Who Are The Forsaken? The Wheel Of Time’s Villains, Explained.

SPOILERS FOR THE WHEEL OF TIME BOOKS ONE THROUGH THREE, AHEAD!

With the second season of Amazon’s criminally-underrated fantasy epic The Wheel Of Time aiming for a release date later this year (ambiguous, yes, but at least we’re looking at an interval of no more than two years between seasons), and a full-length trailer expected almost any day now, I feel like a lot of returning casual fans will want to refresh their memory of what happened in the admittedly confusing first season finale and what it means for the show’s future, as outlined in Robert Jordan’s daunting fourteen-book series. So get ready, because starting today, I’ll be bombarding you all with details from the finale you might have missed and analysis of certain plot-beats and character moments, which will hopefully give you plenty of reasons to get hyped for the The Wheel Of Time‘s second turning. And I couldn’t think of a better place to kick off this series than with a deep-dive into the Forsaken, characters I can’t wait to see onscreen at long last.

Fares Fares as Ishamael in The Wheel Of Time, wearing a loose black jacket over a white tunic. He has short dark hair, slicked-back, and a beard. His head is cocked to one side, and he is smirking, disregarding the razor-sharp blades of white light encircling him.
“The Dark One” | pajiba.com

The Forsaken, in Robert Jordan’s books, were the thirteen most powerful channelers (magic-users) who joined the Dark One during the Age of Legends, several-thousand years before the events of The Wheel Of Time, receiving the gift of immortality in exchange for helping the Dark One escape from the place outside time and space where he had been imprisoned since the moment of creation. They were ultimately unsuccessful, and as punishment for their treason, they were instead imprisoned alongside the Dark One by Lews Therin Telamon, a male channeler later known merely as “The Dragon”, when he went to the Eye of the World and sealed up the small rift in the fabric of reality that the Dark One had been using to issue orders to his followers. It’s hard to imagine what that was like, being trapped in the cold dark void outside the universe for thousands of years, unable to die, but it certainly didn’t help any of the Forsaken get to a better place mentally and emotionally.

The inevitable weakening of the seals on the Dark One’s prison near the end of the Third Age allows the Forsaken to begin escaping back into the world, just in time to pose a serious threat to Rand al’Thor, a male channeler who discovers that he is the reincarnation of Lews Therin Telamon, the last Dragon, and that he is destined to either save the world, by strengthening the ancient seals, or destroy it, by freeing the Dark One. That’s where The Wheel Of Time, in both the books and the show, begins – although for the first seven episodes of the show, the identity of the Dragon Reborn is a mystery and Rand is just one of several qualified candidates, including his friends Egwene al’Vere, Nynaeve al’Meara, Perrin Aybara, and Mat Cauthon. The Dark One is equally uncertain who is the Dragon, and thus dispatches the greatest of the Forsaken, their leader Ishamael, to begin stalking each of them in their nightmares.

(Before we continue, I feel like I should reiterate that this post contains one major spoiler from the ending of The Dragon Reborn, the third book in The Wheel Of Time, which is also a spoiler for the opening of season two, but only very minor spoilers from the rest of books two and three, so if you’re just starting the books after finishing the first season or if you plan to, turn back now and be warned that certain things will happen earlier in the show than in the books, which may impact your enjoyment of the books).

Ishamael, affectionately referred to as “Ishy” by the fandom, is the mysterious man with flaming eyes played by Swedish-Lebanese actor Fares Fares who appears prominently in both Rand and Perrin’s dreams and is immediately misidentified as the Dark One. He reappears after Rand confirms to himself that he is the Dragon, and has a conversation with him, or rather with the soul of Lews Therin Telamon, where he gleefully mocks Lews for taking the form of a weakling shepherd, but again Rand is oblivious to a whole bunch of clues and thinks he’s talking directly to the Dark One. At the Eye of the World, he faces Ishamael a third time, and this time Ishamael uses Rand’s ignorance to his advantage, deliberately posing as the Dark One and letting Rand obliterate his physical body with the One Power, all while standing on a prominent seal embedded in the floor that Rand unintentionally shatters as he’s attacking the man he thinks is the Dark One.

Not just any seal. One of the seven seals, long thought to be unbreakable, that the last Dragon sacrificed his sanity to install so that the Dark One could never escape again. And Rand just broke it (he can’t help it, he’s a himbo). One could argue that none of this was clearly conveyed in the actual episode, but my counterargument – and the reason I’m telling you all of this – is twofold: firstly, the episode ends with Moiraine and Lan investigating the broken seal and discovering that it’s made of cuendillar, a supposedly unbreakable substance, which a shaken Moiraine cites as evidence that the battle with the Dark One isn’t over, far from it, and secondly, enough time has passed since the finale that the folks over at Amazon don’t seem to care if people know that the man Rand fought wasn’t the Dark One, because the teaser trailer for season two outright confirms that he’s the Dark One’s “strongest lieutenant”, not the Dark One himself, and that Rand’s actions set the Forsaken free. I think it’s safe to assume that all of this is going to come out early in the season premiere anyway, before Moiraine and Lan presumably set out to find Rand and inform him of what happened.

