If a Fantastic Four movie announcement hadn’t overshadowed everything else at the Marvel presentation during the Disney Investors Meeting, Secret Invasion definitely would have been the big headline coming out of the event. The Skrulls are literally about to invade the Marvel Cinematic Universe and don the skins and personalities of all your favorite MCU heroes; this is big news, people. Why it didn’t make more of an impression is a mystery to me – though, personally, I feel it has to do with how dreadfully ugly the logo for the new series turned out to be (yes, I know it’s a direct nod to the comics upon which this storyline is based; no, I don’t care, it’s still ugly).
The Secret Invasion will start out as a Disney+ series (though technically it was foreshadowed in the post-credits scene of Spider-Man: Far From Home, which revealed that Nick Fury and Maria Hill were both being impersonated by shapeshifting Skrull aliens), but it will likely expand across the entire slate of MCU movies and series. If it’s going to play out at all like the comics, it has to be on an epic scale: otherwise, they might as well call it Secret Skirmish. The Ms. Marvel series will likely include some Skrull action, thanks to its new connection to Captain Marvel 2: which will almost certainly be where the Secret Invasion reaches its full extent – unless the Secret Invasion series gets renewed for multiple seasons, and becomes Agents Of S.W.O.R.D. (more on that in a moment).
Samuel L. Jackson will return to reprise the role of Nick Fury, and star in the new series – which means that yes, this is the Nick Fury show we heard rumors about just a few months ago. Not a prequel exploring his backstory, thank goodness, but something actually relevant (I swear that’s not a jab at the long-delayed Black Widow movie). Fury will have a key role in the Secret Invasion, heading up the S.W.O.R.D. team from his headquarters in space. On earth, his Skrull ally Talos is probably still impersonating him, so there’s ways for Jackson to appear even when Fury technically isn’t onscreen.
Ben Mendelsohn will be co-starring alongside Jackson, as Talos: suggesting that he will spend more time as himself than as Fury or other characters, which is great, because Mendelsohn is an incredibly charismatic and underrated actor. Talos will be in a tricky position in Secret Invasion, having to battle misguided friends (and perhaps even members of his own family). With the Skrulls currently being depicted as good guys in the MCU, it’ll take something drastic for even a few to turn against Fury and Talos and infiltrate the ranks of Earth’s mightiest heroes: something that drastic could easily divide Talos’ own loyalties, causing him to question his allegiances to Fury – and perhaps even betray him. I expect his character to have plenty to do.
But…the show still needs a female lead. There are some great candidates: Maria Rambeau is presumably still out there, and I’ve long hoped she’ll be a prominent member of the S.W.O.R.D. organization by this point in the MCU timeline; Monica Rambeau, her daughter, could rise through the ranks during the events of WandaVision; and Abigail Brand, S.W.O.R.D.’s leader in the comics, might show up to fill this role. Personally, I hope all three feature heavily in this series. But I also want another woman to appear in Secret Invasion, and that woman is – you guessed it – Quake. Agents Of S.H.I.E.L.D.‘s Daisy Johnson, seismic Inhuman superheroine and the most well-written character in the Marvel Universe (you heard me), appearing via Multiverse shenanigans or just plain and simple S.H.I.E.L.D. canonization. It appears I can’t write a single post about the MCU without mentioning Quake, but that’s because the entire MCU seems to be leading up to a place where her inclusion is not only beneficial but necessary.
Oh, and, uh, in case this wasn’t clear already: just bring back Chloe Bennet as Quake. She is the character. She’s lived and breathed Quake for the past seven years, and she’s made it abundantly clear she’s not ready to call it quits. And the series finale this year left Daisy wandering on an emissary mission through space, headed for some sort of weird-looking space anomaly. That could easily have been a portal to another reality, and if Marvel wants, they can just leave Daniel Sousa and Kora out of the equation. Say they’re off somewhere else, or don’t say anything at all. I don’t care. I only need Quake in the MCU, and I need her because she’s far too good a character to waste, or to throw aside just because she comes from Marvel TV. Reminder: Charlie Cox’s Daredevil is also a Marvel TV character, and yet is strongly suspected to be appearing in Spider-Man 3.
