Ent And The Entwife. While it would obviously be a non-canonical answer to an age-old question, it’s about time we finally saw what happened to the mysterious Entwives after Sauron swept through their gardens with a destructive slash-and-burn policy, near the end of the Second Age. By the time of Frodo Baggins’s quest, these gardens had been deserted for so long they were only known as the Brown Lands: but in Amazon’s The Lord Of The Rings, we have a chance to see a flourishing Entish culture, maybe even some of the elusive Ent children that were so rare in later days. The Entwives passed on their agricultural knowledge to humans during the Second Age, giving them a narrative purpose (remember that one of the rumored main characters is said to be a farmer). As for what happens to them after Sauron attacks, well, that’s up to Amazon to decide: if they want to be really controversial, they could have them escape to the Land of Rhûn, backing up the claims of a recently uncovered map.
9: The Blue Wizards. This is a complicated subject. The two Blue Wizards are usually believed to have arrived on the shores of Middle-earth at the same time as their more well-known brethren – characters like Gandalf, Saruman and Radagast – and to have failed in their purpose, becoming servants of Sauron or founding mystic cults in lands like Harad and Rhûn. But one version of the story, written later in Tolkien’s life (and thus, by the generally-accepted laws of determining canon, the more accurate version), outlines a scenario where the Blue Wizards, individually named Alatar and Pallando (or Morinehtar and Rómestámo), entered Middle-earth during the Second Age, and journeyed far into the East and South, helping to disrupt Sauron’s plans and playing a crucial part in his defeat, both in the Second and Third Ages. In this version, they enter Middle-earth at about the same time as Glorfindel, a resurrected Elf of Gondolin sent back from death to aid in Elrond and Gil-galad’s defense of the citadel of Imladris (Rivendell). This is the version I want to see: while one of the two Wizards could potentially be corrupted by Sauron or otherwise fall from their higher purpose in the series, I’d like to see them depicted in a more heroic light – and since they’ll be journeying into lands more akin to the Middle East and Central Asia than Western Europe, I’d want to see them played by actors of color: specifically women of color, if that’s possible.
8: The Haradrim. In all of Tolkien’s legendarium, only two Haradrim are mentioned by name – and both come from the Second Age. Herumor and Fuinur were both Black Númenórean lords of Harad who fought alongside Sauron in the War of the Last Alliance. In the Amazon Prime series, we should see storylines – entire story arcs – set in the desert country, providing a welcome change from the more familiar lands of Eriador and Mordor, and giving us more racial diversity in Middle-earth. Helped by the subtle efforts of the Blue Wizards, we could see heroic Haradrim characters rise up against their villainous kings and resist Sauron’s influences.
7: Galadriel And Celeborn. Even Tolkien himself never came to a conclusion on how Galadriel and Celeborn met, what they did in the First Age, how they came to Middle-earth, or what they did when they got there. In the scraps of his unfinished tales, the two characters are constantly changing: at one point, they’re the parents of a son and daughter, but later they only had a daughter; sometimes Celeborn was a Telerin Elf, other times Sindarin; in some versions Galadriel rebelled against the Elf, but in others she left Valinor for different reasons. Amazon can’t adapt every variation on the same story. My suggestion is that, rather than try to stick to just one version of the tale, they’ll take all the best parts from many different versions and piece them together into one cohesive whole. Just so long as we see the Galadriel who was obsessed with Dwarves and the Celeborn who stayed behind in Eregion with Sauron rather than travel through the Dwarven city of Khazad-dûm, I’m good.
6: Valinor And Valar. Amazon will be limited by the restrictions placed upon them by the Tolkien Estate, but if they want to fully flesh out the ancient history of Middle-earth in a way it never has been before, they’d be wise to make it clear that a number of gods, demigods and angels inhabit the world of Arda. Even Peter Jackson hinted at this, during Gandalf’s rebirth. With the Númenóreans constantly praising Maiar like Uinen and Ossë, the Elves worshiping Varda, and the eagle messengers of Manwë showing up to forewarn people of impending doom, there are many opportunities to slip in references to these deities. As for Valinor, the Blessed Realm of the Valar, there’s no way to tell the story of the Fall of Númenór without seeing that far green country at least once, through the eyes of the would-be conqueror Ar-Pharazôn, just before he and his army get crushed under a mountain.