Three votive statues, prominently displayed in The Wheel Of Time's first season, carved from brown stone, standing on a mantel-piece surrounded by burning candles. The statue on the far left depicts a tall man holding a guitar. The middlemost statue depicts a short man with vague, angular features. The statue on the far right depicts a woman with long hair, a large bosom, and wide hips.
(left to right) Votive statues of – presumably – Asmodean, Demandred, and Graendal | reddit.com

But will they reach him before one of the Forsaken does? I won’t spoil anything the show hasn’t deliberately chosen to spoil already, so you’ll just have to watch and find out, but I can tell you a little about each of the Forsaken. In the books, there are thirteen – Aginor, Asmodean, Balthamel, Be’lal, Demandred, Graendal, Ishamael, Lanfear, Mesaana, Moghedien, Rahvin, Sammael, and Semirhage – but the show has seemingly whittled that number down to a more manageable eight, at least going by the number of sinister votive statuettes that the Warder Stepin uses to ward off the Forsaken in episode five. The figures represented by these statues are not immediately distinguishable in all cases, but the general consensus among fans is that the eight Forsaken we’ll meet in the series are Asmodean, Demandred, Graendal, Ishamael, Lanfear, Moghedien, Sammael, and Semirhage.

And that’s fine by me. Sure, a handful of folks will miss Mesaana, and there’s some stuff she and Rahvin do in the books that I suppose will have to be done by other Forsaken in the show, but we still have plenty to go around, any one of them a hundred times more compelling than all of the remaining Forsaken combined. Aginor and Balthamel were some of the first Forsaken introduced in book one, The Eye Of The World, yet even their powers combined weren’t enough to prevent the former being taken down by an untrained teenager, and the latter by a tree. And as for Be’lal…well, I’m wracking my brain, but I have to be honest, I don’t remember if he spoke once in fourteen books. There’s nothing we gain from having them all around, and the advantage to dropping them is that the Forsaken in the show won’t be competing with a bunch of corny villain-of-the-week types for more screen-time and more significance to the story.

First and foremost among the Forsaken stands Ishamael, the Betrayer of Hope, who is considered the strongest characters in the series behind Lews Therin Telamon. During the Age of Legends, his name was Elan Morin Tedronai and he was a revered member of the Aes Sedai (back when the organization accepted both male and female channelers), but his studies into the workings of the Wheel of Time led him to the horrific conclusion that in every Turning of the Wheel, the Dark One would attempt to break free from his prison and do battle with the soul of Lews Therin Telamon, the so-called Dragon. Tedronai became convinced that the Dark One’s eventual victory was assured, as he would need to succeed only once to break the Wheel of Time, rip up the Pattern, and end the cycle of rebirth that allowed the Dragon to challenge him over and over throughout history. Deeming it safer to be on the Dark One’s side when this day came, Tedronai betrayed the Aes Sedai and became the Dark One’s strategist and representative on earth, leading to later generations conflating the name of Ishamael with that of the Dark One himself. Though he was sealed up alongside the other Forsaken, Ishamael was able to escape much earlier than the others, allowing him to set the stage for the Dark One’s return by orchestrating the Trolloc Wars and the War of the Hundred Years.

Lanfear, the Daughter of the Night, is believed to be the strongest female channeler in The Wheel Of Time alongside Semirhage, but in the books she is outranked by all of the male Forsaken for no good reason except that in Robert Jordan’s gendered magic system, even the weakest male channeler starts out stronger in the One Power than a strong female channeler, and the cap on his abilities is much higher than for a woman. Women are supposed to be more “dexterous” with the One Power, which theoretically evens the playing-field, but in Lanfear’s case it just makes so much more sense thematically if she’s second to Ishamael, both in strength and in the Dark One’s eyes, because being second to Lews Therin Telamon (and second to Ilyena in Lews Therin’s heart) was what originally drove her to the Shadow. In fact, it was in an effort to outdo Lews Therin that she accidentally drilled the hole in the Dark One’s prison through which he was able to influence the world (and behind which she was later sealed). The bitter irony of her story is that she’s extremely powerful and intelligent in her own right, but there’s always just one person standing between her and first place whom she can’t help but become fixated on tearing down. Fittingly, she’ll also be the second Forsaken introduced in The Wheel Of Time‘s second season.

Demandred, the One who Twists the Blade, is a somewhat enigmatic character who deliberately avoids the spotlight until very late in the book series, making it difficult to say where he ranks among the Forsaken. Of the eight suspected to appear in the show, I have him in third place behind Ishamael and Lanfear because he was said to be one of the strongest male channelers alive during the Age of Legends, and was often mentioned in the same breath as Lews Therin Telamon, although the two were rivals from the moment that both men fell in love with an Aes Sedai named Ilyena. When she chose Lews Therin, Demandred (or Barid Bel Medar, as he was then named) channeled his jealous rage into his research. He is credited with the rediscovery of sword-fighting and military strategy, art-forms which had been lost to the people of that blissful Age, but he fancied himself a real general because of this, and believed that when war broke out between the Dark One and the Aes Sedai, he would be chosen to command the forces of the Light – only for Lews Therin, the Dragon, to steal the coveted position and the honors it entailed. Demandred joined the Shadow soon after, becoming the Dark One’s greatest military leader.

