Despite Marvel having to shuffle its entire release date calendar every few months or so due to the COVID-19 crisis, the studio is continuing to film their various upcoming movies and Disney+ series’, in anticipation of the time when they’ll once again be able to release content on a normal basis and schedule. Ms. Marvel, a series that we still don’t know too much about, just went into production in Atlanta over the past few days, and now scoopers have obtained not one but two groups of behind-the-scenes pictures showing star Iman Vellani suited up (well, maybe) as Marvel’s newest superheroine, Kamala Khan, one of the fresh new faces who will lead the Marvel Cinematic Universe in its next phase. These pictures, distributed by Just Jared and Marvel News on Twitter, don’t reveal anything major, but they do give us a few clues as to how Marvel will be adapting Kamala Khan to the small screen.
Kamala Khan | comicbasics.com
Most of the photos are all various angles of Iman Vellani riding her bike around town, wearing casual clothes for Kamala’s day-to-day attire, before she becomes Ms. Marvel: a colorful flannel jacket, bright red biking helmet (with her initials, KK, written on it), and so on. Nothing too interesting, right? Well, take a closer look and you’ll spot some cool details – like the Captain Marvel logo emblazoned on her helmet, the Avengers logo on her blue T-shirt, and an air-force badge on her jacket sleeve that’s identical to the one Carol Danvers wore before she became a Tesseract-powered superheroine in Captain Marvel. All these things indicate that, just like in the comics, the MCU’s version of Kamala Khan will be a huge fan of the universe’s many superheroes, but with a special emphasis on Captain Marvel, her role model. Considering how much merch she has on here, it seems likely that her room will probably be crowded with posters, action figures, memorabilia, autographs, Funko Pops, etc. I can’t wait to see it all: and presumably Disney will make sure you can buy it all too.
Twitter | @BRMarvelNews
The second group of photos, revealed after the first bunch and shortly before I was about to publish this article (necessitating my having to quickly do some rewriting), show someone who I think pretty much has to be a child actor playing young Kamala, wearing a full Captain Marvel costume – complete with adorable glowing mohawk! – and being helped onto the roof of her porch by a friend, possibly her school classmate Bruno from the comics. This is probably just a cute flashback scene to show how Kamala’s obsession with superheroes has been almost lifelong, but it might have a lot of significance.
Twitter | @BRMarvelNews
Even as an older teenager, Kamala Khan seems to like that spot on her porch roof, as a single photo in the first batch shows her perched there again, while a visitor – possibly a villain or antagonist – stands on the front steps. Kamala looks like she’s trying to hide on the roof, or perhaps planning to jump down and start punching (remember: Kamala Khan is an Inhuman, and her powers manifest themselves as the ability to redistribute the atoms in her body at will, a skill she often uses to create giant fists and stretchy arms and legs, or grow to an immense height). Unfortunately, both Iman Vellani (or perhaps her stunt double) and the other actress in this scene are wearing capes to hide their costumes: a common tactic on Marvel film sets. But a little bit of Khan’s outfit is visible – including one bright blue boot and a red pant leg. Up until the second batch of photos was just released, the assumption was that this had to be Kamala’s first, homemade, Ms. Marvel costume. It might still be, but comparing between the two groups of photos I think it’s easy to see that this outfit she’s wearing as an older teen is very clearly also a Captain Marvel cosplay. It’s possible she wears this at first because she doesn’t have time to make a whole new suit, and later upgrades to something entirely original. The other actress’ costume is completely concealed, sadly, making it hard to guess who she could be playing but very likely that she’s a superpowered character of some sort: probably not some random passerby, or family friend of the Khans.
Twitter | @BRMarvelNews
Speaking of the Khans, I feel like I have to comment on how nice and tidy their little suburban house looks, with its tasteful porch furniture and assortment of potted plants. Some hanging decorations are visible through one of the upper windows. The curtains are a vivid shade of blue. It’s all very charming, and exactly the type of cozy, inviting, setting for a whole series. The behind-the-scenes photos don’t show any of the other members of Kamala’s family, but they can’t be far off. It’s also been reported that the series was filming at a mosque in Atlanta, meaning that we’ll see Kamala and her family going to worship, and catching up with friends and the rest of their Muslim community. It’s exactly the type of casual representation that Kamala Khan’s comic run was praised for, and which Ms. Marvel needs to succeed.
