Marvel Developing “Secret Invasion” For Disney+!

The Secret Invasion saga is a Marvel comics storyline that many fans have been asking to see depicted on the big screen since it was revealed that Captain Marvel would introduce the story’s chief antagonists, the Skrulls, into the Marvel Cinematic Universe alongside their nemeses, the Kree. But it seems that, while the repercussions of the storyline will probably be felt in the films, much or even the entirety of the Secret Invasion saga will occur exclusively on Disney+, in the form of a new series for the streaming service, according to a new rumor.

That means that the details of the story will have to be changed for the MCU adaptation, because the scale will likely be far smaller – but that doesn’t come as too much of a blow, because we already knew that the storyline would have to be changed a lot after Captain Marvel revealed that the Skrulls were actually a largely peaceful people of exiled refugees, rather than the diabolical shape-shifting troublemakers they are in the comics. We actually have yet to meet any evil Skrulls in the MCU, though for a Secret Invasion storyline to work, there will have to be some: the whole premise revolves around a group of Skrulls led by the conniving queen Veranke, infiltrating earth by disguising themselves as prominent government officials and superheroes. In the comics, this story sprawls across the entire Marvel universe: it’s still possible that could work in the MCU as well, but we now know that the main characters standing in the way of Veranke (or whoever leads the Invasion in this adaptation) will be the Agents of S.W.O.R.D.

Secret Invasion
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S.W.O.R.D., also known as the Sentient World Observation and Response Department, made what was almost certainly its MCU debut last year in an incredible Spider-Man: Far From Home post-credits scene which showed former S.H.I.E.L.D. director Nick Fury leisurely strolling around the hallways of a massive space-station manned by benevolent Skrull and human workers, while simultaneously giving orders to Skrull operatives Talos and Soren, who were posing on earth as Fury and his assistant Maria Hill, respectively. Since then we’ve also been given evidence to suggest that S.W.O.R.D. will have a large presence in the WandaVision Disney+ series. Now, it looks like the agents of S.W.O.R.D. will be getting their own series, in which we may be able to explore the inner workings of their organization, and fully understand their various responsibilities as protectors of earth against cosmic and extraterrestrial threats.

Obviously, we already have an Agents Of S.H.I.E.L.D. series, and it’s quite good, so it does seem likely that at least part of the inspiration for this Secret Invasion story was borrowed from that MCU-adjacent TV program, which is set to premiere its seventh and final season this very month. In the MCU, S.H.I.E.L.D. ceased to exist several years ago, and the TV series, while popular with a small and devoted fandom (including myself), has drifted further and further away from MCU canon with each successive season. So, despite how unfair it is, there likely won’t be any reference made to the agents of S.H.I.E.L.D. or their many exploits across space and time (though if there is, I have a few ideas for how they could be implemented into a Secret Invasion storyline, which I’ll discuss).

Secret Invasion Agents of SHIELD
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Barring a surprise cameo in Black Widow or The Falcon And The Winter Soldier, S.W.O.R.D.’s first official appearance is likely to come in WandaVision – which, on the surface, seems like a strange place to introduce a group of space-based characters whose mission involves fighting aliens. But the tie-in to Wanda Maximoff’s multiverse adventure probably comes through the character of Hulkling, a half-Skrull, half-human superhero and member of the Young Avengers, who is the boyfriend of Wanda’s son Wiccan and is already rumored to appear in the WandaVision series. While he may not yet be a full-fledged agent in the series, his status as a bridge between humans and Skrulls makes him a key player in the relationship between the two peoples and, occasionally, a pawn in their politics. Certain members of the WandaVision cast, most notably Monica Rambeau and Thor fan-favorite Darcy, are also presumably more closely linked to S.W.O.R.D. than to Wanda herself – as a child in Captain Marvel, Rambeau was shown to have developed a close connection with the Skrulls and her comics counterpart is a cosmically-powered superheroine, while Darcy is an intrepid scientist specializing in the study of astrological abnormalities, a niche talent that came in handy in Thor: The Dark World and could make her an invaluable member of the S.W.O.R.D. team.