Lews Therin Telamon and Latra Posae Decume, from The Wheel Of Time, standing in a sleek, futuristic, yet comfortable room with brown stone arches, flooded by sunlight from high windows. Lews Therin wears a black military uniform, with leather boots. Latra Posae, facing away, wears a shapeless white garment, and has her brown hair pulled into a severe bun.
Lews Therin Telamon and Latra Posae Decume | winteriscoming.net

In fourth place I have to put Semirhage, the Promise of Pain, because again, while the books state that the female Forsaken are weaker than all of the male Forsaken, I personally refuse to accept that as canon and you can’t make me – and in any case, Semirhage is said to be so dexterous with the One Power that she’s probably equivalent in strength to Lanfear, who I placed second behind Ishamael. Once a renowned Healer named Nemene Damendar Boann, she single-handedly rid the world of all illnesses and ailments during the Age of Legends, but found herself increasingly bored as her work decreased and she she realized she could accomplish nothing further through the One Power unless she began inventing new diseases and injuries. Torture became her one passion in life, and when the Aes Sedai tried to sever her from the One Power, the Dark One offered her a place at his side where she could do whatever she wanted with those unlucky souls who fell into her hands. Her unspeakable cruelty to prisoners-of-war earned her a reputation for being the most terrifying of all the Forsaken.

Sammael, the Destroyer of Hope, is vying for the fifth spot with Rahvin, an almost identical character with a similar role in the story – ultimately, I believe the two will be merged, and if I had to pick a name for this composite character, I’d go with Sammael. He was an exceptional athlete named Tel Janin Aellinsar in the Age of Legends, and a close friend of Lews Therin Telamon. But at some point during the war between the Dark One and the Aes Sedai, Aellinsar randomly grew jealous of Lews Therin’s military prowess and joined the Shadow. Hot take, maybe, but the show can only improve upon the books when it comes to fleshing out each of the Forsaken’s individual motivations, because we’ve already got two characters whose defining personality trait is jealousy, specifically of Lews Therin Telamon, and I don’t think we need a third – for Sammael I’m thinking we make him the character who turns to the Shadow out of repressed, unreciprocated love for Lews Therin, because the Forsaken are too fundamentally queer-coded of an organization for there to not be any queer Forsaken in the show (since problematic bisexual Balthamel is probably getting cut). Just imagine the angst when Sammael is instructed to exploit his friendship with the Dragon and betray humanity.

Sixth place goes to Graendal, the Vessel of Pleasure, who has a nauseating talent for reducing people to willing, worshipful slaves with the use of a complicated Compulsion weave. The other Forsaken regard her with disdain, because she deliberately gives them reason to believe she wastes her time collecting attractive prisoners to fill the ranks of her personal harem and forcing them to engage in…activities…while she watches on dispassionately, but the truth is that she’s the most competent multi-tasker of any of them, using the Compelled to carry out her dirty work in every corner of the continent. She is also, ironically, something of a willing slave herself, and takes great pride from shepherding her fellow Forsaken when they get out of line and start double-crossing each other and the Dark One. During the Age of Legends, she was a celebrity psychologist named Kamarile Maradim Nindar, who advocated for a lifestyle of restraint, without luxury or adornment. But as the Age careened to a close, she abandoned her principles and indulged in the pleasures she’d denied herself up to that point, including everything the Shadow had to offer.

Asmodean, whose name means merely Musician, is that and little else, as far as the Forsaken and the Dark One are concerned. During the Age of Legends, he was an acclaimed singer and songwriter named Joar Addam Nessosin who was also fairly strong with the One Power, but nonetheless he struggled with such a severe case of imposter syndrome that he turned to the Shadow solely for the opportunity to burn the entire music industry to the ground and arise from its ashes as the world’s only bard for all eternity. He blinded other songwriters whose work he envied, cut out the tongues of every talented singer he could find, and for whatever reason severed his own Aes Sedai mother from the One Power before throwing her to the Dark One’s Shadowspawn and watching them tear her to pieces. Still, because he never dedicated himself to training with the Power, he ranks seventh among the Forsaken.

Moghedien, the Spider, trails far behind the other Forsaken in terms of strength, and she knows better than anyone how easy it would be for her enemies to crush her, like her namesake, if they ever caught her in the waking world, on the field of battle. But that hasn’t happened yet, because Moghedien never puts herself in harm’s way and falls for no traps. She scurries silently through the World of Dreams, targeting an opponent’s weaknesses and withdrawing into the shadows too swiftly for their groggy counterattacks to land, re-emerging only when it’s safe. The other Forsaken regard her as a coward, but Moghedien, who once operated the Dark One’s intelligence network behind enemy front lines as an investment advisor named Lillen Moiral, bears their contemptuous remarks with patience. She knows her way works. And she certainly knows better than to risk a confrontation with any of them.

