The second trailer for Pixar’s upcoming feature film Soul gives us our first good look at what really awaits beyond life – and more importantly to protagonist Joe Gardner (voiced by Jamie Foxx): what came before.
When the middle school teacher and fame-seeking jazz musician stumbles through a manhole and is knocked unconscious, his baffled soul finds himself stuck on a slow-moving escalator towards the Great Beyond (which isn’t shown at all in this trailer: presumably whatever lies beyond will either be a major plot point of the movie, or kept completely offscreen to prevent conflict with various religious groups). But Joe’s soul doesn’t want to die, because he isn’t done living out his glorious life. So, in a desperate attempt to escape, he flings himself off the side of the escalator and falls even further into empty nothingness – until he lands in the Great Before.
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Just as the Great Beyond takes us all when we die, the Great Before is where we all came from: with a few eye-catching visuals, the trailer explains how all souls live here in a vibrant lavender paradise before being assigned to various newborn humans and sent to Earth to live their lives, die, and go on to the Great Beyond. Here, Joe meets another soul, voiced by Tina Fey, whose entire goal is to never have that happen to her: she already knows everything about Earth, and has decided it’s just not the place for her. “Is all that living really worth dying for?,” she asks.
Yikes. From the looks of it, this may be one of Pixar’s heaviest films yet, and it’s going to take a lot of silly jokes (of which there are plenty) to lighten the mood in the theater. Joe’s mission to get back to his body, which currently lies in a deep coma at a hospital, is already going to be tough enough: now add on a subplot where he tries to convince Tina Fey’s soul that life is worth dying for. The end of the trailer has the two hurtling through a vortex towards Earth, which I’m hoping isn’t a spoiler. Could it really be as easy as Joe returning to his body, waking up and living out the rest of his life? Or could he end up taking that final path to the Great Beyond?
And is there a point to the strange little stinger that has two vague stick-figures counting the number of souls heading to the Great Beyond and noting that “the count is off”. Do they have a purpose? Are they heroes or villains? We have no idea.
So what did you think of this trailer for Soul? Share your own thoughts, theories and opinions in the comments below!
Whereas the first trailer for the Jungle Cruise movie leaned heavily on old action movie tropes, wondrous and fantastical elements, and a good old-fashioned spirit of adventure, this second trailer does…well, less of that, making me ever so slightly concerned about the quality of this upcoming adaptation of a Disney theme park ride. Nonetheless, there are still reasons not to be afraid, and most of them are right here in this trailer.
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Firstly, the chemistry between Dwayne Johnson as a cranky, underpaid riverboat captain on the Amazon River manning the titular jungle cruise and Emily Blunt as a wealthy, idealistic British explorer hunting for a magic cure-all in the jungle is off the charts: they’re hilarious together. I don’t know if their characters will end up in a romance in the film, but it seems almost a shame to put an end to their snappy, irritable banter with each other.
Then, of course, there’s the ridiculously fun scenarios we find our protagonists in: they get attacked by leopards, torpedoed by a rival explorer’s submarine, and stalked by an enraged demonic snake-god from the heart of the jungle: one whom I wish they could have hidden for a while longer. I assume this demon is their ultimate antagonist on the quest for the cure-all tree, yet we already see scenes of him that, unless cunningly edited, look like spoilers to me.
Interestingly, although Disney felt comfortable revealing the big bad in this trailer, they still haven’t shown us anything of their “first openly gay character”, who is here played by comedian Jack Whitehall, and should probably have had a sizable role in the film as Blunt’s character’s brother and the only other member of the Johnson/Blunt exploration down the Amazon.
But my main issue with this trailer is that it’s devoid of some of the antiquated charm that the first trailer had: it makes me feel that the first trailer was lying to me about the tone and atmosphere of the movie, and that’s not a good feeling. After that trailer came out, I raved about Jungle Cruise‘s nostalgic magic. I don’t feel the same way about this trailer. It’s good, but it’s not particularly engaging or eye-catching.
What did you think of this second trailer for Jungle Cruise? Share your own thoughts, theories and opinions in the comments below!
