Agents Of S.H.I.E.L.D Archives - Page 2 Of 6 - The Wide Screen

April 17, 2021

Who Is Contessa Valentina Allegra de Fontaine?

**SPOILERS FOR THE FALCON AND THE WINTER SOLDIER AHEAD!**

Ralph Bohner walked, so Contessa Valentina Allegra de Fontaine could…also walk, but in really fancy high-heeled boots that even she admitted were incredibly uncomfortable.

There was a time, at the height of WandaVision‘s popularity, that it didn’t seem so inconceivable that any number of celebrity cameos might populate the series’ later episodes, giving rise to countless theories each more outlandish than the last. First it was Evan Peters as Peter Maximoff, then suddenly the entire X-Men universe was going to spill over into Westview by means of the Multiverse, including Ian McKellen as Magneto, Patrick Stewart as Professor X, and Hugh Jackman as Wolverine. Then it was Tobey Maguire as Spider-Man, for reasons still unbeknownst to me. Somewhere along the line, fans decided a throwaway reference to an “aerospace engineer” was actually a nod to Mr. Fantastic or Blue Marvel. Al Pacino as Mephisto was a topic of serious debate.

And in the end, the big cameos that WandaVision teased turned out to either be misdirects or literal pranks by the cast. Evan Peters wasn’t even playing Peter Maximoff: he was just a random guy named Ralph Bohner, and the fact that he played the X-Men universe’s version of the character whose personality he assumed in Westview was a coincidence. But therein lies the danger of theorizing – it’s incredibly fun, particularly in comic-book franchises where there are no shortage of rabbit holes to dive down, but you shouldn’t let it interfere with your ability to enjoy a story that turns out to be doing something completely different than what you theorized.

At the same time, I do think filmmakers and showrunners could perhaps refrain from overhyping literally every reveal, as seemed to sometimes be the case with WandaVision, if only to protect their own projects from inevitable fan backlash. But caving in to the most absurd fan theories is also a bad idea: how much further afield would The Falcon And The Winter Soldier have drifted in its middle section if it had had to stop and introduce Wolverine in Madripoor?

All of that is to say: Julia Louis-Dreyfus popping up in The Falcon And The Winter Soldier as an iconic character from Marvel Comics was the perfect kind of surprise, because, while it’s quite a brief cameo, and doesn’t distract a bit from the main narrative, it’s also fun, unpredictable (while still making sense in hindsight, like any good twist), and allows us to do some rabbit-hole diving right now, as we discuss the past, present, and future, of Contessa Valentina Allegra de Fontaine (no, I will not abbreviate it to Val: Contessa Valentina Allegra de Fontaine literally says in the episode never to do that, and my SEO optimization says to pad my posts with at least 600 words).

Formally known as La Contessa Valentina Allegra de la Fontaine, the character first appeared in the Nick Fury: Agent Of S.H.I.E.L.D. comics in the late 1960’s, with her backstory mostly shrouded in mystery, but generally giving the impression that she was a fabulously wealthy Italian heiress until her parents were killed, at which point her skills as a hand-to-hand fighter and sharpshooter caught the eye of S.H.I.E.L.D., and she was recruited into the organization as Agent 14. Appointed leader of the all-women S.H.I.E.L.D. team “Femme Force”, Contessa Valentina Allegra de Fontaine’s working relationship with Nick Fury quickly became a romantic one – so romantic, in fact, the Comics Code Authority intervened.

More recently, La Contessa has played a major role in the Secret Invasion storyline, being the victim of a Skrull impersonator. While laying low in Britain, she worked alongside Lance Hunter, who has already appeared in the MCU-adjacent Agents Of S.H.I.E.L.D. TV series. And then her entire backstory was retconned, and she was revealed to be a Russian sleeper agent working with the organization known as Leviathan to infiltrate HYDRA, leading to her taking over the title of Madame Hydra.

