“Falling Inn Love” Movie Review!

Cute and classy, Netflix’s new late-summer love story, Falling Inn Love, is decent enough fare for an end-of-August afternoon, but might not do much to satisfy audiences craving bold new content with unexpected plot twists or subverted expectations. This really is the sort of movie that should be watched on a couch, preferably while wearing pajamas, when there’s nothing else to do. That’s not an insult, just a reference for when and how you should go into this film in order to get the desired effect. It’s sleepy comfort-food for the soul.

The romance at the heart of the film is charming enough, and relies on the Opposites-Attract formula. Gabriela (Christina Milian) is a stressed out architect from San Francisco who’s bored with the corporate hamster-wheel of her busy life: finding no comfort in either yoga sessions or her over-eager boyfriend, she flies out to New Zealand after she wins a charming little bed-and-breakfast inn in a contest. Once there (literally, as soon as she arrives), she runs into Jake (Adam Demos), the town’s most eligible bachelor/contractor, who decides to help her renovate and remodel the place. That’s basically it. Both stars are likable, but Milian more so: perhaps because Demos’ charming Kiwi handyman takes on the Moody Brooding Leading Man™ persona about halfway through, which then leads to some severe misuse of the Misunderstanding™ trope, followed by some of that good old “I Can’t Fall In Love Because [Insert Past Tragedy]”™ cliche. I won’t spoil too much, but the story basically devolves into a series of well-worn story beats a little more than halfway through.

As for the scenic backdrop of New Zealand and its culture, which wows Gabriela, well…it’s barely ever seen. In a small-budget film like this, that’s not really surprising, but it does make one wonder why the script focuses so heavily on Gabriela’s constant surprise at the Kiwi way of life, when almost everything we see in the rural locale of Beechwood can be found in any American town. I say almost because there are a few Maori phrases in the cast’s vocabulary, as well as a few Maori extras and supporting characters. But really, this film could be set anywhere and it wouldn’t make much difference.

So, if you don’t plan on going anywhere for an hour and a half, why not relax on the sofa, grab some snacks, and give Falling Inn Love a chance? It’s cute, it’ll pass the time, and it doesn’t require too much thought. But in a world where rom-coms are becoming increasingly more thought-provoking (looking at you, Last Christmas), it just might not be enough.

Movie Rating: 6/10

“The Aeronauts” Trailer!

Eddie Redmayne and Felicity Jones, who portrayed married geniuses Stephen and Jane Hawking in The Theory Of Everything, are sharing the screen once again; again, in a historical setting, even if this one is rather more heavily fictionalized than the account of the Hawkings’ life.

The first trailer for Amazon Prime Video’s new film, The Aeronauts, has just dropped, giving us a first look at the usually mild-mannered Redmayne and Jones as toughened meteorologists and pilots fighting for survival high up in the atmosphere. Redmayne, technically speaking, is playing a real-life person, James Glaisher, but it doesn’t seem that much of Glaisher’s actual life experiences are being transferred over to the medium of film. The Aeronauts follows Glaisher’s famous 1862 ascent in a hot-air balloon to the height of…well, nobody knows for sure how high he went, because he actually passed out on the way, but it could have been anywhere from 8,800 to 10,900 metres above sea level. This film, however, is embellishing the story with incidents like unforeseen storms, freezing temperatures, and possibly even an explosion judging off how tattered the balloon looks by the end of the trailer, when we see Redmayne slipping from his perch and (possibly?) tumbling into thin air. Leaving all that aside, they didn’t even attempt to make Redmayne physically resemble Glaisher at all: where are the enormous sideburns? Where is the beard that wraps around the underside of the chin for whatever reason?

Additionally, the film has taken the liberty of inventing Felicity Jones’ character, pilot Amelia Wren, entirely. Female representation is never a bad thing (unless done badly), and this movie is already so fictionalized, it doesn’t really matter. Wren could be based on Glaisher’s eventual wife, Cecilia Belville, a well-educated woman who pursued a career in the sciences, specifically as an artist. As far as I know, however, she never stepped foot in a hot-air balloon in her entire life. In reality, it was Henry Tracey Coxwell who accompanied Glashier on most of his flights, but he appears to have been excised from this adaptation.