Three votive statues displayed prominently in The Wheel Of Time's first season, carved from brown stone, standing on a mantel-piece. The statue on the far left depicts a woman with a square headdress, whose dress has a web-like pattern. The middlemost statue depicts a woman with long hair and a collar of rings. The statue on the far right depicts a short, stout man with a beard and an angry expression.
(left to right) Votive statues of – presumably – Moghedien, Semirhage, and Sammael | reddit.com

Assuming these are, in fact, the eight Forsaken represented in The Wheel Of Time‘s first season as small, harmless statuettes, there are at least three who will probably appear in season two. Ishamael is a guarantee, as we’ve already seen him in the teaser. Lanfear is a guarantee, as she’s a major character in the early books. And Moghedien, I think, ought to be introduced or teased near the end of this season. As for the other Forsaken…well, you’ll just have to wait and find out when and where they’re introduced. But please, feel free to share your own thoughts, theories, and opinions, in the comments below!

“The Wheel Of Time” Casts Dain Bornhald, Sheriam, Bain & Chiad

The Wheel of Time turns, and Ages come and pass, leaving memories that become legend, but JordanCon continues and the cast and crew of Amazon’s The Wheel Of Time remains admirably committed to always showing up for the annual Atlanta-based convention celebrating the late author Robert Jordan and his monumental fourteen-book fantasy series. It’s a small event, hardly worth Amazon’s time in the grand scheme of things, but if nothing else, showrunner Rafe Judkins always has a video message for the fans containing a few tidbits of new information about the series, currently filming its third season in Prague. This year, while he was not at liberty to share the season two release date we’ve been craving for quite some time now, he did introduce four actors joining season two who will be playing important new characters.

Moiraine Damodred, viewed from above, standing in the middle of a ring of white light with her arms outstretched to either side, her neck tilted back, and her face uplifted to the sky, although her eyes are closed as if she is concentrating.
Moiraine | amazonadviser.com

All four were previously rumored to be among the series’ cast, so the names of Jay Duffy, Rima Te Wiata, Ragga Ragnars and Maja Simonsen may already be familiar to those who have been following production closely. Nor did it come as a surprise that Te Wiata would be playing Sheriam Bayanar of the Blue Ajah, something that was first reported several weeks ago by WoTSeries, a highly reputable investigative fan-site. But I was stunned and delighted to discover that Duffy will be playing Dain Bornhald and not Gawyn Trakand as everyone seemed to think, and that Ragnars and Simonsen will be portraying the dynamic duo of Bain & Chiad, two fairly minor but endearing characters I feared would be missing entirely from this adaptation.

A little about each of the characters, starting with Dain Bornhald because his is the casting I’m most excited about. Dain is a character we meet in the books earlier than in the show, in the town of Baerlon to be precise, although it’s not at all obvious from his introductory scene what a prominent role he’ll have in the story going forward, especially as a foil to Perrin, so I can easily understand why they saved him for season two. This way, he can have a proper introduction and audiences will hopefully get to know him first and foremost as a sympathetic character; a young man brought up from childhood in a cult and indoctrinated by everyone around him, including his father Geofram, to believe that the Aes Sedai and all those who can use the One Power are Darkfriends. Dain is a distinctly queer-coded character from my point of view (so is Perrin, making their antagonistic relationship even more compelling), and I have a feeling that might not just be subtext in the show.

Eamon Valda, a man dressed all in white, standing in front of a woman in a yellow dress tied to a stake with smoke and flames rising at her feet.
Eamon Valda interrogates an Aes Sedai | imdb.com

Sheriam Bayanar, an Aes Sedai and member of the Blue Ajah, is the White Tower’s Mistress of Novices when the story opens, instructing Nynaeve al’Meara, Egwene al’Vere, and Elayne Trakand upon their arrival at the Tower. She is particularly skilled at helping channelers overcome their self-imposed Blocks, and for this reason I suspect that most of her scenes in season two will be shared with Nynaeve, whose peculiar Block is an integral part of her character arc. In future seasons, however, Sheriam will get an unexpected promotion and take on a much larger and more pivotal role…and that’s all I’ll say on that subject.

As for Bain & Chiad, these inseparable Maidens of the Spear refer to themselves as “first-sisters”, which in their case means they have been Bonded by their Wise Ones in a ritual that – at least in the books – allows them to simulate the experience of being reborn from a single womb as close as two women can be. I do not believe for a moment that Robert Jordan was at all oblivious to the homoeroticism in his own writing, because the man was basically advertising his fetishes to the world every time a female character in his books found herself naked in Tel’aran’rhiod being chased around and spanked or flogged by other naked women, but I’ve said in the past and I’ll say it again that I don’t think he as a straight man ever seriously considered queer women as anything other than erotic. It’s very telling that most of the implied bisexual women in The Wheel Of Time, including Bain & Chiad by the way, are in polyamorous relationships centered around a single man, while the implied lesbians are mostly sexual predators. Queer men simply didn’t exist in the world of The Wheel Of Time until Brandon Sanderson generously added two to the books he completed after Jordan’s passing.