5: Different Elves.In previous adaptations of the Tolkien mythos, there haven’t been many obvious distinctions drawn between the different Elven cultures, but in the Second Age, such a distinction will be necessary with so many characters sharing the screen. The High Elves or Eldar are the ones we’ll probably be following most closely: after being forced to migrate en masse from their ruined homelands in Beleriand, the High Elves settle down in the vast lands of Middle-earth, often uprooting the defenseless Silvan Elves from their own homes.Silvan Elves whom we might see include Amroth, the Prince of Lórien; Nimrodel, a notable Lórien resident and inventor of the flet treehouse; and a young Thranduil then living in Amon Lanc (which would later be overrun by Sauron’s forces and turned into Dol Guldur) with his father, the proud king Oropher. Though the simmering resentment the Silvan Elves feel toward the High Elves never boils over into aggression in Tolkien’s works, there’s certainly room for Amazon to go there with their story: not only to give the Elves some interesting dynamics, but to parallel the similar situation between the Númenóreans and the Men of Middle-earth.
4: Númenórean Imperialism. Tolkien himself went on the record as being anti-British Empire, and in his stories, imperialism is never viewed in a positive light: the Númenórean desire to rule over the “lesser” Men of Middle-earth during what was already the heyday of their power led them to ever bloodier, more brutal conquests that in turn led them straight to a watery end. To stay true to Tolkien, depicting the Númenóreans faithfully will require Amazon Prime to turn the initial heroes of the story into the villains, as the once peaceful culture devolves into an ambitious, power-hungry assortment of misguided kings and warmongering military leaders. It’s not going to be pretty.
3: The Refusal Of The Gift. One of the darkest – but most crucial – elements that Amazon will have to nail down in their series is the Númenórean society’s fear of death. In the beginning of the Second Age, the Men of Númenor are long-lived, surviving for hundreds of years and being given the ability to basically die whenever they feel like it, thus “giving up the gift” – that being the gift of death that was given to them by Eru, Middle-earth’s ultimate deity. But as the Second Age wanes and Númenor tries to extend its reach around the world, killing and pillaging in the process, these Men begin to grow jealous of the immortal Elves, and they become more obsessed with their own inevitable mortality than the years they have left to live. This is the volatile situation that Sauron the Deceiver will enter and masterfully manipulate to his own advantage – it’s critical that we understand why the Númenóreans would be so willing to listen to his lies.
2: Aldarion And Erendis. There’s absolutely no better place to begin foreshadowing Númenor’s downfall than in the story of Aldarion and Erendis. One of the only complete stories from the Second Age that Tolkien ever wrote, this tragedy tells the complicated tale of a long-lived Númenórean Prince named Aldarion who falls in love with a woman, Erendis, whose lifespan is far shorter than his own. Aldarion disappears on voyages to Middle-earth that last for years, sometimes even decades, as he establishes colonies, starts wars, and fells entire forests for timber, caring little for his duties back at home. Erendis, meanwhile, after openly declaring herself to be hateful of the Sea and a foe of the Maia Uinen, is forced to watch and wait for her sea-faring husband, while precious time slips through her fingers, robbing her of the best years of her life. Not only does it shed light on the interesting gender dynamics of the Second Age, but, with just a little tinkering, it could become an effective prelude to all of Númenor’s later troubles, with Aldarion and Erendis representing both the imperialistic tendencies and the fear of death that would combine to bring about the empire’s downfall.
1: The Lord Of The Rings. Confused? Well, don’t be, because what you might never have considered is that the title of the novel, which refers – obviously – to Sauron, is perhaps still just as fitting a title for the Amazon Prime series. After all, Sauron is going to be the prime antagonist of the show, and Amazon will give us an opportunity to finally see his true power. Throughout The Lord Of The Rings (the novel, not the series: I can see why using that title would be confusing), we’re told that Sauron reclaiming his One Ring would cause a second darkness, and give the Maia almost unlimited power – but in the Second Age, when Sauron did have the Ring and was still busy causing his first darkness, he was defeated (albeit temporarily) by one lucky guy with a broken sword. Amazon has a chance to show us, for the first time, what the Ring is actually capable of doing when bound around its dread master’s finger. I’m not saying I want to see the Lord of the Rings summon whirlwinds of fire or rain ruinous lightning down on his foes or anything…but no, actually, that’s exactly what I’m saying.
