“The Snyder Cut” DC Fandome Trailer!

The Snyder Cut of Justice League will finally release on HBO Max next year (in four, hour-long segments), and at last we have a full-length trailer for the now legendary epic film that most thought would never see the light of day. But for several years now, fans have been asking – even demanding – that Warner Brothers release the Snyder Cut, and I can’t blame them, because (a) Joss Whedon’s Justice League, the version of the film that actually got released in theaters back in 2017, was memorable only for how horrible it was, and (b), more importantly to me, the tenacity and perseverance of Snyder Cut fans has since inspired similar fan-driven campaigns such as the push for a She-Ra movie or a Quake spinoff, both of which I support wholeheartedly.

The Snyder Cut
denofgeek.com

But anyway, back to the Snyder Cut. Truth be told, it’s not urgent to me that I see Zack Snyder’s cut of this film, though I will definitely be curious to see how it turns out, and whether or not it lives up to the intense hype. The trailer does a pretty good job of letting us know what we’re in for: an epic of gargantuan proportions, overflowing with darkness and unimaginable horrors, set in a post-apocalyptic hellscape. The members of the Justice League are divided across the world, Superman is dead, and an ancient alien tyrant named Darkseid chooses this moment to arrive on earth with the intention of subjugating the human race.

Prior to this trailer, there was no clear victor in the perennial contest between DC’s Darkseid and Marvel’s Thanos, two suspiciously similar characters who both appear in their respective cinematic universes under very similar circumstances – but I still don’t know if there’s a clear victor, even now that we can compare both of them. Which one looks better? I’d be inclined to say Thanos: his slightly more humanoid features allow for a greater range of emotions to pass across his broad, bald head. But which is the better-written character? Well, that’s impossible to say until we actually see the Snyder Cut. Darkseid was written out of the theatrically released cut of Justice League and replaced with his servant, Steppenwolf, who also makes an appearance in this trailer but not as the main villain. Steppenwolf’s new design looks appropriately fearsome: he’s an alien mass of prickling scales and spines. Darkseid’s design, meanwhile, is still not fully-rendered, so I’m not going to pass judgment just yet, but I will say this: based on what we can see so far, I’m not certain I like his look. He’s a little on the short side, and a bit too bulky, with enormous hands – but then again, I’m not a big fan of his design in the comics either.

The Snyder Cut
Darkseid | nerdist.com

Leonard Cohen’s “Hallelujah” plays over scenes of global destruction as Darkseid and his cosmic armies rain fire on the earth, while the Justice League slowly but surely gets their act together and begins to fight back. Superman returns in his stylish, all-black suit; Aquaman strips down in slow-motion because reasons; Cyborg actually has a lot of screentime, which lends credence to Zack Snyder’s continual promises that his character is the emotional core of the film; Batman poses dramatically on gargoyles in the rain; Wonder Woman, oddly, is almost nowhere to be seen; and The Flash of all people actually has cool action scenes, which is…shocking (no pun intended). Obviously, we all kind of know what’s going to happen: we have, technically, seen this movie before. But the Snyder Cut is sure to feature some major changes from the theatrically released Justice League. New characters like Iris West will show up, while other characters will have vastly different roles in the story.

It’s even possible that the ending of Zack Snyder’s Justice League will leave the door open for future team-up movies: it’s unclear whether DC has an interest in bringing him back for the long run, but based on his celebrity status amongst fans and his popularity with the cast, it probably wouldn’t be a bad business decision. With Ben Affleck officially returning as Batman in The Flash and Henry Cavill set to reprise the role of Superman somewhere down the line, it seems like DC is trying to lure in the Snyder fanbase again across the board, not just with this one film.

The Snyder Cut
comicbookmovie.com

When all is said and done, this trailer is incredible because it’s for a movie that wouldn’t even exist had the fans not rallied behind Zack Snyder with all their might and worked to get something done. On its own, it’s only an okay trailer, and I intend to rate it as such – it really doesn’t make me any more intrigued than I already was by this whole concept – but when you take a step back and see the bigger picture, it’s a lot more than that. It’s a testament to the power of fandoms, and the impact we can – and arguably, should at times – have on the decision-making process.

Trailer Rating: 6.9/10

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“The Batman” DC Fandome Trailer!

The reaction to the first teaser trailer for The Batman, revealed last night at DC Fandome, has been one of almost unanimous praise so far: which makes it my painful duty to report that I can’t quite share in the growing excitement surrounding the film as much as I’d love to, as much as I truly hope to be able to in the near future, as more of the film is completed and revealed to us. Unfortunately, the teaser trailer simply isn’t connecting with me, although I’ve now watched it several times. I’ve identified most of my issues, as well as several elements which I genuinely find interesting or at least intriguing, and hope to see expanded upon.

The Batman
variety.com

Let’s start with a positive: Robert Pattinson. I’m a big fan of Pattinson, and I feel certain he has all the makings of an excellent, instantly iconic, Batman. A dark, twisted, vengeful Batman who stalks the streets of Gotham like a rogue detective – we’ll talk about detective work in a moment – dealing out a very violent kind of justice to the city’s hordes of criminals and wrongdoers. Pattinson’s suit has the perfect Batman silhouette, and I absolutely love all of his gadgetry and customized accessories – particularly his Batmobile, which flares into life around the trailer’s midpoint and looks to be equipped for high-speed chases. I don’t quite understand what Pattinson and director Matt Reeves are going for with Bruce Wayne’s long, unkempt hair and dark eyeshadow, but it’s striking nonetheless and it’s already given rise to a deluge of memes about “Emo Batman”.