Quake is a crucial character in the Secret Invasion storyline in the comics, personally assigned by Nick Fury with the task of assembling a Secret Warriors team to combat the Skrulls that made it down to Earth and were wreaking havoc while in disguise. As one of Marvel’s only widely-known Inhuman characters besides Ms. Marvel and maybe Black Bolt (if we’re pushing it), she’s also a great character to help introduce that complicated concept in the MCU. And besides all that, she’s resonated with viewers because of her courage, resilience, and complexity. She’s also Marvel’s first (and to date only) Asian-American lead character, Marvel’s first female lead in live-action, and one of their first superpowered heroines.
Now that I’ve derailed this post completely, it’s time to wrap up with a cheery reminder that Secret Invasion doesn’t yet have a director attached, or a release date. So it’s still a long way off, and there’s still plenty of time for Marvel to see the light and cast Chloe Bennet as Quake.
What do you think? Are you excited for Secret Invasion? Do you also want to see Quake in the MCU? Share your own thoughts, theories, and opinions, in the comments below!
Nicholas Joseph Fury (better known to general audiences as Nick Fury, and to his friends and family simply as “Fury”) has long been the Marvel Cinematic Universe’s most enigmatic mastermind, the figurative man behind the curtain: subtly moving and manipulating the events of the MCU to better suit his own purposes while cloaking his motives in secrecy. It took us over ten years just to find out why he put together the Avengers Initiative in the first place, or how he lost his eye. But now, Marvel is about to spill some of Fury’s darkest secrets in a new Disney+ series, which will find the spotlight turned on Nick Fury for the first time – with Samuel L. Jackson reprising the now-iconic role, of course. Although the only other real information we have about the series is that Kyle Bradstreet is attached to write and executive produce, there’s actually a good deal of speculation already going on…in which I am about to shamelessly partake, because why not? We’ve been so hungry for Marvel content these past couple of months: allow me this opportunity to indulge myself. I encourage you to join me, because we’re about to have a lot of fun wildly theorizing, and I’m also going to gush about Daisy Johnson for the first time in forever (okay, so it’s been, like, a month, but whatever), so there’s that.
There are several big questions everybody seems to have about this series, but the most urgent one by far is: will this be a prequel, or a sequel set after the events of Avengers: Endgame? If it’s the former, my hype will have plummeted – I just can’t imagine getting excited about only having Samuel L. Jackson return so that he can act as a framing device while a younger actor assumes his role for extensive flashback sequences set prior to Captain Marvel. As we saw in that film, Nick Fury’s life wasn’t actually all that eventful until the superheroine crashed into his life and a nearby Blockbuster. But everything happening right now, all the stuff that’s going on behind the scenes in the MCU that Nick Fury is very much a part of?…that’s what has me intrigued, and has me hoping that this series is not entirely new but is, in fact, one of two or three series’ rumored to be in early stages of pre-production some time ago. I am, of course, talking about Secret Invasion, Agents Of S.W.O.R.D. (which might also be the same thing as Secret Invasion), and Secret Warriors.