In the MCU, all we know about her comes from her exceedingly brief interaction with John Walker, during which she tells him to keep in touch with her as he might prove “very, very valuable to certain people”. Although she never states her true purpose, her knowledge of classified state secrets suggests a connection to either S.H.I.E.L.D. or HYDRA – and her threatening aura (plus the villainous purple highlights in her hair, an upgrade from her Bride of Frankenstein-esque white streak in the comics) makes the latter more likely. We also know from Vanity Fair that Julia Louis-Dreyfus was originally supposed to debut in Black Widow, most likely in a post-credits scene.

That, coupled with the handful of hints she drops, have led many to believe she’ll be assembling the MCU’s Thunderbolts (a team of reformed villains from the comics) or Dark Avengers (a team of evil doppelgangers of the original Avengers), jumping from films to Disney+ shows and back to recruit all the best baddies onto her team before they can be killed or imprisoned. She just missed her opportunity to accost Baron Zemo (the original founder of the Thunderbolts in the comics), but the fact that he’s currently on his way to The Raft rather than Wakanda makes it easier for La Contessa to potentially break him out. And if she does appear in Black Widow, that’ll probably be where she picks up Natasha Romanoff’s younger sister, Yelena Belova.

Since she’s clearly being set up as a puppet-master of sorts, she may also be tied to the Power-Broker of Madripoor – and there’s a possibility they’re one and the same. That honestly makes more sense than Sharon Carter being the Power-Broker herself, since she doesn’t seem to have much motive to design an army of Super-Soldiers. But Carter could be working for La Contessa, something that would parallel the characters’ dynamic in the comics, where Carter was a Femme Force member and the two were rivals for the team’s leadership position.

It’s also important to note that even if Contessa Valentina Allegra de Fontaine is affiliated with HYDRA, and even if she does call herself Madame Hydra, that doesn’t somehow retcon Agents Of S.H.I.E.L.D.‘s version of Madame Hydra out of existence, as some people are claiming. S.H.I.E.L.D.‘s Madame Hydra is a character from the HYDRA-operated Framework simulation, not even a real person, and her character design was lifted from Ophelia Sarkissian, another woman who wears the title in the comics. Haters love to claim Agents Of S.H.I.E.L.D. isn’t MCU canon, but it still lives rent-free in their heads.

There also remains the slight chance that La Contessa isn’t a straight-up villain. A lot of S.H.I.E.L.D. agents are just…kind of shady, particularly those in Nick Fury’s inner circle. I think this is least likely out of all the options, but if it means we get to see Samuel L. Jackson and Julia Louis-Dreyfus flirting all the way through the Secret Invasion series, I’d be okay with keeping her on S.H.I.E.L.D.’s side for a little while. Though it would be even more entertaining if they’re bitter exes on opposite sides of a conflict between their teams, whose romantic history allows them to predict their insignificant other’s next moves.

So what do you think Contessa Valentina Allegra de Fontaine is plotting? Which team of villains should she be assembling, and why? Share your own thoughts, theories, and opinions, in the comments below!

March 22, 2021

“Echo” Hawkeye Spinoff Coming To Disney+!

It’s becoming increasingly clear that Jeremy Renner’s Hawkeye is probably the least interesting part of the upcoming Hawkeye Disney+ series…which I imagine really sucks for Renner’s hardcore fans, but is great for those of us who are only going to be watching Hawkeye for the amazing women involved: Hailee Steinfeld’s Kate Bishop, Florence Pugh’s Yelena Belova, Vera Farmiga as Eleanor Bishop, and Alaqua Cox as the antiheroine Echo.

And despite being a complete newcomer to the acting scene, it’s Alaqua Cox’s Echo who’s apparently first in line for her very own Disney+ spinoff coming out of Hawkeye, a series that hasn’t even finished filming yet. Variety reports that, while the spinoff is still in the early stages of pre-production, Etan and Emily Cohen have come onboard to write the series scripts. This news, if true, would make Echo the first Marvel character introduced on Disney+ to get her own solo spinoff, further enriching this vast corner of the MCU, and hopefully proving once and for all that the Disney+ series’ aren’t just supposed to act as extended prologues and epilogues to other movies – they are their own thing, and should be viewed as such.

