“The Lord Of The Rings” Enlists Howard Shore To Craft A New Musical Identity For Middle-earth

Twenty years ago, as J.R.R. Tolkien book purists waged an online war with folks excited for Peter Jackson’s then-upcoming adaptation of The Lord Of The Rings, who would have guessed that someday Jackson’s movies would have purists of their own? Sadly, with the recent revamp of Tolkien fan-forums like TheOneRing.com, it’s rather difficult these days to find exact discussions and posts from, say, September 19th, 2001, but I can assure you that the arguments on those fan-forums back then played out much like the arguments happening nowadays over the contents of Amazon’s new series.

The Lord Of The Rings
Howard Shore | variety.com

But the tables have turned. Amazon hasn’t done much marketing for The Lord Of The Rings just yet, but what little they have done has been designed to appeal to fans of Tolkien’s books…specifically his lesser-known, posthumously-published books. That screenshot they posted last month had all of Silmarillion twitter freaking out and urgently debating the light-source in the image (long story). But I can imagine it left some hardcore fans of Peter Jackson’s movies who haven’t necessarily read The Lord Of The Rings, much less The Silmarillion, a little confused or even underwhelmed.

I definitely don’t think Amazon helped remedy this problem by announcing that The Lord Of The Rings would be moving production on season two to the United Kingdom shortly thereafter. For fans of Peter Jackson’s movies (specifically fans who haven’t read the books, but also kind of everyone), that was another blow. New Zealand and Middle-earth have become intertwined in the public consciousness to the point where they’re nearly synonymous, for better or worse. Fans introduced to Tolkien’s vibrant fantasy world through the movies were disappointed, and it’s understandable why, even though there are upsides to filming in the UK (one being that it was Tolkien’s home-country).

All of that brings us to today’s news, which fell upon my ears like the echo of all the joys I’d ever known (bonus points if you know which chapter of The Lord Of The Rings I’m paraphrasing there). Howard Shore, the composer for both of Peter Jackson’s Middle-earth trilogies, is in talks to return to the world he helped define through his phenomenal music. It hasn’t been finalized just yet, according to Deadline, but the odds seem pretty good that Shore will get to craft new soundscapes, themes, and iconic leitmotifs for the Second Age of Middle-earth.

The Lord Of The Rings
Minas Tirith | time.com

It’s the kind of news that makes everyone happy, or at least nearly everyone. Howard Shore is a genius, and his Oscar-winning score for The Lord Of The Rings is widely regarded as one of the greatest in film history. If he boards Amazon’s series, we can be certain that the kingdoms of Númenor, Lindon, Eregion, and Khazad-dûm at its height will each have their own rich and distinctive sound, and that Shore will choose from among the most unique vocal talents of our time to back up his work with original songs (I’m just gonna namedrop Tolkien-inspired singer/songwriter Oonagh here and hope that someone at Amazon reads my blog-posts).

But best of all (at least from a business perspective), this news makes fans of Peter Jackson’s movies happy. And getting them onboard with the series is going to be crucial for Amazon if they want to have a hit. I’m not advocating for Howard Shore to simply copy-and-paste his Fellowship and Shire themes into the soundtrack for Amazon’s The Lord Of The Rings (although I’d love to hear echoes of those and other themes at appropriate moments), but I think Peter Jackson fans want a sense of continuity between the movies and the series, and this is a great way to achieve that.

And what’s even more interesting about all of this is that according to Fellowship Of Fans, Howard Shore will be joined on the series by another great composer – Bear McCreary. McCreary’s name might be less well-known to some folks, but the Emmy Award and BAFTA Award winning composer has established his own very unique style over the past decade or so, working across several different mediums and genres, on TV shows like Black Sails, Outlander, The Walking Dead, and my own personal favorite, Agents Of S.H.I.E.L.D., dozens of films including the Cloverfield sci-fi/horror franchise, and the two most recent God Of War video games inspired by Norse mythology.

