Ahsoka Among 9 New Star Wars Series Titles Revealed!

Lucasfilm had plenty of new Star Wars content to offer fans at the Disney Investors Meeting on Thursday evening, including multiple series heading straight to the Disney+ streaming service: one returning favorite (the third season of The Mandalorian, which will drop near the end of 2021), and nine new titles. As has long been reported, characters like Ahsoka Tano, Obi-Wan Kenobi, and Lando Calrissian will each be getting their own spinoffs, although there were several big surprises among the new reveals – and a few notable absences. Star Wars also seems to be setting up a mysterious (but presumably massive) crossover event between some of these upcoming series.

Star Wars
YouTube | @NewBite

First up we have Kenobi, which will follow the titular Jedi Master during his time in exile on Tatooine. A beautiful new, desert-inspired logo for the series was unveiled, and a sizzle reel was played for Disney investors but hidden from general audiences. But what captured the internet’s attention was the reveal that prequel trilogy star Hayden Christensen will be reprising the role of Anakin Skywalker/Darth Vader in the series. How this will work is currently unclear: between Revenge Of The Sith and A New Hope, Kenobi and Vader never had any interaction with each other – but Lucasfilm president Kathleen Kennedy promised fans that the Jedi and Sith will take another crack at each other, in the “rematch of the century”. My theory is that some sort of Force projection or vision will make this possible, but who knows? This is Star Wars: canon has been rewritten countless times before.

Ahsoka, based on the adventures of former Jedi Knight Ahsoka Tano, will presumably follow Rosario Dawson’s version of the fan-favorite character after her brief appearance in The Mandalorian‘s second season. The title logo, which features a star-chart similar to the map of the World Between Worlds, seems to indicate a connection to the Star Wars: Rebels animated series, where the World Between Worlds first debuted. This probably means that Ahsoka will travel through the World Between Worlds on her journey, and she’ll likely team up with Rebels heroine Sabine Wren on her quest to locate the long-lost Jedi Ezra Bridger (fingers crossed Rahul Kohli plays him in live-action) and Grand Admiral Thrawn.

Rangers Of The New Republic is a bit more vague. Jon Favreau and Dave Filoni, the creatives behind The Mandalorian and Ahsoka, will work on this series too – its existence probably explains the reason why New Republic characters have been popping up frequently throughout The Mandalorian: particularly X-Wing pilot Carson Teva, played by Kim’s Convenience‘s Paul Sun-Hyung Lee. Unfortunately, New Republic marshal Cara Dune will likely also return, putting bigot and anti-masker Gina Carano in a lead role in Star Wars. This is among the series’ I’m least excited for (partially because of Carano, partially because the New Republic is pretty uninteresting to me; especially without Carrie Fisher around to reprise the role of Leia Organa), but it’s apparently one of three that will lead into a massive crossover event including characters from The Mandalorian and Ahsoka. I expect this crossover to focus on the return of Grand Admiral Thrawn and Ezra Bridger; the final showdown between Din Djarin and Moff Gideon; and the rise of the First Order. Strangely, a Boba Fett series rumored to be in the works was not included among the new title reveals.

Star Wars
Rangers Of The New Republic and Ahsoka | theverge.com

Lando has the potential to be a great series, thanks to the involvement of Dear White People‘s Justin Simien. Little else is known, and the sizzle reel played for investors was hidden from general audiences: but there’s a possibility that both Billy Dee Williams and Donald Glover will reprise the role. The colorful logo for the series and the party music played during the sizzle reel interval hopefully reflects the show’s playful, groovy bent – I’d gladly take a break from Star Wars‘ doom, gloom, and darkness, if it means exploring the glittery upper echelon of galactic society. Explicit confirmation of Lando’s pansexuality (teased by the Solo writers prior to the film’s release, without payoff) would also be nice.

One of the few Star Wars series’ to reveal new footage at the presentation, Andor will explore the backstory of Rogue One antihero Cassian Andor, as a fighter and secret agent for the young Rebellion. Spanning twelve episodes and featuring a cast of over two-hundred named characters (!), the series also stars Adria Arjona, Stellan Skarsgård, Fiona Shaw, Denise Gough, Kyle Soller, and Genevieve O’Reilly, who will reprise her role as Rebel leader Mon Mothma. For Star Wars: Rebels fans who were let down by the lack of a Rebels animated sequel series announcement, Andor is a must-watch: I thoroughly expect some characters from the animated series to pop up in live-action, with General Hera Syndulla being the most likely candidate in my opinion. This series will drop in 2022.

An animated series titled The Bad Batch will premiere next year – a trailer dropped, which I reviewed yesterday. The only other animated series revealed was one simply titled Visions, which will explore new corners of the Star Wars galaxy through the perspective of anime – and produced with the help of some of Japan’s leading anime studios. This seems likely to be an anthology of standalone episodes, much like another newly revealed Disney+ project which is being called an animated series by most outlets: A Droid Story, which will star C-3PO, R2-D2, and a new droid character.

Star Wars
The Acolyte | comicbook.com

Finally (and most excitingly, to my mind), we have The Acolyte, an original series from Leslye Headland, one of the visionaries behind Netflix’s brilliant dark psychological comedy, Russian Doll. The Acolyte is set further back in Star Wars‘ timeline than any existing live-action property, during the mysterious era known as the High Republic: which will be further explored in a series of novels and comic books set to release next year. Said to be female-led and featuring martial arts elements, The Acolyte focuses on the Dark Side of the Force, and sounds like it might be our most in-depth look yet at the hierarchy of the Sith, and their heyday. The logo – with a prominent lightsaber gouge slashing the title – also hints at something very new, unique, and cool.

So what are you most excited for? The Acolyte is my most-anticipated Star Wars series, but maybe you’re more interested in Ahsoka, or Lando…or A Droid Story? Share your own thoughts, theories, and opinions, in the comments below!

“The Mandalorian” Chapter 13 Review!

SPOILERS FOR THE MANDALORIAN AND STAR WARS: REBELS AHEAD!