For the sake of simplicity, I’m going to combine Secret Invasion and Agents Of S.W.O.R.D. into just one category. It was rumored that Disney+ was making a series which would follow the Agents of S.W.O.R.D. post-Endgame as they deal with a variety of intergalactic threats and generally try to prevent anything on the scale of worldwide decimation from ever happening again. Since we’ve already seen a tiny glimpse of the S.W.O.R.D. organization in the post-credits scene of Spider-Man: Far From Home, which clearly indicated that Nick Fury is overseeing the entire operation, it’s not a stretch to assume that a series about this team would necessarily involve Fury, probably in a starring role. My theory has always been that an eventual Agents Of S.W.O.R.D. series on Disney+ will start out with the team (comprised of humans and shape-shifting Skrull aliens) already formed and working overtime from their in-orbit space station, but will inevitably grow, over the course of one or maybe two seasons, into a full-scale, Secret Invasion storyline. For those unfamiliar with the notion, let’s break it down: basically, in the comics, the Skrull aliens are villains, and eventually attempt to overrun Earth by force, disguising themselves as well-known superheroes and wreaking havoc. In the MCU, this will have to happen for a very different reason, because the Skrulls have thus far been depicted as peaceful refugees trying to establish a new homeworld after their entire way of life was obliterated by the militaristic Kree aliens – but that reason has already presented itself. In Far From Home, it was revealed that the Kree already have sleeper agents on Earth – making it extremely likely that the Skrulls will want to eradicate them before they pose a problem. If this causes rifts between them and the humans on the S.W.O.R.D. team, we could see several Skrulls go rogue and use their abilities to sneak off the space-station and down to Earth – a secret invasion in more ways than one. I’ve talked at length about how certain characters could get roped into this, but the one we need to focus on today is Nick Fury, because of course, all of this will be happening under his watch. A Secret Invasion series would find the S.W.O.R.D. Director attempting to stop the invasion with the help of his team – which, in my opinion, would consist of established characters like the Skrull general Talos, American Air-Force pilot Maria Rambeau, Maria’s daughter Monica, the half-Skrull Hulkling, the infamous Flerken cat Goose…and “astro-ambassador” Daisy Johnson, who will finally make the jump from Agents Of S.H.I.E.L.D. to the MCU proper. Daisy’s space-faring partners, Kora and Daniel Sousa, are give-or-take: I don’t mind them sticking around, but Daisy is currently my top priority, and if we have to make sacrifices to ensure she shows up as an Agent of S.W.O.R.D., then I’m prepared to do so.
When Secret Invasion becomes a massive hit for the Disney+ streaming service thanks to Daisy Johnson’s as-yet hypothetical involvement, the spin-offs will start – and that’s where Secret Warriors comes in. We might as well just refer to this one as the Quake Spinoff, because that’s essentially what it has to be. Another rumored project, this series is said to revolve around a storyline in the comics where Nick Fury enlists Daisy Johnson and a small, elite team of superhumans to take care of the Skrulls that have made it to Earth. This, of course, is where I anticipate Daisy reuniting with S.H.I.E.L.D. teammates like Yo-Yo Rodriguez, but it’s also the other potential series that Nick Fury could lead. That being said, it’s far more likely to be an eventual spin-off of Secret Invasion, and Fury himself will probably have a smaller role. So don’t get your hopes up for Secret Warriors just yet.
At the moment, I think what we’re seeing is the first step towards Secret Invasion. For those of us who love Agents Of S.H.I.E.L.D., it’s a first tentative step towards making that show officially canon to the MCU. For those of us who love Nick Fury and just appreciate seeing Black characters in leading roles, it’s about time that this fascinating super-spy moves to the forefront of the action, after more than a decade spent on the sidelines. For those of us who love both, it’s a win-win situation. And for the rest of you…well, I don’t know why you’ve read this far but I hope you’ve gotten something out of this.
So how do you feel about Nick Fury leading a series on Disney+, and which series do you think it will be? Do you think Daisy Johnson will show up in the MCU? Share your own thoughts, theories and opinions in the comments below!
After seven years, the end has finally come for Agents Of S.H.I.E.L.D., and I’m pleased to report it’s a glorious one. In so many ways, it’s the end of an era – for us, as the devoted fandom who stuck with the Agents Of S.H.I.E.L.D. team even when others claimed it wasn’t worth it because it would never be Marvel canon; for the cast and crew, obviously, since they’ve put so much hard work into making this show everything that it has become; and for an epic chapter of television history; Agents Of S.H.I.E.L.D. brought us seven seasons worth of brilliant, albeit absolutely bizarre, storylines spanning the entire Marvel Universe (and occasionally breaking out from its confines). And best of all…it’s a happy ending, the kind where all our major characters get to go out on a high note and nobody gets killed off just to make the plot more dramatic: in fact, precisely zero of our protagonists died on last night’s two-hour long finale event. On the flip-side, I think I can safely say that we, the audience, all died just a little as we had to grapple with the realization that this is…really it. It’s over. It’s done.