It’s been hard to convince some fans of that latter point, particularly when dealing with a universe where the occasionally eyeroll-inducing need for “interconnectedness” drove viewers away from Marvel’s previous TV collaborations with ABC (which hosted the long-running and criminally underrated Agents Of S.H.I.E.L.D.) and Netflix (which only just recently relinquished the rights to Marvel’s Defenders content, including beloved heroes like Daredevil and Jessica Jones), after those TV series’ struck out on their own and forged new ground…in the process becoming less essential viewing for the MCU overall. That’s a pattern we saw repeated after WandaVision‘s finale, which proved to be controversial in part because fans felt cheated when the series didn’t halt in its tracks to introduce the Multiverse, or reveal villains like Mephisto and Nightmare, or reinstate Fox versions of the X-Men (though, to be fair, Evan Peters should have been playing Peter Maximoff), despite laying the groundwork for at least two other Marvel films and another Disney+ series.

The news that Echo specifically is getting a spinoff is exciting for several reasons. The character – whose codename comes from her ability to expertly replicate or “echo” any opponent’s fighting style and techniques – is a deaf Native American antiheroine named Maya Lopez, who rises through the ranks of the criminal underworld to become a widely-feared and respected warrior. While operating in Japan and fighting a faction of HYDRA, she adopted the alias of “Ronin”, the same name we saw Hawkeye himself randomly pick up in Avengers: Endgame, during his five years as a vigilante/serial killer. The Hawkeye series will hopefully explain away all the mysteries surrounding the Ronin identity, including whom it belonged to first in the MCU canon, but Echo’s story doesn’t have to end there.

In the comics, Maya Lopez goes on to help and hinder the Avengers at various points, even playing a critical role in the Secret Invasion storyline which will be adapted for Disney+ in the near future. She’s had complex relationships with many of Marvel’s grittier street-level characters, including Daredevil, Moon Knight, and the Kingpin – who mentored her throughout her childhood, after first murdering her father. Maya later turned on Kingpin and left him temporarily blinded, but he’s honestly the least of the villains she’s battled while wielding her signature nunchuks, from Madame Hydra to the Skrull Queen Veranke – the former of whom at least deserves to be brought back into the MCU, with Mallory Jansen reprising the role she so brilliantly originated on Agents Of S.H.I.E.L.D. In one storyline, Echo even hosted the cosmic power of the Phoenix Force within her during an underwater battle with Namor.

Echo’s role in Hawkeye is still unknown, though I remain confident in my theory that she’ll be revealed to be one of the last remaining Red Room cadets trained by Taskmaster, positioning her at an intersection between the storylines of Hawkeye and Black Widow and making her the literal “echo” of one of Widow’s greatest failures, still reverberating through current MCU history. Having her own spinoff series, though, vastly expands the number of stories that could be told with the character – from undercover work as a ninja in Japan, to fighting alongside Daredevil on the streets of New York City, all while helping to increase onscreen visibility for the Indigenous and disabled communities.

But what do you think? Are you excited to see Alaqua Cox as Echo? Do you have any theories about her spinoff? Share your own thoughts, theories, and opinions, in the comments below!

February 25, 2021

“WandaVision” Episode 7 Debuts The Big Bad (Or So We Think)

**SPOILERS FOR WANDAVISION AHEAD!**

Yes, I know I’m late. The Marvel fandom has had their fun with WandaVision‘s seventh episode already, bopped to dozens of “Agatha All Along” remixes over the weekend, speculated endlessly about the Nexus and the Multiverse and the hexagons, and yet here I am, rushing out this review on the eve of a new episode…and you know what, I don’t care. I’ve been out of action for the past few weeks following an emergency appendectomy, I’ve missed my window to properly review two episodes of WandaVision, and I’m not letting this last opportunity to review episode seven slip away!

Now it’s your turn to say “I don’t care”.