Mere moments after The Mandalorian‘s thirteenth – and most eagerly-anticipated – chapter opens, we are introduced to Rosario Dawson’s live-action Ahsoka Tano, rising up out of the nocturnal fog with her twin lightsabers flashing on and off, hot on the trail of one of her enemies. And like me, your first reaction to this might be that it’s too soon for the episode to reveal her character, that you’re not yet prepared, that you haven’t had time: but that’s because we’ve all been under the (completely wrong) impression that Tano’s debut would surely have to be the biggest reveal in this entire episode, no matter what else happened. That is very much not the case. In fact, if I had to make a bet, I’d wager that any and all Ahsoka Tano discourse will dwindle out long before the uproarious debate about several other, arguably more urgent, reveals – including Baby Yoda’s birth name. This episode gives you absolutely no time to process any one of these reveals before dropping another bombshell on the audience, which makes the whole experience even more thrilling for a viewer (especially if, like me, you’re watching at three o’-clock in the morning and trying to stay quiet while also wanting to scream to the heavens because OMG WAS THAT A THRAWN NAMEDROP?)

The Mandalorian
Ahsoka Tano | polygon.com

Yes, yes it was.

But before my head actually explodes, let’s dial things back. Let’s start out with the most predictable and least shocking of all the reveals, which, ironically and a little bit tragically, turned out to be Ahsoka Tano. Over the course of The Clone Wars and Star Wars: Rebels, Tano gradually became one of the most well-written, complex, and compelling characters in all of Star Wars canon, growing from a reckless, free-spirited Jedi padawan, to a disillusioned cynic who left the Order rather than be complicit in its crimes, to a Rebel leader and a mentor for heroes like Ezra Bridger. The Mandalorian picks up with her shortly before her final Rebels appearance, still on Bridger’s trail after his mysterious disappearance (although he’s not the only missing person she’s following, as it turns out). Tano is once again entrusted to the care of her creator Dave Filoni, who directed this week’s turbulent, action-packed chapter.

It’s hard to find any glaring faults in Rosario Dawson’s performance, although the design of her striped lekku horns leaves much to be desired: somehow they went from ornate and almost waist-length at the end of Rebels to being short, soft, and rounded again, like they were in Clone Wars, and I can’t for the life of me understand why. Dawson has many of the character’s mannerisms down to a science, from her smirks and side-eyes, to the way she runs slightly hunched-over. She doesn’t perform quite as many gravity-defying leaps or twirls as her animated counterpart, but her action scenes are impressive nonetheless – and she has plenty of them. Her twin lightsabers, gashes of white light in the oppressively dark fog of Corvus (when Bo-Katan said it was a forest planet, she neglected to mention it was a petrified forest on a lava flat), are strikingly beautiful weapons as always. The only major difference between animated Ahsoka and live-action Ahsoka is her voice, which has up until now been consistently provided by actress Ashley Eckstein. Dawson’s voice is deep where Eckstein’s was higher-pitched, and the change is significant and hard to grow accustomed to in just forty-five minutes, especially when we’ve spent so much time with Eckstein as Ahsoka, and her unique voice has become such an intrinsic part of the character’s identity.

And, although I can’t believe I have to be saying this a second time, it is worth remembering and acknowledging that Rosario Dawson is still under fire for alleged transphobia, something that can’t be taken lightly. But whereas her Mandalorian castmate Gina Carano foolishly decided to make her petty transphobia public on her social media, Dawson’s case is more complicated, as it involves a severe allegation – that Dawson violently attacked a transman in her employ – that supposedly happened behind closed doors, and is thus much harder to prove. All but two of the charges filed against Dawson were dropped a few months back, but many fans still find it hard to support Dawson until more information is available, and that’s totally valid. No matter how you ultimately decide to process this information, it’s important that you know about it.

Din Djarin (voiced and sometimes played by Pedro Pascal), meanwhile, knows nothing about Ahsoka Tano except what Bo-Katan told him about her location on Corvus, in the city of Calodan. By the time Din Djarin and Baby Yoda reach Calodan, Ahsoka has already had to leave the city, and is now lurking in the forests just outside its walls, picking off her enemies one by one and slowly working her way towards the heart of the city, and its ex-Imperial Magistrate, a woman named Morgan Elsbeth (Diana Lee Inosanto, channeling Crouching Tiger, Hidden Dragon era Michelle Yeoh very effectively), who wields a beskar steel spear and is withholding some very valuable information about her former masters. Elsbeth immediately enlists Din Djarin to hunt down and kill Ahsoka for her in exchange for her Mandalorian spear. But when Djarin does find Ahsoka, the two only exchange a few blows (and Djarin nearly scorches her with his trusty flamethrower, but whatever) before they both hesitantly lay down their weapons and agree to help each other. Like all of us, Ahsoka is immediately entranced by Baby Yoda, and wants to know more about him.

The Mandalorian
Baby Yoda | indepent.co.uk

And thanks to her ability to communicate with Baby Yoda via the Force, we actually get some solid, though incomplete, answers to our many questions about the child’s backstory and place of origin. But most shockingly, we also learn his given name. He couldn’t just be Baby Yoda forever, I suppose. Now, one can see the wisdom in Disney’s decision to name him “The Child” in all of The Mandalorian’s marketing – it seems they were trying to give him the most boring moniker imaginable, so that when the time came for the big name reveal, audiences would willingly make the transition. But just as they never realized how big a sensation The Child would become, they never realized how the entire fandom would instantly disregard “The Child” in favor of a hashtag-friendly nickname we all collectively decided upon: Baby Yoda. And now, a season and a half into the show, we’re being asked to give up the nickname/social media phenomenon that helped to fuel this show’s popularity in favor of a new name…Grogu.

Grogu is a short, simple, and kind of adorable in its own way. Who knows, it might even catch on with the fandom (though, from what I’ve seen, reactions to this reveal have been mixed). But the fight between the Grogu separatists and the Baby Yoda loyalists will be long and brutal, and I honestly don’t see how Grogu – despite being a truly cute name for a cute character – can beat out Baby Yoda, which has become so solidly cemented in the public consciousness over the past year. Personally, I hope both stick, because I’m not quite ready to let Baby Yoda go (though I will use Grogu from now on).

In-universe, though, he’s officially Grogu. He even answers to that name, which will make the Mandalorian’s parenting a lot easier from now on. And in his conversation with Ahsoka, Grogu feels comfortable enough to open up about some other details from his traumatic past – like how he apparently used to live at the Jedi Temple in Coruscant until the very end of the Clone Wars, at which point someone got him out of the Temple. Although nobody mentions the Jedi Purge or Anakin’s slaughter of the Temple’s younglings, it sounds like Grogu was snuck out during that night of bloodshed – Ahsoka notes that Grogu is still very afraid of something. Without any more information to go on, we’re still left with gaps in Grogu’s story that don’t make sense: like how he ended up in the pirate camp where Din Djarin found him in the season one pilot. Or, for that matter, how Ahsoka herself managed to live at the Jedi Temple for years without ever coming across the baby (it’s theoretically possible he joined the Order after she left, but there’s hardly enough time between then and the end of the Clone Wars for him to have been trained by “many Masters”, as Grogu says he was). The reveal that he came from the Temple doesn’t even necessarily suggest a connection with Jedi Masters Yoda or Yaddle: the Jedi took in hundreds upon hundreds of Force-sensitive children from every corner of the galaxy. He could be anyone.