So already we have at least three characters who could easily be introduced as S.W.O.R.D. members who find themselves caught in the middle of Wanda Maximoff’s inner turmoil – perhaps due to Hulkling’s relationship with Wiccan, perhaps for another reason: it’s even possible that Wanda’s attempts to scramble the multiverse might endanger the earth, leaving it vulnerable to alien hostiles, something which could easily make her a target for S.W.O.R.D., though if that’s the case it’s hard to imagine why someone else, with a better understanding of the threat, wouldn’t be sent to deal with her instead. Again, I’m thinking Darcy’s experience with the Convergence incident could prepare her for dealing with this event, which might similarly feature a powerful and dangerous character trying to open a portal between worlds – though in this case, it would be Wanda, and her motives would be more sympathetic than Malekith’s.

The Secret Invasion series will most likely follow soon after – “soon” being a relative term in this case, considering that nothing is going to be happening truly soon with coronavirus still posing a threat to any filming in the foreseeable future. It is said to lead into the events of Captain Marvel 2, and could potentially feature a crossover with a Young Avengers series on Disney+, again because of Hulkling, who is a prominent member of that superhero team. Let’s start wildly theorizing now, shall we?

Secret Invasion Abigail Brand
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My guess is that the Secret Invasion series will start out with the core S.W.O.R.D. team already firmly established, having been assembled by Nick Fury prior to the events of Spider-Man: Far From Home but only just now emerging as a force to be reckoned with in the MCU. Apart from Hulkling, Monica Rambeau and Darcy, the team will be headed by a group of powerful individuals including Nick Fury, Maria Hill, Talos and Soren, and Monica’s mother Maria Rambeau, who was last seen in Captain Marvel, where she was Carol Danvers’ best friend and helped the heroine protect the Skrulls from an entire Kree army. The team’s commander in the comics, mysterious green-haired Abigail Brand, will also serve in a key leadership position. In the comics, a number of notable cosmic characters also stop in for guest appearances – some we’ve already met in the MCU like Captain Marvel, Peter Quill and Gamora; some we haven’t, like Thor’s long-lost half-sister Angela, and the bizarre alien warrior Beta Ray Bill. If we’re lucky, certain S.H.I.E.L.D. members might also make the jump to space, like Daisy Johnson, Melinda May, or the FitzSimmons duo: there are already rumors that Johnson, an Inhuman, could make a cameo in the Ms. Marvel Disney+ series, which will star another Inhuman character – if that is the case, I wouldn’t rule out Johnson and even Ms. Marvel showing up as part-time S.W.O.R.D. allies.

The plot of the series will revolve around this team of characters working on the space station known as The Peak when the Skrull invasion occurs. The invasion itself will be led by Veranke, and could be motivated for a number of reasons: it’s possible Hulkling could have something to do with it, and that the fight breaks out over him, but he’s already getting a lot of attention, so I’d rather that Veranke be inspired to attack earth when she hears of the secret Kree sleeper agents already established on the planet – these agents were briefly mentioned by Talos in Far From Home, in a manner that felt very significant. This way, Veranke and her Skrulls are inherently fighting for a good cause, but they’re also positioned as enemies to S.W.O.R.D., who will of course want to defend earth and deal with the Kree in their own way. If Marvel really wants to rip off Agents Of S.H.I.E.L.D., they could even have Veranke be a S.W.O.R.D. member herself, who betrays the organization, though in this case she could do so because she feels like her and her peoples’ concerns are being ignored. She might also try to get Hulkling to join her on her mission, which could give his character a fascinating dilemma but doesn’t make him the chief focus of a Secret Invasion storyline.