So what do you think? Would you care to see any of these ten things, or does it not matter to you what ends up in the series, so long as it’s good? Share your own thoughts, theories and opinions in the comments below!
With the coronavirus currently raging around the world and no end to the health crisis in sight, expect to see an increase in these sort of hypothetical think-pieces from my blog.
This is something I feel like I should have written about ages ago. But now, while we wait for production on Amazon’s The Lord Of The Rings streaming series to resume, we have to wonder: what will the series actually be about? Hint: it’s not The Lord Of The Rings – or, rather, it is, but not quite in the way you were probably expecting, if you haven’t been following along with every tidbit of news about the series.
You see, while Amazon Prime does have the rights to J.R.R. Tolkien’s most well-known and influential novel, that’s not what they’re choosing to adapt in their billion-dollar, five-season production. Instead, they’re rummaging around in the depths of Tolkien lore, in a little-known and oft-overlooked period of Middle-earth history: a time period known as the Second Age. The average audience member introduced to the Tolkien fandom through Peter Jackson’s movies probably doesn’t know this term, but they do know two major events that happened in the Second Age – namely, the forging of the One Ring, and the first defeat of Sauron the Dark Lord. Both events happened in rapid succession in the prologue to The Fellowship Of The Ring, but in Tolkien’s timeline there are more than a thousand years between those two things.
That’s why today we’ll be looking at ten events that shaped the Second Age and will likely define the series.
10: Rebuilding After The First Age. Amazon Prime does not have the rights to adapt material from J.R.R. Tolkien’s posthumously published The Silmarillion, meaning they probably won’t be addressing too many events from the First Age of Middle-earth’s history, at least not in great detail. But they don’t really need to: the Second Age picks up right where the First left off, with all of Arda (basically, the entire world, of which Middle-earth is actually only a small piece) in ruins following the fall of Morgoth the Accursed and the destruction visited upon the earth’s surface by the trampling feet of the host of the Valar (Middle-earth’s pantheon of gods). Continents get pushed around, coastlines change, mountains crumble – just an average day in Arda. Assuming the series starts roughly around the beginning of the Second Age, it’ll have to cover several events that happen here: the migrations of Elves, Men and Dwarves across Middle-earth, the foundations of new cities and strongholds, and the establishment of empires such as Númenor, a star-shaped island kingdom given as a gift to Mankind by the Valar; Lindon, which becomes the chief dwelling-place of the High Elves under the rule of King Gil-galad; and Eregion, a small but hugely influential kingdom settled by Celebrimbor, last of the crafty Fëanorian Elves. Even if the series starts later in the Second Age, these events will still probably be covered in flashbacks.
9: The Heyday Of Elves And Men. This is the time period during which we can probably expect a large part of the series to take place. Basically, what you need to remember about the Elves we’ll see living in Second Age in Middle-earth is that they chose to stay there. After the First Age, when the world was remade and Morgoth was undone, the Elves were offered a choice by the Valar: to repent for all their sins (which included killing some of their brethren and defying the will of the Valar) and return to the Blessed Realm of Valinor across the Western Sea, or to remain in Middle-earth. Some chose to head back home, but a lot decided to stay: the ones who stayed grew arrogant, and tried to prove to the Valar, in a way, that they could make Middle-earth just as blissful and peaceful as Valinor. This motivated Celebrimbor to welcome a stranger who came among his people claiming to be an emissary from the Valar who had taken pity on the Elves of Middle-earth. This stranger, going by the name of Annatar, Giver of Gifts, was welcomed into the kingdom of Eregion and quickly rose to power there. Meanwhile, in Númenor, human Men began to sail far and wide across the seas of Arda, settling in colonies along the coasts of Middle-earth and venturing even to the edge of the world. Something else to remember, for future reference: at this point in the timeline, the earth is flat. A flat, roughly circular disc just floating in the cosmos, minding its own business. So when I say the Númenóreans ventured to the edge of the world….I mean that literally.