At the very least, Grogu’s background as a Jedi-in-training will give him an advantage as he begins the learning process again and reconnects with the Force. Ahsoka practices with Grogu, helping him use the Force to levitate small rocks, but the child is stubborn – and too attached to Din Djarin for his own good, Ahsoka quickly determines. And so, after a single training session, Ahsoka politely informs Din Djarin that she can’t risk mentoring Grogu, and tells him in no uncertain terms to seek help elsewhere. Ahsoka’s own mentor and best friend did succumb to the Dark Side because of his powerful love for another, so she’s certainly entitled to be wary of any sort of “attachment”, something expressly forbidden by the old Jedi code. But in my opinion, this whole situation felt far too contrived for my taste, and out of character for Ahsoka. After all, Ahsoka knew about Anakin Skywalker’s love for Padmé, but she never actually found out that was what drove him to the Dark Side. And considering how she rejected the Jedi Order and its outdated rules pretty firmly in The Clone Wars, it seems odd that she’d now be so adamant about adhering to their traditions, so many years after the Order fell.

But The Mandalorian needs a way to write her off the show somehow, because apparently we don’t get to spend more than one episode with any new character. First, though, Din Djarin agrees to help Ahsoka storm the city of Calodan and defeat Morgan Elsbeth. And it’s a good thing he does, because we, the audience, get to witness a truly spectacular duel between Ahsoka and Elsbeth in the latter’s water-garden (while Din Djarin confronts Elsbeth’s henchman in a very suspenseful staring contest): and what’s more, we finally find out why Ahsoka is so intensely interested in this remote planet when the former Jedi asks Elsbeth point-blank where to find Grand Admiral Thrawn. Cue me, a Star Wars: Rebels fanboy, screaming at the top of my lungs. Thrawn, the chief antagonist of Rebels, went missing shortly before the events of the original trilogy, after being ensnared in the tentacles of a purrgil space whale and carried to an unknown location somewhere in the outermost reaches of the galaxy. Ezra Bridger, the young Jedi protagonist of Rebels, went with him – sacrificing himself to defeat Thrawn and put an end to the Grand Admiral’s schemes. Fans have always known that neither Bridger nor Thrawn died: but at the same time, we still don’t know where they went, or whether they’ve spent the intervening years trying to work their way back towards civilization. But now, thanks to her encounter with Lady Elsbeth, it looks like Ahsoka has the intel she’s been looking for – and despite leaving The Mandalorian for the time being, she may be back: this time, perhaps with her traveling companion Sabine Wren, another Mandalorian and former Rebel whom we know she eventually enlists to help find Bridger.

The Mandalorian
Thrawn | syfy.com

The big question, though, is whether we’ll meet Thrawn in this series, or a future spinoff – because I don’t know about you, but I’m ready for him to appear now. Although he failed in his attempts to obliterate the Rebel Alliance, he became a truly menacing villain thanks to his innate ability to play the long game, staying several steps ahead of his opponents at all times and only being defeated thanks to a truly unpredictable act of heroism. But if Ahsoka has reason to believe he’s back, that probably means he’s begun conspiring with other ex-Imperials. I would not be at all surprised if we eventually learned that Thrawn is as much one of the masterminds behind the First Order’s rise to power as his master, Emperor Palpatine.

But for the time being, the race to hunt down Thrawn is still merely a tantalizing subplot. The main plot is heading to the planet Tython, where Ahsoka tells Din Djarin he’ll find an old Jedi Temple – and maybe, just maybe, some other Jedi. No hint of whom that might be (share your own theories in the comments below), but I expect we’re about to be in for another big reveal.

Episode Rating: 9/10

“The Mandalorian” Season 2 Teaser Trailer! Baby Yoda Is Back!

This is the way.

In the absence of any of the original Marvel content that was supposed to debut this year, Disney+ is relying on a second season of its mega-hit The Mandalorian to keep subscribers satisfied with the streaming service: and yes, while it’s disheartening that we’re now probably getting two seasons of this one show before a proper trailer for either Marvel’s WandaVision or Falcon And The Winter Soldier, I’d be lying if I said that the irresistible duo of Pedro Pascal and his puppet sidekick Baby Yoda isn’t enough to tide me over for a while yet. And the first trailer for The Mandalorian‘s upcoming second season gives us plenty of the adorable single father/social media celebrity pairing that we can’t get enough of, no matter what other problems we (or is it only I?) might have with the series overall.

The Mandalorian
radiotimes.com

During the first season, I mostly took issue with the slow pacing and general sense of meandering that had me wondering, more and more with every episode, whether there was supposed to be a plot throughline or not. Everything worked out by the end, when the Mandalorian (whose real name is Din Djarin) had his epic confrontation with ex-Imperial Stormtroopers under the command of Moff Gideon, who was revealed in the finale to be in possession of an ancient, powerful weapon: the Darksaber of Mandalorian legend, once wielded by generations of Mandalorian leaders and even the tyrannical Sith Lord Darth Maul. But this time around, new problems have emerged: specifically the castings of Rosario Dawson as the Jedi Ahsoka and Gina Carano as Cara Dune. The former, who is joining the show for the first time this season, has allegations of transphobic abuse leveled against her by a former employee; the latter, a holdover from season one, has recently been embroiled in a number of online controversies, including urging people not to wear masks or stay in quarantine during coronavirus and appearing to mock the trans community with her new set of joke pronouns.

The Mandalorian
Ahsoka Tano | thedisinsider.com

Will they detract from my enjoyment of the new season? I hope not, because the teaser trailer has me deeply invested already in the Mandalorian’s next adventure across the galaxy, but you can be sure I will continue to address it throughout my coverage of the season. We briefly catch a glimpse of Cara Dune in the teaser, and I have to admit feeling a bit of disappointment that I can’t get as excited about her appearance as I should be. It’s doubly unfortunate because, for the moment at least, Cara Dune is the show’s female lead and Ahsoka is supposed to be a major character too. Thankfully, other female characters are leveling up in the show, including Sabine Wren: who is possibly the hooded woman we see watching the Mandalorian and Baby Yoda in the teaser.