So what do you think? How excited are you for Ms. Marvel, and what do you hope we see next from the series? Share your own thoughts, theories, and opinions, in the comments below!
The mysterious “Way”, the unbreakable creed by which The Mandalorian‘s protagonist Din Djarin (voiced and sometimes played by Pedro Pascal) lives, and which, as far as we know, mostly exists to forbid him from ever removing his helmet in the presence of others, was well-established and cemented by the end of The Mandalorian‘s first season: but fans of Star Wars‘ animated offshoots The Clone Wars and Star Wars: Rebels have always known something sounded a bit fishy about this “Way”, which never stopped previous Mandalorian characters in either of those canon TV series from removing their helmets freely and frequently.
Mandalorian Nite Owls | gamespot.com
And today, The Mandalorian finally addressed that lingering continuity error by revealing that, as many of us had suspected for some time…Din Djarin is kind of weird, even by Mandalorian standards.
But we’re getting ahead of ourselves – jumping the shark, or the mamacore, if you will. Best to start at the beginning, with Din Djarin piloting a very damaged Razor Crest towards the estuary moon of Trask, still ferrying Frog Lady (voiced by Misty Rosas) – who, to be fair, is keeping her cool under extremely disturbing circumstances. Luckily for the fandom, which can now finally take a break from the lively and occasionally heated debate about whether or not Baby Yoda intentionally committed genocide by devouring several of Frog Lady’s unborn children on last week’s episode (and whether or not that forebodes a turn to the dark side in his near future), the infant isn’t given an opportunity to eat any more eggs. Instead, his insatiable appetite finds other victims this episode; mostly small, tentacled creatures.
The crash landing on Trask goes about as well as you’d expect, which is to say it’s a complete disaster and Frog Lady is nearly killed one more time before finally reuniting with her husband – who is alive! That’s doubly fortuitous because it means that (a) Frog Lady’s entire species will not be wiped out of existence despite Baby Yoda’s best efforts, and (b) because this husband of hers is able to lead Din Djarin to a friend, who gets in touch with another friend, who supposedly knows some Mandalorians. This friend-of-a-friend’s deal involves a not-at-all suspicious boat ride across the open ocean with a sea monster (a mamacore, to be precise) in the cargo hold. Din somehow doesn’t find this alarming at all, and unsurprisingly ends up in the aforementioned cargo hold, drowning, with a bunch of Quarren pirates trying to strip him of his precious beskar steel armor, while the mamacore swallows Baby Yoda in his tiny motorized cradle.
The father/son bonding moment is broken up by some swift intervention by a trio of rogue Mandalorians wearing dark blue armor and jet packs. Their leader, instantly recognizable long before she’s unmasked due to the distinctive markings on her helmet, is none other than LadyBo-Katan Kryze, making her long-awaited live-action debut, played by the same actress, Katee Sackhoff, who has voiced her for years in both The Clone Wars and Rebels. It was in Rebels that we last saw Bo-Katan, wielding the famous Darksaber and preparing to unify her warring peoples for an assault on Imperial-occupied Mandalore, her ancestral homeworld. The Darksaber has passed from her hands to others, and the Empire has now fallen, but the years that have passed since her appearance in Rebels have done little to change her iconic look – somehow, the costume department for The Mandalorian even nailed her strange, choppy, red bob haircut. But when Bo-Katan and her team remove their helmets is when things get weird, because Din Djarin almost immediately has a freakout moment and flies off with Baby Yoda, convinced his saviors aren’t really Mandalorians at all. I’m not sure how the Mandalorian education system works, but you’d think someone as well-traveled as Din Djarin would at least have heard stories about Bo-Katan, the sister of Mandalore’s former duchess and herself once its leader, after the end of the Clone Wars. But, as Bo-Katan rather scornfully points out, Djarin is a “Child of the Watch” – a signifier that, shocking as it might seem for fans of the show, confirms that Djarin is a member of a group affiliated with Death Watch, the super-violent, jingoistic, religious extremist militia group that was formed during the Clone Wars to oppose Duchess Satine’s peaceful rule. Bo-Katan herself was once a high-ranking member of the group, but left after Darth Maul got involved with Death Watch, and instead formed her own group called the Nite Owls. It appears she (understandably) doesn’t have warm feelings towards the people who stayed with Death Watch, and the people they in turn recruited into their ranks, like Djarin (who was only a child during the Clone Wars, and didn’t actively choose the way of the religious extremists).