Secret Invasion Veranke
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Of course, there would have to be some shape-shifting happening, or what would even be the point of a Secret Invasion? In the comics, Veranke herself takes the form of Spider-Woman, but Sony owns the rights to that character and is unlikely to want to stick her in a Disney+ series. Besides which, Veranke impersonating Spider-Woman only works if Spider-Woman is already an established and trusted character in the MCU, which she isn’t. And beyond that, the scope of this series will probably be far smaller than it would be if it were a film – meaning that whoever Veranke does impersonate will probably be someone like Nick Fury, or someone else in the core S.W.O.R.D. team, rather than a big-name Avenger.

In the comics, The Peak is destroyed during the Secret Invasion by a Skrull posing as “Dum Dum” Dugan, a character who has long been deceased in the MCU and thus will have to be replaced. Abigail Brand and a few other agents will, as in the comics, escape the annihilation of their headquarters with the help of emergency space-suits (though, as this event will likely happen at the end of the series, this could be a fitting place to kill off certain characters, even fan-favorites like Talos, who presumably wouldn’t have a large place in the MCU after a Secret Invasion storyline anyway). They will be saved by Monica Rambeau – who basically has to have gained her own superpowers and adopted the Photon mantle by that point, right? – and Captain Marvel, who could show up as a finale guest star. Having Captain Marvel there also sets up the events of her sequel film, in which she may have to team up with the remaining S.W.O.R.D. agents to take down both Veranke and the Kree’s Supreme Intelligence, which is still a considerable threat to the security of the galaxy.

After this story is concluded, I imagine we’ll continue to see the S.W.O.R.D. team in the MCU: Rambeau, thanks to her similar set of powers, can easily become Carol Danvers’ sidekick, and Hulkling will join the Young Avengers as a full-time member. It’s also worth noting at this point that the finale of this series has the potential to introduce – or at least tease – both the X-Men and the Fantastic Four. Mutants such as Lockheed the dragon and Hank McCoy both serve under Abigail Brand as agents of S.W.O.R.D., and Brand runs into Mister Fantastic while he’s being held prisoner on a Skrull starship after the destruction of The Peak. If either of these things happens in the series, even near the end, it has the potential to be the next big MCU crossover event.

Secret Invasion Skrulls
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So that’s what I think of a Secret Invasion/Agents Of S.W.O.R.D. series, and how it could work. These are all just my personal theories and educated guesses: nothing based in substantial fact. This whole story is also only a rumor at this point – nothing has even been confirmed by Disney, so it’s possible I’m moving too quickly. Nonetheless, I’m very interested to hear what you have to say on the matter, so be sure to share your thoughts, theories and opinions in the comments below!

“Spider-Man: Far From Home” SPOILER Review!

If you haven’t seen Spider-man: Far From Home yet, make sure you get out of here and into a theater now, because you don’t want to miss it, and you definitely don’t want to get spoiled!

I have a feeling that the spoilers are, in large part, what make Far From Home such a fun movie: as I wrote in my nonspoiler review, it’s virtually impossible to talk about the film without giving anything away, because there are dozens of little shocks and surprises, not to mention a couple of huge, mind-blowing plot twists. And we can talk about them all now! We’ll discuss them in order of importance.

Surprisingly, one of the smallest, most insignificant surprises in the movie has to do with the consequences of Avengers: Endgame – or, rather, the lack thereof. The film opens with an emotional tribute to fallen heroes of previous movies, set to Whitney Houston’s “I Will Always Love You”, which then gives way to some exposition about what happened after Endgame: namely, the moment at which half of the human population suddenly reappeared. Unfortunately, this is all covered in a matter of seconds, with just one quick shot of dusted highschool students suddenly reappearing on the basketball court where they had been dusted five years earlier by Thanos’ infamous Snap. Thanos would be outraged to hear that people have begun calling this moment…the Blip. It’s a dumb name, and it does kind of undermine the huge drama of Endgame, but it is exactly what people these days would call such an event – a blip, a minor nuisance for those who were dusted.