Though, if anyone is wondering – and be warned, you will be hearing about this a lot from me in the near future – there’s still plenty of ways in which Marvel could continue the story of certain S.H.I.E.L.D. team members, particularly Daisy Johnson (Chloe Bennet) and Yo-Yo Rodriguez (Natalia Cordova-Buckley), both of whom I still firmly believe can and should join the MCU proper.
The finale, which is actually two back-to-back episodes, gave us a lot to muse on: from Avengers: Endgame tie-ins and references, to cinematic visual effects, to the individual endings for each and every character’s arcs. Because this show has always centered around its amazing characters, we’re going to break down all of those endings one by one: yes, even the villains because villains deserve satisfying endings too.
Well, except for Chronicoms. And speaking of Chronicoms, let’s talk about them first and foremost because these folks (a race of emotionless cyborgs with the ability to steal human faces and wear them as their own) have been a mixed bag since they first showed up in any large capacity. When it was just Enoch (Joel Stoffer) back in season five, they did seem kind of interesting – but ironically, that was because Enoch turned out to be a rogue Chronicom who had actually developed emotions during his long sojourn on Earth. Particularly in this final season, the Chronicoms have felt very one-dimensional, with only their leader Sybil the Predictor (Tamara Taylor) having much personality. And that doesn’t really change much in the finale. The Chronicoms are extremely threatening, which helps, but they still don’t rank high on the list of Agents Of S.H.I.E.L.D. villains, with their vague motivations and bland character designs. In the opening minutes of the finale’s first half, they capture Daisy, Al “Mack” Mackenzie (Henry Simmons) and Daniel Sousa (Enver Gjokaj) as the trio of S.H.I.E.L.D. agents tries to launch a daring raid on the Zephyr One, where their friend Jemma Simmons (Elizabeth Henstridge) is being held prisoner. But apart from Sybil, the Chronicoms don’t actually come out in full force until the last half of the finale, when their entire army heads to the Lighthouse S.H.I.E.L.D. base in a last-ditch effort to stop their arch-nemesis Leopold Fitz (Iain De Caestecker), only to find themselves defeated by a very unlikely threat from above: Melinda May (Ming-Na Wen), who, after incapacitating Sybil with a kick to the face, uses her newfound empathetic powers to give the entire Chronicom army emotions. It’s a good idea in theory and it underscores the point that Agents Of S.H.I.E.L.D. has always been about compassion and unconditional love, but it’s definitely a concept that needed more set-up: and the way the Chronicoms simply drop their weapons, declare themselves to be friends, and then disappear completely from the story afterwards is…well, not exactly underwhelming because I didn’t expect much from the Chronicoms, but just a little anti-climactic.
But that’s okay, because they were never the real big bad anyway. This whole time, that’s been Nathaniel Malick (Thomas E. Sullivan), the son of HYDRA royalty, who was supposed to die young in 1970 but, due to timeline meddling, ended up surviving all the way into the present day, stealing some of Daisy Johnson’s seismic superpowers and becoming the finale’s main antagonist. I didn’t have a problem with this: Malick, despite his questionable fashion statements and anarchistic tendencies, is a lot more compelling than any Chronicom – and the duel between the two Quakes is every bit as epic as was promised. Malick’s goal by this point in the episode is to kill Daisy and use the remaining half of the Chronicom fleet that’s still descending through the earth’s atmosphere to wipe out S.H.I.E.L.D., and he figures that Daisy won’t be able to stop him because the only way she can feasibly kill him is by killing herself in the process. “That’s the idea”, Daisy responds – and she explodes. In the biggest display of her powers ever, she sends shockwaves tearing through space, ripping the entire Chronicom fleet to pieces: taking Sybil and Nathaniel Malick with it. But Daisy, at the eye of the hurricane so to speak, unintentionally survives the blast and her drifting body is picked up by Phil Coulson (Clark Gregg) in the Zephyr One just in time for her sister, Kora (Dianne Doan), to come in and revive her using her own healing powers.