Bo-Katan | meaww.com
Djarin isn’t having any of it and makes his escape, so hastily and awkwardly that he doesn’t even have time to retrieve Baby Yoda’s floating cradle. There’s no going back for it now – Bo-Katan blows up the entire ship when she leaves. It’s a small tragedy: that cradle wasn’t just a practical item that saved Baby Yoda from some dangerous situations; it was also a last keepsake by which to remember the hospitality and honorable sacrifice of Kuiil, the Mandalorian’s friend from season one. Without it, Din Djarin is now forced to carry Baby Yoda around in the crook of his arm everywhere he goes.
To add insult to injury, Bo-Katan’s Mandalorians return just a few minutes later to save Djarin again, after the brother of the Quarren smuggler who tried to kill him randomly shows up to avenge his sibling’s death. Over a drink and a cup of hot, steamy…sentient tentacles, the Mandalorians start to ease up, and we get some insight into what Bo-Katan is doing on Trask with her compatriots, who include Simon Kassianides as Axe Woves, and Mercedes Varnado (better known by her stage name, Sasha Banks, or her wrestling alias, The Boss) as Koska Reeves. Banks wasn’t playing Sabine Wren after all, as many people had guessed after seeing the second season trailer – nor was she a solitary Inquisitor, as some believed. All in all, her role turned out to be small but fun: and yes, she’s a better actress in her few scenes with minimal dialogue than The Mandalorian‘s resident anti-mask, conspiracy-peddling transphobe, Gina Carano, was in the series’ entire first season. The trio’s mission is to stockpile weapons and gear for an eventual assault on Mandalore, which Bo-Katan hopes to retake – she does have a valid claim to the throne, after all, and until recently was in possession of the weapon that would have solidified that claim: the semi-mythical Darksaber, which we the audience know is currently being wielded by Din Djarin’s arch-nemesis, ex-Imperial fanatic Moff Gideon (Giancarlo Esposito).
Without many other options to choose from, it’s not long before Din Djarin has reluctantly signed on to help Bo-Katan and her squad in exchange for information about the Jedi – whom he also knows nothing about and needs help finding. The mission is a fairly simple job on paper, breaking into a cargo ship manned by some ex-Imperials and stormtroopers, but the potential danger means Djarin first has to stop by Frog Lady’s house and leave Baby Yoda in her care. Baby Yoda is always being dropped off places while Djarin does the dirty work, and that formula is growing a bit tiresome – I’m still waiting for the day when the child will actually be able to fight alongside his father, with his own itty-bitty little lightsaber and Force powers. Alas, today is not that day.
(On the other hand, it’s probably for the best, because Baby Yoda isn’t around to witness what has to be the biggest slap in the face to Din Djarin during an episode that mostly consists of Djarin being slapped around and otherwise humiliated: when Bo-Katan gives him an order and then follows it up with “This is the Way”, stealing his sacred catchphrase in a way that seems to be subtly poking fun at his strict, old-fashioned code. I don’t know what they call that in Star Wars lingo, but here we call that a burn).
The mission itself is a lot of fun to watch, and director Bryce Dallas Howard keeps it suspenseful even though the outcome is predictable: it’s a fight between four Mandalorians and probably around thirty or forty stormtroopers, so obviously the odds are in the Mandalorians’ favor. Even the ship’s conniving Imperial Captain (played by Titus Welliver) can’t do anything to slow down his attackers, despite an urgent call with a completely disinterested Moff Gideon to beg for reinforcements and then a last-ditch attempt to crash the ship into the ocean; though he does ultimately kill himself (in the most eerily Nazi way you could imagine, by biting down on a poison pellet in his cheek) before Bo-Katan can wrestle any information out of him about the Darksaber’s whereabouts. The whole incident sets up several new plot lines I can’t wait to see continued over time. We’ve all just assumed that Din Djarin will have to face off against Gideon at some point – but Bo-Katan’s arrival makes it far more likely that, if anyone is going to take him down, it’ll be her. She’ll definitely stick around: she’s far too important a character to only appear once, and we still have to see what happens when she and her now very heavily-armed team head to Mandalore to overthrow a government.