The Lord Of The Rings
The Shire | cntraveler.com

Assuming that all of this comes to pass, I foresee a lot of Emmy Awards in Howard Shore and Bear McCreary’s futures, and I can’t wait to hear some of their work soon. Who knows? Maybe…just maybe…a first trailer or teaser is already being edited together, and Amazon wants Shore’s music to really sell it for general audiences. I know that would sell it for me.

What do you think? Which composer’s work are you most excited to hear in The Lord Of The Rings? Share your own thoughts, theories, and opinions, in the comments below!

“What If…?” Episode 6 Proves Why Nakia Is Crucial To Black Panther

SPOILERS FOR WHAT IF…? AHEAD!

For the past few weeks, with Marvel’s What If…? on a hot streak, I had begun to hope that the series’ worst episode was well behind us. As disappointing as it was to see Captain Carter’s potential wasted in a shallow and unimaginative recap of The First Avenger, I genuinely believe that the first episode was always to some extent going to play like the tutorial level of a video game, giving general audiences a taste of what the series had to offer before it could jump into bigger and bolder concepts. And we’ve got four straight weeks of good or great episodes to prove that What If…? isn’t afraid to go big.

What If...?
Tony Stark and Erik Killmonger | cnet.com

But it seems the show still has a couple of clunkers left in store for us too.

And the downside of What If…?‘s anthology format is that without an overarching storyline to pull viewers through these rough patches, audiences are gonna drop off and they won’t necessarily feel compelled to come back each week. Technically, the characters in What If…? are supposed to meet up and fight a big bad at some point, and there’s even talk of some appearing in live-action sooner rather than later, but we’re six episodes deep into a nine episode series, and there’s still no sign of that happening.

That puts the pressure on each new stand-alone episode to try and outdo the last, and unfortunately this week something just doesn’t click. On paper, the basic premise is intriguing enough: what if Tony Stark (voiced by Mick Wingert) never got kidnapped by the Ten Rings, never became Iron Man? That alone could be the Nexus Event of a million new realities, but throw in the seemingly random twist that it’s Erik Killmonger (Michael B. Jordan) of all people who rescues Stark, and we could have had a good old political thriller weaving across the globe between the United States and Wakanda.

But in execution, episode six is an awkward mash-up of Iron Man and Black Panther that struggles to add anything meaningful to either movie’s mythology in just thirty minutes. Tony Stark’s inclusion, at least in such a prominent role, feels especially unnecessary. He’s really only there to be Killmonger’s pawn in a game of three-dimensional political chess, but roughly half of the episode is spent fleshing out their relationship. The story actually nearly finds its footing when the action finally shifts away from his mansion to Wakanda, but because we still need to catch up with Stark’s supporting characters, the problem of split focus doesn’t get solved.

Also, I totally get wanting to capture the tone of Iron Man and Marvel’s other Phase One movies…but did the plotline need to be ripped from the Phase One movies too? I just really need Tony Stark’s genius to be utilized for something other than building an army of faceless, easily hackable robots. I’m begging Marvel to think of something else, anything else, that they can do with this character’s tech.

The scenes in Wakanda, meanwhile, suffer from a lack of thematic cohesion. The nuance of Ryan Coogler’s writing simply isn’t there to foster potential for multiple interpretations on different levels, or to provoke a very meaningful discussion, and the episode falls completely flat when tackling the complexity of its central character, Killmonger. Sure, we learn that he’s a big fan of anime, which is a cute humanizing detail I’m not entirely sure what to do with, but What If…? doesn’t actually seem to understand his motivations except on a surface-level.

What If...?
Nakia | syfy.com

And part of that is because What If…? drops the most crucial (and underappreciated) character from Black Panther – Nakia. This isn’t something acknowledged in the episode, nor is any correlation drawn between her absence and the ease with which Killmonger takes over Wakanda in this timeline, but the loss of Nakia is felt. She’s the antithesis to Killmonger – both come from a place of wanting to help the African diaspora, but while Killmonger only has a vague idea of how to achieve that, informed by his experience working with destructive imperialist institutions such as the US military and CIA, Nakia wants to use Wakanda’s resources to help the world, and she has cohesive strategies about how to do so.