Kora, the final season’s third major villain, has an awkward redemption arc at the last moment. She comes to her senses after a confrontation with Daisy, tries unsuccessfully to convince Malick that Daisy is actually a good person, gets shot for her efforts, and then uses her powers to assist Melinda May in the final battle. Fitz describes Kora as the key to ensuring the survival of the world and that’s great and all, but…what exactly did she do? Her powers get upgraded so quickly it’s hard to tell what her limits are anymore: first it was just glowing punches, then it was somehow related to electricity, then she could heal people, now all of a sudden she can shoot laser beams through space. But while I might have to rewatch the episode to clarify certain details, I’m still a little confused as to why her power was so vital. She saved Daisy, so I’m eternally grateful for that, but Daisy had already defeated the Chronicoms – her survival wasn’t necessary, except to fans. And the laser she shot at the Lighthouse achieved…what, exactly? In hindsight, I wish she had been introduced earlier in the season if only so we could have gotten a better idea of what she wanted and what she could do. But of course, that wouldn’t have worked because of the way the time jumps were going, so…
Speaking of time jumps. The emotional core of the entire finale is the FitzSimmons duo, who, as it turns out, have been orchestrating most of the events of seasons six and seven with masterful intricacy and a lot of help from time travel. As is explained in flashback, they both took off at the end of the season six finale and spent years perfecting a time machine design so they could eventually come back and save their friends. Fitz, whom we’ve been waiting for ages to show up again, finally reappears at the crucial midpoint of the finale and confirms that Agents Of S.H.I.E.L.D. is actually utilizing the same time travel logic from Avengers: Endgame – which states that going into the past creates divergent timelines, rather than changing the future. Amazingly, the Endgame tie-ins don’t end there. Not only does Fitz reference how time travel makes use of the subatomic Quantum Realm and explain that he’s been traveling the Realm all the time he’s been gone, examining different timelines to see which ones work in S.H.I.E.L.D.’s favor, but he actually takes the S.H.I.E.L.D. team through the Quantum Realm, along with the entire Chronicom fleet. This is all to make sure that the Agents get back to their original timeline and leave the other timelines mostly unscathed, but it has the added benefit of bringing the show closer to the MCU than it’s been in years.
Unfortunately, escaping the alternate timeline to return to the original one comes with consequences: one member of the S.H.I.E.L.D. team has to stay behind in the past to work the time machine apparatus, and that member is the rascally Deke Shaw (Jeff Ward), who offers himself up voluntarily. Deke has spent his entire time on the show trying to fit in, and he’s never truly belonged anywhere but the 1980’s. And, as he explains to the team, he’s kind of a rock and roll superstar in this alternate timeline. But that’s not his only task: with all of 80’s S.H.I.E.L.D. in chaos, Deke promises to step up to the challenge of becoming the organization’s new director, a title that definitely should not suit him as well as it does. Thankfully for him, he’ll get to work with a couple of agents who escaped the Chronicom attack on last week’s episode – including a younger but still instantly recognizable Victoria Hand (Saffron Burrows), who gets her long-overdue justice on her killer John Garrett (James Paxton) by shooting his younger version in the forehead.