As for Din Djarin, he chooses not to follow them, because he still has an oath to lead Baby Yoda to the care of his own people, or at the very least a Jedi. He gets his next coordinates from Bo-Katan: the city of Calodan, on the forest planet of Corvus – an as yet unexplored location in the vast Star Wars universe, but supposedly home to one former Jedi, Ahsoka Tano. Let the fandom discourse begin anew, because Star Wars is about to welcome actress (and alleged transphobe) Rosario Dawson into the fold as one of the saga’s most popular and interesting characters – an extremely controversial choice, to put it lightly.
Baby Yoda | nme.com
But of the many repercussions this episode will have, one of the biggest (and subtlest) is that Din Djarin is finally interesting again. Up until now, The Mandalorian has positioned Djarin as a gold standard Mandalorian, a prime specimen of the group. He’s also been – for the most part – a fairly noble hero, who operates according to the tenets of his faith, putting his people’s needs first and respecting tradition above everything else. Revealing that Djarin’s “Way” is actually not the Way after all heightens the stakes dramatically, placing Djarin in a very uncomfortable position, challenging his faith and forcing him to reconcile with his clan’s past crimes. Whether Djarin knew about those crimes or not is still up for debate (he didn’t seem to know who Bo-Katan was, and he had never even heard of Jedi, so I don’t put it past him), but either way he’s been put in a deeply personal predicament.
But of course, because this is still really the Baby Yoda show, the episode ends with the child eating yet another tentacled creature, one that seemed much too large for him to tackle, but, hey, what can I say? He’s a growing…unknown type of alien, and he needs sustenance! Be glad he’s out of his baby-eating phase.
SPOILERS FOR THE MANDALORIAN SEASON TWO PREMIERE AHEAD!
For me, one of the biggest questions coming out of The Mandalorian‘s season two premiere is how to label it in my title headings: because, technically, you’d think it should be season two, episode one…right? But Disney+ lists it simply as “Chapter 9” of the total series, based on the assertion that the entire series is one continuous story. I’ve settled on the more neutral term “Premiere” for now, but I can’t say I fully agree with the terminology used by Disney+. Honestly, the premiere doesn’t feel very much like an immediate continuation of the story so far: under the direction of Jon Favreau, it jumps right back to the style of episodic, slow-burn storytelling that was so controversial (but ultimately successful) during The Mandalorian‘s first six episodes. I imagine that, unless things take a turn quickly, that’s how season two is also going to unfold – but this time at least I’m aware that’s what’s going on, and prepared to wait it out.
newsbreak.com
Favreau’s premiere episode has all the hallmarks we now expect of a typical episode of The Mandalorian: an entertaining side-quest on a backwater planet, and an uneasy alliance between our protagonist, Mandalorian bounty hunter Din Djarin (voiced and sometimes played by Pedro Pascal), and one or two new characters. This time, however, the side-quest is big, elaborate and prolonged – going on for almost an hour – and the episode even includes some flashback sequences to help us become attached to our new characters. Both quest and characters are also slightly more interwoven with our main plotline. Din Djarin and his tiny, adorable companion Baby Yoda find themselves on the planet Tatooine, following the trail of other Mandalorians who can help Djarin track down the whereabouts of Baby Yoda’s people. But that plotline gets put on the back-burner while Djarin tries to unite the bandits of Mos Elgo and the desert-dwelling Tusken Raiders against a ravenous Krayt dragon that has been terrorizing both groups – in exchange for a marvelous suit of Mandalorian armor possessed by Mos Elgo’s charismatic marshal.
Tatooine has been explored to death in the Star Wars universe, but The Mandalorian keeps coming back to it because it’s the planet that best exemplifies the series’ general sci-fi/Western vibe. And to its credit, The Mandalorian has at least made it feel fresh again by exploring some new corners of the desert planet besides just Mos Eisley – in this particular episode, the small frontier town of Mos Elgo. The town is run by a motley assortment of bandits, bounty hunters and low-level criminals, but is far from being a hive of scum and villainy. In fact, Mos Elgo seems pretty well-organized and well-governed, and even has a schoolhouse for the kids. It’s also a treasure trove of cool Easter eggs and Star Wars artifacts, such as a speeder bike made from one of the engines of Anakin Skywalker’s podracer in The Phantom Menace.