8: The Rings Of Power. Remember that stranger who showed up in Eregion? Yeah, well, it’s at this point in the timeline that he basically comes out and says what every Elf in Middle-earth has already been feeling: it’s time to radically redesign the balance of power in Arda. He and Celebrimbor work together to forge a set of Rings, each of which is imbued with terrible power. These Rings are given out to all the major players in Middle-earth: King Gil-galad gets one, Círdan the Shipwright gets one, the Lady Galadriel gets one; seven Dwarf-lord get one each; nine of the most powerful human sorcerers, kings and warriors get one each. But in secret, Annatar, Giver of Gifts, has been stealing Celebrimbor’s secrets to forge his own Ring – a master Ring, a Ring that will rule all the other Rings and bind them to his will. Oh wait, did I forget to mention that Annatar is actually Sauron the Dark Lord in disguise? Yeah, he totally is, and he’s intent on getting vengeance on the Valar for what they did to Morgoth, his master and mentor in the First Age. But when he puts on his One Ring and declares himself to be the Lord of the Rings, Celebrimbor senses his true purpose and hides all the other Rings, buying himself a little time.
7: The War Of The Elves And Sauron. Unfortunately for Celebrimbor, his quick action meant that the Three Rings given to the Elves were saved – but he himself was captured by Sauron during an attack on Eregion, tortured for that information until he died of exhaustion, and then was tied to a flagpole and carried like a banner into battle by Sauron’s armies of orcs. In the end, Celebrimbor only disclosed to Sauron the locations of the Seven and Nine Rings they had made, and Sauron took most of those at this point. For a long time afterwards, Sauron was at war with the Elves of Middle-earth, and this is where the series will be able to fit in some awesome battles: Gil-galad and his herald, Elrond, lead the main assault against Sauron, but they are joined by several others, including Círdan with his fleets of Elven ships; Galadriel and Celeborn, leading joint efforts from both sides of the Misty Mountains; the Dwarves of Khazad-dûm; and Glorfindel, a resurrected Elf from the First Age who is sent back to Middle-earth by the Valar to aid in the Elven Wars. But even with all of this aid, the Elves still would likely have been defeated, had not Númenor arrived just in time.
6: The Decline Of Númenor. While the Elves are busy fighting Sauron in Middle-earth for centuries, the Men of Númenor are feeling the Dark Lord’s shadow from afar. At the height of their power, the Númenóreans were a naturally long-lived people, but as time went on their longevity began to wear away, even as they clung to it. In their heyday, they had welcomed Elves to their island paradise: even Elves who came from Valinor with gifts and wise advice. But now, they’re starting to wonder why only Elves were “blessed” with immortality, and their jealousy of Valinor grows until it becomes a disease. Amazon will need to get this exactly right: we need to feel that desperation that will drive the Númenóreans to madness and acts of blatant aggression; we need to see the terror in the eyes of their Kings, holding onto life even as they slip away; we need to smell the decay that creeps through their culture, foreshadowing what’s to come.
5: Sauron In Númenor. When the Númenórean army arrives in Middle-earth, bringing an end to the war between Sauron and the Elves, Sauron realizes at once that he is outnumbered. But Sauron is cunning: pretending to be defeated, he willingly surrenders to the Númenórean king and commander, Ar-Pharazôn, and is subsequently taken back to Númenor to be a prisoner. Here, he pulls the same trick he used against the Elves: he promises Ar-Pharazôn his greatest desire – in this case, everlasting life. This, he claims, can only be won if Ar-Pharazôn musters the courage and the army to invade Valinor, the Blessed Realm of the Valar. Ar-Pharazôn, not known for being the brightest Edain in Arda, finally succumbs to his prisoner’s seduction, and allows Sauron to counsel him in every matter: when Sauron begins the building of his army, the King agrees to it; when Sauron builds a temple to Morgoth and starts practicing bloody human sacrifices there, the King agrees to it; when Sauron sends him off to his death, the King agrees to it, ignoring all the warnings of doomsday that the Valar send his way. He and his army do make it to Valinor, and they even set foot on the Blessed Realm’s shores – and then, in the greatest act of comeuppance ever, the Valar kill him and almost everyone else in Númenor by sending the island hurtling into the ocean abyss and burying Ar-Pharazôn under a mountain. Sauron is temporarily killed in the cataclysmic disaster, and he loses his ability to ever again take a human form.