Gotham City itself is honestly a bit of a mixed bag, personally. On the one hand, I feel like this film is going to tell a Jack the Ripper storyline under the guise of superheroes and villains – The Riddler, who appears to be the film’s primary antagonist, shares many similarities with the historical serial killer, which this take on the character could be examining – and I love that idea. We don’t see any establishing shots of Gotham in this trailer, but it has all the essence of Jack the Ripper’s London: dark, foggy, atmospheric; the kind of city where evil lurks in wait around every street corner, and nobody is safe. But that stylistic decision feels almost too easy, too safe. It’s dark and it’s gritty, and those are two words I’ve heard enough of when it comes to Batman.

The Batman
deadline.com

Now, I’m not saying that The Batman has to be as brightly-lit or gaudy as Birds Of Prey, but I do feel like a pop of color would help to differentiate this Gotham from past incarnations of the iconic city, while a bit of absurdity never hurt anyone. My ideal vision of Gotham is of a semi-psychedelic labyrinth, lit by flashing neon and inhabited by colorful characters. Gotham’s brooding darkness has been explored to death, but its sensuality (for lack of a better word) has never really been touched upon. Even if I were lucky enough to be making this movie, I would still incorporate that Jack the Ripper tone, but I don’t see why it needs to be oppressively grimdark to achieve that. At the same time, I should point out that only about thirty percent of The Batman has actually been filmed, and this teaser trailer may not be indicative of everything that’s in the film. Matt Reeves explained in the panel leading up to the trailer’s debut that all the characters will still be transitioning into the heroes and villains we know from the comics, and considering that he counted Gotham as a character in the story, I wonder if that same sort of character arc will be granted to the city itself.

I also don’t want to sound like I hate everything about Gotham – I love the mansion which Selina Kyle’s amateur Catwoman attempts to burgle, with its arched Gothic windows looking out over the city skyline. This mansion is also the setting where the Riddler’s first murder takes place.

Speaking of which, time to address the Riddler in the room! Paul Dano is never unmasked in the trailer, but from what we see and hear of him, he’s definitely a very disturbed and terrifying character. The first we see of him, he’s taking his time setting up a perfect little crime scene, leaving his clues and a signature calling card for Gotham’s greatest detective, Batman himself (feeling the Jack the Ripper vibes yet? Because I am). Matt Reeves mentioned that most of Batman’s villains are still new on the scene in this film, which takes place during the early years of the Caped Crusader’s career, and that Riddler in particular is only just emerging for the first time. That gives me hope that, despite Dano’s character appearing in muted green throughout the trailer, he will eventually suit up in a brighter, somewhat more comics-accurate costume, perhaps trading in his mask for a quaint little hat along the way. The tone of this Gotham seems so dark that it’s hard to imagine that being the case, but I’m remaining hopeful.

The Batman
indiewire.com

A large part of why I’m still hopeful is because Catwoman actress Zoë Kravitz mentioned in a previous interview that she has already had a chance to wear her Catwoman suit during the filming – so either she’s referring to her low-tech burglar getup in the trailer, or there are actually comics-accurate costumes in store for all of Batman’s villains. I don’t see why not: Batman got a perfect outfit, so why shouldn’t the rest? Ironically, Catwoman’s costume already looks quite good, though I don’t know if she’s intentionally embracing her feline design aesthetic, or if her ski mask is only accidentally bunching up into cat ears as an act of foreshadowing.

Then there’s The Penguin, and this is another negative: not because of Colin Farrell, who is very talented and seems to have undergone an incredible physical transformation into this role with the help of extreme makeup and prosthetics (can you say Oscar nominations?), but because the role requires this much makeup and prosthetics at all. When Farrell was announced as The Penguin, my first thought was how original and out of the box it was – in the comics, Penguin has always been a very grotesque figure, whereas Farrell is traditionally handsome. I concluded too quickly that Farrell’s Penguin would be very suave, maybe even fabulously dressed or well-groomed. Well, not quite. Farrell is instead unrecognizable under all the makeup, which has turned him into a much more familiar, jowly, balding crime lord. It feels safe. Too safe, if you ask me.

The Batman
observer.com

That’s my big problem with the trailer as a whole: it’s just a tad bit too predictable. When Matt Reeves promised us a Batman movie that’s like nothing we’ve ever seen before, I expected a wild divergence from the days of the dark, gritty Batmen in their dark, gritty Gothams – but instead, Reeves has doubled down on the dark and the gritty and come out with something that almost looks and feels like an exaggeration of everything I’ve grown bored with when it comes to this character. Now, I’m well aware that this Batman’s selling-point is supposed to be that he works as a detective, which is something I’m very excited to see (especially with The Riddler being the main villain), but I didn’t see him doing any actual detective-work in the trailer. And again, this is a teaser for a film that isn’t even half-completed yet, so it’s not fair to make any assumptions about anything, but I’ve still got to review what we did see – and what we did see didn’t feel like anything I haven’t seen before in some way or another, though there are distinct differences here and there.

Well, time to turn it over to you, dear reader. Share your own thoughts, theories and opinions in the comments below!

Trailer Rating: 7/10

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“Wonder Woman 1984” DC Fandome Trailer!

“Barbara, what did you do?”