That’s what makes one exchange in What If…? stand out as a particularly bizarre moment that betrays a misunderstanding of Killmonger’s purpose as a villain. In place of Nakia’s radical empathy, What If…? uses James Rhodes (Don Cheadle) as the mouthpiece for a very different moral counterpoint to Killmonger’s message. “You’ve gotta be part of the system to change the system”, he says at one point while defending his service in the US military, before Killmonger strikes him dead and responds that he’s gonna “burn it down”, referring to “the system”.

The problem with this is that Killmonger always was part of the system – even in this alternate universe, it’s made pretty clear that he’s been working with the US military and the CIA for some time. That’s where he learned how to be such an effective agent of chaos, and where he became enamored of the imperialistic ideology he tried to implement in Wakanda. Killmonger didn’t ever want to “burn down” the system – he wanted to force it to work for him because being part of that system had taught him to equate bloodshed with strength, and oppression with power.

This scene, which tries to sever Killmonger’s connections to the US military and position him as an outsider with radical opinions, feels like What If…?‘s counterpart to that episode in The Falcon And The Winter Soldier where Karli Morgenthau accidentally started making some good points, so the series stopped talking about her cause and doubled down on why her methods were too extreme and she had to be stopped.

The most interesting thing about the episode, at least to me, is the different reception that awaits Killmonger when he finally reaches Wakanda. Having killed T’Challa (voiced once again by Chadwick Boseman, in an especially touching performance), his path to the throne is seemingly wide open: but while he could easily strike down the elderly King T’Chaka (John Kani), Killmonger chooses to keep the man alive instead and manipulate his grief to obtain a spot in the King’s favor, ultimately being chosen to succeed T’Challa as the new Black Panther.

What If...?
Killmonger | engadget.com

Not everybody is fooled by his act, however. Visiting the Ancestral Plane, Killmonger is warned by the spirit of T’Challa that he will pay a terrible price for his crimes – which segues nicely into the final scene of Shuri (voiced by Ozioma Akagha) discovering that Killmonger is behind the murder of Tony Stark, and meeting with the new president of Stark Industries, Pepper Potts (voiced by Beth Hoyt) to discuss a plan. I haven’t forgotten that shot from the trailer where Pepper was fighting alongside the Dora Milaje, and although I expected to see it in this episode I now feel certain we’ll pick up this storyline again.

At the moment, I’m not sure if that idea actually excites me. This episode isn’t bad, but it brings very little to the table that wasn’t already done (and done better) in Black Panther or Iron Man. Hopefully in part two, Nakia shows up and becomes the Black Panther in this universe like she deserves.

Episode Rating: 5.9/10

Do We Want Live-Action “She-Ra”?

Okay, so it’s not exactly the animated She-Ra movie that we all wanted and continuously asked for, but…it’s something. It’s something, all right. News broke today that Amazon Prime is currently in early development of a live-action series centered around the iconic character of She-Ra, and it caused quite the commotion on social media once it became known that the series would be a straightforward reboot or sequel to the original 1980’s animated series, and would have nothing to do with the popular Netflix reboot – She-Ra And The Princesses Of Power – that concluded its five-season run last year.

She-Ra
1980’s She-Ra | dallasweekly.com

Now to be fair, any connection between the two would likely be impossible given that this new live-action series is coming from a rival streaming service, and as a fan of Netflix’s She-Ra, I think I can speak for much of the fandom when I say I wouldn’t be too keen on the idea of a live-action version of that highly stylized series (although it still might be preferable to live-action versions of the original character designs…yikes). But as a fan, I can also guess why a lot of people are unhappy about this announcement. It feels like a step back.

When Noelle Stevenson rebooted She-Ra for modern audiences, they did so with the understanding that certain aspects of the original series didn’t work, and needed to be tweaked or played around with to keep the franchise alive and healthy, but also to ensure that the fandom could keep growing. Stevenson’s She-Ra honored the spirit of the original without being beholden to it, and anyone – whether they had watched the original series or not – could jump into the Netflix reboot and get caught up in a really awesome story that hinged on a groundbreaking depiction of queer love.