Ragga Ragnars (Bain), Ayoola Smart (Aviendha), and Maja Simonsen (Chiad) standing in a darkly-lit room, wearing nearly identical brown costumes with hoods, black veils around their necks, and spears on their backs. They all have red hair.
(left to right) Bain, Aviendha, and Chiad | reddit.com

I could go on about this particular subject for hours, but this really isn’t the time or place to be doing so, and I think I’ve rambled long enough anyway. In short, I’m very excited to see these four characters officially join The Wheel Of Time‘s ensemble cast when season two premieres (hopefully later this year), optimistic that we’ll learn who’s playing Lanfear, Elaida, Verin, Suroth, Egeanin, Gaul, Morgase, Galad, and Gawyn long before then, and curious to know whose introduction you’re most eagerly anticipating. Share your own thoughts, theories, and opinions, in the comments below!

“The Rings Of Power” Adds Seven To Its Huge Ensemble Cast

Ah, how I’ve missed the Amazon marketing team’s wildly unpredictable strategy for promoting what is reportedly the biggest and most expensive series ever made for television. Coming off a premiere with record-breaking viewership numbers that caused lots of online discourse but nevertheless generated a dedicated fanbase who thereafter kept the series at or near the top of the Nielsen charts for multiple weeks in a row, The Lord Of The Rings: The Rings Of Power has fumbled one opportunity after another to keep that fanbase’s undivided attention through what is expected to be a long downtime between seasons. Most casual fans probably weren’t even aware that season two had quietly started filming back in early October, while the first season was still airing, because there have been almost no official updates on the production out of Bray Studios in England.

Joseph Mawle as Adar in The Rings Of Power
Joseph Mawle as Adar | comicbookmovie.com

Until Thursday morning, when Amazon chose to randomly spring on us a total of seven new casting announcements for The Rings Of Power season two – with one, unfortunately, being the unexpected recasting of a major character. Nobody behind-the-scenes seems to have considered how slipping this important piece of information into a press release might completely overshadow what should have been a celebratory moment for the seven new actors joining the world of Middle-earth, or how a day of warm welcomes would inevitably turn into a day of solemn farewell messages directed at Joseph Mawle when it got out that he would not be returning as “Adar”, the darkly seductive leader of the Orcs that so many of us had grown to love.

Samuel Hazeldine, best known for his work in Peaky Blinders, The Sandman, and The Last Duel, will assume the role going forward. Knowing nothing about Hazeldine and his acting process, I only hope that he isn’t compelled to mimic Mawle’s mannerisms too closely, or worse, directed to do so – while there should be a sense of continuity between their two iterations of the same character, Mawle’s Adar was by all accounts the end-result of meticulous research and immersion into Tolkien’s mythology for the Orcs, and I (along with many others) would ideally like to hear that Hazeldine took a similar journey before settling on his own, subtly unique, characterization for this enigmatic antagonist. Beyond that, I can guarantee that fans will be comparing the two actors, and a few will be coming into this season downright mad about the recasting and mad at Hazeldine through no fault of his own, so channeling Mawle might just have the undesired effect of drawing attention to his absence.

With that out of the way, there are six other actors joining The Rings Of Power who are lucky not to have the shadow of another looming over their heads, and it’s time we moved down the list. First up, there’s Gabriel Akuwudike, who comes from a background in theatre and has had various small roles in film and television (including 1917, Game Of Thrones, and Cursed). He’s around the same age as Morfydd Clark and very handsome, so naturally everyone in the fandom has jumped to the conclusion that he’s playing Celeborn, Galadriel’s canonical husband who has not yet appeared in The Rings Of Power (in a significant deviation from what Tolkien wrote on the subject, the series’ version of Celeborn has been believed dead for centuries, which is already a hell of a lot more interesting than anything he ever did canonically; sorry, someone had to say it). Of course, this is all just speculation, and it’s just as likely that Akuwudike is playing an original character.

Rings Of Power
Yasen Atour | vanityteen.com

Next on the list is Yasen Atour, and his face might already be familiar to some of you as that of the Witcher Coen in the second season of Netflix’s The Witcher. He struck me as very funny and likeable there, so I’m excited to see what kind of energy he brings to The Rings Of Power, whether his character is dramatic or comedic. My most out-there theory is that he’s Theo’s nameless father, who disappeared from Tirharad before he was born (and at one point was widely suspected to be Halbrand), but the mystery surrounding that character and Theo’s origins in general weirdly trailed off without a proper resolution halfway through the season, around the same time the Orcs attacked Tirharad. With Theo and his mother Bronwyn presumably safe and sound in Pelargir at the beginning of season two, maybe there’ll be time for the show to address all our burning questions regarding Theo’s bloodline, and his connections to Mount Doom and Sauron.