What Barbara Ann Minerva has done is somehow steal the spotlight in the second official trailer for Wonder Woman 1984, released today at the opening panel of the online DC Fandome event. Even with the epic trailer showcasing new scenes of Wonder Woman herself, all eyes are on one thing: Barbara Ann Minerva, and her grisly transformation into the apex predator she’s always dreamed of becoming – the animalistic supervillain Cheetah.

How could she not be the main focus of this trailer? For months, we’ve been waiting eagerly to catch any official glimpse of her look, and relished all the merchandise leaks that have given us hints: but nothing beats the real deal. And even though her scenes in this trailer are darkly-lit (making me question whether her design is still being worked on behind-the-scenes?), there’s enough here to make it obvious that she will be a formidable villain to Wonder Woman, armed with fearsome claws, super-strength, incredible stamina and agility, and a feral bloodlust for power. In fact, as much as we all love Wonder Woman and want to see her take the lead, it’s hard not to watch this trailer and wonder whether Barbara Ann Minerva’s tragic story will form the emotional core of this hotly-anticipated upcoming DC movie.

Wonder Woman 1984
slashfilm.com

Wonder Woman 1984 will tackle many issues, some of which are alarmingly relevant today: the main conflict comes from Maxwell Lord, a charismatic con-man (intentionally modeled off a younger Donald Trump) selling lies, empty promises and cursed gifts to the gullible, with both Wonder Woman and Barbara Ann Minerva being ensnared by his spell. But whereas Wonder Woman presumably gets a reunion with Steve Trevor, the former love of her life, as part of her bargain with Lord, Barbara Ann Minerva gets superpowers which put her on equal footing with her arch-nemesis but have the side-effect of turning her into a horrific animal/human hybrid. When I say “horrific”, I mean that in a good way…not in, like, a Cats way. It’s difficult to say when she’ll obtain her powers, however, because most of her action scenes (such as her fight with Wonder Woman in the hallways of the White House) have her wearing an extremely fashionable cheetah-print jacket and high-heeled boots, complemented by a messy mane of blond curls. That and her black evening attire when she strolls into high-society for the first time are still her best looks, based on what we’ve seen so far.

Wonder Woman
cinemablend.com

But while it’s Cheetah that has captured my attention, there are other standout moments in this trailer: we once again see Wonder Woman lassoing lightning and swinging through the clouds, but she has tranquil, emotional beats with Steve Trevor as well (walking past the Washington Monument in what is sure to be a lovely romantic scene), and the duo are just as humorous as ever – Steve Trevor, a man out of time, is clearly having a hard time adjusting to 80’s fashion norms, though if anyone can rock a fanny-pack and parachute pants, it’s him. There’s more footage from the gravity-defying Amazon Olympics on Themiscyra, a sequence which I’m sure must have some significance to Wonder Woman’s arc, but for now just looks really cool.

The trailer is lacking just one thing, and that’s a catchy, era-appropriate song choice. It’s not too major a problem, but it does feel like a downgrade after the first trailer‘s brilliant use of an electronic instrumental rendition of “Blue Monday” by New Order.

So how are we feeling, DC fans? Share your own thoughts, theories and opinions in the comments below!

Trailer Rating: 8/10

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Michael Keaton Will Return As Batman For The First Time Since 1992!!

Michael Keaton must have enjoyed his recent stint as the Marvel supervillain Vulture, because it appears that he’s even considering rejoining the DC Extended Universe – returning to the role of Bruce Wayne/Batman for the first time since 1992. And not just for one quick cameo, either: no, the rumor is that Keaton will take on a recurring role throughout several films in the DCEU, in a capacity that many are comparing to Samuel L. Jackson’s guest star roles in the Marvel Cinematic Universe films as Nick Fury.

Keaton is expected to make his big comeback at some point in The Flash movie. The film – apparently still starring Ezra Miller as the goofy, super-fast hero – has long been rumored to mess about with the DCEU’s already complicated continuity, doing what it can to bring some cohesion to the chaos with the help of alternate realities and time travel. Keaton’s Batman could very well show up to help Miller’s Flash with that daunting task: and as a business strategy, it would be genius. Not only will Keaton’s name and the Batman brand recognition alone entice general audiences, but setting up Miller and Keaton as a comedic duo could keep audiences enthused, entertained, and willing to suspend their disbelief while The Flash and The Batman work out how to fix the DCEU’s canon in a film that could potentially have a lot of pseudo-scientific exposition.

Michael Keaton Batman
syfy.com

Meanwhile, moviegoers who are still looking forward to Robert Pattinson’s take on the Dark Knight need not fear: while Michael Keaton’s Batman might replace Ben Affleck’s largely reviled version of the character in the main timeline of the DCEU, Pattinson’s version exists on the peripheries, much like Joaquin Phoenix’s Joker. So don’t expect the entire DCEU to suddenly fit together perfectly due to this: even if we do get a whole bunch of time-travel/world-hopping shenanigans, I’d imagine the intent behind that would be to focus on reversing and/or rewriting parts of Justice League, firmly defining what does and does not exist in the main canon, and putting the franchise on a clear path forward.

Michael Keaton is, as I mentioned, expected to stick around in the role for at least a few more films, including a planned Batgirl solo film. If he were to continue, The Hollywood Reporter notes that his Batman could be “something of a mentor or a guide or even string puller”, which definitely sounds similar to Nick Fury over in the MCU and would probably be very appealing to Keaton, who could reap the benefits for years to come. However, all of that is far ahead in the future, and Michael Keaton hasn’t even been officially signed on yet: The Flash is expected to start filming in the first quarter of next year, giving him a bit more time to make his decision. But the pressure is going to be put on him heavily now: the news is already sparking plenty of fan hype, and the DCEU won’t want to let go of that momentum – they’ve actually been riding high for a couple weeks now, following some very well-received reports that Henry Cavill could return as Superman and that the DC will have their own fan-event later this summer to rival San Diego Comic-Con At Home and Disney’s D23 Expo.