The fourth wall isn’t the only thing that gets shattered into a million pieces in WandaVision episode seven, a brisk and tightly-edited installment that sees Wanda’s cozy suburban utopia begin its inevitable descent into surrealist calamity. As the dark forces swirling around Wanda Maximoff (Elizabeth Olsen) close in on her, her control over the volatile situation – which once seemed almost absolute – is ebbing away…because, surprise, she was never really in control at all. But it takes a whole musical montage to finally wake Wanda up to this realization, after spending decades (well, days, actually, but whatever; time moves differently in “The Hex”) under the impression that all of Westview’s brainwashed citizens answered solely to her.

Of course, it seemed far too easy for Wanda to have complete creative control over The Hex, a world that seemed so tailor-made to her specific needs and wants that it almost had to be the product of some nefarious scheme. That being said, it’s still slightly too early to say for certain if my assumption was correct all along, that The Hex was built by someone else to trap Wanda within, and that she was given a false sense of power to lull her into complacency. That’s one working theory, as Dr. Darcy Lewis (Kat Dennings) would say: the other, which I still don’t entirely buy, is that Wanda did create The Hex, but her control over it has slowly been leeched into the hands of another entity over the course of the series. There’s evidence for both theories, but either way, we now know the identity of WandaVision‘s antagonist (or, well, one antagonist: there’s a slew of other baddies who could still show up, including but not limited to Mephisto, Ultron, Nightmare, the Grim Reaper, and HYDRA).

But I’m jumping ahead. The episode picks up the morning after the previous week’s events, both in the real world – where the scattered remnants of S.W.O.R.D., headed by Tyler Hayward (Josh Stamberg), have regrouped eight miles outside of Westview’s glowing boundaries and are prepping another assault: the lack of brain-cells is truly staggering – and in Westview, where Wanda wakes up with a magical hangover, still wearing her Halloween costume from the night before (sans half-moon tiara, the only element of that costume I genuinely wish she’d keep), and reeling from the mental and physical strain of having to expand the boundaries of The Hex to absorb S.W.O.R.D.’s initial base camp. Luckily, an invisible film crew has taken up residence in the Vision residence, allowing Wanda a safe outlet to express her grief, disillusionment, and burgeoning sense of self-awareness, all while breaking down the fourth wall in a spoof of 2000’s sitcoms like Modern Family and The Office, which employed the “mockumentary” format.

The hustle and bustle of a chaotic morning routine provides the perfect backdrop to Wanda’s entire world coming untethered from space and time. Vision (Paul Bettany) still hasn’t returned from his late-night escape attempt; the con-artist-formerly-known-as-Pietro Maximoff (Evan Peters) is missing; and all of Wanda’s furniture and household appliances are erratically changing shape. Just as the stress of trying to parent twin boys in the midst of all this chaos becomes too much for Wanda, overly-friendly neighbor Agnes (Kathryn Hahn) arrives to escort the kids back to her own house, leaving mom to a self-inflicted quarantine-style staycation…as “punishment” for her reckless behavior. As always, Olsen’s brilliant performance keeps Wanda firmly relatable and sympathetic even as everything else is beginning to spiral down the drain.

Several miles away, Vision wakes up in a field full of clowns – alive and fully-functioning again, but deeply confused about life, the universe, and everything. Thankfully for his sanity, it takes him no time at all to reconnect with Darcy Lewis, who was last seen being unwillingly absorbed into The Hex alongside him, and who has now been recontextualized into a carnival escape-artist. Vision has questions, Darcy has answers, and the duo escape in a funnel-cake truck (did you notice the potential Agents Of S.H.I.E.L.D. callback in the set dressing?) to get back to Wanda, while Darcy gives Vision a rundown on his MCU backstory: including a partial account of his multiple deaths, two of which Wanda was unlucky enough to witness first-hand, and one of which she caused. Darcy’s poor storytelling and tendency to leave out vital context doesn’t seem to help the paranoid android process his own confused emotions (yes, I squeezed two Douglas Adams references into this paragraph: I don’t know what that’s about, either).