4: Gondor And Arnor. At this time, the world is remade again by the Valar, and becomes a globe. Oddly, the only effect this has on the Middle-earth map, aside from the complete disappearance of Númenor, is changing one island in the Bay of Belfalas. Coincidentally, it’s in this bay that the next chapter of the Second Age begins, as this is where one small group of battered ships arrives after a long and arduous journey by sea, manned by the Númenórean prince, Isildur, and his brother. Their father, Elendil, gets washed ashore in the far north of Middle-earth. At these two points on the map, these men set up two kingdoms: Gondor in the south, and Arnor in the north. These kingdoms become one vast empire in these last few years of the Second Age, and are united in opposing Sauron. Isildur builds the city of Minas Anor (later changed to Minas Tirith), and plants the sapling of the White Tree of Gondor there. The seven seeing stones, or palantíri, are placed in secure locations around Middle-earth. The tower of Orthanc in Isengard is built. With callbacks like these, who needs hobbits?
3: The War Of The Last Alliance. Needless to say, Sauron isn’t done haranguing our heroes just yet. Gathering his forces for a final push, he leads his armies of corrupted Ringwraithes, orcs, and foul creatures into battle against the fledgling force of Gondor. But in this dark hour, Mankind does not stand alone. Elendil, King of Arnor, goes to Gil-galad and Elrond and requests their aid: they form a Last Alliance of Elves and Men, and lead their armies together into the south, relieving the siege of Gondor and eventually entering Mordor, Sauron’s dreadful realm. As they approach Mordor, they are joined by Elves out of Lórien and Greenwood, Dwarves from the Misty Mountains, and even Ents out of Fangorn Forest. There are several battles along the way, most notably on the plain of Dagorlad that would later become bogged down and renamed the Dead Marshes. In Mordor, the Last Alliance besieges Sauron’s fortress of Barad-dûr, which lasts for several years.
2: The Fall Of Sauron. At last, Sauron breaks the siege, though not before many have died, including Isildur’s brother Anárion and Oropher, king of the Elves of Greenwood. The Dark Lord arrives on the battlefield wearing the One Ring he created, making him almost invulnerable – he drives the attacking armies back to the slopes of Mount Doom, and there, with the fiery heat of his hand, he kills Gil-galad and Elendil. But Isildur, Elendil’s son, takes up the hilt-shard of his father’s broken sword and deals the fatal blow to Sauron, cutting the One Ring from the Dark Lord’s finger. Sauron is vanquished, and his evil spirit flees, incorporeal and weakened. His armies are easily defeated. His Ringwraithes vanish from history. And the war is won. But Isildur refuses to listen to the counsel of Elrond and Círdan, who both advise him to destroy the Ring in the fires of Mount Doom. Instead, Isildur finds himself unable to get rid of the Ring, and holds onto it as a souvenir of his victory.
1: The Disaster Of The Gladden Fields. This one is entirely up to the showrunners: it’s possible they’ll want to end the series on a more hopeful note, with the survivors of the war picking up the threads of their broken lives and moving on, and all that. And certainly there should be some happy endings – but at the same time, it would be deliciously exciting to end the entire series with the disaster of the Gladden Fields, something that was glimpsed briefly in The Fellowship Of The Ring. Isildur, returning home from the war, is attacked by a rogue band of orcs and killed – and the One Ring slips from his finger as he falls and drops into the River Anduin. Imagine it: Howard Shore’s familiar, eerie score closing out the final episode of the final season, as we watch the Ring settle into the mud at the river-bed, there to lie in wait for the next two and a half thousand years…
So what do you think of these ten events from the Second Age timeline? Will they define the series, or do you think the showrunners will focus their adaptation on a singular moment from the chronology, rather than trying to fit three-thousand years worth of story into just five seasons? Share your own thoughts, theories and opinions in the comments below!