But let’s talk about that, actually. In Far From Home, we mostly see things from the perspective of those who were Dusted, and have since Blipped back into existence, five years later, but still the same age. Peter Parker (Tom Holland), and all but one of his classmates were victims of the Snap, as was Peter’s Aunt May (Marisa Tomei). Leaving aside the fact that this is highly implausible considering that the Dusting was random and indiscriminate, these characters all have something in common, something I couldn’t quite place a finger on while watching the film: entitlement. The Dusted make up the vast majority of this film’s cast, and almost all of them have the same attitude of nonchalance and, dare I say, arrogance. They died and came back to life, but for them, the entire span of time between the Snap and the Blip was a matter of minutes: meanwhile, in the world around them, people have gotten married, had kids, died. One Dusted character comments on “how weird” it is that his younger brother is now older than him, but why don’t we stop to think about how it must feel for that younger/older brother, who has probably been dealing with emotional trauma, possibly even living as an only child, but now has to re-adapt to life with a sibling? The film only focuses on one character who survived the Dusting and has grown up in the intervening five years – Brad Davis (Remy Hii), who is treated throughout the film as a threat to Peter’s relationship with MJ (Zendaya), and something of an antagonist. But it’s the Dusted who actually come off as ungrateful and selfish, willfully endangering their lives time and time again. A lot of people wondered why, if Peter had just been Dusted, Aunt May would immediately thereafter let him go on a field-trip to Europe. Well, because Aunt May was just as dismissive of the Snap as any of the Dusted: sure, she had a funny experience where she reappeared in her old apartment only to discover that a new family had moved in – but she still got the apartment back, didn’t she?

Anyway…while we’re on the subject of Aunt May, let me move on from my angry tirade – May is not an important character in the film, but she does have a very adorable flirtatious relationship with Tony Stark’s aide, Happy Hogan (Jon Favreau). And at the end of the movie, when Peter confronts them and asks for the truth, May breaks Happy’s heart by revealing that it wasn’t meant to be a serious relationship – just a fling. Hopefully May rethinks that, because these two made one cute couple (honestly, when you think about it, it’s another example of how ungrateful the Dusted are).

Happy isn’t the only constant reminder of Tony Stark in Far From Home: aside from a brief mention of Tony’s wife Pepper Potts, there’s also some new surprises. We learn early on in the film that, before his death, Tony built a pair of glasses which control the hugely dangerous E.D.I.T.H (Even Dead, I’m The Hero) technology: this includes an almost infinite supply of killer drones and some really scary satellites orbiting the planet. Naturally, he also entrusted these glasses to Peter Parker, a scared and overwhelmed teenage boy. Just like any of Tony’s creations, these E.D.I.T.H glasses can be used for good or bad purposes – Peter makes this clear when he accidentally uses them to call a drone-strike on his rival, Brad Davis: even worse, he then gives the glasses to Quentin Beck (Jake Gyllenhaal), a man he’s known for a couple of days – even though he does eventually get them back, the E.D.I.T.H drones also capture him on camera, killing Beck. We’ll get to that later, though.

First, let’s talk about Beck himself. This one honestly shouldn’t have come as a surprise: we learn about halfway through the movie that Beck, who seems really nice and friendly, is actually a mentally unstable con-man trying to get revenge on his former boss, Tony Stark, who he believes stole his life-work and gave him no credit. With a team of disgruntled former Stark Industries employees, Beck has created an elaborate smoke-and-mirrors ruse – he pretends to be from another world in the Marvel multiverse, a warrior hunting huge creatures called Elementals, which wreak havoc across Europe. In reality, the Elementals are all special effects, and Beck is hunting Peter Parker, trying to win him over with kindness and get the E.D.I.T.H glasses from him. Jake Gyllenhaal brings a lot of charisma to the role – and his abrupt transformation from sweet, gentle Quentin Beck, to the over-the-top theatrical villainy of “Mysterio”, as he calls himself, is handled with ease. Granted, the actual scene in which his evil plans are revealed is…not quite as great. Gyllenhaal has to dump a lot of exposition and backstory while monologuing to his henchmen, and the dialogue itself is a bit wooden – but the delivery is as good as it can be, and Gyllenhaal was clearly having the time of his life while filming. He reminded me a great deal of Count Olaf from A Series of Unfortunate Events in that one scene. And he was detestable: from his snarky smile to his outfit, I wanted to punch him in the face. I didn’t think he could get worse.