Back in the real world, Monica Rambeau (Teyonah Parris) and Jimmy Woo (Randall Park) head to the boundaries of The Hex to meet Monica’s aerospace-engineer friend, who…doesn’t actually show up, leaving us with more unanswered questions about their identity. But whoever they are, they dropped off a nifty little armored vehicle that Monica hopes will be able to break through Wanda’s magical TV-static barrier. It doesn’t, making that entire subplot slightly pointless (at least until the engineer shows up in-person and turns out to be massively important), but it allows for an ultimately more epic sequence in which Monica, rather than admitting defeat, chooses to run headfirst into the barrier in a desperate attempt at re-entry. Despite her apparent beef with Carol Danvers, she’s certainly inherited a lot of the captain’s recklessness.

Monica’s body begins disassembling in psychedelic slow-motion, while voices from her past rush through her head – but she pushes forward, mustering the strength to literally pull herself back together and step through the barrier, as her eyes glow electric-blue. Although WandaVision audiences have now heard plenty of references to how Monica’s frequent passages through The Hex have rewritten her DNA on a molecular level, this would seem to mark the precise moment at which Monica officially becomes a superhuman: fulfilling her destiny from Marvel Comics, where she goes by the name Spectrum. As in the comics, her powers appear to be light-based, and include the ability to see Westview as it really is: an abstract alien landscape with vivid purple skies stained by lazy splashes of neon light and humming with extradimensional energy. Donning a version of her comics-accurate black-and-white costume, Monica sprints off into Westview, unfazed by her superpower epiphany.

The episode deftly balances all these converging plotlines, bouncing back and forth from Vision (who abandons Darcy and takes to the skies after a series of contrived obstacles initially keep the duo stuck on the outskirts of Westview: obstacles that Vision mistakenly believes were put in place by Wanda to keep him away) to Monica, who breaks Wanda’s quarantine, barging through the front door with an offer of help – which Wanda rejects out-of-hand, telekinetically dragging Monica onto the front lawn and levitating her there for the whole neighborhood to see. Monica uses her own powers to avoid being crushed on the sidewalk, leading to a tense confrontation as Wanda’s forced to back up and listen to what she has to say. Monica is empathetic; she warns Wanda to not let her grief overcome her, and not to let Tyler Hayward make her the villain of the story. And despite Wanda’s eagerness to claim villain status, Monica does seem to be getting through to her.

Which is why Agnes shows up a split second later to extricate Wanda from this potentially paradigm-altering experience and lead her back to her own house (which cleverly borrows its façade from the actual Bewitched house). There, it seems no amount of magic or sitcom silliness can hide the truth about Agnes’ evil intentions: the house is dark, eerily quiet, and inhabited by cicadas – but there’s no sign of Agnes’ husband, Ralph…or Wanda’s twins, whose half-eaten sandwiches are still sitting on the coffee table while Yo Gabba Gabba! plays threateningly on the TV. Wanda’s search for her kids leads her to the basement, which extends far below the house and connects to a network of overgrown tunnels and a temple complex decorated with hexagonal emblems, ram skulls, Satanic artwork…and a small black book spewing fiery energy, which could be the Darkhold of Marvel lore. No stranger to live-action adaptations, the Darkhold was used in Agents Of S.H.I.E.L.D. to help design an alternate reality in which HYDRA conquered the world, and could serve a similar purpose in WandaVision.

But before Wanda gets a chance to do any sleuthing, Agnes joins her in the basement, wearing a quirky grin and her familiar pendant. “You didn’t think you were the only magical girl in town, did you?,” she taunts Wanda, while showing off her own supernatural powers. Whether she’s been orchestrating Wanda’s movements and actions pre-Westview or first had to infiltrate The Hex to do so, Agnes is the series’ antagonist heading into the penultimate episode (which means she’s at risk of dying, and that….terrifies me). And, to nobody’s surprise, “Agnes” was only ever an alias in the same vein as every other Westview resident’s adopted identity: a clever one, to be sure, but not too clever to outwit Marvel fans, who long ago guessed that Agnes would turn out to be Agatha Harkness, a sorceress from the comics whose relationship with Wanda involves mentoring her in the art of chaos magic, babysitting and occasionally kidnapping her children, and walking a fine line between protecting her and manipulating her trust. And sure enough, last week’s episode confirms what we all suspected, with the help of a musical montage that deserves to be ranked alongside the best Disney Villain songs.