The teaser, thankfully, highlights a number of other things to get hyped about, including what looks like a more structured storyline revolving around the Mandalorian trying to reunite Baby Yoda with the infant’s kin; a bunch of new and old locations, including Tattooine and an ice-planet (Hoth? I don’t remember many other ice-planets in Star Wars); and an increase in violence. No sign of Moff Gideon or his legendary Darksaber just yet, but I’m sure he’ll pop up in future trailers. As for the Jedi, they seem to be remaining in the shadows for right now, but I have a feeling more are out there then we think (my theory is still that Jedi Master Yaddle survived the Great Purge and is Baby Yoda’s mother).

The Mandalorian
Baby Yoda | syfy.com

Speaking of Baby Yoda, the adorable little baby is still pint-sized and easily portable, something that comes in handy during action scenes I’m sure. Just so long as no one smacks the baby on his itty-bitty fragile little head this time around (looking at you, random Stormtrooper from season one), he should be doing pretty good: he’s learned how to quickly evade danger by disappearing into the safety of his floating cradle. He has the power to use the Force, but he’s just not in the mood to do so, and you know what?…I respect that.

So what do you think? How excited are you for The Mandalorian season two? Are you here for the plot, or for Baby Yoda? Share your own thoughts, theories and opinions in the comments below!

Trailer Rating: 8/10

“The Clone Wars”: Season 7, Episode 12 Review!

SPOILERS FOR THE CLONE WARS FINALE AHEAD

You knew this day was coming. At some point, we would come to the end of all things, and I would inevitably make a Lord Of The Rings reference because, despite it having nothing to do with the situation at hand it’s still my go-to resource for quotes, and we would all start crying because, yes, The Clone Wars is actually over. And no, not over like it was over the last two times, but over as in it was resurrected from the dead by Disney, a final season was commissioned, and now we’ve breezed through that too. I have very mixed emotions about how I feel right now, so get ready for just a little ranting and rambling.

Clone Wars finale
cinemablend.com

If you’re here, I assume you saw the warning at the top of the post, but one can’t be too careful – we’re about to get into SPOILERS! territory, and, what with this being a finale, there’s sort of a lot of spoilers.

First of all, it’s sad. You may think that’s obvious, given that this is the final episode of a beloved series, but The Clone Wars finale is sad on a whole new level – to a point where it doesn’t even feel sad, it just feels depressing. Other Star Wars stories have seen fit to close out their final chapters with at least a small glimmer of hope (think baby Luke arriving on Tattooine while the galaxy crumbles into chaos at the end of Revenge Of The Sith, or Leia’s shocking but inspiring appearance at the end of Rogue One), but not so The Clone Wars, whose finale abandons all hope and veers into territory so foreign to the series, it makes this episode feel almost like a standalone – an eerie, grimdark, post-apocalyptic dystopian short story.

The melancholy, and occasionally ominous, score accompanying this episode only works to make it even darker, as does the bleak gray color palette. Even the setting is designed to depress: remember the good old days when we could follow our sprawling cast of heroes all around the galaxy, to new and exciting planets untouched by war? Yeah, well, most of this finale takes place on the Republic (technically now Imperial) star-cruiser still hurtling through hyperspace towards Coruscant, and Ahsoka Tano (voiced by Ashley Eckstein) spends most of the time trapped in the cruiser’s suffocating maze of passages, being hunted by her own clones and finding every escape route closed off to her.

Clone Wars finale
cbr.com

With all of the main characters busy running for their lives, it’s unsurprising that nobody has time to suddenly recognize they’re in a finale and start monologuing dramatically to each other. But this episode has shockingly little dialogue at all, and there’s not really that many last words to be said. Ahsoka’s final scene with her old friend Captain Rex (voiced, like all clones, by Dee Bradley Baker) is, in fact, completely silent, as Ahsoka mourns her fallen troopers (what makes it doubly sad is that they were literally a gift to her from Anakin) by creating a vaguely creepy public art display out of their helmets, and Rex huddles by a cheerless fire, trying to stay warm. As for Darth Maul (Sam Witwer), he steals a ship and disappears into space, off on his own quest to cause chaos and exact vengeance on those who wronged him – which at this point is pretty much everyone. At least he tears apart the star-cruiser’s hyperspace engines before he goes, which inadvertently allows Ahsoka to make her escape (and keeps her from falling into Emperor Palpatine’s hands).

The Clone Wars used to be a pretty cheerful, even funny series: but that’s not the case in the finale. There’s no humor at all, and we’re even forced to watch the happy, helpful droids introduced in last week’s episode as they get blown to bits, screaming in their shrill voices, by a merciless clone firing squad. And soon afterwards, every clone on the star cruiser, including ARC Trooper Jesse, dies when their ship hurtles out of hyperspace and smashes into the surface of a remote planet.

Clone Wars finale
cbr.com

The closest thing to a hopeful ending is the haunting final scene, which shows Darth Vader arriving on this planet and finding the strange grave-site built by Ahsoka, alongside one of her lightsabers. The following shot of Vader activating and brandishing the blue lightsaber is both a sad reminder of what he was before his fall, and a subtle nod towards the redemption he would still achieve: redemption that would make him worthy of once again carrying such a saber. But for the moment, Vader is still Vader – and he turns away from the desolate scene, leaving us to follow his diminishing silhouette reflected in the visor of a dead clone-trooper’s empty helmet. Is that what passes for hope these days?

I may sound like I’m complaining about the sadness, but…well, I am a little, actually, but I did enjoy every individual component that went into today’s episode. Everything from the animation to the action scenes was beautiful, even if it was sad – but it does make one wonder: does Star Wars have a problem with happy endings?

Now obviously, The Clone Wars was never a story that was going to end with all the main characters riding off into a double sunset: but for a series that started out as a cartoon meant for kids, this is certainly a dramatic and unexpected heel-turn. Let me try to explain: it’s fine, it’s perfectly natural in fact, for a series to mature as its audience does and get darker as times goes along – with The Clone Wars, it’s been more than a decade since the series’ first episode aired, so quite a lot of growing has been happening in the interim, and people who watched the show as kids are now adults. What I do take issue with, at least a little, is this cheerless, hopeless ending with which we’ve been left.