The significance of She-Ra‘s LGBTQ+ representation cannot be understated, but part of the reason why it works so well is because this story was already queer-coded, intentionally or not. Sorry not sorry to all the homophobes and transphobes out there, but everything about the premise of the original She-Ra (and for that matter its sibling series He-Man) makes ten times more sense when viewed through a queer and/or trans lens. This isn’t even a recent interpretation of either series. So Noelle Stevenson’s decision to make She-Ra queer wasn’t random: it built off the character’s established struggle with her secret identity and double life in such a way that it felt completely organic and thematically cohesive.

She-Ra
Catra and Adora | ew.com

But of course, this decision didn’t go over well with a whole bunch of people, mostly adult men who like to call themselves fans of the original She-Ra even though they seem primarily interested in the lead heroine’s physical attributes (and we all had to hear about how modern She-Ra wasn’t sexualized enough for them). These are the same folks who feel the need to justify the fact that they still enjoy He-Man by pretending that it was really dark, edgy, and aggressively straight – despite literally all the evidence to the contrary – because they need to make some point about how women and LGBTQ+ folks are ruining their childhood.

And when the fandom splits down the middle like this, we get things like Masters Of The Universe: Revelations trying to reconcile this completely baseless perception of the original cartoons as some kind of edgelord fantasy with what new generations want from the franchise – and it’s unappealing to pretty much everybody. Until now, because there had only been the one attempt to reboot She-Ra in particular, we’d mostly been having this conversation about He-Man. Now the question on everybody’s lips is: who is this She-Ra live-action series going to be aimed at?

And I think now that we’re having the conversation about She-Ra specifically, our argument as fans of the Netflix reboot feels a lot clearer. Because He-Man, while linked to She-Ra, is technically a separate franchise with a much larger and more widely spread-out fandom, and the benefit of stronger name recognition. A lot of people are going to watch He-Man just because it’s He-Man, and they know that character. She-Ra, on the other hand, is as popular as it is today because of Noelle Stevenson’s series, and because of the fans of that series who still get She-Ra trending on Twitter every few months because of how much we want more of that version.

She-Ra
Netflix’s She-Ra | kotaku.com

I’m not even as mad about this news as some people are, because I’m open to Amazon blowing my mind with a great idea, but I do understand where that anger is coming from – and I am disappointed that Dreamworks and Mattel, who own the rights to She-Ra, seem to be pointedly ignoring the potential for a She-Ra movie building off the events of the Netflix reboot. Currently, without many details to go on besides the unquestionable fact that live-action Catra is probably going to be another Sonic the Hedgehog situation, all I can hope is that the renewed interest in this franchise will lead to more She-Ra content in the near future – including an animated movie.

So what do you think? Are you excited to see what Amazon has in store? Share your own thoughts, theories, and opinions, in the comments below!

“Hawkeye” 1st Trailer Throws Some Holiday Cheer Our Way

As the only two members of the original Avengers line-up without either superhuman strength, durability, or flight, Scarlett Johansson’s Black Widow and Jeremy Renner’s Hawkeye tended to get sidelined in most of the Avengers movies where the enemies were usually a little too big or overpowered to be taken down by an arrow or a well-aimed high-kick. In Black Widow’s case, the MCU got around this problem by finding a place for her in the comparatively grittier, more grounded Captain America franchise, and then when she finally got her own movie earlier this year they just…removed the problem entirely and retroactively gave her superhuman abilities even though that went against her whole character.

Hawkeye
Kate Bishop and Hawkeye | hollywoodreporter.com

But Hawkeye never got the chance to be a major supporting player in anyone else’s franchise, and he never got a solo movie. Following the release of Black Widow, he is in fact the only remaining member of the original six Avengers not to have their own solo film (with the caveat that Hulk technically has one; not with Mark Ruffalo in the lead role, but the MCU has increasingly treated it as canon anyway). That’s not going to change anytime soon, I don’t think – but that’s okay, because Hawkeye’s getting the full Disney+ treatment.