Inspired by The Munsters‘ intro, “Agatha All Along” elevates the villain reveal from boringly predictable to delightfully campy. Through Wanda’s eyes, we watch past events with a new twist – Agatha gliding into Westview in a quickly-glimpsed witchy costume (before turning to the camera with a gasp of faux-astonishment), gleefully messing with the talent show in episode two, manipulating Herb’s mind in episode three, and puppeteering Pietro’s unexpected arrival. Her encounter with Vision on Halloween? That was all an act. Even the cameraman interviewing Wanda this very episode was Agatha in disguise. But you don’t need me to tell you that: just listen to the song, and/or its multitude of remixes and covers.

The episode features WandaVision‘s first mid-credits scene, a quick stinger showing Monica breaking into Agnes’ basement only to get caught by Pietro – whose line, “Snoopers gonna snoop”, is delivered totally deadpan. Agatha having summoned Pietro to Westview and controlled his every movement, it would make sense that he’s still obeying her – but lift the spell, and he’s probably not a bad guy. He’s also definitely not Pietro, but he probably is Peter Maximoff from the X-Men cinematic universe, because there’s literally no other reason why this version of the character would be here. Further proof of that lies in the episode’s commercial, which (a) hilariously parodies overly-optimistic real-life drug commercials, and (b) directly references the Nexus of All Realities: the crossroads at the heart of the Multiverse, where universes collide. With the “real” version of Pietro dead in the MCU’s main timeline, Agatha would have reached into the Multiverse to find another – and ripped Peter Maximoff out of his timeline, given him Pietro’s memories, and installed him in Westview to play along with her game.

So was it really Agatha all along? Or is she too a minion? We still don’t know, but what I do know is I’ve been watching WandaVision for the past week (the fact that that’s a direct quote from the show speaks to how meta things are getting), and I’m certain that killing off Agatha in the series finale would be a waste of Kathryn Hahn (not to mention Agatha’s clear talent for producing quality music). So Marvel, please, pay attention to what the fandom is telling you and stop killing your villains before you’ve had a chance to use them properly: I don’t want to have to revisit this subject in two weeks time.

Episode Rating: 9.5/10

December 14, 2020

Abomination To Return In “She-Hulk” Series!

Even apart from official confirmation that Orphan Black star Tatiana Maslany will indeed be the Marvel Cinematic Universe’s Jennifer Walters (a.k.a. She-Hulk) in the upcoming Disney+ She-Hulk series – despite her insistent, and very convincing, claims to the contrary over the past few months – there were several other reveals about the series that have me even more excited to see Maslany transform into the lovable, seven-foot tall, bright green bodybuilder: and prove once and for all that she is not simply a gender-swapped version of the Hulk, as some like to claim, but a unique and fascinating character in her own right, with an abundance of new stories to tell.

For one thing, the series will not gloss over Walters’ day job as a lawyer and activist for both societal reform on a widespread level, and individual superheroes. Marvel president Kevin Feige strongly implied that a couple of familiar MCU characters – both heroes and villains – might wind up in court before Walters, and that she might be placed in increasingly more tricky (and potentially dangerous) predicaments depending on who she’s either representing or trying to place behind bars. Heroes who might show up include Falcon, Winter Soldier, Hawkeye, and Kate Bishop, most of whom are already fugitives from the law. But they likely won’t end up in prison, or if they do, it won’t be for long. Villains, on the other hand…that’s where this gets interesting.