An alliance with the elusive Tusken Raiders means more opportunities to see just how much the portrayal of the Raiders has changed over the decades: once minor antagonists to Luke Skywalker’s journey, they’re now mostly depicted as sympathetic characters, no different from anyone else trying to aggressively carve out territory on Tatooine’s inhospitable surface in order to survive – and that shift is largely thanks to The Mandalorian, which showed Din Djarin peacefully interacting with them in season one and again in this season’s premiere, both times using sign language communication to strike up bargains with the Raiders. In this case, the Raiders are interested in helping the people of Mos Elgo defeat a Krayt dragon – a huge, carnivorous creature which technically made its first onscreen appearance back in the very first Star Wars movie; as a skeleton buried in the planet’s sand dunes. Now, over forty years later, we’ve finally gotten the chance to see one alive and in action, and it’s spectacularly fearsome (though eventually defeated by a poor, unsuspecting Bantha beast outfitted with explosives).
The season two premiere simultaneously finds room to include surprise appearances from characters we met on Tatooine in The Mandalorian‘s first season, like the human mechanic Peli Motto (Amy Sedaris) and her small fleet of pit droids. The unexpected Motto/Baby Yoda reunion plays out just as one would hope, with Motto only half-joking when she asks Din Djarin if she can keep the child. For those wondering, Baby Yoda himself is still as adorable as ever (shocker, I know), and it’s a great relief to have him back after such a long, wearisome year. I just hope he finds an opportunity to exercise his growing Force powers sometime soon, because I’d hate to see him get upstaged by anybody else – and a newcomer has already come very close to doing just that.
Cobb Vanth | radiotimes.com
Said newcomer is none other than the Mos Pelgo marshal Cobb Vanth (Timothy Olyphant, currently still trending on Twitter), a character from the Star Wars: Aftermath novels. Olyphant shines in the role, and not just because he gets to wear Boba Fett’s famous suit of armor, bought from Jawas who recovered it somehow from the sarlacc pit where Fett went down. He’s a lot of fun, with a braggadocio and swagger that comes from being able to pass for a Mandalorian, and a disarming, warm attitude. Can he be trusted? I think so, and I wouldn’t be surprised if he shows up again later in the series: especially since he’s unintentionally gotten himself involved in something much bigger than he probably imagined. Vanth is, however, lucky to have been able to give Din Djarin his armor after the success of their dragon hunt, a generous action that will probably save him in the long run – because somebody else, somebody with a personal, irrefutable claim to that armor, is also on the hunt for it…and judging by the assortment of large, nasty-looking weapons this somebody has on their person, I’m guessing they’re prepared to fight for it.
Boba Fett | menshealth.com
This somebody is Boba Fett (Temuera Morrison) himself, of course; a character I’ve always personally found to be quite overrated, now returning for a chance at redemption after his humiliating “death” in Return Of The Jedi. Although the Boba Fett reveal comes at the very end of the premiere, it’s not exactly a big surprise to anybody who’s been following the production of the series closely, having been reported on some time ago. Nonetheless, it’s still exciting for several reasons: firstly, because it’s finally canon confirmation that Fett escaped the sarlacc pit, something that’s been debated in the fandom for decades; it’s likely confirmation that it was Fett whose shadowy figure we saw in season one, investigating Fennec Shand’s dead body; and it bodes well for what’s to come, as the series begins to dive into the history and lore of the Mandalorian people.
Whether or not Din Djarin stays on Tatooine any longer, I have a feeling that him and Boba Fett will meet up soon: the older Mandalorian warrior seems to have adapted to his new life as a desert nomad, but I’m sure he won’t pass up an opportunity to reclaim his old armor and his dignity – though, if it’s dignity he’s after, he might want to consider fixing or simply discarding his famously faulty jetpack, which malfunctions again while Cobb Vanth is using it. Just a suggestion.
Today has been an emotional rollercoaster of Moon Knight news – if you asked me this morning who would be my top candidate to play the character in the Marvel Cinematic Universe, I would have said, hands-down, Sacha Baron Cohen, one of the most multi-talented actors working today and the man I’ve been pushing for the role for months now. If you had asked me the same question a few hours ago, when Murphy’s Multiverse broke the news that Hamilton‘s Daveed Diggs and comedian Nick Kroll were on the list of contenders for the role, I would have told you that Diggs was an incredibly interesting, out-of-the-box casting and that it actually sounded like something I could get behind. But just as I was beginning to wrap my head around just how great Daveed Diggs would be as Moon Knight, Deadline reported that Oscar Isaac is, in fact, in talks to play the character.