He got worse.

I mentioned in my nonspoiler review that fans of Peter Parker will be traumatized by this movie: I stand by that. After getting the E.D.I.T.H glasses, Mysterio learns that Peter and MJ have uncovered his secret identity and are trying to reach Nick Fury (Samuel L. Jackson) at a S.H.I.E.L.D office in Berlin. Mysterio lures Peter into a trap, using special effects and illusions to fool him into an abandoned warehouse where he tries to murder him. What follows is some of the most nightmarish and imaginative stuff I’ve ever seen in a superhero movie: a sequence reminiscent of the “A Friend Like Me” musical number in Aladdin – but with disorienting green fog, spiders, and hundreds of Mysterio clones instead of singing genies and magic carpets. There are moments of dead silence, where we follow Peter as he tries to find a way out of the CGI darkness, only to run into a graveyard where he is confronted by a zombie apparition of Tony Stark. There’s a scene where Peter is surrounded by mirror images of himself, which suddenly come to life and try to strangle him. It goes on for an excruciatingly long time, with no end in sight – there’s one point at which you think the illusion is over, when Nick Fury shoots Mysterio in the back…but that’s a deception too. And then Peter Parker gets hit by a train.

He survives this, of course. How, I don’t know, but at least he manages to finally break free from Mysterio’s illusions – watching Peter be tortured both physically and mentally, not knowing who he could trust or what he could do to escape: it was heartbreaking. I nearly cried when Peter climbed, bloodied and bruised, up onto the side of the speeding bullet-train. I nearly cried again when he was wandering, lost and confused, through a picturesque Dutch village. I did cry when he finally met up with Happy Hogan again: he was crying, I was crying.

Then Led Zeppelin started playing. That dried my tears pretty quickly.

One more thing about Mysterio before we move to the third act surprises: the whole concept of the Multiverse, teased in the first few trailers for the film – it’s all a lie, concocted by Quentin Beck’s professional scriptwriters. There is no rift between dimensions, no Earth 616 – as of right now, there is still only one reality in the Marvel Cinematic Universe, which is honestly fine by me. It does mean we can probably dismiss all those rumors about the X-Men or the Fantastic Four coming from an alternate world in the Multiverse.

Now, for the big battle at the end. This happens in London, on the Tower Bridge, where Mysterio uses the E.D.I.T.H drones to create one “Avengers-level threat” for him to single-handedly defeat. Things get a little messy when Peter Parker disables the drones and exposes the illusion, leading to an epic battle where Peter has to go through Mysterio’s nightmare world again in order to get to him. Meanwhile, his friends, such as MJ and Ned (Jacob Batalon) are trapped in a museum, using medieval weapons to take on the killer-bots: this is what I called a Disney-Channel moment in my nonspoiler review – it’s silly, but fun. In the end, though, no amount of plot armor was going to save those kids from being horribly murdered – it’s only when Mysterio shuts down E.D.I.T.H by himself, while trying to fool Peter into thinking that he’s surrendered, that the teens are able to escape. But here’s where things get really cool – and, again, traumatic. Mysterio falls back, seemingly humbled, telling Peter that he regrets everything. For a few moments, the audience is fooled – and then, suddenly, Peter spins around and grabs a gun from the real Mysterio, who has been standing nearby, invisible. There’s a single gunshot in the dead silence, and Mysterio slumps to the ground, dead – allĀ thanks to Peter’s “spidey-sense” (though, it’s worth mentioning that there’s a running joke in the movie where everybody refers to “spidey-sense” as the “Peter-tingle”, something that Peter loudly objects to on multiple occasions).