Clone Wars finale
comicbook.com

Star Wars as a whole started out much like The Clone Wars did, as pure, shameless escapism; that’s exactly why it became the pop culture phenomenon that it did. But in recent years, the franchise has become….much less fun. The prequels, by virtue of being the prequels, were expected to end in tragedy, misery and inescapable despair, of course – but then you’ve got the sequel trilogy, which avoided a traditional happy ending by basically reminding us that nothing, not even victory, is ever final in this universe: no matter how many times you try to balance the Force (which is what we all thought Anakin had done, back in Return Of The Jedi), it will never work. Rogue One ended with all the main cast dead, their bodies battered into specks of cosmic ash. Now The Clone Wars ends with much of the cast dead and the survivors scattered across the galaxy, and I’m left wondering: what did we accomplish, on that journey?

Well, it’s in the finale’s title: Victory And Death. But what that title conveniently leaves out is that the victory in question isn’t really one at all, because it could have happened at any time had not Emperor Palpatine personally constructed, initiated and drawn out the Clone Wars for years by cunningly manipulating both sides, and even his eventual defeat decades later will still only be a temporary one; and the death in the title isn’t just the demise of an individual, but the collapse of a society, the utter annihilation of a way of life, of an idea, of an idealistic concept upon which the Star Wars galaxy had been built. Is that all that Ahsoka Tano, Anakin Skywalker, Obi-Wan Kenobi and their friends actually achieved, after all that time?

It’s at moments like these that I begin to question whether Star Wars‘ recent trend of sad, cynical endings is actually a good one, or if the franchise is even trying anymore to be comforting. It doesn’t really feel brave anymore: in fact, much like how Pixar is increasingly being criticized for attempting to exploit audiences’ emotions, I sense that Star Wars is heading down a similar path, towards a place where all their stories are designed to leave viewers emotionally devastated. I hope that’s not the case, but after watching this episode, I can’t help but feel that way.

But yeah, happy May The 4th, everybody! Honestly, I don’t want to make it sound like I was left disappointed by the finale – I thought it was hauntingly beautiful, and, if despair was the emotion the showrunners were hoping to cultivate from their audiences, they succeeded. But at a time like this, when the real world is already so dark and the future so uncertain, I can’t say I wasn’t a little discouraged by this conclusion, even though, in the end, it won’t affect my overall rating of the episode.

Episode Rating: 8.5/10

“The Clone Wars”: Season 7, Episode 11 Review!

Clone Wars Ahsoka

SPOILERS FOR THE CLONE WARS AHEAD

In its penultimate episode, The Clone Wars ties back into the events of the main Star Wars films in a way that could almost have felt jarring under worse direction – but with all the ingenuity and creative thinking that has made the series beloved by fans, this episode, fittingly titled Shattered, actually finds very clever ways to keep us, the audience, firmly invested in the stories of the series’ original characters while also throwing them into the midst of one of the films’ most memorable sequences: the brutal execution of Order 66.

Clone Wars Palpatine
slashfilm.com

All through the episode’s opening minutes, the haunting score keeps us on edge, waiting for that moment when millions of clone troopers all around the galaxy – clone troopers who, through the series’ run, we’ve come to love for their individuality – will simultaneously become mindless servants of Chancellor Palpatine (voiced here by Ian McDiarmid, using dialogue from Revenge Of The Sith) and turn on the Jedi Order with guns blazing, bringing the Clone Wars to an abrupt, violent end. After last week’s episode, where Darth Maul (Sam Witwer) was captured by the forces of former Jedi commander Ahsoka Tano (Ashley Eckstein), one would expect a triumphant, victorious atmosphere – but there’s little joy or comfort to be found on the planet Mandalore as new leader Bo-Katan (Katee Sackhoff) turns her attention to the grim task of rebuilding her peoples’ society from the ground up, and Ahsoka prepares to bring Darth Maul into the custody of the Jedi on Coruscant, while still weighing in her mind the Sith Lord’s terrible prophecies.

As I suspected, the Jedi Purge is set into motion during Ahsoka’s journey through hyperspace, moments after she has a telepathic Force vision of Anakin Skywalker‘s (partially voiced by Matt Lanter, partially using Hayden Christensen’s dialogue) turn to the Dark Side and the violent death of Jedi Master Mace Windu (voiced by TC Carson, with some dialogue by Samuel L. Jackson) during his fight with Palpatine in the Chancellor’s offices. Thankfully, The Clone Wars‘ method of showing the Purge doesn’t involve actually reenacting any of the notable Jedi deaths from Revenge Of The Sith through another devastating montage – instead, we witness the whole event through Ahsoka’s eyes, as her entire crew begins firing on her without warning, forcing her to make a daring escape. Despite the fact that, earlier in the episode, Mace Windu insists on calling Ahsoka a “citizen” rather than a Jedi and other members of the Order seem to subtly demean her for her choice to become a neutral rogue, it appears that Palpatine wasn’t willing to make an exception for the padawan whose banishment he had partially orchestrated.

Clone Wars Ahsoka
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Ahsoka isn’t completely alone in the episode, however: during the initial attack, she can easily see that her long-time friend Captain Rex (voiced, like all clones, by Dee Bradley Baker) has tears streaming down his face as he pulls the trigger on her with shaking fingers – meaning that, despite how effective Palpatine’s brainwashing has been, there’s still hope for any clone who can successfully remove the inhibitor chip planted inside their brain. When she unearths sealed documents and testimonies from Rex, she also stumbles upon evidence regarding the mysterious cases of Fives, who, in the series’ sixth season, discovered the plot to exterminate the Jedi far too early and was personally tortured by Palpatine to the point of madness. It’s a harsh reminder of another of The Clone Wars‘ most powerful, emotional story arcs, but a beautifully fitting way to give Fives the justice he deserves, even if it is a little too late to save most of the Jedi. The main thrust of the narrative in this episode follows Ahsoka as she tries to corner Rex and get him into the medical bay, with the intention of removing the inhibitor and freeing him.

Another character she has to free is Darth Maul himself, whom she actually saves from execution – somewhere along the line, Palpatine must have added Maul’s name to his long hit-list. Maul, even without the aid of his classic lightsaber, is still able to give Ahsoka the distraction she needs, keeping the clone troopers busy with his savage fighting techniques: he beheads people, he slices people in half, he even uses the Force to cut one man’s arm off in an automatic door. As of the end of the episode, we don’t know where he is now or what he plans to do once the ship is cleared of hostiles – will he and Ahsoka have to make a deal in the series’ final episode? Will he have already escaped by the time she and Rex are free? We have no clue, yet. But, since one of the unexpected joys of this season has been watching Ahsoka and Darth Maul put aside their differences to fight a common enemy, I really hope they get at least one final encounter.