Returning to the day of the season six finale and what should be the proper timeline, the Agents of S.H.I.E.L.D. are able to overcome both Chronicoms and Malick. This requires a slight detour to the ancient Mesoamerican temple where the season six finale took place, where we reunite with Piper (Brianna Venskus) and the Inhuman Flint (Coy Stewart), both of whom have hilarious interactions with the time-traveling FitzSimmons as they try to make sense of what’s going on – one of the funniest moments is when Piper, for whom only a few minutes have passed, asks whether or not all the commotion is being caused by the death goddess Izel (the season six big bad), and Simmons has to wrack her brain just to try and remember who that is. But Piper and Flint aren’t just there for laughs, being asked by Simmons to stand guard over a mysterious chamber while she and Fitz manage the whole time travel business. As we discover near the end of the episode, that chamber contains something incredibly precious to FitzSimmons: their daughter, Alya, named after the star system in which they hid for years, lived their lives and designed their time machine. Alya, who speaks with a Scottish accent clearly inherited from her father, is the reason why the fight is so personal for FitzSimmons, and she’s the perfect culmination of their incredible love story.
And on that point…culminations. The end for so many characters we’ve grown to love over the past several years. FitzSimmons, luckily, are the first ones to get their happy ending, and they even get to enjoy it twice – since by finale’s end, they’ve settled down in the current timeline, on Earth. The last scene of the finale follows the entire S.H.I.E.L.D. team reuniting via hologram message at Enoch’s old hideout, the Swordfish bar, discussing old times, playfully teasing each other, and promising to stay in touch, with each eventually disconnecting and giving us a little glimpse into their new lives. FitzSimmons and little Alya are enjoying a picnic when we last see them, and they’ve never looked so happy. Their romance, which one seemed like a curse, has blossomed into something beautiful.
Mack and Yo Yo had the least to do in the finale overall, with Yo Yo only getting a couple of action scenes (standouts, nonetheless: that’s just how awesome she is), but their lives in the present day look fascinating. Mack is still director of S.H.I.E.L.D., and he’s sporting a very Nick Fury-like coat as he strides about the deck of his helicarrier. Yo Yo, meanwhile, is on assignment with her own team, which includes Piper and Davis (Maximilian Osinski), who has been resurrected as an LMD. Yo Yo has one last incredible moment as she jumps out of the team’s car and speeds off down the road, her upgraded Inhuman powers giving her the ability to go wherever she wants and never have to “bounce back” any longer.
For Melinda May, her future involves a lot of hard work – but no longer as “The Cavalry” (a nickname she finally embraces near the end, putting aside the trauma she had formally attached to it). Instead, she now works as a teacher at the S.H.I.E.L.D. Academy, which has been renamed the Coulson Academy and also seems to sport a daisy in its new logo. Flint is amongst her students, and May seems genuinely happy helping the next generation begin their training as agents. Some fans of the Philinda romantic coupling are upset that she and Coulson didn’t head off into the sunset together, and I get that, but I also feel like May’s new empathetic powers lend themselves well to the role of a teacher (besides which, her and Coulson are still giving each other meaningful looks in the closing minutes so maybe there’s still a spark between them?)
Eventually the series brings us back down to where it all began, with Coulson and Daisy. Their relationship is the real core of the whole story: it’s fitting that they get the last word. For Daisy, her future includes a journey into the depths of space alongside Daniel Sousa (they end up together, which is…fine, I guess), and Kora, with the intention of reaching out to alien races across the galaxy – almost like they’re Agents of S.W.O.R.D. or something. Those of us who still want Daisy Johnson in the MCU will continue to push for an Agents Of S.W.O.R.D. series that includes her in some capacity, and the Agents Of S.H.I.E.L.D. finale has given us a tantalizing hint of how awesome it could be.
And as for LMD Coulson…who did NOT decide to power down or turn off completely, the future is looking bright. He’s taking some time to himself, traveling the world without any urgent plans, and he’s got a “cool” (the very last word spoken in the entire series) new flying Corvette modeled after his original car, Lola. A gift of Mack’s, the sci-fi vehicle allows Coulson to go out in an appropriately epic style, soaring over the streets of Washington D.C. and zipping away to destinations unknown. I was certain that Coulson would die this season, completing his cycle of death and rebirth, but this is a much more fitting end: after all, this whole series was started partly because of how much fans rallied behind the hashtag #CoulsonLives, after it seemed we had lost him forever in The Avengers. Coulson is, indeed, living his best life now.