But Mysterio’s legacy lives on, just as he wanted it to: turns out, he was filming the whole battle, and his henchmen edited the preserved footage to make it look like Mysterio was murdered. This is revealed in a shocking mid-credits scene, in which the footage is broadcast on national television by conspiracy network, The Daily Bugle, along with Peter Parker’s name and image: in a horrifying parallel to Tony Stark’s own declaration “I am Iron Man” at the end of the first Iron Man movie, Peter’s own identity has now been unintentionally revealed to the world. It’s likely that the third Spider-man movie will see the young web-slinger, armed with E.D.I.T.H, on the run from a host of villains who will be coming after him, not to mention his family and friends.

And, finally, one more surprise is revealed at the very end of the movie, but it’s so big that I think it warrants its own post, so I’ll only cover it a little here: basically, in the post-credits scene, Nick Fury and his partner Maria Hill (Cobie Smulders) are revealed to have been Skrulls – specifically, Talos and Soren, who we already know from the Captain Marvel solo movie. We overhear their conversation with the real Nick Fury, as they inform him that they’ve successfully delivered Tony’s glasses to Peter. Nick Fury himself is shown to be lounging on a tropical beach, which itself is merely a hologram: turns out, Fury is in space, on a vast starship manned by Skrulls, commanding what looks to be an army of soldiers or workers in a sort of cosmic version of S.H.I.E.L.D., again paralleling the end of the first Iron Man, in which Nick Fury first appeared onscreen and recruited Tony Stark into the Avengers Initiative. Eleven years later, Fury is assembling some sort of new team for Phase 4. I have a few guesses as to what might be going on there, but we’ll discuss that another time.

With the end of that post-credits scene, the Infinity Saga is officially over. The story of Tony Stark has been concluded, but there are dozens of new stories we can’t wait to see unfold on the big screen. We even have a bunch of new questions: is Spider-man going to be the next face of the MCU? Will he be forced to hide, or will he confront his enemies head-on? Is Mysterio really dead? What is Nick Fury doing up in space? Can all the Skrulls be trusted? How long have Skrulls been impersonating people on earth? Will the E.D.I.T.H tech play a large part going forward?

Will Aunt May and Happy end up together?

“Spider-Man: Far From Home” Review – NO SPOILERS!

This movie is such an intricate web (get it? It’s a spider joke…moving along) of plot twists, it requires me to think very hard and carefully about literally ever word I’m using – I don’t want to spoil a single thing in this movie. There are twists within twists, and there are all sorts of tricks and little shockers, plus two of the most incredible post-credits scenes ever, scenes that will be talked about for months to come. And, for this review, we can’t discuss any of them. Not a one. My lips are sealed.

But…uh, if you haven’t seen Avengers: Endgame yet, you might want to go? Because this movie is very closely linked to what happened in Endgame.

"Spider-Man: Far From Home" Review - NO SPOILERS! 1
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I feel it’s within my right to tell you a little of what to expect, in terms of atmosphere and tone: the film is very much high-school melodrama meets psychological horror – and if you think those two things probably don’t flow together very well, you’d be about partially right. Far From Home does sometimes have a little difficulty with that issue, at least with its supporting cast: specifically Ned (Jacob Batalon), MJ (Zendaya), and Betty (Angourie Rice). These three characters each have pretty sizable roles in the movie, and they often come across as a little…nonchalant? Yes, they’re teenage protagonists, and as such they have all the usual angst and over-the-top cringeworthy awkwardness that we’ve come to expect from teenage protagonists in movies, but it often gets in the way of, and subsequently diminishes the threat of the possibly world-ending catastrophic events happening around them. MJ, at the very least, has a little more dramatic material (and morbid humor) to work with in her role, and she even gets to play detective for, like, five or ten seconds, but she’s mostly here because this movie is truly a teen romance story at its heart, and her romance with Peter Parker (Tom Holland) is sweet enough and cute enough that it works. It’s not the best love story, and it’s a little dumb, but it’s there and I kind of like it, for what it is. It gives Peter an emotional anchor throughout the story.