Moving on, we have Ben Daniels – an acclaimed British actor with a long and distinguished career on the stage (his performance in All My Sons at the Royal National Theatre in 2001 earned him a Laurence Olivier Award, and he is a three-time nominee), as well as in television and film (globally, he is probably best known as Antony Armstrong-Jones in the third season of Netflix’s The Crown, but he has also had major roles in House Of Cards, Merlin, and Jupiter’s Legacy). With that resume, I have to imagine his character in The Rings Of Power is someone of significance: Círdan the Shipwright perhaps, or Amandil, the grandfather of Isildur, if Amazon obtains the rights to his remarkable yet tragic story.

Amelia Kenworthy and Nia Towle have similar backgrounds in theatre and to date have had only a few film and television acting credits between them. For Kenworthy, in fact, The Rings Of Power will be her television debut – although the RADA graduate has previously appeared in several productions of Shakespeare’s work, including as Puck in A Midsummer Night’s Dream. Towle, who graduated from the Guildhall School of Music and Drama, received very strong reviews for her performance as Lettie Hempstock in the West End debut of Neil Gaiman’s The Ocean At The End Of The Lane, and most recently appeared briefly in Netflix’s anachronistic adaptation of Persuasion.

And that brings us at last to Nicholas Woodeson, who has been working in theatre since the early 1970’s, when he started out at the Everyman Theatre in Liverpool. Looking at his enormous body of work, which includes numerous appearances in film and television, including Heaven’s Gate, Conspiracy, Skyfall, and the HBO series Rome, I see a similar career trajectory as the one Sir Ian McKellen took to the role of Gandalf, which made him a household name globally. Looking at Woodeson, I could potentially see him as another wizard – one of the Blue Wizards, perhaps – or as a Harfoot, if there are any new characters yet to be introduced from that group. He could be Círdan (he’s certainly closer in age to how I would imagine the Shipwright than anyone else in the cast), but something about him doesn’t fully scream Elvish to me.

The Rings Of Power
Nicholas Woodeson | bbc.com

Well, that’s everything I know about everyone joining the cast of The Rings Of Power in season two. There are probably still a few more names that haven’t yet been revealed, important ones too, but I’d be surprised if we saw many more new additions to the cast – after all, there are still over twenty returning characters from season one. Whose introduction (or return) are you most excited for, and is there anyone from the books you think we’re seeing here for the first time without even realizing? Share your own thoughts, theories, and opinions, in the comments below!

“The Rings Of Power” Episode 8 – Two Different Endings For Two Different Shows

MAJOR SPOILERS FOR THE RINGS OF POWER EPISODE EIGHT AHEAD!

“‘In place of the Dark Lord you will set up a Queen. And I shall not be dark, but beautiful and terrible as the Morning and the Night! Fair as the Sea and the Sun and the Snow upon the Mountain! Dreadful as the Storm and the Lightning! Stronger than the foundations of the earth. All shall love me and despair!'”

– The Lord Of The Rings: The Fellowship Of The Ring, The Mirror Of Galadriel, p. 366

The iconic passage quoted above is from a pivotal scene in The Lord Of The Rings where Galadriel (Morfydd Clark), hosting the Fellowship of the Ring in her home as honored guests, is freely offered the One Ring by Frodo Baggins. In shock and disbelief at the suggestion, she is forced to confront the Ring’s tempting power for the first time, and even after training for just such a moment for over three-thousand years she can’t resist breaking into a classic evil villain monologue before finally gathering her wits and prevailing. Her success in that moment ensures that she can eventually leave Middle-earth and find peace in the Undying Lands across the Sea.

Rings Of Power
The Three Rings of the Elves | highoncinemaa.com

It’s a moment that The Rings Of Power‘s writers have obviously tried to foreshadow in the first season’s final episode, with…moderate success. In a sequence invented for the series, which takes place roughly three-thousand years before the events of The Lord Of The Rings, Galadriel is offered a place at the side of the Dark Lord Sauron and wavers for a minute, torn between her duty to the light and her obsession with the darkness, before rejecting him and his half-baked philosophies so thoroughly that a reunion of their hearts seems inconceivable. It’s supposed to be a moment of catharsis for the protagonist, the moment that her storyline has been leading towards throughout this entire season – and yet it falls flat for two crucial reasons.

Put simply, Galadriel’s epiphany in the finale belongs to a totally different version of the character. I would even wager it was specifically tailored to fit the version of Galadriel who appears in the published Silmarillion and in one of the most frequently-quoted essays in Unfinished Tales – the version widely considered “canonical”, who left Valinor because “she yearned to see the wide unguarded lands [of Middle-earth] and to rule there a realm at her own will”. I myself have long adored the canonical, complex, morally ambiguous version of young Galadriel who seems so at odds with the serene and wise character we meet thousands of years later in The Lord Of The Rings, and there was a time when I had hoped to see her onscreen in The Rings Of Power. But when it became clear that Amazon didn’t have the rights to either The Silmarillion or Unfinished Tales, I resigned myself to the fact that we would probably never get to see a truly ambitious Galadriel in the first season.