Michael Keaton Batman
time.com

Beyond the fact that Michael Keaton is finally going to return to this iconic role, this casting has major ramifications for the future of the DCEU, as it suggests that other versions of well-known characters could possibly show up, either in The Flash or later down the line – and with DC Comics having a very long history of being adapted to the big and small screen, there’s plenty of material they could draw from: much like what the CW network did when adapting the DC’s Crisis On Infinite Earths storyline, where they snatched up a number of actors from various other DC-adjacent properties and had them come together for a spectacular showdown (incidentally, DC may have been laying the groundwork for this very moment when they had Ezra Miller’s Flash cameo in Crisis On Infinite Earths alongside Grant Gustin’s version of the Flash – there’s no word yet on whether CW talent could cross over into the films, but it’s certainly not out of the question anymore).

To be quite honest, this news could be a life-saver for The Flash, which has been stagnating quietly for years now, waiting for someone to come in and save the project from utter oblivion. Andy Muschietti, who is, as of right now, still signed on to direct the picture and is apparently the one who extended the offer to Keaton, was that “someone”. Now let’s just hope we get to see this suddenly very intriguing film soon!

What do you think about the news that Michael Keaton is returning to the DCEU? Share your thoughts, theories and opinions in the comments below!

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“Wonder Woman 1984” Trailer Review!

Yes, this is really happening. Diana Prince, the world’s one and only Wonder Woman, has officially returned in the first trailer for her long-awaited sequel movie, Wonder Woman 1984.

The trailer finds Diana living her best life in the 1980’s, far removed from the horrors of warfare that she braved and defied in her origin movie: elegant and mature, she’s now a wine-sipping, evening gown-wearing celebrity with a fancy apartment in Washington D.C., and easy access to the flashy, vibrant world of the rich and famous. She’s got new friends, including the quirky, clumsy Barbara Ann Minerva, and new enemies, like Pedro Pascal as a charming but suspicious businessman and motivational speaker named Maxwell Lord (more on both these characters in a moment). And of course, she’s joined once again by the love of her life, Steve Trevor, who appears as if by magic to dance with her at a party – there’s no explanation yet for how he’s miraculously returned from the dead, but I think the trailer gives us plenty of clues.

But first: the 80’s. There’s been a lot of tension in the DC fandom recently about whether or not it’s a mistake to take the normally serious and epic character of Wonder Woman and place her in a time period so often associated with…well, shoulder pads and bangles. But Diana fits perfectly in this era – not only when she’s living it up in the big city, but also when she’s going full 80’s action hero: lassoing bad guys in the White House, swinging from lightning bolts (she is the daughter of Zeus, after all), and blowing up an entire caravan of heavily-armored military trucks. So everybody who was worried that a 1984 setting meant cheesy comedy and nauseatingly bright colors can cool it – this movie has the best of both worlds. Incredible action and techno music.

And who will she be fighting? Surprisingly, we still don’t have any idea what Barbara Ann Minerva will look like as the anthropomorphic super-villain Cheetah (though she does sport a lavish cheetah-print outfit at one point: a far cry from her other appearance in the trailer, which has her wearing giant round glasses and a rather bizarre hairstyle). But we do get a long look at Maxwell Lord, who also has a wide range of stylistic choices in these two minutes: he’s a dapper, sickly sweet collector of ancient artifacts, who has the power to make dreams come true – rumor has it that he will grant Barbara Ann’s wish to be a superhuman, and Diana’s personal, unspoken wish to be reunited with Steve Trevor.

As for Steve and Diana, their romance is still just as strong as ever, and they have a couple of cute moments – riding in Diana’s invisible jet and visiting museums together (Steve Trevor not being able to tell modern art apart from garbage cans is very relatable). But the focus is all on the woman herself, and her new, impressive suit of golden armor, which comes with unfolding wings. She doesn’t even need a Godkiller sword at this point, because she just is the weapon. Diana’s really out here about to rock this world to its core, and I don’t know if we as a society are ready for that.

Scratch that – I am. June 5th can’t come soon enough.

So what do you think of the trailer? Share your thoughts, theories and opinions in the comments below!

Trailer Rating: 9.5/10

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“Joker 2” Drama Turns Nasty – What’s Going On?

Yikes. The movie that has been sparking universal controversy and uproar since its release in early October is still stirring up trouble, this time leading to a feud between two of the biggest entertainment news trades in Hollywood – quite appropriate for a movie about the Clown Prince of Crime.

"Joker 2" Drama Turns Nasty - What's Going On? 1
nytimes.com

This time, the inciting incident was an article by The Hollywood Reporter, which claimed that The Joker director Todd Phillips is looking to team up with star Joaquin Phoenix once again to film a sequel to the R-rated villain origin story which grossed over a billion dollars at the box office and is gaining slow traction in awards season races. Phillips and Phoenix had both previously discussed not wanting to do a sequel because it would ruin their artistic vision – that seems to have changed when the film crossed into the billion-dollar club, landing Phillips himself a paycheck somewhere in the range of $100 million. THR added that on October 7th, mere days after Joker opened in theaters, Phillips met with Warner Bros. Pictures Group chairman Toby Emmerich and pitched an idea that Emmerich rejected: that Phillips should be given the ability to develop origin movies for an entire rogue’s gallery of classic DC Comics villains (THR specifically referenced the dictatorial Darkseid and power-hungry businessman Lex Luthor as possible examples). While Phillips’ idea appears to have been a bit too extreme for the studio, it is said he walked away from the meeting with the rights to “at least one other DC story”. All this seems pretty standard so far: it’s unsurprising that Phillips would want to direct a sequel to the smash hit, and it’s not even all that surprising that he thinks he’s entitled to take over the entire DC villain roster.