All this is not to bash on the movie: the film, regarded on its own, actually looks quite good, and the focus on just two characters, trapped in dire circumstances at the top of the world, running out of oxygen and food, will surely create tension and chemistry between these incredible actors. I also love history and historical fiction (in doses), so this movie looks like something I might enjoy greatly, even if it does play loose-and-fast with some facts. I hope others will give it a shot, and make this another win for Amazon Prime Video.

Will you? Does the premise of The Aeronauts interest you, or is it too fictionalized? Share your thoughts in the comments below!

Trailer Rating: 7/10

D23 MCU Concept Art!

If you weren’t previously hyped for Marvel’s multitude of newly announced Disney+ content, prepare to be. We have a lot to discuss.

Over the weekend, Disney Studios sated the appetites of rabid fans at their D23 Expo with some exclusive reveals, including brief footage, concept art, and official posters for some upcoming projects. But now the public can share in the fun, as some of this stuff, specifically the concept art and posters, are being released. And we, being ravenous fans with a desire to nitpick and study every inch of new material, are going through this stuff with a fine-toothed comb, looking for clues.

The first official poster for The Falcon And The Winter Soldier dropped earlier today, sparking a heated discussion about the most trivial of subjects. Yes, Bucky Barnes, whose gloriously long hair has been a trademark of the character’s appearance since 2013, has finally visited a barber, it seems. Either that, or the graphic designer made a huge blunder by choosing to use 1940’s Bucky as a reference for this poster, rather than modern, stylish-Jesus Bucky.

D23 MCU Concept Art! 1
mcucosmic.com

Apart from Bucky’s new haircut, we can see that the Winter Soldier is donning a slightly new, streamlined outfit, as well as his vibranium arm (which still hasn’t seen any real action: here’s hoping we get to see some epic metal-arm fight scenes in the show). Falcon, who was entrusted with Captain America’s shield in Avengers: Endgame, is…not holding the shield, for whatever reason, and is also positioned behind Bucky, looking more like a supporting character than the lead. Perhaps both men are leads, but it does seem a little unusual to place the Marvel Cinematic Universe’s new shield-bearer in the background. Then again, he does also show up in the top right-corner of the poster, flying across the sky, looking very much like a patriotic fighter-plane. In fact, the poster does seem to be going for a “war-movie” vibe – the pale watercolor sky, the ever-so-slightly antiquated heroic poses from Bucky and Falcon, the red, white and blue logo: it looks almost 1940’s to me – but again, considering that Falcon isn’t a time-displaced character like Bucky, that choice seems peculiar. Who’s the lead on this show, really?

Speaking of old-fashioned stylistic choices, though, the first official concept art/poster for the WandaVision series is blatantly dated: and both lead actress Elizabeth Olsen and Marvel president Kevin Feige have said as much. The show is said to have a retro, 1950’s sitcom style – at first, this seemed like it might have just been a creative reference for the showrunners to draw on, but this art suggests that the entire series will, in fact, look and feel like I Love Lucy, combined with idealized, bright and sunny ads ripped from the pages of an old Sears catalog.

D23 MCU Concept Art! 2
mcucosmic.com

It’s an even more peculiar stylistic choice than that on the previous poster, because neither Wanda Maximoff nor her (currently deceased) partner Vision have any real connection to the 1950’s. Yet here they are, dressed in period-appropriate fashion and sporting upper-class bemused smiles, surrounded by the accouterments of a typical “nuclear family”.

Wanda, the Scarlet Witch, has some untapped potential in the MCU that could explain this perplexing choice – in the comics, she has the ability to warp reality and create entire “pocket dimensions” that exist alongside our own. In such a faux reality, Wanda could presumably resurrect her dead lover and create a perfect, cheery little family for herself in a quaint little suburb: according to reports from D23, Wanda and Vision will have a nosy next-door neighbor, played by Kathryn Hahn, and a bunch of other comedic castmates – including the Thor franchise’s underdog Darcy, and Agent Jimmy Woo. Another sign that Scarlet Witch will use more comics-accurate powers in the new series is a hint, in this poster, of her more comics-accurate costume: Wanda’s shadow, in the top left-hand corner, sports her traditional crescent-moon tiara, something that hasn’t appeared in the MCU as of yet. Fans have been dying to see it on Elizabeth Olsen’s brow, and this poster gives me hope that we will.