And that’s the true beauty of this show. It’s always been about the fans. We’re not the biggest subsection of the Marvel fandom, but we’re passionate, we’re persistent, and we made it so much farther than anyone could have ever guessed. And in the end, I hope we’ll all keep in touch, just like the Agents Of S.H.I.E.L.D. – raise a toast to a spy’s goodbye for now, but somewhere down the line we might cross paths again. Maybe in the MCU, even, if we pressure Kevin Feige enough…
Thanks to Hurricane Isaias and a poorly-timed power outage, this review is several days late – but still just in time to get out before the Agents Of S.H.I.E.L.D. finale this Wednesday: a hotly-anticipated two-hour long farewell event that will bring seven seasons worth of intricate storytelling to a close…and hopefully tease further adventures with certain characters in the Marvel Cinematic Universe down the line. Fingers crossed.
But before we start looking ahead, let’s break down everything that went on last Wednesday, in the penultimate episode of Agents Of S.H.I.E.L.D. – the episode serves mostly as finale set-up, moving characters into place like chess-pieces ready for battle, but it still manages to get a lot done: particularly when it comes to strengthening the relationship dynamics between our main cast. Daisy Johnson (Chloe Bennet) and Daniel Sousa (Enver Gjokaj) have a chance to clumsily – but adorably – rekindle the romance they started during the turbulent time-loops a week or two ago, while Daisy’s long-lost evil sister Kora (Dianne Loan) establishes a fragile bond with both Daisy and Melinda May (Ming-Na Wen), which quickly breaks down after she learns of the death of her mother, Jiaying – an atrocious act committed by Kora’s partner-in-crime, Nathaniel Malick (Thomas E. Sullivan), which she nonetheless blames on S.H.I.E.L.D. because Malick is apparently so precious to her that by the end of the episode they’re locked in a passionate embrace, kissing while Chronicom warships blow S.H.I.E.L.D. bases to smithereens from space. There’s a lot to unpack here.
Obviously the most urgent issue at hand is the captive state of Jemma Simmons (Elizabeth Henstridge), whom Nathaniel Malick and his crew of mercenaries snatched away from S.H.I.E.L.D. headquarters week before last, with the intention of probing her memories and discovering the location of Malick and the Chronicoms’ arch-nemesis, Leopold Fitz (Iain De Caestecker, appearing only in flashback sequences). By the end of the episode, despite Malick doing everything in his power to ransack Simmons’ mind and emotionally torture her, Fitz’s locations remains a mystery. Add onto that the fact that Simmons apparently doesn’t even remember who Fitz is anymore, and we have ourselves a big problem: the Fitzsimmons ship, which I listed as the most romantic coupling in the Marvel universe, is in real danger of not becoming endgame. Fitzsimmons is known for the emotional trauma it inflicts on all of us, but this episode really outdid itself – through flashbacks, we bore witness to the moment Simmons had to say goodbye to Fitz, screaming through her tears that she didn’t want to forget him or the life they had together. Would it be possible for her to share her memory-suppression technology with the rest of us, so we too can forget that painful scene ever happened?
Then there’s the question of how to rescue Simmons from the Zephyr One, which Malick hijacked and flew straight into the cold void of outer space. Deke Shaw (Jeff Ward) makes a half-hearted attempt that goes wrong very quickly, and gets tortured by Malick alongside Simmons. The last we saw of him, he was alive, but bruised, bloodied, and very confused. Thankfully, Daisy, Daniel Sousa and S.H.I.E.L.D. director Al “Mack” Mackenzie (Henry Simmons) are on their way to the Zephyr One‘s coordinates in their own spacecraft, and they share the most memorable scenes in the episode: Mack tries to play matchmaker for the awkward couple (I wasn’t too fond of them before, but Mack’s teasing – paired with his very serious warning that if Sousa does anything to hurt Daisy, he will face the wrath of the entire S.H.I.E.L.D. team – did a lot to warm me up to the unconventional pairing), and Daniel just can’t get over the fact that Daisy’s superhero nickname is “Quake”, a moniker he finds laughably ridiculous. Personally, I’ve always found “Quake” to be a very cool and fitting name, and I wish Daisy used it more often, but I will admit that Daniel’s suggestion to Daisy that she get a giant “Q” stamped on her utility belt (poor Daniel, with his outdated notions of superhero costuming!) was extremely funny.