But soon after, Deadline fired back with a vicious piece that used the words “great click bait” to refer to the Hollywood Reporter’s earlier story. According to their sources, no Joker sequel is being discussed at this stage. And that’s not all. I quote: “the linchpin of today’s THR story – that a week after Joker’s opening, Phillips met with Warner Bros film chief Toby Emmerich to pitch a portfolio of DC character origin stories – is as flat false as earlier stories that Martin Scorsese contemplated directing the first Joker”.

Okay, this isn’t really relevant to the rest of the story, but this is what Martin Scorsese had to say about those “flat as false” rumors, in an interview with Variety earlier this month: “[I] thought about it a lot over the past four years…I decided that I didn’t have the time to do it”. Marty went on to complain about how he didn’t want to direct it because he didn’t feel comfortable making a movie about a comic book character, etc, etc, you’ve heard all that before, I’m sure.

Leaving aside that glaring error in Deadline’s reporting, the lack of professionalism from the respected trade is shocking and dismaying – is this the malevolent work of the Joker at play, turning Hollywood news agencies against each other? Is it an act of pettiness on Deadline’s part, because THR broke the story first? The bigger, more important question is: which one is actually right? Is Todd Phillips going to be placed in charge of the DC’s villains department or not? Will we have to endure several more years of Joker-induced chaos?

Not long after Deadline’s article came out, poor little Variety showed up with their own piece, which is basically being ignored by everybody: in it, they say that the truth lies somewhere in the middle: Phillips has met with Toby Emmerich to discuss a sequel to Joker, but no other DC villain origin films are being planned, and Phillips would be too busy directing Joker 2 (if true) to direct those other films, anyway.

As of right now, that’s all I have to say about this strangely chaotic story. But I’m posing the question to you, dear readers: what’s really going on at the DC right now, and who’s directing what? Would you be interested in a Joker sequel? Would you be interested in origin stories for other DC villains? Share your thoughts and theories in the comments below!

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Andy Serkis, Colin Farrell Join “The Batman”.

Okay, we’re doing this again, aren’t we?

Not too long ago, I spoke about how bizarre it was that an actor like Jonah Hill could be circling the role of The Riddler in Matt Reeves’ upcoming DCEU origin story, The Batman, which will follow a young Dark Knight as he navigates a Gotham City seething with villainy and corruption. Hill, who was far more suited to the role of The Penguin, eventually walked away from the project entirely, both due to that and the fact that he was asking for significantly more money than Warner Brothers was willing to pay for him to play a character they didn’t even want him to play.

Andy Serkis, Colin Farrell Join "The Batman". 2
independent.co.uk

And now we’re kind of in the same situation: just now, news broke that Andy Serkis, famed motion-capture performer and director of Sony’s Venom 2, will be joining the cast of The Batman (despite, you know, directing Sony’s Venom 2 at the same time) as Bruce Wayne’s loyal butler Alfred Pennyworth. Fans had long hoped that Serkis would exploit his friendship with director Matt Reeves (the two worked together on the recent Planet Of The Apes movies) in order to win a role in the DC film, so this isn’t disappointing news by any means. Andy Serkis is always a win. But it is kind of surprising, in light of the other casting announcement that came out mere minutes later.

Colin Farrell, the handsome Irish actor known for his work in films such as Saving Mr. Banks and Fantastic Beasts & Where To Find Them, has landed the role of Oswald Cobblepot, better known as The Penguin in DC lore. To be clear, I’m not complaining about this casting choice, but if I had to choose someone to play the stout, eccentric Gentleman of Crime, it would not be Colin Farrell: in fact, if I had to choose an actor to fit that role perfectly, it would be somebody a bit older, with a crazy glint in their eye, somebody who could rival the incredible performance of Danny DeVito in the same role in Batman Returns – actually, it would probably be Andy Serkis. Whereas the taller, fine-featured, soft-spoken Farrell would be a perfect fit for the role of Alfred Pennyworth.

But as we’re beginning to expect with this movie, it’s the other way around.

Farrell’s casting, in particular, is noteworthy because (a) he’s another ridiculously good-looking addition to this already bizarrely beautiful cast, and (b) see above. The Penguin has never been portrayed as a handsome man, and, in fact, much of his origin story revolves around him being the exact opposite: bullied relentlessly for his obesity and shuffling gait, the young Oswald Cobblepot turned to his pet birds for friendship as a child, and became an avid student of ornithology, eventually adopting bird-themes into his villainous style. Reeves is obviously going in the opposite direction with this out-of-the-box casting – and, while I find it intriguing, I can’t say I abhor the idea of Colin Farrell donning Penguin’s signature top hat, monocle and umbrella while wreaking havoc on the streets of Gotham. It just makes me wonder whether Matt Reeves will reveal Gotham to be a stylish, trendy modern city more in line with today’s New York City. Maybe it’s time we moved past Gotham’s traditional representation as a depressingly gritty underworld of criminal activity, seething with corruption and pollution. Margot Robbie’s Birds Of Prey movie almost seems to be leaning in that direction already with its bright neon color palette and fresh, alluring style, but it’s too early to tell yet if she got to that idea first, before Reeves.