We’re three episodes into The Clone Wars‘ final season on Disney+, and I’m finally beginning to see the appeal of the Bad Batch, whose team unit is the focus of this season’s first story arc. Today’s episode, On The Wings Of Keeradaks, is short (clocking in at just eighteen minutes) and simple, but has the benefit of being exquisitely animated, something that I feel this season’s first two episodes weren’t. With the same fluid, graceful cinematography that made the series’ earlier seasons so iconic and beloved among animation fans, this episode shows off the many ways in which the Jedi Order’s unique fighting techniques can be used to great effect onscreen (something that the Star Wars films, despite having considerably more resources available to them, have often fallen short of achieving).
Last week, we left off with our protagonists, whose mission is led by the legendary Jedi general Anakin Skywalker (voiced by Matt Lanter), trapped in the Skako Minor citadel of the Techno Union, having just successfully rescued their long-lost friend and comrade Echo (who, like all Clones, is voiced by Dee Bradley Baker). Now, they fight to escape from the clutches of the Separatist commander Wat Tambor (Matthew Wood), who unleashes a number of exciting new weapons upon them in an effort to reclaim the Clone – whose brain, as you may remember, was steadily feeding the Separatist war effort with inside information about the Republic’s military strategies.
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As the title suggests, our heroes fight back with some interesting methods of their own, which includes employing the aid of the winged dragons known as Keeradaks, who showed up in last week’s episode alongside a new species of Star Wars aliens known as Poletecans. Surprisingly, though I wrote them off last week as seeming superfluous, these aliens do actually have a purpose.
Specifically, they are crucial to the episode’s climax, which simultaneously thrills the eye with swooping camera movements (complemented by Anakin’s similarly elegant leaps, fighting moves and usage of the Force) and relieves my fears that this season would tone down the series’ relatively aggressive action sequences. People get hurt in battle, and some of them happen to die: and that’s something from which previous seasons of The Clone Wars never shied away. Thankfully, even under the Disney banner, people still get hurt in Star Wars battles, and Clones and droids, unlike the stormtroopers of later years, actually know how to aim (I’d be ashamed if they couldn’t, considering one of the most prominent members of the Bad Batch team so far is an expert sniper literally named Crosshair). However, not everything will fly past Disney’s censors: a scene deemed too violent for the streaming service was supposedly cut from this week’s episode. It was non-essential, so I’ll let it go, but it’s unfortunate that The Clone Wars‘ creators have to work with Disney breathing down their back.
Now for some SPOILERS! Haven’t seen the episode yet? Then turn away, because we’re about to discuss a couple of small but significant surprises.
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Firstly, though they’re probably not important to the overall plot and we’ll probably never see them again, I have to admit that I loved the new Separatist droids seen defending Wat Tambor’s castle on Skako Minor. The reveal that they fly – and on glassy, rainbow-colored wings, no less – was genuinely shocking and gave the Bad Batch a completely unforeseen new obstacle. Basically, this was how I should have felt about the flying stormtroopers in The Rise Of Skywalker but didn’t, because stormtroopers are underwhelming no matter how many times they get overused. Droids themselves have been underwhelming on occasion even in The Clone Wars, but this twist was fun and completely unexpected. The fact that these droids moved like prehistoric birds even while walking probably didn’t hurt their image either.
The episode teased us with some fake-out deaths: we nearly said goodbye to Wat Tambor after the Separatist leader was caught in the explosion of one of his new super-weapons (itself an exciting cross between a bomb and the sadistic interrogation droid from A New Hope), and I thought that Wrecker, another Bad Batch member, was done for on a few occasions. I still feel his days are numbered, in fact.
As for Echo, I have to imagine his story is just beginning: the Clone easily walks off the effects of being locked in a cryogenic compartment for a year or two, and seems to know his way around Tambor’s citadel pretty well. Could he be hiding something? Will he have a part to play in the action that will unfold in the very near future, as the Sith and Jedi collide? We’ll just have to wait and see.
What did you think of the third episode of The Clone Wars? Share your own thoughts, theories and opinions in the comments below!