On the ground, Kora spends most of the time locked away in a S.H.I.E.L.D. holding cell at the Lighthouse, until a confrontation with Melinda May leads to her unleashing her…weird golden glowing fist-punch thing…instantly knocking out all the electricity at the base (too soon, Marvel, too soon), including the computer system’s firewalls – in turn allowing the disembodied Chronicom Sibyl to creep into the Lighthouse’s computer systems, where she starts wreaking havoc immediately. Luckily, Phil Coulson (Clark Gregg) is himself mostly robotic at this point, and spent a good deal of time trapped inside a computer in the 1980’s, giving him an acute knowledge of coding that keeps him…well, not exactly one step ahead of Sibyl, but maybe, like, just one or two steps behind her? He doesn’t manage to stop her from turning every other S.H.I.E.L.D. base around the globe into a heap of burning rubble, but at least he was able to figure out her evil plan a few seconds before she actually went through with it. That’s got to count for something…right?
With the power out, Kora also obtains her freedom. Despite Melinda May’s best efforts to turn the homicidal Inhuman into a force for good, Kora simply doesn’t want to change. She does genuinely offer her services to the S.H.I.E.L.D. team, but her offer involves murdering a baby (though, that baby is the future Grant Ward, which doesn’t make it right but also doesn’t make it entirely bad), so Coulson turns it down. Enraged, Kora escapes back to Malick, and that’s where we get the whole kissing-while-the-world-burns nonsense. Honestly, it’s hard to visualize an outcome where Kora is redeemed by the end of this: her treachery hasn’t earned her any love from the Agents Of S.H.I.E.L.D., and Daisy is already hell-bent on erasing her from history. But, according to Kora, the Agents Of S.H.I.E.L.D. are already living in an alternate timeline and the only way to make things right is to start killing off the people who shouldn’t be alive in the present day – cut to the time-displaced Daniel Sousa, who is definitely treading on very thin ice heading into the finale. Will he, like most of Daisy’s previous love interests, meet a horrible fate, or could he be the lucky one that gets away?
Heading into the finale, the world is currently under attack from the Chronicoms, who have an entire fleet of warships that are just occupying the earth’s atmosphere; Daisy, Mack and Daniel are about to collide violently with said fleet; Nathaniel Malick is no longer interested in finding Fitz, and has instead generously offered Simmons and Deke first-row seats to the end of the world; Kora is on her own, having alienated everyone who tried to care about her; Coulson, May and “Yo-Yo” Rodriguez (Natalia Cordova-Buckley) are stuck at the Lighthouse, which is probably going to be the Chronicoms’ next target; and Jiaying is still dead, which is a disappointment.
I have no idea what’s coming next. There are hints and rumors going around that some kind of MCU crossover will happen in the finale, with the Agents Of S.H.I.E.L.D. possibly setting the timeline right only to get snapped out of existence by Thanos, and it’s entirely possible there are still some major cameos planned for this last episode. Fitz is going to turn up somewhere, somehow – I’m hoping and praying he’s actually on Nick Fury’s secret S.W.O.R.D. base from the Spider-Man: Far From Home post-credits scene, but I’m not betting on it.
It’s been a wild ride, and I can’t wait to reach the end of the road. I’m also extremely grateful that my power was restored so I’ll be able to watch the finale and not wait almost a week to review it. Sorry about the delay, dear readers.