Farrell and Serkis will join Robert Pattinson, Zoe Kravitz and Jeffrey Wright in The Batman, which is slated to release in 2021.

So what do you think of the idea of Andy Serkis as Alfred and Colin Farrell as The Penguin? Should the actors have been swapped? How would you feel about a new take on Gotham? Share your thoughts in the comments below!

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Zoe Kravitz Cast In “The Batman”!

Fresh off the summer’s HBO drama Big Little Lies, and a string of successes and misfires, actress Zoe Kravitz is joining the cast of Matt Reeves’ The Batman, in the role of Selina Kyle, the Catwoman.

The antiheroine burglar has been played by a number of legendary actresses before Kravitz, including Michelle Pfeiffer and Halle Berry: but Kravitz has an advantage in that she’s actually played the character once before, albeit in animated form in The Lego Batman Movie. There are no details yet on whether this version of the character will be more villain or hero, or whether she will be in a romantic relationship with Robert Pattinson’s Batman. The Batman has been rumored to star many of Batman’s notorious rogues, so it wouldn’t be altogether surprising if Catwoman was portrayed as a full-out villain – but while I think Kravitz can play that, and play it well, I know she can also be emotionally complex, in a raw and fascinating way. And Catwoman has such a gripping story, this is a real chance for Kravitz to show off her acting chops to a broader audience that hasn’t seen her work on Big Little Lies: the antithesis to Batman, the Catwoman is a persona that Selina Kyle takes on to escape her horrific life in the dark underbelly of Gotham City, a persona that first develops when Kyle is tied in a sack and nearly drowned while still a child; the same punishment that awaited cats accused of witchcraft in the Middle Ages.

Kravitz beat out a number of high-profile contenders for the role, all of whom were women of color (as is she). Rumored candidates included Lupita Nyong’o and Tessa Thompson from the Marvel Cinematic Universe, Gugu Mbatha-Raw, and Logan Browning. Any of these remarkable women would have been excellent choices to don the Catwoman costume and roam the streets of Gotham, but Kravitz is especially perfect: for one thing, she doesn’t have commitments to a rival studio, as Nyong’o and Thompson would. Kravitz has also worked with Warner Brothers before – as much as people may hate Fantastic Beasts: The Crimes Of Grindelwald, almost everybody seemed to like Kravitz’ portrayal of the haunted heiress Leta Lestrange. She’s not a big draw at the box-office, though, and her most recent project, the second season of Big Little Lies, didn’t go over well with fans; but while none of that is strictly her fault, Kravitz is definitely going to have to work harder than usual to ensure that her portrayal of the beloved character of Catwoman is faithful to the source material, while still fresh and unique.

So what do you think of this casting, and who do you expect to be cast next? Share your thoughts in the comments below!

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“Birds Of Prey” Official Trailer!

Harley Quinn is back and better than ever in the first trailer for Birds Of Prey, which sees her and a few of the other emancipated women of Gotham getting together to wreak havoc on the city with glamour, glitter and gunfights. DCEU fans have been eagerly anticipating this first official trailer for weeks, and now, finally, we have it. So does it live up to expectations?

I say, yes. The movie looks absolutely crazy, but in the best way possible: irreverent, reckless, and irresponsible, Margot Robbie’s take on the character of Harley Quinn is a far cry (a canary cry? bad Birds of Prey pun, I know) from her comics counterpart, one of Batman’s most dangerous and sinister villains – but she’s possibly better. And without any Batman in sight, Quinn is free to roam through Gotham on roller-skates, robbing, vandalizing and basically having a good time – she compares her crime spree to a sleepover party at one point in the trailer, and even suggests that she and her henchwomen should order pizza.

In fact, Harley Quinn’s only companions these days are two very large hyenas, and the other women in the Birds of Prey team, who get about ten seconds of screentime each in this trailer – though that’s more coverage than they’ve gotten in the film’s promotional material, which has focused exclusively on Harley herself. Black Canary, Huntress, Renee Montoya and Cassandra Cain, the other members of the group, look a bit more like extra cannon fodder for fight scenes, as does, rather surprisingly, the villain Black Mask (played by Ewan McGregor!). So while the full title of this movie is (*clears throat*) Birds Of Prey And The Fantabulous Emancipation Of One Harley Quinn, you could probably lop off the first part of that hefty moniker without much issue. This is Harley’s world, and, for better or worse, the supporting cast is just passing through it.

Nevertheless, the fight scenes, in which the other Birds of Prey will probably have their few and far-between moments to shine, look spectacular and dazzlingly unique. We’ve got chase scenes through shopping centers, roller-derby action sequences, and one peculiar but beautifully shot dance hall fight in which Margot Robbie gets to channel her inner Marilyn Monroe for a musical number. There’s humor, wit, and empowerment. Harley, armed with her oversized mallet and psychotic impulses, is officially back in business, and ready to take down the patriarchy.

And you know what? I’m kind of here for it.

Trailer Rating: 8/10

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“The King’s Man” First Trailer!

No offense to director Matthew Vaughn, but now was probably the worst possible time to release this trailer. At least for me – probably only for me.