There are a bunch of notable moments from this episode. Ahsoka and Master Yoda (Tom Kane) have their last conversation ever, via hologram: both are reluctant to say too much to the other, unfortunately, which makes their dialogue far sadder – neither one gets to say all the things that should have been said in that moment. Ahsoka also chooses to withhold the information Maul gave her last week regarding Anakin and his pull to the Dark Side: information which would definitely have been helpful just a few minutes later. There’s a cute scene where Ahsoka recruits her starship’s team of maintenance droids for help – which provides some organic cheerfulness in an otherwise dark and ominous story. The episode ends with Ahsoka connecting to Rex through the Force and locating his inhibitor chip – something which causes Rex to see through his brainwashing, convincing him to help Ahsoka. But, judging by the huge army of clones currently trying to break down the medical bay doors, I suspect the duo will need help if they’re going to escape from the starship: which is also, if I’m not mistaken, still on its way to Coruscant, the new heart of the Galactic Empire and Palpatine’s reign of terror.

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All in all, it’s been an emotional journey, and I’m excited (though also sad) that we’ll get to finish it on May the 4th, when the series finale premieres. In the meantime, we have the whole weekend to cry over the thousands of dead Jedi now littering the Star Wars galaxy, the uncertain fate of Ahsoka Tano, and the fall of Anakin Skywalker. Like most Star Wars stories, The Clone Wars seems destined to end in bittersweet tragedy – but I’ve had a great time getting here. We’ve traveled from one corner of the universe to the other alongside Ahsoka, Rex, and the gang, and I’m glad we’ll at least get the chance to properly say goodbye to them as well.

Episode Rating: 9/10

“The Clone Wars”: Season 7, Episode 8 Review!

Some will not be sorry to see the Martez Sisters story arc conclude this week on The Clone Wars, if it means we can move on to the long-awaited and highly-anticipated Siege of Mandalore. As for me, I have mixed feelings: am I undeniably excited to see if the entire story can wrap up in the next few episodes in an appropriately grandiose and epic fashion? Totally. But am I also very unhappy that the grounded, practical, no-nonsense Martez’s won’t be part of that finale? Absolutely.

Ahsoka Clone Wars
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When this week’s episode starts off, the dynamic trio of Ahsoka Tano (voiced by Ashley Eckstein), Trace Martez (Brigitte Kali) and Rafa Martez (Elizabeth Rodriguez) are all locked away once again in a Pyke Syndicate dungeon, awaiting execution – but once again, they make what would otherwise be a boring scenario extremely engaging and compelling: and I firmly believe Ahsoka couldn’t have done that alone, without help from these two sassy amateur con-women, who imbue every scene they’re in with a bit of their fun, conversational attitude. There’s more talking (by which I mean real talking, not exposition) in these last few episodes than I feel like there has been for a very long time in The Clone Wars. Trace and Rafa gave Ahsoka a place to settle down and blend in, and at the same time they gave both her and us, the audience, a welcome respite from warfare, military strategy, and the politics of the Jedi Order.

Has this arc been filler? Maybe. I really can’t say for sure until the season is done. But I hope that the lessons Ahsoka has learned from the Martez’s will help her in the near future, making her prolonged adventures with them essential to her character arc. Ahsoka was forced to confront some dark truths about herself and her way of life in these last few episodes: worst of which was the revelation that Jedi intervention has only caused pain, misery and suffering for the people they claim to protect – for Ahsoka, who has always positioned herself as a champion of justice and morality, that hit hard. She almost has an obligation to distance herself even further from the Jedi Order: leaving them wasn’t enough. Now, she may have to confront them.

If she’s going to be doing that, though, I really hope she gets a weapon upgrade. At this point, it feels like The Clone Wars‘ final season is sadistically teasing us with promises of epic Ahsoka fight scenes – and then snatching them away. I thought it couldn’t get worse than last week, but this…this topped it. Surrounded on all sides by Pyke guards, Ahsoka moves into one of her characteristically graceful fighting stances. There’s that tense pause. Then, she springs into action…and gets maybe three or four punches and kicks in before being taken out with a stun-gun. Meanwhile, Trace and Rafa, neither of whom is gifted with any Force abilities, take on an entire swarm of aliens on the lower docks and get into some sort of Indiana Jones-esque fight on a wildly-swinging crane. I appreciated giving the Martez sisters a cool action scene, don’t get me wrong: but why couldn’t Ahsoka get one too?

Now, let’s move into SPOILERS! Obviously you’d expect a few, what with the Martez Sisters arc ending and a new one beginning. And thankfully, The Clone Wars delivers.

The Clone Wars
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Bo-Katan (Katee Sackhoff) is, as we all suspected, the link between the two storylines converging. Though for the majority of the episode she stands on the sidelines watching Ahsoka’s various escape attempts backfire, she pops in at the very end to whisk the former Jedi away on a mission to Mandalore – to take on their common enemy, Darth Maul (Sam Witwer). Yes, the Sith Lord has returned: here as a glowering hologram who nearly catches Ahsoka as she wanders through the Pyke citadel, in one of the episode’s more suspenseful scenes. But if a confrontation between Ahsoka and an intangible hologram seemed exciting, I can only imagine what the actual fight will be like: just, please, let Ahsoka actually fight. Darth Maul also throws in a shoutout to his criminal organization, Crimson Dawn, which was a crucial element of Solo: A Star Wars Story, and since then has never really proved to be of any importance. Maybe they’ll get something to do here.

The episode throws the core trio a bunch of curveballs, which they deflect or evade (or barrel into, head-on) as a group unit. Of course, there was no way the arc could end without Ahsoka revealing her secret identity to the Martez sisters – and though I wasn’t too keen on the way that reveal went over so abruptly, I admired how quick Trace and Rafa were to accept her, after everything she’s done for them. They even promised to have her bike waiting for her when she returns from Mandalore (will she be able to, though? If I’m not mistaken, we’re nearing the time when Palpatine will initiate Order 66, sparking the genocide of the Jedi: so Coruscant, at the heart of Palpatine’s Empire, may not be the safest place for Ahsoka to return home to after the war).

What did you think of this week’s episode? What do you want to see next on The Clone Wars? Share your thoughts, theories and opinions in the comments below!

Episode Rating: 7.5/10

“The Clone Wars”: Season 7, Episode 7 Review!

If this seventh and final season of The Clone Wars were the normal length of twenty-two episodes, I would probably be more willing to excuse the aimless, roundabout nature of this seventh episode, Dangerous Debt. But as it is, the long-running series only has six more episodes left: we simply don’t have time to bring the story to a standstill – especially not now, right after last week’s exciting, suspenseful installment in the voyages of Ahsoka Tano (voiced by Ashley Eckstein) and the Martez sisters.