And we never did…until the finale, which I have to assume was written very early on, for a version of Galadriel who actually lusts for power, and was never rewritten even after the writers were denied access to the rights they obviously wanted. Maybe they thought it would work as an homage to the canonical version of the character that most fans wanted to see all along, but it doesn’t track with what we learned about the version of Galadriel we actually spent time with in The Rings Of Power; a battle-hardened warrior who has never been shown to crave either power or status in Middle-earth, who scoffs at politicians and seems unaccustomed to dealing with kings and queens, who desires one thing and one thing only: vengeance for her brother’s death. And that, ironically, is the one thing Sauron never offers her when he makes his impassioned plea.

Of course, that’s because Sauron himself is responsible for the death of Finrod (Will Fletcher), and both he and Galadriel know it, but it would have made sense for him to appease her in the moment by promising her vengeance on those ultimately responsible for all the suffering her family has endured – the Valar, Middle-earth’s pantheon of gods. That suggestion may seem bizarre to some, blasphemous to a few, but hear me out: in The Silmarillion, which contains the closest thing to a “canonical” account of Galadriel’s life that Tolkien ever wrote, it is said that Galadriel rebelled against the gods in her youth and refused their pardon after the downfall of Morgoth, hence why she remained in Middle-earth long after the other “chief actors in the rebellion” had died or departed. I think it’s not too much of a stretch to say that her relationship with the gods is complicated; something that Sauron could and arguably should have exploited when he had the chance.

Rings Of Power
Sauron and Galadriel | startefacts.com

And frankly, what better moment to test the limits of her faith than when she’s face-to-face with the enemy she’s hunted relentlessly for centuries, whom she befriended, grew to trust, and even began to love? It didn’t actually happen that way, so there’s no sense in me veering off on a tangent, but I do wonder why the writers went down the path they did if their stated goal was to humanize Sauron and force the audience to empathize with him against our will. How can we, if all we know of him is that he craves power? We’ve heard it said, once or twice in the show, that Sauron plans to heal Middle-earth’s hurts (an idea fleshed out fully in Tolkien’s letters), but what we see of him tells a very different, and in my opinion far less interesting, story.

The somewhat genericized version of Sauron we’re introduced to in The Rings Of Power‘s season finale wears the ruggedly handsome face of a mortal Southlander, Halbrand (Charlie Vickers), and strangely never sheds that disguise even after revealing his true identity to Galadriel. The showrunners must have their reasons for sticking with Vickers, and if commitment to the role was one of their criteria I can see why he was chosen to continue as Sauron, because you can’t fake the kind of extensive research that Vickers has done for this role, not just into the lore and into Sauron’s backstory, but into Tolkien’s own thoughts on the nature of good and evil, as well as those of his contemporaries and close friends like W.H. Auden.

Unfortunately, someone in the writer’s room either betrayed Vickers or hugely overestimated his improvisational skills, because Sauron is inexcusably underwritten in the finale and little to none of Vickers’ research shines through his stolid performance. On top of that, the hairstyling and costuming departments failed miserably when constructing his look – between his dirty, uneven reddish-brown wig and the plain garments he wore throughout the season, every styling choice that befitted the persona of Halbrand feels out-of-character for Sauron in retrospect, and the fact that he willingly keeps this form even after parting ways with Galadriel warrants an explanation in and of itself (some of that is probably my headcanons speaking, but I really am bewildered by a number of styling choices made on this show).

But whether in spite of his scruffy appearance or in part because of it, Charlie Vickers exudes sexuality – and the unconsummated tension between him and Galadriel, which can be variously interpreted as sexual, romantic, or entirely platonic, doesn’t entirely dissipate even after he’s revealed as Sauron. Yet I could wish, were it of any avail, that Galadriel had not been so quick to reject him – her haste to assert her moral superiority over the charismatic Dark Lord seems to be for the audience’s benefit rather than her own, echoing moments in dozens of other books, films, and series’ where pure-hearted heroines have spurned their villainous love-interests, with Alina in Shadow And Bone and Rey in The Last Jedi coming to mind immediately. I’m not the best person to examine why women’s wrongs are vilified by writers while men’s are romanticized, but I would very much like to see this trope subverted someday and The Rings Of Power has already failed in that respect.

Rings Of Power
Galadriel and Halbrand | movienewsnet.com

If the show’s version of Galadriel was even half as politically ambitious as her counterpart in the books, she would have rejected Sauron’s offer not because it was the “right” thing to do but because it would mean sharing power with someone else. And all I have left to say on the subject is that it would have made for a far more compelling scene than the one we got, which is unsurprisingly sexy and well-shot (props to director Wayne Che Yip) but also…unsurprising. When a master manipulator like Sauron is on the game-board at last, you’d think that there would be some twists and turns in store but the finale instead takes the most direct path to its destination, leaving me to once again wonder whether showrunners J.D. Payne and Patrick McKay should maybe leave the writing to others.