And now that we have our first teaser trailer for the Hawkeye series, I have…well, a lot of thoughts, but the thing that really stood out to me from the trailer is that Hawkeye isn’t suddenly getting a power upgrade just because he’s the star of the show now. He’s a really good shot with a bow…that’s it. There’s plenty of cool stuff Marvel can do with that powerset alone (go watch all of Legolas’ scenes in The Lord Of The Rings if you don’t believe me), while still acknowledging Hawkeye’s obvious weaknesses.

Frankly, those weaknesses are a big part of what makes the character even halfway interesting, because he can’t rely on his own strength and agility to save him in a fight, like most of the other Avengers. He’s dependent on his bow and arrow, and without it he’s just a relatively average middle-aged guy. Even with it, the bow is only truly effective as a long-distance weapon – Hawkeye has some training with swords thanks to his work as Ronin, but he’s probably not gonna last long in a duel: something he learned the hard way when he fought Black Widow on Vormir, in a last-ditch effort to stop her from throwing herself off that hateful cliff.

And while a lot of Avengers purposefully put distance between themselves and their loved ones because they can’t balance their personal commitments with their duty to the world, Hawkeye is one of the few who’s always been adamant that he can’t abandon his wife and kids, and that he’d rather give up his place on the Avengers team than do so. That gives him another crucial weakness, but it’s also theoretically one of his greatest strengths because he’s so human. His empathy and capacity for understanding are admirable qualities that never really found an outlet in the movies, and I hope Hawkeye does a better job in that regard.

Hawkeye
Hawkeye | vervetimes.com

The series picks up probably about a year after Endgame, during the middle of the Christmas season, and the trailer and other marketing heavily leans into the holiday spirit. I’m talking snow flurrying over the title-cards, a genius Christmas-themed tagline (“This Holiday Season The Best Gifts Come With A Bow”), and a Rockefeller Center action set-piece, all set to “It’s The Most Wonderful Time Of The Year”. Marvel’s closest thing to a Christmas movie is probably Iron Man 3 (one of those “if it’s set at Christmas but doesn’t actually have anything to do with Christmas, is it a Christmas movie?” movies), so this is kind of a surprise.

Now, Hawkeye is set to premiere in November and run through December, so this is obviously just a case of good timing on one level: but thematically, I think sticking the most empathetic Avenger into the season of giving and caring makes sense and could lead to some interesting and emotional character moments, not only between Hawkeye and his family (whom he takes into the city to go see Rogers: The Musical, a Broadway retelling of Captain America’s life that features Hawkeye as a backup dancer – awkward), but also between him and his young protégé, Kate Bishop.

Kate Bishop’s arrival in the MCU is an important milestone, bringing us one step closer to the formation of a Young Avengers team. Just like in the comics, it appears she’s run away from home to follow in Hawkeye’s footsteps, which includes honing her skills as an archer and donning a version of his purple uniform. In the comics, Bishop also emulates the super-spy Mockingbird, but we have no idea if Marvel plans to bring that character back after her appearance in Agents Of S.H.I.E.L.D., or if she would be played by Adrianne Palicki again.

Regardless, introducing Bishop here is logical, and it’s a good business move: Hawkeye has some fans, but Oscar-nominee and bestselling popstar Hailee Steinfeld brings with her an entire fanbase. She and the other women of Hawkeye, including Alaqua Cox as Echo and Vera Farmiga as Eleanor Bishop (both very briefly visible in the trailer), not to mention Florence Pugh as returning fan-favorite Yelena Belova, are the main reason we will be watching.

Hawkeye
Kate Bishop | bgr.com

And none of these characters, at least as far as we know, have superpowers. That’s not to say there won’t be any, or that they couldn’t be handled well, but I do appreciate having a corner of the MCU where the “street-level” heroes don’t necessarily have to fight literal gods and monsters all the time. There’s just something so wonderfully relatable about Hawkeye attempting to zipline across Rockefeller Center and falling into the Christmas tree that not only harkens back to the lighthearted tone of the Matt Fraction comics that defined this character, but is also necessary in a franchise where heroes are too often invulnerable and untouchable.

Trailer Rating: 9/10