As I guessed, today’s episode opens with the three characters trapped in a Pyke Syndicate prison chamber, while the Pykes take turns torturing them for information about the missing spice that Trace Martez (Brigitte Kali) dumped from her starship in an angry rage last week. Obviously, they make attempts to escape – and the results are…well, questionable. But without getting into spoilers yet, let’s discuss what makes this episode at least decent – in fact, right up until the end, it shows every sign of being a very good chapter in what is proving to be an excellent story.

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As with last week’s episode, the unexpected core of this Clone Wars story arc is the dynamic between Ahsoka and the Martez sisters, both of whom have very different opinions on her (which lends itself to particularly snappy, back-and-forth arguments between all three of them). Trace, trying to emulate her dead mother’s compassion, gives the Jedi-turned-rogue a shoulder to lean on, while her more brusque and practical older sister Rafa (Elizabeth Rodriguez) is naturally suspicious of Ahsoka’s surprising talents and intelligence. When the Martez sisters entered the picture, I’ll admit I was worried: at first, they seemed one-dimensional and a little boring. But that’s not the case anymore – we keep finding out new details about them, their personalities and their complex worldviews, and each one is more interesting than the last. I’m hoping we don’t abandon them and their storylines before the end of the series.

As for Ahsoka, this is some of the best material she’s ever been given: despite being forced to hide her identity from everyone around her, the former Jedi is still put in dangerous situations where the only thing she can do is use her Force-training to protect herself and her friends – which results in a lot more suspicion from Rafa Martez, who seems more perceptive of these incidents than her younger sister. But Ahsoka gets extra incentive not to reveal the truth about her past in this week’s episode, which shows us that Rafa and Trace’s hatred of the Jedi Order is very, very personal.

One disappointing aspect of Ahsoka’s character in this final season is that, because she herself is no longer the showy, flashy warrior she used to be, her fighting style has evolved to reflect that: now, her action sequences are quick, punchy and, for the most part, grounded – which might not be so shocking if Ahsoka hadn’t been the character deemed most likely to use unnecessary acrobatic skills in combat in previous seasons. If this is an intentional decision made to underscore Ahsoka’s journey, I appreciate it – if not, I can’t see why they would change something that had been such an important fixture of the character’s persona.

Overall, however, this episode is nowhere near as good as last week’s – and that comes down to one glaring issue, which I will address in today’s SPOILER section! You’ve been warned.

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Ahsoka, Trace and Rafa start the episode in prison. They also end the episode in prison – in fact, in the very same prison cell. The purpose for their short-lived escapade seems to have been so that the Mandalorian Bo-Katan (Katee Sackhoff) could spot them fleeing through the city. Will she be the one to break them out of the Pyke dungeons next week? Maybe, but why couldn’t she do that…today? It’s not like we still have more than half of the series left to finish the story of the Clone Wars, Ahsoka Tano, and the rest of this beloved ensemble cast: we only have a couple of episodes left, and we just wasted one on a story that took us full-circle.

The episode seems to have been intended as an introspective one, where Rafa and Trace could see Ahsoka in a new light, and vice versa. But the effort to achieve that effect falls flat too – not because Rafa’s reveal that Jedi killed their parents after deciding that taking a few lives was better than risking many more is a bad idea (in fact, it’s an awesome concept, because Ahsoka knows that it’s what the Jedi would, in fact, do), but because the excessively long and detailed speech in which she reveals this is composed of dry, emotionless exposition. After suffering through it, I was hoping that Rafa would throw in some witty one-liner to at least make the scene worthwhile: no such luck. Other than that, it’s a cool reveal, and it further convinces Ahsoka to hide her true identity – something that won’t be possible when she and the Martez sisters (hopefully) run into Bo-Katan, who knows Ahsoka was a Jedi, and, in fact, had memorable fights with her in previous seasons, when the two fought on opposing sides of the Clone Wars.

Oh yeah, and the Clone Wars themselves? Once again, relegated to the background. Once again, this wouldn’t be a problem if the series were longer and could devote more time to those wars, but it’s not, so every minute we spend away from the battlefront is time we’re losing – I’m not willing to make exceptions just because we’re spending time instead with Ahsoka, Trace and Rafa, regardless of how fun they are. Fingers crossed that Bo-Katan does rescue them next week, and gets them entangled in the tumultuous civil war currently raging on her home planet of Mandalore, bringing them (and us, the viewers) back to the forefront of the Clone Wars.

What did you think of this week’s episode? Share your thoughts, theories and opinions in the comments below!

Episode Rating: 4.9/10

“The Clone Wars”: Season 7, Episode 6 Review!

For some, I’m sure it’s a bit of a disappointment that the final season of The Clone Wars has so far devoted less time to the Clone Wars than the interpersonal dynamics of our main characters, with small-scale, introspective interludes providing insight into our heroes’ motives and agendas. So far, there’s only been a handful of battles, and for the most part they too have been smaller than in previous seasons.

But while I too felt the same way, my feelings on the current season have changed since watching today’s episode: as far as The Clone Wars stories go, this is one of the best I’ve seen – not because of showy action-scenes (there are none!) or shocking revelations concerning Star Wars lore, but because of the fascinating relationships between the core trio in this new story arc, and the surprising depth and complexity of their motivations.

The Clone Wars
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Once again, I have to hand it to Ahsoka Tano (voiced by Ashley Eckstein): the Jedi padawan turned exiled Coruscant rogue has always been one of The Clone Wars‘ greatest weapons in its fight to maintain relevance and pop culture significance – her lovable character, burdened as she is with regret, sadness and longing, touched our heartstrings when she made the bold decision to leave the Jedi Order, after being framed for a horrible crime and forced to turn against her friends. Now, stuck in the criminal underworld far below the surface of Coruscant, Ahsoka relies on her wits and social skills to carry her expertly through even the most dangerous situations.

Joining her for the ride (or rather, inviting her on the ride in the first place) are sisters Rafa (Elizabeth Rodriguez) and Trace Martez (Brigitte Kali), a tough, wise-cracking duo. I found both characters to be mildly interesting in last week’s episode, which introduced viewers and Ahsoka to them for the first time, but now, with much better writing, both women come off as clearly defined, charismatic characters. Rafa, the older of the two, endangers them all when she enters into a risky bargain with the Pyke Crime Syndicate, which involves a journey through hyperspace to the planet Kessel (an important location in Han Solo’s origin story as a smuggler), but her heart is in the right place and she made the deal to try and buy herself and her sister an escape ticket from Coruscant. Trace and Ahsoka, who have developed a very close bond during their time together, quickly become entangled in the bargain as Rafa’s plan begins to unravel, with Trace having to pilot her work-in-progress starship The Silver Angel to carry out Rafa’s illegal scheme – and Ahsoka having to use all her Jedi training to figure out a way to keep the trio safe.