You see, I have only recently finished watching The Last Czars on Netflix: a semi-dramatized documentary about the final days of the Russian Czar Nicholas and his entire family, who were brutally murdered in 1918 during the Bolshevik Revolution. Their story was very closely linked with that of the highly mysterious monk and spiritual healer Grigori Rasputin. Now, I went into this six-episode series knowing full well what happened to each and every one of these people, and how they died horrific deaths: what I did not know was how the series would choose to depict each and every one in the most awful ways imaginable – from Rasputin’s terrifying ability to defy death several times even while he was poisoned and brutally injured, to the slow and agonizing deaths of the Czar’s four daughters, who were probably the last of the family to perish since they were wearing diamonds sewn into their clothes, granting them a temporary immunity to their murderers’ bullets. I was expecting the deaths to happen off-screen, preferably with a minimum amount of anguished screaming. I watched it at night (could it get any worse?), and I couldn’t sleep for hours afterward. The next morning I tried as hard as I could to forget what I had just witnessed.

And who shows up in today’s first trailer for the upcoming spy thriller The King’s Man? That’s right – the bearded monk Rasputin, looking rather more fictionalized, and showing an impressive skill at wielding…glass ornaments? Teapots? I’m not entirely sure what he’s holding at the 1:18 mark, but it’s also very difficult to focus on anything other than those wide eyes, eyes which supposedly hypnotized and enchanted the Czarina of Russia, to the point where she was unable to break free of his spell. I suspect we even see the Czarina in the trailer: one of the two women clinging to Rasputin’s arm as he strides through an elegant ballroom. Then again, the characters in this film are clearly only loosed based on their historical counterparts, since the IMDb page reveals that the fabled spy Mata Hari will also be in this movie, played by Gemma Arterton (who’s been getting her fair share of spy thrillers recently, coming off the unexpected success of Murder Mystery on Netflix), alongside characters like Field Marshall Haig; U.S. President Woodrow Wilson; the Kaiser Wilhelm II, Czar Nicholas II, and King George V of England, all played by Tom Hollander, which makes me suggest that somehow all three warring heads of state are going to be revealed to be the same man; and…and Rasputin’s real-life killer, the Russian prince Felix Yusupov (played by Daniel Brühl, Marvel’s “Baron Zemo”).

And this is what has me slightly upset. Not the fact that Rasputin is actually as terrifying as all get-out, and his portrayal in this film by Rhys Ifans looks even freakier (well, okay, that too), but the knowledge that this film is going to necessarily fictionalize a whole bunch of this part of history. Now, don’t get me wrong: I like historical fiction. Usually, seeing Mata Hari cross paths with Rasputin wouldn’t be a problem for me – but coming at this time, just after I’ve watched the most grim, grisly, realistic depiction of this very intense period of human history…well, it’s just coming at a bad time. Especially because this has so much potential: it could do so many things – it could, for instance, seek to capitalize on the very popular myths of the “escape” of Russian princess Anastasia Romanov. Let me stress that those are myths: trust me, I’ve just watched the documentary – the bodies of all seven Romanovs have been found as of this writing, and Anastasia is among them. She did not escape, no matter how much we may want to believe that she did. I’m going to make myself cry just writing this, because I loved imagining all the creative ways in which she could have made her daring escape from the House of Special Purpose. But, sadly, none of it’s true.

Anyway…that’s all I’m trying to say. At this moment, watching this trailer, my emotions on the subject are very raw, and I’m not currently relishing the idea of watching our British protagonists smuggle the princess out of Russia before the Bolsheviks (or Mata Hari?) can catch her. I don’t even know if that’s one of the film’s plot points – but if it is, I’d rather not know about it for a little while.

Moving on. The rest of the trailer looks really good, though I do have one other complaint. Namely, that this film already looks like it’s trying to copy certain aspects of my all-time favorite World War 1 film, Wonder Woman. Like, literally, right down to some of the shots in the trailer, such as when Ralph Fiennes (I think it’s him, at any rate) gets thrown through a wall by an explosion, while holding what looks to be a Germanic shield of some sort: it’s basically this shot:

"The King's Man" First Trailer! 3
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But with a lot less dimension: seriously, if you’re going to throw a guy through a wall, have him…I don’t know, fall from a height or something? Instead the man in question just falls onto a really barren patch of gray dirt. Not very visually interesting, if you ask me.

Aside from probably coincidental similarities (such as the scene of British soldiers going up over the trenches), we also have the peculiar appearance of a very familiar name in the cast: that of General Ludendorff, whom Wonder Woman fans will remember for his large role in that film, where he was…a glowing superhuman possessed by the Greek god Ares. I know, I was just complaining about fictionalization.

But leaving all that aside, I’m still a sucker for anything set during the Great War; I like Ralph Fiennes as an actor; and I think this film definitely has potential. It’s got elegance, wit, and a good dose of classic British daring-do. Let’s see how it is – and whether it’s got Mata Hari smuggling Anastasia out of a Russian empire controlled by King George – before we make any assumptions.

Trailer Rating: 6/10

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“The Flash” Has New Directors (Surprise, Surprise)…

Not long ago, I reported that Ezra Miller, star of Justice League and Fantastic Beasts: The Crimes of Grindelwald, was still set to play the speedy superhero, The Flash, in an upcoming Flash solo movie. Months ago, Miller’s future in the franchise had been put in jeopardy when he broke ranks with his directors, John Francis Daley and Jonathan Goldstein, in order to write a new, edgier script for the movie, which he thought was too light-hearted.