One of two such anchors, in fact: the other being his attachment to the legacy of the late Tony Stark. Tony’s huge, larger-than-life status as an icon, a hero, a great man, is constantly reiterated through the film – from a heartbreaking opening-credits sequence up until the film’s finale. We are reminded over and over just how much Tony meant to Peter, and to the world. And we can sympathize with Peter’s pain and grief at losing him, and his quest to be the next Iron Man, a superhero that people can believe in. At times it becomes unbearable, and Peter is swallowed up by a claustrophobic panic as people constantly bombard him with questions about whether he’s leading the Avengers now, or what he plans to do if aliens attack again. If you’re a fan of Peter Parker, which I assume you are if you’re planning to go see Far From Home, just prepare for a lot of emotional trauma: because let’s just say…people are going after Peter in this movie in a way we haven’t seen before, kicking him when he’s down, tearing him apart (metaphorically speaking), and he takes a serious beating from it, physically and mentally. There are multiple scenes in this film where I felt like crying on Peter’s behalf, because he is tortured here. So many times, and in so many ways.

I am not kidding when I say there is psychological horror in this movie – in fact, there are multiple instances of it, and it makes the entire second and third acts feel nightmarish. One sequence, in particular, seems to go on and on, as Peter is lured in different directions like a puppet on strings, manipulated and mocked, unable to do anything to prevent all the awful things he’s forced to witness. He is far from home in so many ways.

And home seems particularly appealing now – the dread and gloom of Endgame has mostly passed, and families have been reunited: though, as Peter’s Aunt May (Marisa Tomei) points out early in the film, there have been some humorous consequences to the Snap, when half of the universe was disintegrated, and the subsequent moment when half of the universe suddenly reappeared. The name of that moment is itself pretty humorous, so I won’t spoil it for you. Anyway, the dusted are back, as we knew from Endgame, and people are moving on with their lives, all carefree. Aunt May even has a little flirtatious relationship going on with Happy Hogan (Jon Favreau) – that was teased in the trailers, it is not a spoiler. I won’t tell you what ends up happening on that front, though, because it’s funny. There’s a lot of adorable humor in Far From Home, actually – the movie is very cute. Okay, cute might not be the right word, considering all the mental trauma and horrifying imagery, but…um, cute during specific moments that I can’t spoil for you but which I assure you are definitely cute? There’s also a bit of the Disney-Channel factor, at certain points, especially in the third act: it would be difficult to explain what I mean by that without unintentionally spoiling certain moments of tension, but…uh, everybody knows what the Disney-Channel factor is, right? You’ll know it when you see it. It involves the teenage supporting cast, unsurprisingly.

Oh, by the way, there were a bunch of rumors going around that a transgender character and a Muslim character would show up in Far From Home: they do, but their appearances are incredibly brief – though Zoha Rahman did look very stylish in a variety of beautiful hijabs.

Samuel L. Jackson and Cobie Smulders have great chemistry once again, as super spies Nick Fury and Maria Hill. I can’t say too much about them, or their character arcs in this film, because…reasons…but they’re good. Very good.

While we’re treading the fine line between spoilers and nonspoilers, I will give as vague a description of Jake Gyllenhaal’s Mysterio, as is humanly possible. He is very interesting, he’s got a lot of charisma, and he made an impact. That’s it. Gyllenhaal does a really good job, except for one scene where – nope, not saying anything. But it’s just not a great scene. No spoilers!

"Spider-Man: Far From Home" Review - NO SPOILERS! 2
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And, um, yeah, so there are also these two post-credits scenes that are, like, really important: don’t miss them, because they set up the next phase of the Marvel Cinematic Universe in a really cool way, and…yeah. That’s pretty much all I can say. This movie is a web, a tightly-knit web of secrets that demand to be talked about in a spoiler review – so go watch the movie! Go watch it, so you can get back here and read my spoiler review, which will be up in no time (well, give me a little time to write it)!