The Loki series on Disney+, which will follow the trickster god on a journey through space and time, recently revealed an exceedingly brief snippet of teaser-trailer footage that got the entire Loki fan community talking about the Asgardian sorcerer’s connections to an obscure group of Marvel Comics characters known as the Time Variance Authority, or TVA – now, newly-released behind-the-scenes photos show Loki and the TVA teaming up, as well as the possible introduction of one of two (technically three, but we’ll get to that) Marvel characters that fans have been longing to see onscreen for a while now.
The photos, which surfaced on Twitter, reveal Loki and a number of Time Variance Authority special agents walking through the rain in what could be a park or a field. Loki himself wears a police detective uniform, and a badge of some sort: though this one is gold rather than red, it is likely similar to the symbol of the TVA that was emblazoned upon his prison garb, which we saw in the teaser trailer. It’s impossible to say for certain whether this means that Loki will be imprisoned by the TVA first and then weasel his way into their good graces and start working for them (which sounds very Loki), or if it means he’ll work for the TVA first and then betray them and get landed in prison when a better deal comes along (which also sounds very Loki).
Walking alongside Loki and his band of soldiers (who appear to be wearing various articles of armored clothing from different time periods, including what could possibly be modified German Second World War uniforms), is a man dressed in a long blue raincoat with his hood pulled up over his face. Despite that, it’s not implausible to guess that this man could be Owen Wilson, who was cast in a top-secret role for the series. Fans have been wondering whether Wilson could be playing a major Marvel villain like Kang the Conqueror, but if this is him in these photos, I feel pretty confident saying that he’s playing Justice Peace, the head of the TVA and one of its greatest agents. Kang the Conqueror isn’t the type of character to sport a pencil mustache, trousers and brown loafers: Justice Peace is, and seems more like the type of comedic, zany character that Wilson would be asked to play, anyway.
If that is the case, however, it raises the question of why Marvel would go to such lengths to keep Peace a secret. Perhaps they have larger plans in store for him, or perhaps Peace will be revealed to be someone else entirely? Keep an eye on him, is all I’m saying.
Finally, we have a photo of a woman standing alone, who is almost certainly Sophia Di Martino, one of the first actresses to join the cast alongside Tom Hiddleston as Loki. She has short blond hair, and, though her pose and winter-jacket make it hard to see much of her costume, it’s undeniable that she’s wearing some sort of golden pendant or collar, and the rest of her outfit (what’s visible, anyway) appears to be dark green in color. We have no idea who Di Martino is playing yet, but this photo might have a bunch of clues.
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The green and gold color-scheme is shared by at least two characters in Marvel’s Asgard mythos: Loki, who wore his classic green-and-gold armor in The Avengers, and Enchantress, a powerful and usually villainous sorceress.
Enchantress is one of those characters who has multiple versions in the comics, with the two most notable being Amora, the original, and significantly more popular, iteration; and Sylvie Lushton, a human Oklahoman girl who gained magical powers through an encounter with Loki. While most fans would probably rather see the Amora version, an unconfirmed addition made to IMDb today could point towards Sylvie being the Enchantress we see in the Loki series: Cailey Fleming, a child actress, has supposedly been added to the series cast in the role of “Young Sylvie”.
Enchantress, no matter which other name she goes by, is almost always depicted as a blond woman wearing green and gold, and almost always has a connection to Loki in some way or another, whether as an ally or enemy. However, the possibility remains that Di Martino is playing neither Amora nor Sylvie Lushton, but could instead be portraying Lady Loki.
Loki, in the comics, is gender-fluid, something I’ve written about previously, and something which is rumored to be a factor in this new series. And even though Di Martino doesn’t strongly resemble Hiddleston, it’s been reported that she could be playing the female version of Loki. She’s blond in this new image, but she might just be waiting for a long black wig. And what we can see of her outfit looks very much like how Lady Loki dresses in the comics: the green is darker than Enchantress’ hallmark green, and gold jewelry is beloved by both Loki and Lady Loki. If that’s the case, then this could be our first look at gender-fluid representation in the Marvel Cinematic Universe.
What do you think? Are these images indicative of anything, or should we wait for context before we jump to conclusions? Share your own thoughts, theories and opinions in the comments below!