Oscar Isaac | upi.com
There’s definitely reasons to be excited about this casting. Oscar Isaac is Guatemalan-American, making this a big win for the Latinx community, and he’s obviously a very well-liked and established actor with experience in both indie and mainstream films – his biggest role to date has been as Poe Dameron in the most recent Star Wars trilogy. While playing Dameron, he famously pushed Disney to try and make his character explicitly gay, which is endearing and awesome. Then there’s the matter of his Jewish heritage, and that’s where things get a little bit more complicated.
In the comics, Moon Knight (a.k.a. Marc Spector) is unequivocally Jewish and that’s part of what’s made him such an interesting character that so many people have been excited to see join the MCU. Oscar Isaac does have some Jewish heritage from his father’s side, although he was not raised Jewish – in fact, he was raised an Evangelical Christian and has said previously that he regards himself to be “a big mix of many things”. Because Jewish identity often follows a matrilineal line of descent, there’s been some confusion and debate over whether or not Isaac is considered Jewish or not, and whether this counts as good Jewish representation, considering that Isaac doesn’t appear to consider himself Jewish and once said that he lost a potential role because a director mistakenly thought he was Jewish based on his surname (which is actually his middle name). As someone who is not Jewish myself, I can’t say for certain what the answer to these questions are, but I will leave the question out there because it’s important to have this discussion. I recently addressed issues of colorism with regards to the possible America Chavez casting, and I think it’s unfortunate that we’re now having a similar conversation, especially when this was probably avoidable.
Moon Knight | screengeek.net
Despite Isaac possibly not identifying as Jewish, the character of Moon Knight is likely to be depicted as such when he shows up for the first time in the upcoming Disney+ series that will star the character and explore his origins. For those who don’t know much or anything about Moon Knight, let’s quickly break it down: Marc Spector starts out on his journey as an ex-CIA operative and mercenary working in Egypt, where he gets involved in a fight with his former friend Raoul Bushman over a newly uncovered Egyptian archaeological site that Bushman is trying to plunder. Spector gets mortally wounded and lost in the desert, but is miraculously saved by divine intervention – the ancient Egyptian moon god Khonshu is able to resurrect him in exchange for Spector’s service, which Spector is able to perform while wearing the mantle of the Moon Knight. The Moon Knight fights a wide range of enemies, ranging from street-level fighters to psychic nuns and supernatural beings. Spector begins to suffer from dissociative identity disorder, and creates several notable personas including that of a millionaire named Steven Grant and a cab driver named Jake Lockley. It’s a juicy, complex role(s), and Oscar Isaac is definitely going to be doing exciting things with it, if the Moon Knight backstory isn’t radically different from the comics.
Isaac is only one of a long line of actors who will be starring in hotly-anticipated Disney+ series’ for Marvel, such as Elizabeth Olsen, Anthony Mackie, Jeremy Renner, Tatiana Maslany and Iman Vellani. But Isaac is arguably the one with the biggest name recognition thanks to his work on Star Wars. There’s no word yet on if or when Isaac will jump to the big screen, but his willingness to jump onboard a streaming service for the studio makes it likely that he will have a prominent role in the MCU going forward. In the comics, Moon Knight has collaborated with the Midnight Sons under the command of Dr. Strange, and there have been reports that other members of that team will be showing up throughout the Marvel universe soon.
Oscar Isaac as Poe Dameron | comingsoon.net
Interestingly, it won’t be Isaac’s first time working alongside superheroes. He played Apocalypse, the villain of Fox’s X-Men: Apocalypse, and had a voice cameo as one of many Spider-Men in the post-credits scene of Sony’s Spider-Man: Into The Spiderverse, something that is likely to be explored further in that film’s sequel. This casting also puts him en route to joining Ming-Na Wen as one of the few actors who are part of the Marvel, Star Wars, and Disney Animated universes (he’d make for a fabulous Disney Prince, honestly).
So what do you think? Are you excited for Isaac, or do you have reservations about the casting? Feel free to share your own thoughts, theories and opinions in the comments below!