Movie Rating: 9/10

“Spider-Man: Far From Home” Trailer!

The Avengers: Endgame spoiler ban imposed by directors Joe and Anthony Russo lifted today with this trailer for the next installment in the Spider-man franchise, but it’s your choice whether you want to read on. Spoilers for Avengers: Endgame lie ahead!

You’ve been warned.

Spider-man: Far From Home looks like it will pick up right where Endgame left off, with Peter Parker returning to school and trying to rebuild his life after having been snapped out of existence for five years. Needless to say, it won’t be easy. The new Far From Home trailer unveils some huge new concepts that are clearly to impact Phase 4 of the MCU – just as the first Avengers movie introduced us to Thanos and Infinity Stones, Spider-man is paving the way for a Marvel Multiverse.

In other words, anything can happen, from this point on. The Multiverse is a mind-boggling concept that, in hindsight, seems to have been set up in Endgame: there, in order to defeat Thanos, the Avengers were forced to travel back in time and open up branch-realities – realities in which Loki escaped with the Tesseract during the Battle of New York, or Gamora never met the Guardians of the Galaxy, for instance. At the end of Endgame, Captain America was sent back in time to shut down these alternate realities and prevent them from impacting our timeline – but it seems he might have missed a few.

Something big is happening in Far From Home. Elemental demons, seemingly a product of all this reality-bending, time-traveling stuff, are attacking the earth, coming through a “hole in our dimension” as Nick Fury calls it – and the only thing that stands in their way is Spider-man, who will now probably have to do some reality-bending of his own to stop them. The Multiverse has apparently been opened, which means we could see all sorts of weird things from now on: alternate versions of characters, for instance. I doubt that Spidey will be able to stop this, and I also doubt he’ll want to. Throughout the trailer, we see him mourning the death of his mentor and father-figure, Tony Stark (told you this contained spoilers). The Multiverse could easily bring back Tony, or an alternate version of Tony: in fact, the Multiverse makes any number of things possible. That Black Widow movie that’s coming up, even though Black Widow is currently dead? Well, maybe this is alternate Black Widow. The Scarlet Witch streaming show that will be set in the 1950’s, before Scarlet Witch was born? Time travel shenanigans and pocket-dimensions could explain that too.

The Multiverse can make pretty much anything – and everything – a reality. The MCU just got a whole lot bigger, and a whole lot more complicated.

So let’s bring our focus back down to earth: obviously, this trailer is going to be talked about in the coming days and weeks for the Multiverse reveal, but there’s a lot of other stuff happening here that’s also worth mentioning. Nick Fury and Maria Hill are back, as we expected, and Fury has recruited Peter Parker for this mission because apparently every other superhero is currently occupied (that seems…implausible, to say the least, but we’ll roll with it). Another big surprise is seeing Jake Gyllenhaal’s character Mysterio working for Fury – in fact, he seems to be the head of this operation to shut down the Multiverse: which seems a little dangerous, since Mysterio is a Spider-man villain in the comics.

Peter himself is still cheerful and innocent, and seems a little nervous about going into the Multiverse, following in the footsteps of Miles Morales in last year’s animated (and completely unrelated) Spider-man: Into The Spider-Verse. He wears a variety of cool new outfits, but he is obviously still adjusting to his new role as one of Earth’s mightiest heroes – he stills thinks of himself as the friendly neighborhood Spider-man. He has some romantic tension with MJ, but he’s being removed from his friends, pulled away from them by his duties even as he tries to enjoy a European vacation.

The real star here is clearly supposed to be Mysterio, who is shown wearing his iconic fish-bowl helmet and using magic. But there’s another character whose absence is already like a gaping hole in the dimension, and that’s Tony Stark. There’s graffiti of him on walls, and shrines dedicated to him in street-corners: while bringing Tony back might be cheating, it’s at least a possibility now with the introduction of the Multiverse.

Trailer Rating: 8/10