This task is made more difficult because Ahsoka is currently trying to keep her past a secret, especially since discovering that, in Coruscant’s lower levels, Jedi are looked upon as a corrupt police force prone to violence: when pressed about how she knows so much about everything from starship engineering to the political situation on Kessel, Ahsoka has to come up with more and more elaborate explanations – one of her best excuses is when she claims she graduated from “Skywalker Academy” in the upper levels of Coruscant. Another fabulously constructed moment involves Ahsoka nearly running into her former Jedi master by chance when Trace Martez accidentally steers her amateur ship directly into a military flight lane, prompting Anakin Skywalker (Matt Lanter) and Admiral Yularen (Tom Kane) to question the ship’s crew over the radio. But it’s Anakin who tells the Admiral to back down when he reaches out into the Force and senses Ahsoka on the ship. The moment is absolutely heartbreaking: but Ahsoka’s subsequent silence only reinforces the divide between the two characters, who were once as close as siblings. Later in the episode, Ahsoka has no qualms about making a pointed jab at the Republic she used to serve for not shutting down the slave-worked spice mines of Kessel.

The Clone Wars
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Nonetheless, despite how cleverly Ahsoka is able to disguise herself, it’s very clear that Rafa has her doubts about the Martez sisters’ new working partner. She drives a wedge between Trace and Ahsoka’s close friendship, which in turn causes them to argue, which then leads to…well, SPOILERS.

Basically, the end result of the episode is that Trace Martez dumps three-thousand credits worth of quality Kessel spice into the void of hyperspace, an action she quickly regrets after she realizes she was misinterpreting Ahsoka’s “ethical argument”. Ahsoka, for her part, might have been wise to clarify that when she said she didn’t want to hand over spice to the Pykes, that didn’t actually mean she wanted to get rid of the spice entirely. But when the trio do come face to face with the Pyke Crime Syndicate at the end of the episode, it’s Ahsoka who briefly saves them all when she utilizes a hasty Jedi mind trick against the Pyke leader – which would have worked, had there not been other Pykes present: we leave our heroines stuck in a Pyke tractor beam, their escape plan foiled, their futures uncertain. Will Ahsoka be revealed as a Jedi in next week’s episode, as the three women presumably find themselves locked up in a Pyke prison? Will Rafa and Trace ride Ahsoka’s coattails to freedom, or devise their own plan? We must wait and see.

What did you think of this episode of The Clone Wars? Personally, I’d say it’s been my favorite of the final season so far, but I’m hoping the series can find a way to outdo itself next week. Share your own thoughts, theories and opinions in the comments below!

Episode Rating: 9/10

Rosario Dawson Is Ahsoka Tano In “The Mandalorian”!

By a bizarre coincidence, the same day that Ahsoka Tano made her hotly-anticipated return to The Clone Wars in the series’ final season, news also broke that the former Jedi warrior would make her very first live-action appearance in the second season of The Mandalorian on the Disney+ streaming platform. The report, since verified by a number of other sources and trades, states that actress Rosario Dawson will portray Tano in the Star Wars spinoff, which will find Pedro Pascal’s titular Mandalorian and his adorable sidekick Baby Yoda hunting for the few living Jedi spread out across the galaxy in the aftermath of the Empire’s fall.

Ahsoka Tano
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Obviously, Ahsoka Tano is exactly the type of character one would expect to run into the duo, so the fact that she’s showing up isn’t surprising at all (especially considering that Dave Filoni created Ahsoka’s character for The Clone Wars and is now part of The Mandalorian‘s creative team). Along with Luke Skywalker (and possibly the oft-forgotten Yaddle), Ahsoka is one of only a couple of Jedi who were still around during the time period between the fall of the Empire and the beginning of the sequel trilogy. But now that she’s supposedly making her live-action debut, the reaction has been…mixed, to say the least.

That’s not because people dislike Ahsoka. The optimistic, idealistic Jedi started out as Anakin Skywalker’s opinionated apprentice and went on to become a nuanced, introspective character betrayed by her own faith. Forced to survive on her own without friends or family, Ahsoka quickly became one of the Star Wars franchise’s most beloved heroines. The controversy surrounding this casting has everything to do with the actress chosen to play the coveted part.

Rosario Dawson, best known for her roles in Daredevil, Rent and Alexander (and for being the girlfriend of 2020 Presidential hopeful Cory Booker, whose campaign she endorsed), was the subject of a shocking lawsuit last year: an openly transgender man employed as a handyman by Dawson and her mother, and charged with renovating the family’s Los Angeles home, claimed that both women subjected him to verbal and physical abuse, which included repeatedly misgendering and mocking him. Their harassment of him apparently culminated in Dawson and her mother restraining the man while beating him up and threatening to kill his pet cat, before allegedly stealing his cellphone. The victim claims all of these events had to do with his gender identity, and the case, if verified, would incriminate Dawson as a violent aggressor guilty of a serious hate crime.

Rosario Dawson
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As of yet, there is no other evidence to suggest that Dawson is transphobic, and we only know a little about her views on the rest of the LGBTQ+ community. The alleged victim was said to have been close with the Dawson family before coming out as transgender, when they only knew him as a lesbian woman, and this year, Dawson appeared to come out as a member of the LGBTQ+ community herself. However, the allegation has had long-lasting impacts, and has made the casting of Ahsoka Tano a tumultuous and hostile occasion rather than a joyous one, as it should have been (and probably could have been, with any other actress). Unfortunately, even (or perhaps, especially) if no further evidence comes out against her, there’s simply no way of determining whether Rosario Dawson is transphobic or did commit a hate crime, and so this case will loom over The Mandalorian like a dark cloud. What with the show having just recently united Star Wars fans in their love for Baby Yoda, it would be a shame to disunite the fandom once again over something as serious as this.

What do you think of the casting of Rosario Dawson? Would you have cast someone else in the role of Ahsoka Tano, and how would you feel if the gentle, lovable character was played by someone who may or may not have committed serious crimes (for reference, I’d be really angry and disappointed)? Share your own thoughts and opinions in the comments below.