The highlight of this mostly average episode, for me, is the scene where Halbrand introduces himself to Celebrimbor (Charles Edwards), the Elven jewel-smith with whom he will go on to forge the first Rings of Power…in the span of about fifteen to twenty minutes. Though the writing is nowhere clumsier than when Halbrand explains the concept of alloys to Celebrimbor, Edwards’ performance is nowhere more lively than when he’s shyly blushing at Halbrand’s compliments, or when his fingertips and Halbrand’s brush against each other for a moment as they exchange a piece of mithril silver. Many fans felt dissatisfied by the lack of interactions between these two characters and criticized The Rings Of Power for blatant queer erasure as a result, but I wouldn’t be so sure that in season two, with Galadriel no longer susceptible to manipulation, Sauron won’t turn all his attention on Celebrimbor.

And just to be clear, I too would have liked to see the queer undertones in Sauron and Celebrimbor’s story brought to the surface when they were first onscreen together, but nowhere near as much as I wanted Elanor Brandyfoot (Markella Kavenagh) and Poppy Proudfellow (Megan Richards) to kiss in the final minutes of the episode, as Elanor set off on a new adventure into the unexplored east of Middle-earth while Poppy led the nomadic Harfoots in the opposite direction. I knew then that their story wouldn’t parallel Frodo and Sam’s, or even Merry and Pippin’s, but for a few moments, I actually wondered if they might just be our queer parallels to Sam and Rosie – and when Poppy screamed “Wait!” my heart soared, only to drop again when I realized they were just going to hug and cry before saying goodbye. I wish I could say I have no problem with theirs being a sweet platonic relationship, but in a story as vast and sprawling as this one, to have no queer characters at all is…suspicious, not gonna lie.

In season two, it seems that Elanor’s screentime will once again primarily be shared with The Stranger (Daniel Weyman), now revealed to be one of the five Istari or “wizards” sent to Middle-earth to combat Sauron between the Second and Third Ages. Which one, exactly, remains a mystery; but of the five, only two are ever said to have journeyed east into the lands of Rhûn, where the Stranger is currently headed – and those two are, conveniently, the enigmatic Blue Wizards whom Tolkien wrote the least about in his lifetime, which could make them particularly appealing to writers looking to expand on the legendarium. Alternatively, he’s just Gandalf, but surely that or one of his many other names would have been used in the episode if that were the case, no?

Rings Of Power
The Stranger | slashfilm.com

Either way, the Mystics from Rhûn somehow recognized him as an Istar immediately after discovering the full extent of his power, but they’re dead now (much too soon, if you ask me), and the Stranger hopes that in Rhûn he can learn whatever it was they knew. But he already knows the most important thing: that he is good, and not because of what he was told but because of what he chose to be. I can imagine the eye-rolls that will have induced from some, and yes, it’s clearly intended to be heartwarming, but aren’t all stories involving Hobbits, to some extent? Isn’t that what we love about them, that they always voice their true emotions without reservation even at risk of sounding overly earnest? And isn’t it beautiful that the Stranger, who didn’t speak at all when he first descended from the sky, is learning to speak what he truly means and feels from the best teachers in Middle-earth?

Of all the characters crammed into The Rings Of Power‘s first season, I dreaded the Harfoots the most, largely out of fear that they would slow down the story – and yet in the end, theirs was the only subplot that consistently moved slowly enough for my tastes. While the Rings of Power themselves were forged in a matter of minutes by characters who’ve had barely any screentime throughout the season, abruptly resolving a story that had only just gotten started, the Harfoots required eight whole episodes to build up to their own extremely satisfying cathartic moment in the finale; the moment where they band together to defeat the Mystics, pelting the ethereal antagonists with small stones – possibly alluding to how Bilbo defeated the ravenous spiders of Mirkwood (which is incidentally also where this scene takes place, although in the Second Age it’s still known as Greenwood the Great).

So yeah…definitely didn’t go into this expecting to want more non-canonical Harfoots and less of Sauron the literal Dark Lord, but I have a feeling Tolkien at least would be pleased to know that the light can be more interesting than the darkness, and sometimes all it takes is someone like an Elanor Brandyfoot or a Poppy Proudfellow, the most quintessentially Tolkienesque characters to have never flowed from the author’s pen.

Rings Of Power
Elanor Brandyfoot and the Stranger | otakukart.com

If The Rings Of Power can’t yet commit to telling the darker stories of the Second Age with the nuance they deserve (I’m still not sure where and when exactly the writers lost the thematic through-line of mortality and the fear of death, but by the time they find it the story of Númenor’s downfall will be over at the rate we’re currently speeding through major plot-points), at least it doesn’t lack for wholeheartedly magical subplots that make this first season worthwhile despite a disappointing (and to be fair, only temporary) conclusion to Galadriel and Sauron’s intertwined character arcs.

Episode Rating: 7.5/10