The MCU has long had a habit of discarding potentially interesting villains after a single film appearance, without ever actually killing them off – which was just lazy storytelling during Phases 1 through 3, but turns out to be a blessing-in-disguise heading into Phase 4: because now, with the Infinity Saga finally completed, we have time to go back and address all the unresolved storylines of these various antagonists. And there’s long been speculation that, as in the comics, a multitude of these long-forgotten villains will assemble their own version of the Avengers called the Thunderbolts, under the leadership of General Thaddeus “Thunderbolt” Ross, an anti-superhero watchdog (who, ironically, is secretly able to transform into the Red Hulk). With no specific Thunderbolts series or movie announced during the Disney Investors Meeting on Thursday, I believe She-Hulk will act as the Phase 4 set-up to an eventual Thunderbolts series or movie during Phase 5.

Think about it for a moment. Currently, the MCU has dozens of villains whose fates are still unknown, and a few who have yet to show up but probably won’t be killed in the near future: and all of these villains have committed more than enough heinous crimes to deserve high-profile court trials. Let’s go over a few. Justin Hammer, Tony Stark’s wannabe copycat in Iron Man 2, quietly dropped off the grid after unleashing a small army of heavily-armed robots on New York City; Ghost, the quantum-phasing antagonist of Ant-Man And The Wasp, never received the healing particles she was supposed to get from Scott Lang, and has likely regressed back into self-loathing and hyper-aggression; Yelena Belova, who is set to appear in both Hawkeye and The Falcon And The Winter Soldier, probably won’t stop being a violent super-assassin anytime soon; Baron Zemo, the big bad of The Falcon And The Winter Soldier, is far too ingenious to stay locked up for long (he’s already escaped one high-security prison); and Madame Masque, whom Vera Farmiga will likely play in the Hawkeye series, is just a really cool character. There are a bunch of others who could fill out the team roster, but the one that we need to focus on is Abomination.

First introduced in The Incredible Hulk in 2008, Emil Blonsky (better known as the horribly mutated, grotesque titan Abomination) has only been referenced in-universe once or twice since his debut: back in 2013, Agents Of S.H.I.E.L.D. revealed that he was being held in S.H.I.E.L.D. custody, in a cryo-cell in Alaska. Since then, S.H.I.E.L.D. has been infiltrated by HYDRA and been almost entirely disassembled from the inside, but there’s been no mention of Abomination since. Until now. She-Hulk will officially feature the return of the old villain, with Tim Roth reprising the role after over a decade – and hopefully getting a new and improved, comics-accurate, design. The fact that Roth’s involvement has already been announced suggests that Abomination plays a key role in She-Hulk…and what do you know, he also has connections to Thaddeus Ross, and thus to the Thunderbolts team.

So what’s my theory? I believe, based on everything we know so far, that Jennifer Walters’ work as a prosecutor will place her directly in Thaddeus Ross’ line of fire, as he tries to secretly unite various villains and keep them out of prison, even while Walters fights to incarcerate them. In the MCU, it may be agents working for Ross who give Walters the gunshot wounds that almost kill her, leading to Bruce Banner having to save her life with an emergency blood transfusion – which in turn leads to her becoming the She-Hulk, and gaining the extra brawn she’ll need to take the fight straight to Ross. And when she comes face to face with him (probably in the season finale, after figuring out how deeply the corruption goes), that’s when Ross will reveal his own alter ego, the Red Hulk, and engage her in an epic duel. Sounds pretty good to me.

As an additional bonus, Tim Roth’s MCU return means we could see other characters from The Incredible Hulk pop up in She-Hulk: including Liv Tyler as Betty Ross (herself a Hulk variant in the comics, the fearsome antiheroine Red She-Hulk). Tyler’s return is something that’s been rumored, and that fans have especially been hoping to see – and of course, I’m always up for a Lord Of The Rings star coming into the MCU, even though, in Tyler’s case, she’s been there for a while; just not getting the recognition and screentime she deserves.

So what do you think? What are you looking forward to from She-Hulk, and how do you want Tim Roth’s Abomination to feature in the series? Share your own thoughts, theories, and opinions, in the comments below!