Don’t expect WandaVision to be all canned laughter and sunshine, though – the series is rumored to head into dark, even macabre or paranormal territory, which makes sense, considering that it will always lead directly into the events of Doctor Strange In The Multiverse Of Madness, which is being hyped up as Marvel’s first horror film.

What do you think of the new concept art? Does it look cool, or outdated? Share your thoughts in the comments below!

The Mystery Of Dark Rey…

In an otherwise largely uneventful day at the D23 Expo (you know, if you ignore Dwayne Johnson and Emily Blunt trying to outdo each other with dramatic entrances), Star Wars was the main talking-point: while not even a snippet of the new Rise of Skywalker footage has leaked online, it’s still all that the internet is discussing – specifically, the final shot of this unseen footage, which apparently shows a major protagonist wavering between the Light and the Dark.

I guess I should include a warning for potential spoilers, but all of this footage is expected to officially drop on Monday – so I don’t know if you should be too worried about it. And, yes, that also means that I’m rather premature with this news, but it’s one of the few things we have to talk about that will make for an interesting post today.

So what am I talking about? Well, apparently, the Star Wars presentation at D23 revealed a few things to the audience of several thousand fans: apart from a brand-new poster that looks epic, director J.J. Abrams also showed a brief sizzle reel of footage from the upcoming installment in the franchise, which is expected to be the last in the forty-year long Skywalker Saga. And so it was that those spectators got to witness a shocking reveal: Rey, the unwavering heroine of the franchise’s last two entries, might be reconsidering her values and moral code.

She was apparently seen dressed in a black cloak with a hood, holding a double-bladed red lightsaber that apparently strongly resembles the one carried by Darth Maul, the central antagonist of Star Wars: The Phantom Menace. While we can’t yet know for certain what this means, there are already hundreds of theories floating around the internet. Some believe it’s merely a trick: that this scene is probably only part of a vision or nightmare-sequence which will end up having no real impact in the film itself. Others, however, are rather less cynical: Rey could be the daughter of Darth Maul, apparently, or even the daughter of the long-dead Emperor Palpatine, who will be making a comeback in some form for this film. She and her nemesis/possible love interest Kylo Ren might switch sides, with Rey becoming an embittered Sith Lord while Ren joins the Jedi. She could be using this appearance as a disguise, in order to work her way up through the ranks of the First Order. Palpatine could be manipulating her. There’s endless possibilities.

Some of them make sense, some don’t. For instance, the theory that Ren and Rey switch, while very cool, could seem contrived: yes, Rey was obsessed with that weird evil cave on Luke’s island in The Last Jedi, but she hasn’t ever seemed interested in the dark side or the ways of the Sith – she’s been mostly focused on trying to lure Kylo Ren over to the light, in fact. So changing that now could result in an outcry similar to that which followed the decision to randomly turn Game of Thrones‘ heroine, Daenerys, into a psychotic genocidal war criminal for no apparent reason other than that it looked cool and justified her being murdered at the end of the show. And in both cases, it would be a female protagonist who gets retconned to be evil – not a good look for Star Wars, just as it wasn’t a good look for Game of Thrones. As for Kylo: well, he’s stared longingly at the light many times before, and he seems like he might be doubting his lifestyle choices, but making the jump to the Jedi is a big commitment – something that doesn’t seem like it could be adequately covered in a single film.

Me, I’m actually ever so slightly more concerned about another shot from the footage: supposedly, a glimpse of C-3PO with glowing red eyes, implying that the lovable droid is also heading down a dark path. We’ve seen evil droids in Star Wars before, but never one that actively chooses to pursue a career with the Dark Side (correct me if I’m wrong, hardcore Star Wars fans). And if he gets hacked and destroyed by agents of the First Order, I swear to Yoda I will boycott.

So what do you think? What’s Rey doing? Is she Sith or not? Share your thoughts in the comments below!