Now, Warner Brothers have decided to place their bets on Miller, kicking Daley and Goldstein unceremoniously off the project. On the other hand, they’ve already decided not to move forward with Miller’s script either, but have instead chosen to start over from scratch (again), enlisting Christina Hodson, writer of Bumblebee and Birds of Prey, to redo the movie. Miller will still play the Flash, but he’s not calling the shots anymore. This whole situation is so confusing.

It gets weirder when we consider that Warner Brothers is (maybe?) still going for a darker take on the story, such as Miller was advocating, since they’ve hired horror directors Andy and Barbara Muschietti to take the reins from Daley and Goldstein. Then again, maybe not, since James Wan also came from the horror genre, but made Aquaman into one hilarious, family-friendly comedy, and the same occurred with David Sandberg, who switched gears from horror to humor, directing the DC’s most recent film, Shazam: and then we’ve got Jaume Collet-Serra, another horror director, coming over to the DC to direct Black Adam. It’s almost like the DCEU, or more specifically, DC president Walter Hamada, producer of multiple horror films, has a bias. At this point, Wonder Woman director Patty Jenkins has to score a big hit with her upcoming sequel to the 2017 hit, or she’s going to be replaced by another of Hamada’s own friends.

Anyway, I’m not trying to be a downer or anything…but, seriously, how many directors is this movie going to go through before it gets to be too much? How many scripts are going to be written? How does Ezra Miller somehow escape each of these purges by the skin of his teeth? What is going on behind the scenes? Filming dates have also changed, with cameras expected to start rolling on The Flash in January of next year…which, um, is going to conflict with Miller’s filming for Fantastic Beasts 3, if I’m not mistaken? Or does this mean Fantastic Beasts 3 is getting pushed back again?

If only I knew.

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“The Flash” Is Still Happening!

Ezra Miller’s promising career has kind of run up against a brick wall this year – his two biggest upcoming projects, in J.K. Rowling’s Wizarding World and the DC Extended Universe, have both been stuck in some sort of…well, we can’t even call it “development hell” because neither has even made it into development yet! The Fantastic Beasts franchise is busy sending out S.O.S signals and frantically rearranging its schedule, with the release date for the series’ third entry having been pushed back to November of 2021. Miller’s DC solo movie, Flashpoint (or just The Flash, it doesn’t technically have a title yet) has been slowly drifting off into hazy forgetfulness for years, with random outbursts of news popping up every now and again to remind us that, maybe, someday, this movie might have a slim chance of possibly happening.

Earlier this year, there was huge breaking news that Ezra Miller was not only still making that movie, but had taken it upon himself to rewrite the entire script with the help of comic-book author Grant Morrison. The rumor, which began circulating on March 15th, suggested that Miller’s new script could be submitted to Warner Brothers Studios, and I quote, “as early as next week”.

And, uh, yeah…that apparently never happened.

What makes it even weirder is that, after the deafening silence from Miller, DC, and Warner Brothers the week after that report surfaced, there continued to be precisely no news about the film in the months since. Miller’s contract with DC was said to expire in May, at which point the actor would either have to renegotiate his deal or part ways with the role of the Flash – not something that seemed likely, considering that Miller claimed to be deeply committed to making sure the movie happened. Well, May came and went, and there was still no word about what Miller was up to: had he submitted his script, against the wishes of his own directors, John Francis Daley and Jonathan Goldstein? Had they persuaded him to abandon his idea and end his partnership with Morrison? Did Miller’s expire? Is he still playing the Flash? Is the Flash even still happening?

The story is still very patchy and incomplete, and there’s obviously a lot of stuff going on behind the scenes: because now, according to one vague sentence in a brief piece on Miller’s gender-fluidity by Variety, Miller “will get his DC Universe stand alone film as soon as he wraps up his work on the “Harry Potter” spinoff series “Fantastic Beasts”.

So…um, I guess he’s still onboard?

What’s not clear is whether Miller’s script – a darker take on the source material than that being used by his directors – has been adopted for the film, or whether the actor has been forced back in line. It would seem that he’s renegotiated his deal, at the very least. And it looks like The Flash is still happening? Unfortunately, it’s clearly not happening anytime soon: Miller’s responsibility to the Fantastic Beasts franchise will probably keep him occupied through most of early 2020, as he shoots Fantastic Beasts 3.

The article, though, doesn’t say Fantastic Beasts 3 – it refers to the entire Fantastic Beasts franchise, which gives me some reason to worry. Now, it could mean one of three things: (a) the article is simply worded oddly: Variety is usually reliable, but they did also reference an upcoming Justice League sequel in an article not too long ago about Ben Affleck – needless to say, there is no upcoming Justice League sequel and never has been. (b) the article is being literal, and implies that Miller will have to finish filming the last three Fantastic Beasts movies before he can move on to playing the Flash, in which case we’re going to have to wait a very long time for that movie, or (c), the most dreadful possibility, the article is being literal, and Fantastic Beasts 3 is indeed the end of the franchise: unfortunately, it’s not out of the realm of possibility, with the way that the second film in the series, The Crimes of Grindelwald, drastically underperformed at the box-office, and failed to resonate with critics or audiences.

I’m really hoping that it means nothing, and just boils down to a faulty editor or a careless writer.

But whatever it means for the Wizarding World, it looks like Miller’s future with the DCEU is…safe, I guess? He hasn’t been publicly let go, at least. Whatever is going on with the script behind the scenes, it looks like the Flash is still making his way…slowly…to the big screen.

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